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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFBDF5 it is the complementary color #20420A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFBDF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFBDF5 shade: #E4BDF0, #F5CFFF, #FFE1FF, #FFF3FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFBDF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFBDF5 shade: #DFBDF5, #CEABE2, #BD99CF, #AC87BC and #9B75A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFBDF5 shade: #DFBCF5, #EEBCF5, #F5BCED, #F5BCDD and #F5BCCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFBDF5 shade: #DFBCF5, #D0BCF5, #C0BCF5 and #BCBCF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFBDF5 shade matches the following richer shades: #DFBCF5 and #E0B6FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFBDF5 shade: #DFBCF5, #DDC3EF, #DCC9E9, #DBCFE2 and #DAD5DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFBDF5 shade: #C0BCF5, #CFBCF5, #DEBCF5, #EEBCF5 and #F5BCEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFBDF5 shade: #BC75EA, #CD99F0, #DFBCF5, #F0E0FA and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFBDF5 shade: #DFBDF5, #F5BCC8 and #BCF5C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFBDF5 shade: #DFBDF5, #F5DEBC and #BCF5DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFBDF5 shade: #DFBDF5, #F5BCC8, #D3F5BC and #BCF5EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFBDF5 shade: #DFBDF5, #F5C2BC, #D3F5BC and #BCEFF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 23 / 0 / 4

HEX #DFBDF5

RGB 223 189 245

HSL 276.43, 0.74%, 0.85%

LAB 81.11, 22.17, -23.19

 

Complementary color

CMYK 52 / 0 / 85 / 74

HEX #20420A

RGB 32 66 10

HSL 96.43, 0.74%, 0.15%

LAB 24.4, -23.52, 28.26

 

CMYK 5 / 21 / 0 / 6

HEX #E4BDF0

RGB 228 189 240

HSL 285.88, 0.63%, 0.84%

LAB 81.39, 22.8, -20.05

 

CMYK 4 / 19 / 0 / 0

HEX #F5CFFF

RGB 245 207 255

HSL 287.5, 1%, 0.91%

LAB 87.61, 21.56, -18.48

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 5 / 0 / 0

HEX #FFF3FF

RGB 255 243 255

HSL 300, 1%, 0.98%

LAB 97.06, 6.1, -4.32

 

CMYK 9 / 23 / 0 / 4

HEX #DFBDF5

RGB 223 189 245

HSL 276.43, 0.74%, 0.85%

LAB 81.11, 22.17, -23.19

 

CMYK 9 / 24 / 0 / 11

HEX #CEABE2

RGB 206 171 226

HSL 278.18, 0.49%, 0.78%

LAB 74.66, 22.69, -22.9

 

CMYK 9 / 26 / 0 / 19

HEX #BD99CF

RGB 189 153 207

HSL 280, 0.36%, 0.71%

LAB 68.1, 23.24, -22.61

 

CMYK 9 / 28 / 0 / 26

HEX #AC87BC

RGB 172 135 188

HSL 281.89, 0.28%, 0.63%

LAB 61.42, 23.83, -22.33

 

CMYK 8 / 31 / 0 / 34

HEX #9B75A9

RGB 155 117 169

HSL 283.85, 0.23%, 0.56%

LAB 54.61, 24.49, -22.05

 

CMYK 9 / 23 / 0 / 4

HEX #DFBCF5

RGB 223 188 245

HSL 276.84, 0.74%, 0.85%

LAB 80.88, 22.71, -23.55

 

CMYK 3 / 23 / 0 / 4

HEX #EEBCF5

RGB 238 188 245

HSL 292.63, 0.74%, 0.85%

LAB 82.24, 27.51, -21.36

 

CMYK 0 / 23 / 3 / 4

HEX #F5BCED

RGB 245 188 237

HSL 308.42, 0.74%, 0.85%

LAB 82.64, 28.33, -16.4

 

CMYK 0 / 23 / 10 / 4

HEX #F5BCDD

RGB 245 188 221

HSL 325.26, 0.74%, 0.85%

LAB 82.16, 25.58, -8.54

 

CMYK 0 / 23 / 16 / 4

HEX #F5BCCE

RGB 245 188 206

HSL 341.05, 0.74%, 0.85%

LAB 81.75, 23.17, -1.09

 

CMYK 9 / 23 / 0 / 4

HEX #DFBCF5

RGB 223 188 245

HSL 276.84, 0.74%, 0.85%

LAB 80.88, 22.71, -23.55

 

CMYK 15 / 23 / 0 / 4

HEX #D0BCF5

RGB 208 188 245

HSL 261.05, 0.74%, 0.85%

LAB 79.6, 18, -25.62

 

CMYK 22 / 23 / 0 / 4

HEX #C0BCF5

RGB 192 188 245

HSL 244.21, 0.74%, 0.85%

LAB 78.32, 13.1, -27.67

 

CMYK 23 / 23 / 0 / 4

HEX #BCBCF5

RGB 188 188 245

HSL 240, 0.74%, 0.85%

LAB 78.02, 11.9, -28.16

 

CMYK 9 / 23 / 0 / 4

HEX #DFBCF5

RGB 223 188 245

HSL 276.84, 0.74%, 0.85%

LAB 80.88, 22.71, -23.55

 

CMYK 11 / 27 / 0 / 2

HEX #E0B6FB

RGB 224 182 251

HSL 276.52, 0.9%, 0.85%

LAB 79.77, 27.46, -28.45

 

CMYK 9 / 23 / 0 / 4

HEX #DFBCF5

RGB 223 188 245

HSL 276.84, 0.74%, 0.85%

LAB 80.88, 22.71, -23.55

 

