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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFBAEF it is the complementary color #204510. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFBAEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFBAEF shade: #E4BAEA, #F5CCFD, #FFDEFF, #FFF0FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFBAEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFBAEF shade: #DFBAEF, #CEA8DC, #BD96C9, #AC84B6 and #9B72A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFBAEF shade: #DEB9EF, #EDB9EF, #EFB9E2, #EFB9D3 and #EFB9C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFBAEF shade: #DEB9EF, #D0B9EF, #C1B9EF and #B9B9EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFBAEF shade matches the following richer shades: #DEB9EF, #E1B2F6 and #E4ABFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFBAEF shade: #DEB9EF, #DCC0E8, #D9C7E0, #D6CED9 and #D3D5D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFBAEF shade: #C1B9EF, #CFB9EF, #DEB9EF, #ECB9EF and #EFB9E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFBAEF shade: #BF76DF, #CF97E7, #DEB9EF, #EEDAF6 and #FDFCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFBAEF shade: #DFBAEF, #EFB9BF and #B9EFC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFBAEF shade: #DFBAEF, #EFDEB9 and #B9EFDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFBAEF shade: #DFBAEF, #EFB9BF, #CAEFB9 and #B9EFE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFBAEF shade: #DFBAEF, #EFC3B9, #CAEFB9 and #B9E5EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 22 / 0 / 6

HEX #DFBAEF

RGB 223 186 239

HSL 281.89, 0.62%, 0.83%

LAB 80.2, 22.6, -21.36

 

Complementary color

CMYK 54 / 0 / 77 / 73

HEX #204510

RGB 32 69 16

HSL 101.89, 0.62%, 0.17%

LAB 25.57, -24.42, 26.79

 

CMYK 3 / 21 / 0 / 8

HEX #E4BAEA

RGB 228 186 234

HSL 292.5, 0.53%, 0.82%

LAB 80.49, 23.27, -18.19

 

CMYK 3 / 19 / 0 / 1

HEX #F5CCFD

RGB 245 204 253

HSL 290.2, 0.92%, 0.9%

LAB 86.84, 22.77, -18.58

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 22 / 0 / 6

HEX #DFBAEF

RGB 223 186 239

HSL 281.89, 0.62%, 0.83%

LAB 80.2, 22.6, -21.36

 

CMYK 6 / 24 / 0 / 14

HEX #CEA8DC

RGB 206 168 220

HSL 283.85, 0.43%, 0.76%

LAB 73.74, 23.12, -21.03

 

CMYK 6 / 25 / 0 / 21

HEX #BD96C9

RGB 189 150 201

HSL 285.88, 0.32%, 0.69%

LAB 67.16, 23.69, -20.71

 

CMYK 5 / 27 / 0 / 29

HEX #AC84B6

RGB 172 132 182

HSL 288, 0.26%, 0.62%

LAB 60.47, 24.3, -20.38

 

CMYK 5 / 30 / 0 / 36

HEX #9B72A3

RGB 155 114 163

HSL 290.2, 0.21%, 0.54%

LAB 53.65, 24.96, -20.04

 

CMYK 7 / 23 / 0 / 6

HEX #DEB9EF

RGB 222 185 239

HSL 281.11, 0.63%, 0.83%

LAB 79.87, 22.82, -21.86

 

CMYK 1 / 23 / 0 / 6

HEX #EDB9EF

RGB 237 185 239

HSL 297.78, 0.63%, 0.83%

LAB 81.26, 27.67, -19.64

 

CMYK 0 / 23 / 5 / 6

HEX #EFB9E2

RGB 239 185 226

HSL 314.44, 0.63%, 0.83%

LAB 81.04, 26, -12.97

 

CMYK 0 / 23 / 12 / 6

HEX #EFB9D3

RGB 239 185 211

HSL 331.11, 0.63%, 0.83%

LAB 80.6, 23.46, -5.54

 

CMYK 0 / 23 / 18 / 6

HEX #EFB9C5

RGB 239 185 197

HSL 346.67, 0.63%, 0.83%

LAB 80.22, 21.24, 1.46

 

CMYK 7 / 23 / 0 / 6

HEX #DEB9EF

RGB 222 185 239

HSL 281.11, 0.63%, 0.83%

LAB 79.87, 22.82, -21.86

 

CMYK 13 / 23 / 0 / 6

HEX #D0B9EF

RGB 208 185 239

HSL 265.56, 0.63%, 0.83%

LAB 78.66, 18.37, -23.82

 

CMYK 19 / 23 / 0 / 6

HEX #C1B9EF

RGB 193 185 239

HSL 248.89, 0.63%, 0.83%

LAB 77.44, 13.7, -25.79

 

CMYK 23 / 23 / 0 / 6

HEX #B9B9EF

RGB 185 185 239

HSL 240, 0.63%, 0.83%

LAB 76.83, 11.26, -26.79

 

CMYK 7 / 23 / 0 / 6

HEX #DEB9EF

RGB 222 185 239

HSL 281.11, 0.63%, 0.83%

LAB 79.87, 22.82, -21.86

 

CMYK 9 / 28 / 0 / 4

HEX #E1B2F6

RGB 225 178 246

HSL 281.47, 0.79%, 0.83%

LAB 78.75, 28.92, -27.31

 

CMYK 10 / 32 / 0 / 1

HEX #E4ABFD

RGB 228 171 253

HSL 281.71, 0.95%, 0.83%

LAB 77.7, 35, -32.66

 

CMYK 7 / 23 / 0 / 6

HEX #DEB9EF

RGB 222 185 239

HSL 281.11, 0.63%, 0.83%

LAB 79.87, 22.82, -21.86

 

