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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFBA3E it is the complementary color #2045C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFBA3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFBA3E shade: #E4BA39, #F5CC4C, #FFDE5F, #FFF072 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFBA3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFBA3E shade: #DFBA3E, #CEA82B, #BD9618, #AC8405 and #9B7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFBA3E shade: #E0BA3E, #E08F3E, #E0633E and #E03E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFBA3E shade: #E0BA3E, #D9E03E, #AEE03E, #82E03E and #56E03E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFBA3E shade matches the following richer shades: #E0BA3E and #F2C42C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFBA3E shade: #E0BA3E, #CDB150, #BBA762, #A99D74 and #979387

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFBA3E shade: #E0643E, #E08F3E, #E0BA3E, #DAE03E and #AFE03E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFBA3E shade: #AF8D1C, #D2AA22, #E0BA3E, #E5C761 and #EBD485

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFBA3E shade: #DFBA3E, #43E03E and #793EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFBA3E shade: #DFBA3E, #3EE0BA and #BA3EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFBA3E shade: #DFBA3E, #43E03E, #3E64E0 and #DA3EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFBA3E shade: #DFBA3E, #3EE069, #3E64E0 and #E03EB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 72 / 13

HEX #DFBA3E

RGB 223 186 62

HSL 46.21, 0.72%, 0.56%

LAB 76.77, 0.66, 64.45

 

Complementary color

CMYK 83 / 64 / 0 / 24

HEX #2045C1

RGB 32 69 193

HSL 226.21, 0.72%, 0.44%

LAB 34.83, 34.15, -68.12

 

CMYK 0 / 18 / 75 / 11

HEX #E4BA39

RGB 228 186 57

HSL 45.26, 0.76%, 0.56%

LAB 77.23, 2.58, 66.91

 

CMYK 0 / 17 / 69 / 4

HEX #F5CC4C

RGB 245 204 76

HSL 45.44, 0.89%, 0.63%

LAB 83.51, 1.33, 66.4

 

CMYK 0 / 13 / 63 / 0

HEX #FFDE5F

RGB 255 222 95

HSL 47.63, 1%, 0.69%

LAB 89.08, -2.62, 64.68

 

CMYK 0 / 6 / 55 / 0

HEX #FFF072

RGB 255 240 114

HSL 53.62, 1%, 0.72%

LAB 93.79, -10.32, 61.65

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 17 / 72 / 13

HEX #DFBA3E

RGB 223 186 62

HSL 46.21, 0.72%, 0.56%

LAB 76.77, 0.66, 64.45

 

CMYK 0 / 18 / 79 / 19

HEX #CEA82B

RGB 206 168 43

HSL 46.01, 0.65%, 0.49%

LAB 70.39, 2, 64.64

 

CMYK 0 / 21 / 87 / 26

HEX #BD9618

RGB 189 150 24

HSL 45.82, 0.77%, 0.42%

LAB 63.92, 3.58, 63.92

 

CMYK 0 / 23 / 97 / 33

HEX #AC8405

RGB 172 132 5

HSL 45.63, 0.94%, 0.35%

LAB 57.35, 5.43, 61.74

 

CMYK 0 / 26 / 100 / 39

HEX #9B7200

RGB 155 114 0

HSL 44.13, 1%, 0.3%

LAB 50.69, 7.61, 57.11

 

CMYK 0 / 17 / 72 / 12

HEX #E0BA3E

RGB 224 186 62

HSL 45.93, 0.72%, 0.56%

LAB 76.87, 1.08, 64.57

 

CMYK 0 / 36 / 72 / 12

HEX #E08F3E

RGB 224 143 62

HSL 30, 0.72%, 0.56%

LAB 66.4, 23.95, 54.01

 

CMYK 0 / 56 / 72 / 12

HEX #E0633E

RGB 224 99 62

HSL 13.7, 0.72%, 0.56%

LAB 57.19, 46.53, 44.19

 

CMYK 0 / 72 / 72 / 12

HEX #E03E3E

RGB 224 62 62

HSL 0, 0.72%, 0.56%

LAB 51.43, 61.96, 37.72

 

CMYK 0 / 17 / 72 / 12

HEX #E0BA3E

RGB 224 186 62

HSL 45.93, 0.72%, 0.56%

LAB 76.87, 1.08, 64.57

 

CMYK 3 / 0 / 72 / 12

HEX #D9E03E

RGB 217 224 62

HSL 62.59, 0.72%, 0.56%

LAB 86.21, -21.05, 73.39

 

CMYK 22 / 0 / 72 / 12

HEX #AEE03E

RGB 174 224 62

HSL 78.52, 0.72%, 0.56%

LAB 83.26, -38.21, 69.53

 

CMYK 42 / 0 / 72 / 12

HEX #82E03E

RGB 130 224 62

HSL 94.81, 0.72%, 0.56%

LAB 80.96, -53.75, 66.49

 

CMYK 62 / 0 / 72 / 12

HEX #56E03E

RGB 86 224 62

HSL 111.11, 0.72%, 0.56%

LAB 79.41, -65.73, 64.41

 

CMYK 0 / 17 / 72 / 12

HEX #E0BA3E

RGB 224 186 62

HSL 45.93, 0.72%, 0.56%

LAB 76.87, 1.08, 64.57

 

CMYK 0 / 19 / 82 / 5

HEX #F2C42C

RGB 242 196 44

HSL 46.06, 0.88%, 0.56%

LAB 81.04, 2.92, 75.05

 

CMYK 0 / 17 / 72 / 12

HEX #E0BA3E

RGB 224 186 62

HSL 45.93, 0.72%, 0.56%

LAB 76.87, 1.08, 64.57

 

