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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFBEF1 it is the complementary color #20410E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFBEF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFBEF1 shade: #E4BEEC, #F5D0FF, #FFE2FF, #FFF4FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFBEF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFBEF1 shade: #DFBEF1, #CEACDE, #BD9ACB, #AC88B8 and #9B76A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFBEF1 shade: #E0C0F2, #EDC0F2, #F2C0E8, #F2C0DB and #F2C0CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFBEF1 shade: #E0C0F2, #D3C0F2, #C5C0F2 and #C0C0F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFBEF1 shade matches the following richer shades: #E0C0F2, #E2BAF8 and #E4B4FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFBEF1 shade: #E0C0F2, #DEC6EB, #DCCCE5, #DBD2DF and #D9D9D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFBEF1 shade: #C5C0F2, #D2C0F2, #DFC0F2, #EDC0F2 and #F2C0E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFBEF1 shade: #BF7CE3, #CF9EEA, #E0C0F2, #F1E2F9 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFBEF1 shade: #DFBEF1, #F2C0C8 and #C0F2CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFBEF1 shade: #DFBEF1, #F2DFC0 and #C0F2DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFBEF1 shade: #DFBEF1, #F2C0C8, #D2F2C0 and #C0F2E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFBEF1 shade: #DFBEF1, #F2C7C0, #D2F2C0 and #C0EBF2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 21 / 0 / 5

HEX #DFBEF1

RGB 223 190 241

HSL 278.82, 0.65%, 0.85%

LAB 81.22, 20.85, -20.89

 

Complementary color

CMYK 51 / 0 / 78 / 75

HEX #20410E

RGB 32 65 14

HSL 98.82, 0.65%, 0.15%

LAB 24.06, -22.7, 26.16

 

CMYK 3 / 19 / 0 / 7

HEX #E4BEEC

RGB 228 190 236

HSL 289.57, 0.55%, 0.84%

LAB 81.5, 21.5, -17.75

 

CMYK 4 / 18 / 0 / 0

HEX #F5D0FF

RGB 245 208 255

HSL 287.23, 1%, 0.91%

LAB 87.85, 21.03, -18.13

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 21 / 0 / 5

HEX #DFBEF1

RGB 223 190 241

HSL 278.82, 0.65%, 0.85%

LAB 81.22, 20.85, -20.89

 

CMYK 7 / 23 / 0 / 13

HEX #CEACDE

RGB 206 172 222

HSL 280.8, 0.43%, 0.77%

LAB 74.76, 21.34, -20.57

 

CMYK 7 / 24 / 0 / 20

HEX #BD9ACB

RGB 189 154 203

HSL 282.86, 0.32%, 0.7%

LAB 68.2, 21.87, -20.24

 

CMYK 7 / 26 / 0 / 28

HEX #AC88B8

RGB 172 136 184

HSL 285, 0.25%, 0.63%

LAB 61.52, 22.44, -19.92

 

CMYK 6 / 28 / 0 / 35

HEX #9B76A5

RGB 155 118 165

HSL 287.23, 0.21%, 0.55%

LAB 54.7, 23.07, -19.6

 

CMYK 7 / 21 / 0 / 5

HEX #E0C0F2

RGB 224 192 242

HSL 278.4, 0.66%, 0.85%

LAB 81.82, 20.29, -20.51

 

CMYK 2 / 21 / 0 / 5

HEX #EDC0F2

RGB 237 192 242

HSL 294, 0.66%, 0.85%

LAB 82.97, 24.49, -18.65

 

CMYK 0 / 21 / 4 / 5

HEX #F2C0E8

RGB 242 192 232

HSL 312, 0.66%, 0.85%

LAB 83.13, 24.33, -13.03

 

CMYK 0 / 21 / 10 / 5

HEX #F2C0DB

RGB 242 192 219

HSL 327.6, 0.66%, 0.85%

LAB 82.75, 22.11, -6.63

 

CMYK 0 / 21 / 15 / 5

HEX #F2C0CE

RGB 242 192 206

HSL 343.2, 0.66%, 0.85%

LAB 82.4, 20, -0.18

 

CMYK 7 / 21 / 0 / 5

HEX #E0C0F2

RGB 224 192 242

HSL 278.4, 0.66%, 0.85%

LAB 81.82, 20.29, -20.51

 

CMYK 13 / 21 / 0 / 5

HEX #D3C0F2

RGB 211 192 242

HSL 262.8, 0.66%, 0.85%

LAB 80.72, 16.15, -22.28

 

CMYK 19 / 21 / 0 / 5

HEX #C5C0F2

RGB 197 192 242

HSL 246, 0.66%, 0.85%

LAB 79.6, 11.78, -24.08

 

CMYK 21 / 21 / 0 / 5

HEX #C0C0F2

RGB 192 192 242

HSL 240, 0.66%, 0.85%

LAB 79.22, 10.25, -24.69

 

CMYK 7 / 21 / 0 / 5

HEX #E0C0F2

RGB 224 192 242

HSL 278.4, 0.66%, 0.85%

LAB 81.82, 20.29, -20.51

 

CMYK 9 / 25 / 0 / 3

HEX #E2BAF8

RGB 226 186 248

HSL 278.71, 0.82%, 0.85%

LAB 80.77, 25.33, -25.29

 

CMYK 10 / 29 / 0 / 0

HEX #E4B4FE

RGB 228 180 254

HSL 278.92, 0.97%, 0.85%

LAB 79.78, 30.38, -30.01

 

CMYK 7 / 21 / 0 / 5

HEX #E0C0F2

RGB 224 192 242

HSL 278.4, 0.66%, 0.85%

LAB 81.82, 20.29, -20.51

 