CMYK 5 / 17 / 0 / 9

HEX #DCC0E8

RGB 220 192 232

HSL 282, 0.47%, 0.83%

LAB 81.15, 17.04, -16.2

 

CMYK 3 / 11 / 0 / 12

HEX #D9C7E0

RGB 217 199 224

HSL 283.2, 0.29%, 0.83%

LAB 82.37, 10.78, -10.11

 

CMYK 1 / 5 / 0 / 15

HEX #D6CED9

RGB 214 206 217

HSL 283.64, 0.13%, 0.83%

LAB 83.68, 4.75, -4.46

 

CMYK 1 / 0 / 1 / 16

HEX #D3D5D2

RGB 211 213 210

HSL 100, 0.03%, 0.83%

LAB 85.04, -1.22, 1.23

 

CMYK 19 / 23 / 0 / 6

HEX #C1B9EF

RGB 193 185 239

HSL 248.89, 0.63%, 0.83%

LAB 77.44, 13.7, -25.79

 

CMYK 13 / 23 / 0 / 6

HEX #CFB9EF

RGB 207 185 239

HSL 264.44, 0.63%, 0.83%

LAB 78.58, 18.05, -23.96

 

CMYK 7 / 23 / 0 / 6

HEX #DEB9EF

RGB 222 185 239

HSL 281.11, 0.63%, 0.83%

LAB 79.87, 22.82, -21.86

 

CMYK 1 / 23 / 0 / 6

HEX #ECB9EF

RGB 236 185 239

HSL 296.67, 0.63%, 0.83%

LAB 81.16, 27.34, -19.79

 

CMYK 0 / 23 / 5 / 6

HEX #EFB9E3

RGB 239 185 227

HSL 313.33, 0.63%, 0.83%

LAB 81.07, 26.17, -13.46

 

CMYK 14 / 47 / 0 / 13

HEX #BF76DF

RGB 191 118 223

HSL 281.71, 0.62%, 0.67%

LAB 61.1, 46.34, -42.36

 

CMYK 10 / 35 / 0 / 9

HEX #CF97E7

RGB 207 151 231

HSL 282, 0.63%, 0.75%

LAB 70.29, 34.94, -32.32

 

CMYK 7 / 23 / 0 / 6

HEX #DEB9EF

RGB 222 185 239

HSL 281.11, 0.63%, 0.83%

LAB 79.87, 22.82, -21.86

 

CMYK 3 / 11 / 0 / 4

HEX #EEDAF6

RGB 238 218 246

HSL 282.86, 0.61%, 0.91%

LAB 89.38, 11.81, -11.15

 

CMYK 0 / 1 / 0 / 0

HEX #FDFCFE

RGB 253 252 254

HSL 270, 0.5%, 0.99%

LAB 99.09, 0.69, -0.85

 

CMYK 7 / 22 / 0 / 6

HEX #DFBAEF

RGB 223 186 239

HSL 281.89, 0.62%, 0.83%

LAB 80.2, 22.6, -21.36

 

CMYK 0 / 23 / 20 / 6

HEX #EFB9BF

RGB 239 185 191

HSL 353.33, 0.63%, 0.83%

LAB 80.07, 20.34, 4.48

 

CMYK 23 / 0 / 16 / 6

HEX #B9EFC8

RGB 185 239 200

HSL 136.67, 0.63%, 0.83%

LAB 89.96, -24.73, 13.32

 

CMYK 7 / 22 / 0 / 6

HEX #DFBAEF

RGB 223 186 239

HSL 281.89, 0.62%, 0.83%

LAB 80.2, 22.6, -21.36

 

CMYK 0 / 7 / 23 / 6

HEX #EFDEB9

RGB 239 222 185

HSL 41.11, 0.63%, 0.83%

LAB 88.97, 0.1, 20.28

 

CMYK 23 / 0 / 7 / 6

HEX #B9EFDE

RGB 185 239 222

HSL 161.11, 0.63%, 0.83%

LAB 90.47, -20.54, 2.61

 

CMYK 7 / 22 / 0 / 6

HEX #DFBAEF

RGB 223 186 239

HSL 281.89, 0.62%, 0.83%

LAB 80.2, 22.6, -21.36

 

CMYK 0 / 23 / 20 / 6

HEX #EFB9BF

RGB 239 185 191

HSL 353.33, 0.63%, 0.83%

LAB 80.07, 20.34, 4.48

 

CMYK 15 / 0 / 23 / 6

HEX #CAEFB9

RGB 202 239 185

HSL 101.11, 0.63%, 0.83%

LAB 90.69, -21.65, 22.24

 

CMYK 23 / 0 / 3 / 6

HEX #B9EFE8

RGB 185 239 232

HSL 172.22, 0.63%, 0.83%

LAB 90.72, -18.5, -2.24

 

CMYK 7 / 22 / 0 / 6

HEX #DFBAEF

RGB 223 186 239

HSL 281.89, 0.62%, 0.83%

LAB 80.2, 22.6, -21.36

 

CMYK 0 / 18 / 23 / 6

HEX #EFC3B9

RGB 239 195 185

HSL 11.11, 0.63%, 0.83%

LAB 82.32, 14.17, 10.92

 

CMYK 15 / 0 / 23 / 6

HEX #CAEFB9

RGB 202 239 185

HSL 101.11, 0.63%, 0.83%

LAB 90.69, -21.65, 22.24

 

CMYK 23 / 4 / 0 / 6

HEX #B9E5EF

RGB 185 229 239

HSL 191.11, 0.63%, 0.83%

LAB 88.25, -12, -9.56

 

Description

Color code: HEX #DFBAEF | qconv.com Color code: HEX #DFBAEF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 186 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 186 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 22 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 22% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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