CMYK 8 / 18 / 0 / 6

HEX #DDC3EF

RGB 221 195 239

HSL 275.45, 0.58%, 0.85%

LAB 82.18, 17.12, -18.38

 

CMYK 6 / 14 / 0 / 9

HEX #DCC9E9

RGB 220 201 233

HSL 275.63, 0.42%, 0.85%

LAB 83.38, 12.42, -13.39

 

CMYK 3 / 8 / 0 / 11

HEX #DBCFE2

RGB 219 207 226

HSL 277.89, 0.25%, 0.85%

LAB 84.57, 7.58, -7.88

 

CMYK 1 / 3 / 0 / 14

HEX #DAD5DC

RGB 218 213 220

HSL 282.86, 0.09%, 0.85%

LAB 85.84, 2.97, -2.85

 

CMYK 22 / 23 / 0 / 4

HEX #C0BCF5

RGB 192 188 245

HSL 244.21, 0.74%, 0.85%

LAB 78.32, 13.1, -27.67

 

CMYK 16 / 23 / 0 / 4

HEX #CFBCF5

RGB 207 188 245

HSL 260, 0.74%, 0.85%

LAB 79.51, 17.69, -25.75

 

CMYK 9 / 23 / 0 / 4

HEX #DEBCF5

RGB 222 188 245

HSL 275.79, 0.74%, 0.85%

LAB 80.79, 22.4, -23.69

 

CMYK 3 / 23 / 0 / 4

HEX #EEBCF5

RGB 238 188 245

HSL 292.63, 0.74%, 0.85%

LAB 82.24, 27.51, -21.36

 

CMYK 0 / 23 / 3 / 4

HEX #F5BCEE

RGB 245 188 238

HSL 307.37, 0.74%, 0.85%

LAB 82.67, 28.51, -16.89

 

CMYK 20 / 50 / 0 / 8

HEX #BC75EA

RGB 188 117 234

HSL 276.41, 0.74%, 0.69%

LAB 61.09, 48.39, -48.52

 

CMYK 15 / 36 / 0 / 6

HEX #CD99F0

RGB 205 153 240

HSL 275.86, 0.74%, 0.77%

LAB 70.91, 35.11, -36.31

 

CMYK 9 / 23 / 0 / 4

HEX #DFBCF5

RGB 223 188 245

HSL 276.84, 0.74%, 0.85%

LAB 80.88, 22.71, -23.55

 

CMYK 4 / 10 / 0 / 2

HEX #F0E0FA

RGB 240 224 250

HSL 276.92, 0.72%, 0.93%

LAB 91.12, 10.08, -10.65

 

CMYK 9 / 23 / 0 / 4

HEX #DFBDF5

RGB 223 189 245

HSL 276.43, 0.74%, 0.85%

LAB 81.11, 22.17, -23.19

 

CMYK 0 / 23 / 18 / 4

HEX #F5BCC8

RGB 245 188 200

HSL 347.37, 0.74%, 0.85%

LAB 81.59, 22.25, 1.91

 

CMYK 23 / 0 / 18 / 4

HEX #BCF5C8

RGB 188 245 200

HSL 132.63, 0.74%, 0.85%

LAB 91.76, -26.65, 15.89

 

CMYK 9 / 23 / 0 / 4

HEX #DFBDF5

RGB 223 189 245

HSL 276.43, 0.74%, 0.85%

LAB 81.11, 22.17, -23.19

 

CMYK 0 / 9 / 23 / 4

HEX #F5DEBC

RGB 245 222 188

HSL 35.79, 0.74%, 0.85%

LAB 89.53, 2.73, 19.57

 

CMYK 23 / 0 / 9 / 4

HEX #BCF5DE

RGB 188 245 222

HSL 155.79, 0.74%, 0.85%

LAB 92.25, -22.55, 5.21

 

CMYK 9 / 23 / 0 / 4

HEX #DFBDF5

RGB 223 189 245

HSL 276.43, 0.74%, 0.85%

LAB 81.11, 22.17, -23.19

 

CMYK 0 / 23 / 18 / 4

HEX #F5BCC8

RGB 245 188 200

HSL 347.37, 0.74%, 0.85%

LAB 81.59, 22.25, 1.91

 

CMYK 14 / 0 / 23 / 4

HEX #D3F5BC

RGB 211 245 188

HSL 95.79, 0.74%, 0.85%

LAB 92.92, -20.99, 23.88

 

CMYK 23 / 0 / 4 / 4

HEX #BCF5EA

RGB 188 245 234

HSL 168.42, 0.74%, 0.85%

LAB 92.55, -20.15, -0.59

 

CMYK 9 / 23 / 0 / 4

HEX #DFBDF5

RGB 223 189 245

HSL 276.43, 0.74%, 0.85%

LAB 81.11, 22.17, -23.19

 

CMYK 0 / 21 / 23 / 4

HEX #F5C2BC

RGB 245 194 188

HSL 6.32, 0.74%, 0.85%

LAB 82.71, 17.33, 9.96

 

CMYK 14 / 0 / 23 / 4

HEX #D3F5BC

RGB 211 245 188

HSL 95.79, 0.74%, 0.85%

LAB 92.92, -20.99, 23.88

 

CMYK 23 / 2 / 0 / 4

HEX #BCEFF5

RGB 188 239 245

HSL 186.32, 0.74%, 0.85%

LAB 91.24, -14.87, -8.23

 

Description

Color code: HEX #DFBDF5 | qconv.com Color code: HEX #DFBDF5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 189 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 189 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 23 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 23% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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