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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFBA1C it is the complementary color #2045E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFBA1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFBA1C shade: #E4BA17, #F5CC2A, #FFDE3D, #FFF050 and #FFFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFBA1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFBA1C shade: #DFBA1C, #CEA809, #BD9600, #AC8400 and #9B7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFBA1C shade: #DEB91B, #DE851B, #DE501B, #DE1C1B and #DE1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFBA1C shade: #DEB91B, #CFDE1B, #9ADE1B, #66DE1B and #31DE1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFBA1C shade matches the following richer shades: #DEB91B and #F3C607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFBA1C shade: #DEB91B, #CAAD30, #B6A044, #A29458 and #8E876C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFBA1C shade: #DE4F1B, #DE831B, #DEB71B, #D1DE1B and #9DDE1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFBA1C shade: #957C12, #BA9B17, #DEB91B, #E7C73C and #EBD161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFBA1C shade: #DFBA1C, #1BDE1B and #691BDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFBA1C shade: #DFBA1C, #1BDEB7 and #B71BDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFBA1C shade: #DFBA1C, #1BDE1B, #1B42DE and #DE1BDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFBA1C shade: #DFBA1C, #1BDE56, #1B42DE and #DE1BA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 87 / 13

HEX #DFBA1C

RGB 223 186 28

HSL 48.62, 0.78%, 0.49%

LAB 76.61, -0.47, 74.6

 

Complementary color

CMYK 86 / 70 / 0 / 11

HEX #2045E3

RGB 32 69 227

HSL 228.62, 0.78%, 0.51%

LAB 38.04, 46.5, -82.47

 

CMYK 0 / 18 / 90 / 11

HEX #E4BA17

RGB 228 186 23

HSL 47.71, 0.82%, 0.49%

LAB 77.09, 1.61, 76.15

 

CMYK 0 / 17 / 83 / 4

HEX #F5CC2A

RGB 245 204 42

HSL 47.88, 0.91%, 0.56%

LAB 83.32, 0.02, 77.64

 

CMYK 0 / 13 / 76 / 0

HEX #FFDE3D

RGB 255 222 61

HSL 49.79, 1%, 0.62%

LAB 88.85, -4.29, 77.31

 

CMYK 0 / 6 / 69 / 0

HEX #FFF050

RGB 255 240 80

HSL 54.86, 1%, 0.66%

LAB 93.52, -12.41, 75.25

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 0 / 17 / 87 / 13

HEX #DFBA1C

RGB 223 186 28

HSL 48.62, 0.78%, 0.49%

LAB 76.61, -0.47, 74.6

 

CMYK 0 / 18 / 96 / 19

HEX #CEA809

RGB 206 168 9

HSL 48.43, 0.92%, 0.42%

LAB 70.28, 1.25, 72.15

 

CMYK 0 / 21 / 100 / 26

HEX #BD9600

RGB 189 150 0

HSL 47.62, 1%, 0.37%

LAB 63.86, 3.22, 67.95

 

CMYK 0 / 23 / 100 / 33

HEX #AC8400

RGB 172 132 0

HSL 46.05, 1%, 0.34%

LAB 57.34, 5.36, 62.58

HEX #AC8400

CMYK 0 / 26 / 100 / 39

HEX #9B7200

RGB 155 114 0

HSL 44.13, 1%, 0.3%

LAB 50.69, 7.61, 57.11

HEX #9B7200

CMYK 0 / 17 / 88 / 13

HEX #DEB91B

RGB 222 185 27

HSL 48.62, 0.78%, 0.49%

LAB 76.26, -0.4, 74.49

 

CMYK 0 / 40 / 88 / 13

HEX #DE851B

RGB 222 133 27

HSL 32.62, 0.78%, 0.49%

LAB 63.66, 27.26, 64.56

 

CMYK 0 / 64 / 88 / 13

HEX #DE501B

RGB 222 80 27

HSL 16.31, 0.78%, 0.49%

LAB 53.33, 53.28, 56.5

 

CMYK 0 / 87 / 88 / 13

HEX #DE1C1B

RGB 222 28 27

HSL 0.31, 0.78%, 0.49%

LAB 47.55, 69.3, 52.04

 

CMYK 0 / 88 / 88 / 13

HEX #DE1B1B

RGB 222 27 27

HSL 0, 0.78%, 0.49%

LAB 47.49, 69.47, 52

 

CMYK 0 / 17 / 88 / 13

HEX #DEB91B

RGB 222 185 27

HSL 48.62, 0.78%, 0.49%

LAB 76.26, -0.4, 74.49

 

CMYK 7 / 0 / 88 / 13

HEX #CFDE1B

RGB 207 222 27

HSL 64.62, 0.78%, 0.49%

LAB 84.79, -25.35, 80.75

 

CMYK 31 / 0 / 88 / 13

HEX #9ADE1B

RGB 154 222 27

HSL 80.92, 0.78%, 0.49%

LAB 81.4, -46.23, 76.58

 

CMYK 54 / 0 / 88 / 13

HEX #66DE1B

RGB 102 222 27

HSL 96.92, 0.78%, 0.49%

LAB 79.13, -62.92, 73.76

 

CMYK 78 / 0 / 88 / 13

HEX #31DE1B

RGB 49 222 27

HSL 113.23, 0.78%, 0.49%

LAB 77.86, -73.53, 72.17

 

CMYK 0 / 17 / 88 / 13

HEX #DEB91B

RGB 222 185 27

HSL 48.62, 0.78%, 0.49%

LAB 76.26, -0.4, 74.49

 

CMYK 0 / 19 / 97 / 5

HEX #F3C607

RGB 243 198 7

HSL 48.56, 0.94%, 0.49%

LAB 81.54, 1.68, 82.16

 