CMYK 0 / 14 / 61 / 20

HEX #CDB150

RGB 205 177 80

HSL 46.56, 0.56%, 0.56%

LAB 72.89, -1.28, 52.21

 

CMYK 0 / 11 / 48 / 27

HEX #BBA762

RGB 187 167 98

HSL 46.52, 0.4%, 0.56%

LAB 68.81, -2.08, 38.17

 

CMYK 0 / 7 / 31 / 34

HEX #A99D74

RGB 169 157 116

HSL 46.42, 0.24%, 0.56%

LAB 64.81, -2.05, 23.07

 

CMYK 0 / 3 / 11 / 41

HEX #979387

RGB 151 147 135

HSL 45, 0.07%, 0.56%

LAB 60.95, -0.72, 6.87

 

CMYK 0 / 55 / 72 / 12

HEX #E0643E

RGB 224 100 62

HSL 14.07, 0.72%, 0.56%

LAB 57.38, 46.05, 44.39

 

CMYK 0 / 36 / 72 / 12

HEX #E08F3E

RGB 224 143 62

HSL 30, 0.72%, 0.56%

LAB 66.4, 23.95, 54.01

 

CMYK 0 / 17 / 72 / 12

HEX #E0BA3E

RGB 224 186 62

HSL 45.93, 0.72%, 0.56%

LAB 76.87, 1.08, 64.57

 

CMYK 3 / 0 / 72 / 12

HEX #DAE03E

RGB 218 224 62

HSL 62.22, 0.72%, 0.56%

LAB 86.29, -20.64, 73.49

 

CMYK 22 / 0 / 72 / 12

HEX #AFE03E

RGB 175 224 62

HSL 78.15, 0.72%, 0.56%

LAB 83.32, -37.83, 69.61

 

CMYK 0 / 19 / 84 / 31

HEX #AF8D1C

RGB 175 141 28

HSL 46.12, 0.72%, 0.4%

LAB 60.11, 2.29, 59.1

 

CMYK 0 / 19 / 84 / 18

HEX #D2AA22

RGB 210 170 34

HSL 46.36, 0.72%, 0.48%

LAB 71.26, 2.41, 68.26

 

CMYK 0 / 17 / 72 / 12

HEX #E0BA3E

RGB 224 186 62

HSL 45.93, 0.72%, 0.56%

LAB 76.87, 1.08, 64.57

 

CMYK 0 / 13 / 58 / 10

HEX #E5C761

RGB 229 199 97

HSL 46.36, 0.72%, 0.64%

LAB 80.94, -1.47, 54.06

 

CMYK 0 / 10 / 43 / 8

HEX #EBD485

RGB 235 212 133

HSL 46.47, 0.72%, 0.72%

LAB 85.22, -2.58, 41.9

 

CMYK 0 / 17 / 72 / 13

HEX #DFBA3E

RGB 223 186 62

HSL 46.21, 0.72%, 0.56%

LAB 76.77, 0.66, 64.45

 

CMYK 70 / 0 / 72 / 12

HEX #43E03E

RGB 67 224 62

HSL 118.15, 0.72%, 0.56%

LAB 78.96, -69.47, 63.81

 

CMYK 46 / 72 / 0 / 12

HEX #793EE0

RGB 121 62 224

HSL 261.85, 0.72%, 0.56%

LAB 42.6, 59.27, -73.04

 

CMYK 0 / 17 / 72 / 13

HEX #DFBA3E

RGB 223 186 62

HSL 46.21, 0.72%, 0.56%

LAB 76.77, 0.66, 64.45

 

CMYK 72 / 0 / 17 / 12

HEX #3EE0BA

RGB 62 224 186

HSL 165.93, 0.72%, 0.56%

LAB 80.67, -49.95, 6.77

 

CMYK 17 / 72 / 0 / 12

HEX #BA3EE0

RGB 186 62 224

HSL 285.93, 0.72%, 0.56%

LAB 51, 71.05, -59.03

 

CMYK 0 / 17 / 72 / 13

HEX #DFBA3E

RGB 223 186 62

HSL 46.21, 0.72%, 0.56%

LAB 76.77, 0.66, 64.45

 

CMYK 70 / 0 / 72 / 12

HEX #43E03E

RGB 67 224 62

HSL 118.15, 0.72%, 0.56%

LAB 78.96, -69.47, 63.81

 

CMYK 72 / 55 / 0 / 12

HEX #3E64E0

RGB 62 100 224

HSL 225.93, 0.72%, 0.56%

LAB 46.34, 28.69, -67.13

 

CMYK 3 / 72 / 0 / 12

HEX #DA3EE0

RGB 218 62 224

HSL 297.78, 0.72%, 0.56%

LAB 55.82, 77.49, -51.04

 

CMYK 0 / 17 / 72 / 13

HEX #DFBA3E

RGB 223 186 62

HSL 46.21, 0.72%, 0.56%

LAB 76.77, 0.66, 64.45

 

CMYK 72 / 0 / 53 / 12

HEX #3EE069

RGB 62 224 105

HSL 135.93, 0.72%, 0.56%

LAB 79.25, -65.66, 46.14

 

CMYK 72 / 55 / 0 / 12

HEX #3E64E0

RGB 62 100 224

HSL 225.93, 0.72%, 0.56%

LAB 46.34, 28.69, -67.13

 

CMYK 0 / 72 / 20 / 12

HEX #E03EB4

RGB 224 62 180

HSL 316.3, 0.72%, 0.56%

LAB 54.65, 72.37, -27.61

 

Description

Color code: HEX #DFBA3E | qconv.com Color code: HEX #DFBA3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 186 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 186 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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