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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFBAF0 it is the complementary color #20450F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFBAF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFBAF0 shade: #E4BAEB, #F5CCFE, #FFDEFF, #FFF0FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFBAF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFBAF0 shade: #DFBAF0, #CEA8DD, #BD96CA, #AC84B7 and #9B72A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFBAF0 shade: #E0BCF0, #EEBCF0, #F0BCE5, #F0BCD7 and #F0BCC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFBAF0 shade: #E0BCF0, #D2BCF0, #C4BCF0 and #BCBCF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFBAF0 shade matches the following richer shades: #E0BCF0, #E2B5F7 and #E5AFFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFBAF0 shade: #E0BCF0, #DDC3EA, #DBC9E3, #D9D0DD and #D6D6D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFBAF0 shade: #C4BCF0, #D2BCF0, #E0BCF0, #EEBCF0 and #F0BCE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFBAF0 shade: #C078E1, #D09AE9, #E0BCF0, #F0DEF8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFBAF0 shade: #DFBAF0, #F0BCC2 and #BCF0CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFBAF0 shade: #DFBAF0, #F0E0BC and #BCF0E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFBAF0 shade: #DFBAF0, #F0BCC2, #CDF0BC and #BCF0EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFBAF0 shade: #DFBAF0, #F0C6BC, #CDF0BC and #BCE7F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 23 / 0 / 6

HEX #DFBAF0

RGB 223 186 240

HSL 281.11, 0.64%, 0.84%

LAB 80.23, 22.8, -21.85

 

Complementary color

CMYK 54 / 0 / 78 / 73

HEX #20450F

RGB 32 69 15

HSL 101.11, 0.64%, 0.16%

LAB 25.56, -24.52, 27.25

 

CMYK 3 / 21 / 0 / 8

HEX #E4BAEB

RGB 228 186 235

HSL 291.43, 0.55%, 0.83%

LAB 80.52, 23.45, -18.68

 

CMYK 4 / 20 / 0 / 0

HEX #F5CCFE

RGB 245 204 254

HSL 289.2, 0.96%, 0.9%

LAB 86.88, 22.96, -19.06

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 23 / 0 / 6

HEX #DFBAF0

RGB 223 186 240

HSL 281.11, 0.64%, 0.84%

LAB 80.23, 22.8, -21.85

 

CMYK 7 / 24 / 0 / 13

HEX #CEA8DD

RGB 206 168 221

HSL 283.02, 0.44%, 0.76%

LAB 73.77, 23.32, -21.53

 

CMYK 6 / 26 / 0 / 21

HEX #BD96CA

RGB 189 150 202

HSL 285, 0.33%, 0.69%

LAB 67.2, 23.89, -21.21

 

CMYK 6 / 28 / 0 / 28

HEX #AC84B7

RGB 172 132 183

HSL 287.06, 0.26%, 0.62%

LAB 60.51, 24.5, -20.89

 

CMYK 5 / 30 / 0 / 36

HEX #9B72A4

RGB 155 114 164

HSL 289.2, 0.22%, 0.55%

LAB 53.69, 25.17, -20.56

 

CMYK 7 / 22 / 0 / 6

HEX #E0BCF0

RGB 224 188 240

HSL 281.54, 0.63%, 0.84%

LAB 80.8, 22.05, -20.98

 

CMYK 1 / 22 / 0 / 6

HEX #EEBCF0

RGB 238 188 240

HSL 297.69, 0.63%, 0.84%

LAB 82.07, 26.58, -18.93

 

CMYK 0 / 22 / 5 / 6

HEX #F0BCE5

RGB 240 188 229

HSL 312.69, 0.63%, 0.84%

LAB 81.92, 25.26, -13.25

 

CMYK 0 / 22 / 10 / 6

HEX #F0BCD7

RGB 240 188 215

HSL 328.85, 0.63%, 0.84%

LAB 81.51, 22.87, -6.34

 

CMYK 0 / 22 / 17 / 6

HEX #F0BCC8

RGB 240 188 200

HSL 346.15, 0.63%, 0.84%

LAB 81.11, 20.47, 1.14

 

CMYK 7 / 22 / 0 / 6

HEX #E0BCF0

RGB 224 188 240

HSL 281.54, 0.63%, 0.84%

LAB 80.8, 22.05, -20.98

 

CMYK 13 / 22 / 0 / 6

HEX #D2BCF0

RGB 210 188 240

HSL 265.38, 0.63%, 0.84%

LAB 79.59, 17.58, -22.93

 

CMYK 18 / 22 / 0 / 6

HEX #C4BCF0

RGB 196 188 240

HSL 249.23, 0.63%, 0.84%

LAB 78.46, 13.21, -24.76

 

CMYK 22 / 22 / 0 / 6

HEX #BCBCF0

RGB 188 188 240

HSL 240, 0.63%, 0.84%

LAB 77.84, 10.76, -25.75

 

CMYK 7 / 22 / 0 / 6

HEX #E0BCF0

RGB 224 188 240

HSL 281.54, 0.63%, 0.84%

LAB 80.8, 22.05, -20.98

 

CMYK 9 / 27 / 0 / 3

HEX #E2B5F7

RGB 226 181 247

HSL 280.91, 0.8%, 0.84%

LAB 79.58, 27.82, -26.58

 

CMYK 10 / 31 / 0 / 0

HEX #E5AFFE

RGB 229 175 254

HSL 281.01, 0.98%, 0.84%

LAB 78.74, 33.37, -31.6

 

CMYK 7 / 22 / 0 / 6

HEX #E0BCF0

RGB 224 188 240

HSL 281.54, 0.63%, 0.84%

LAB 80.8, 22.05, -20.98

 