CMYK 0 / 17 / 88 / 13

HEX #DEB91B

RGB 222 185 27

HSL 48.62, 0.78%, 0.49%

LAB 76.26, -0.4, 74.49

 

CMYK 0 / 14 / 76 / 21

HEX #CAAD30

RGB 202 173 48

HSL 48.7, 0.62%, 0.49%

LAB 71.32, -2.21, 63.66

 

CMYK 0 / 12 / 63 / 29

HEX #B6A044

RGB 182 160 68

HSL 48.42, 0.46%, 0.49%

LAB 66.14, -2.96, 49.65

 

CMYK 0 / 9 / 46 / 36

HEX #A29458

RGB 162 148 88

HSL 48.65, 0.3%, 0.49%

LAB 61.28, -3.39, 33.5

 

CMYK 0 / 5 / 24 / 44

HEX #8E876C

RGB 142 135 108

HSL 47.65, 0.14%, 0.49%

LAB 56.25, -2, 15.49

 

CMYK 0 / 64 / 88 / 13

HEX #DE4F1B

RGB 222 79 27

HSL 16, 0.78%, 0.49%

LAB 53.17, 53.7, 56.38

 

CMYK 0 / 41 / 88 / 13

HEX #DE831B

RGB 222 131 27

HSL 32, 0.78%, 0.49%

LAB 63.21, 28.32, 64.21

 

CMYK 0 / 18 / 88 / 13

HEX #DEB71B

RGB 222 183 27

HSL 48, 0.78%, 0.49%

LAB 75.75, 0.64, 74.08

 

CMYK 6 / 0 / 88 / 13

HEX #D1DE1B

RGB 209 222 27

HSL 64, 0.78%, 0.49%

LAB 84.93, -24.52, 80.93

 

CMYK 29 / 0 / 88 / 13

HEX #9DDE1B

RGB 157 222 27

HSL 80, 0.78%, 0.49%

LAB 81.56, -45.13, 76.79

 

CMYK 0 / 17 / 88 / 42

HEX #957C12

RGB 149 124 18

HSL 48.55, 0.78%, 0.33%

LAB 52.78, -0.52, 54.65

 

CMYK 0 / 17 / 88 / 27

HEX #BA9B17

RGB 186 155 23

HSL 48.59, 0.78%, 0.41%

LAB 64.92, -0.49, 64.83

 

CMYK 0 / 17 / 88 / 13

HEX #DEB91B

RGB 222 185 27

HSL 48.62, 0.78%, 0.49%

LAB 76.26, -0.4, 74.49

 

CMYK 0 / 14 / 74 / 9

HEX #E7C73C

RGB 231 199 60

HSL 48.77, 0.78%, 0.57%

LAB 80.83, -2.75, 69.37

 

CMYK 0 / 11 / 59 / 8

HEX #EBD161

RGB 235 209 97

HSL 48.7, 0.78%, 0.65%

LAB 84.03, -4.12, 57.72

 

CMYK 0 / 17 / 87 / 13

HEX #DFBA1C

RGB 223 186 28

HSL 48.62, 0.78%, 0.49%

LAB 76.61, -0.47, 74.6

 

CMYK 88 / 0 / 88 / 13

HEX #1BDE1B

RGB 27 222 27

HSL 120, 0.78%, 0.49%

LAB 77.61, -75.74, 71.86

 

CMYK 53 / 88 / 0 / 13

HEX #691BDE

RGB 105 27 222

HSL 264, 0.78%, 0.49%

LAB 36.1, 69.83, -82.65

 

CMYK 0 / 17 / 87 / 13

HEX #DFBA1C

RGB 223 186 28

HSL 48.62, 0.78%, 0.49%

LAB 76.61, -0.47, 74.6

 

CMYK 88 / 0 / 18 / 13

HEX #1BDEB7

RGB 27 222 183

HSL 168, 0.78%, 0.49%

LAB 79.55, -53.08, 6.69

 

CMYK 18 / 88 / 0 / 13

HEX #B71BDE

RGB 183 27 222

HSL 288, 0.78%, 0.49%

LAB 47.14, 79.65, -64.14

 

CMYK 0 / 17 / 87 / 13

HEX #DFBA1C

RGB 223 186 28

HSL 48.62, 0.78%, 0.49%

LAB 76.61, -0.47, 74.6

 

CMYK 88 / 0 / 88 / 13

HEX #1BDE1B

RGB 27 222 27

HSL 120, 0.78%, 0.49%

LAB 77.61, -75.74, 71.86

 

CMYK 88 / 70 / 0 / 13

HEX #1B42DE

RGB 27 66 222

HSL 228, 0.78%, 0.49%

LAB 36.75, 46.3, -81.75

 

CMYK 0 / 88 / 0 / 13

HEX #DE1BDE

RGB 222 27 222

HSL 300, 0.78%, 0.49%

LAB 53.59, 85.97, -53.43

 

CMYK 0 / 17 / 87 / 13

HEX #DFBA1C

RGB 223 186 28

HSL 48.62, 0.78%, 0.49%

LAB 76.61, -0.47, 74.6

 

CMYK 88 / 0 / 61 / 13

HEX #1BDE56

RGB 27 222 86

HSL 138.15, 0.78%, 0.49%

LAB 77.96, -71.32, 53.11

 

CMYK 88 / 70 / 0 / 13

HEX #1B42DE

RGB 27 66 222

HSL 228, 0.78%, 0.49%

LAB 36.75, 46.3, -81.75

 

CMYK 0 / 88 / 26 / 13

HEX #DE1BA4

RGB 222 27 164

HSL 317.85, 0.78%, 0.49%

LAB 50.68, 78.38, -24.38

 

Description

Color code: HEX #DFBA1C | qconv.com Color code: HEX #DFBA1C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 186 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 186 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 87% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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