CMYK 6 / 16 / 0 / 8

HEX #DEC6EB

RGB 222 198 235

HSL 278.92, 0.48%, 0.85%

LAB 82.87, 15.07, -15.2

 

CMYK 4 / 11 / 0 / 10

HEX #DCCCE5

RGB 220 204 229

HSL 278.4, 0.32%, 0.85%

LAB 84, 10.06, -10.33

 

CMYK 2 / 6 / 0 / 13

HEX #DBD2DF

RGB 219 210 223

HSL 281.54, 0.17%, 0.85%

LAB 85.24, 5.44, -5.3

 

CMYK 0 / 0 / 0 / 15

HEX #D9D9D9

RGB 217 217 217

HSL 0, 0%, 0.85%

LAB 86.7, 0, -0.01

 

CMYK 19 / 21 / 0 / 5

HEX #C5C0F2

RGB 197 192 242

HSL 246, 0.66%, 0.85%

LAB 79.6, 11.78, -24.08

 

CMYK 13 / 21 / 0 / 5

HEX #D2C0F2

RGB 210 192 242

HSL 261.6, 0.66%, 0.85%

LAB 80.63, 15.83, -22.41

 

CMYK 8 / 21 / 0 / 5

HEX #DFC0F2

RGB 223 192 242

HSL 277.2, 0.66%, 0.85%

LAB 81.73, 19.97, -20.65

 

CMYK 2 / 21 / 0 / 5

HEX #EDC0F2

RGB 237 192 242

HSL 294, 0.66%, 0.85%

LAB 82.97, 24.49, -18.65

 

CMYK 0 / 21 / 4 / 5

HEX #F2C0E9

RGB 242 192 233

HSL 310.8, 0.66%, 0.85%

LAB 83.16, 24.51, -13.52

 

CMYK 16 / 45 / 0 / 11

HEX #BF7CE3

RGB 191 124 227

HSL 279.03, 0.65%, 0.69%

LAB 62.54, 43.99, -42.33

 

CMYK 12 / 32 / 0 / 8

HEX #CF9EEA

RGB 207 158 234

HSL 278.68, 0.64%, 0.77%

LAB 72, 31.74, -31.33

 

CMYK 7 / 21 / 0 / 5

HEX #E0C0F2

RGB 224 192 242

HSL 278.4, 0.66%, 0.85%

LAB 81.82, 20.29, -20.51

 

CMYK 3 / 9 / 0 / 2

HEX #F1E2F9

RGB 241 226 249

HSL 279.13, 0.66%, 0.93%

LAB 91.65, 9.18, -9.31

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 21 / 0 / 5

HEX #DFBEF1

RGB 223 190 241

HSL 278.82, 0.65%, 0.85%

LAB 81.22, 20.85, -20.89

 

CMYK 0 / 21 / 17 / 5

HEX #F2C0C8

RGB 242 192 200

HSL 350.4, 0.66%, 0.85%

LAB 82.24, 19.07, 2.82

 

CMYK 21 / 0 / 16 / 5

HEX #C0F2CB

RGB 192 242 203

HSL 133.2, 0.66%, 0.85%

LAB 91.24, -23.4, 13.64

 

CMYK 7 / 21 / 0 / 5

HEX #DFBEF1

RGB 223 190 241

HSL 278.82, 0.65%, 0.85%

LAB 81.22, 20.85, -20.89

 

CMYK 0 / 8 / 21 / 5

HEX #F2DFC0

RGB 242 223 192

HSL 37.2, 0.66%, 0.85%

LAB 89.61, 1.68, 17.56

 

CMYK 21 / 0 / 8 / 5

HEX #C0F2DF

RGB 192 242 223

HSL 157.2, 0.66%, 0.85%

LAB 91.7, -19.67, 3.92

 

CMYK 7 / 21 / 0 / 5

HEX #DFBEF1

RGB 223 190 241

HSL 278.82, 0.65%, 0.85%

LAB 81.22, 20.85, -20.89

 

CMYK 0 / 21 / 17 / 5

HEX #F2C0C8

RGB 242 192 200

HSL 350.4, 0.66%, 0.85%

LAB 82.24, 19.07, 2.82

 

CMYK 13 / 0 / 21 / 5

HEX #D2F2C0

RGB 210 242 192

HSL 98.4, 0.66%, 0.85%

LAB 92.14, -19.26, 20.73

 

CMYK 21 / 0 / 4 / 5

HEX #C0F2E9

RGB 192 242 233

HSL 169.2, 0.66%, 0.85%

LAB 91.95, -17.68, -0.91

 

CMYK 7 / 21 / 0 / 5

HEX #DFBEF1

RGB 223 190 241

HSL 278.82, 0.65%, 0.85%

LAB 81.22, 20.85, -20.89

 

CMYK 0 / 18 / 21 / 5

HEX #F2C7C0

RGB 242 199 192

HSL 8.4, 0.66%, 0.85%

LAB 83.72, 14.17, 9.23

 

CMYK 13 / 0 / 21 / 5

HEX #D2F2C0

RGB 210 242 192

HSL 98.4, 0.66%, 0.85%

LAB 92.14, -19.26, 20.73

 

CMYK 21 / 3 / 0 / 5

HEX #C0EBF2

RGB 192 235 242

HSL 188.4, 0.66%, 0.85%

LAB 90.34, -12.32, -7.98

 

Description

Color code: HEX #DFBEF1 | qconv.com Color code: HEX #DFBEF1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 190 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 190 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 21 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 21% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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