CMYK 6 / 17 / 0 / 8

HEX #DDC3EA

RGB 221 195 234

HSL 280, 0.48%, 0.84%

LAB 82.02, 16.15, -15.94

 

CMYK 4 / 11 / 0 / 11

HEX #DBC9E3

RGB 219 201 227

HSL 281.54, 0.32%, 0.84%

LAB 83.11, 10.95, -10.59

 

CMYK 2 / 6 / 0 / 13

HEX #D9D0DD

RGB 217 208 221

HSL 281.54, 0.16%, 0.84%

LAB 84.53, 5.45, -5.31

 

CMYK 0 / 0 / 0 / 16

HEX #D6D6D6

RGB 214 214 214

HSL 0, 0%, 0.84%

LAB 85.63, 0, -0.01

 

CMYK 18 / 22 / 0 / 6

HEX #C4BCF0

RGB 196 188 240

HSL 249.23, 0.63%, 0.84%

LAB 78.46, 13.21, -24.76

 

CMYK 13 / 22 / 0 / 6

HEX #D2BCF0

RGB 210 188 240

HSL 265.38, 0.63%, 0.84%

LAB 79.59, 17.58, -22.93

 

CMYK 7 / 22 / 0 / 6

HEX #E0BCF0

RGB 224 188 240

HSL 281.54, 0.63%, 0.84%

LAB 80.8, 22.05, -20.98

 

CMYK 1 / 22 / 0 / 6

HEX #EEBCF0

RGB 238 188 240

HSL 297.69, 0.63%, 0.84%

LAB 82.07, 26.58, -18.93

 

CMYK 0 / 22 / 5 / 6

HEX #F0BCE5

RGB 240 188 229

HSL 312.69, 0.63%, 0.84%

LAB 81.92, 25.26, -13.25

 

CMYK 15 / 47 / 0 / 12

HEX #C078E1

RGB 192 120 225

HSL 281.14, 0.64%, 0.68%

LAB 61.72, 45.98, -42.49

 

CMYK 11 / 34 / 0 / 9

HEX #D09AE9

RGB 208 154 233

HSL 281.01, 0.64%, 0.76%

LAB 71.15, 34.02, -32.09

 

CMYK 7 / 22 / 0 / 6

HEX #E0BCF0

RGB 224 188 240

HSL 281.54, 0.63%, 0.84%

LAB 80.8, 22.05, -20.98

 

CMYK 3 / 10 / 0 / 3

HEX #F0DEF8

RGB 240 222 248

HSL 281.54, 0.65%, 0.92%

LAB 90.57, 10.75, -10.41

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 23 / 0 / 6

HEX #DFBAF0

RGB 223 186 240

HSL 281.11, 0.64%, 0.84%

LAB 80.23, 22.8, -21.85

 

CMYK 0 / 22 / 19 / 6

HEX #F0BCC2

RGB 240 188 194

HSL 353.08, 0.63%, 0.84%

LAB 80.95, 19.56, 4.15

 

CMYK 22 / 0 / 15 / 6

HEX #BCF0CB

RGB 188 240 203

HSL 137.31, 0.63%, 0.84%

LAB 90.47, -23.72, 12.51

 

CMYK 7 / 23 / 0 / 6

HEX #DFBAF0

RGB 223 186 240

HSL 281.11, 0.64%, 0.84%

LAB 80.23, 22.8, -21.85

 

CMYK 0 / 7 / 22 / 6

HEX #F0E0BC

RGB 240 224 188

HSL 41.54, 0.63%, 0.84%

LAB 89.61, -0.13, 19.62

 

CMYK 22 / 0 / 7 / 6

HEX #BCF0E0

RGB 188 240 224

HSL 161.54, 0.63%, 0.84%

LAB 90.96, -19.72, 2.3

 

CMYK 7 / 23 / 0 / 6

HEX #DFBAF0

RGB 223 186 240

HSL 281.11, 0.64%, 0.84%

LAB 80.23, 22.8, -21.85

 

CMYK 0 / 22 / 19 / 6

HEX #F0BCC2

RGB 240 188 194

HSL 353.08, 0.63%, 0.84%

LAB 80.95, 19.56, 4.15

 

CMYK 15 / 0 / 22 / 6

HEX #CDF0BC

RGB 205 240 188

HSL 100.38, 0.63%, 0.84%

LAB 91.2, -20.63, 21.44

 

CMYK 22 / 0 / 3 / 6

HEX #BCF0EA

RGB 188 240 234

HSL 173.08, 0.63%, 0.84%

LAB 91.21, -17.69, -2.54

 

CMYK 7 / 23 / 0 / 6

HEX #DFBAF0

RGB 223 186 240

HSL 281.11, 0.64%, 0.84%

LAB 80.23, 22.8, -21.85

 

CMYK 0 / 18 / 22 / 6

HEX #F0C6BC

RGB 240 198 188

HSL 11.54, 0.63%, 0.84%

LAB 83.2, 13.39, 10.59

 

CMYK 15 / 0 / 22 / 6

HEX #CDF0BC

RGB 205 240 188

HSL 100.38, 0.63%, 0.84%

LAB 91.2, -20.63, 21.44

 

CMYK 22 / 4 / 0 / 6

HEX #BCE7F0

RGB 188 231 240

HSL 190.38, 0.63%, 0.84%

LAB 88.99, -11.91, -8.97

 

Description

Color code: HEX #DFBAF0 | qconv.com Color code: HEX #DFBAF0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 186 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 186 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 23 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 23% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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