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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB95B it is the complementary color #2046A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB95B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB95B shade: #E4B956, #F5CB69, #FFDD7C, #FFEF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB95B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB95B shade: #DFB95B, #CEA748, #BD9535, #AC8322 and #9B710F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB95B shade: #DFBA5D, #DF975D, #DF745D and #DF5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB95B shade: #DFBA5D, #DFDD5D, #BEDF5D, #9BDF5D and #78DF5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB95B shade matches the following richer shades: #DFBA5D, #EFC04D and #FEC73E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB95B shade: #DFBA5D, #CFB36D, #C0AC7D, #B0A68C and #A09F9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB95B shade: #DF735D, #DF955D, #DFB85D, #DFDB5D and #C1DF5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB95B shade: #C39627, #D8AB3B, #DFBA5D, #E6C880 and #EDD7A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB95B shade: #DFB95B, #6ADF5D and #845DDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB95B shade: #DFB95B, #5DDFB8 and #B85DDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB95B shade: #DFB95B, #6ADF5D, #5D84DF and #D25DDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB95B shade: #DFB95B, #5DDF77, #5D84DF and #DF5DC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 59 / 13

HEX #DFB95B

RGB 223 185 91

HSL 42.73, 0.67%, 0.62%

LAB 76.76, 2.89, 51.93

 

Complementary color

CMYK 80 / 57 / 0 / 36

HEX #2046A4

RGB 32 70 164

HSL 222.73, 0.67%, 0.38%

LAB 32.63, 22.32, -54.51

 

CMYK 0 / 19 / 62 / 11

HEX #E4B956

RGB 228 185 86

HSL 41.83, 0.72%, 0.62%

LAB 77.2, 4.64, 54.87

 

CMYK 0 / 17 / 57 / 4

HEX #F5CB69

RGB 245 203 105

HSL 42, 0.88%, 0.69%

LAB 83.52, 3.65, 53.68

 

CMYK 0 / 13 / 51 / 0

HEX #FFDD7C

RGB 255 221 124

HSL 44.43, 1%, 0.74%

LAB 89.12, -0.02, 51.53

 

CMYK 0 / 6 / 44 / 0

HEX #FFEF8F

RGB 255 239 143

HSL 51.43, 1%, 0.78%

LAB 93.87, -7.35, 48.22

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 17 / 59 / 13

HEX #DFB95B

RGB 223 185 91

HSL 42.73, 0.67%, 0.62%

LAB 76.76, 2.89, 51.93

 

CMYK 0 / 19 / 65 / 19

HEX #CEA748

RGB 206 167 72

HSL 42.54, 0.58%, 0.55%

LAB 70.33, 3.94, 53.08

 

CMYK 0 / 21 / 72 / 26

HEX #BD9535

RGB 189 149 53

HSL 42.35, 0.56%, 0.47%

LAB 63.81, 5.18, 54.02

 

CMYK 0 / 24 / 80 / 33

HEX #AC8322

RGB 172 131 34

HSL 42.17, 0.67%, 0.4%

LAB 57.19, 6.66, 54.47

 

CMYK 0 / 27 / 90 / 39

HEX #9B710F

RGB 155 113 15

HSL 42, 0.82%, 0.33%

LAB 50.47, 8.44, 53.83

 

CMYK 0 / 17 / 58 / 13

HEX #DFBA5D

RGB 223 186 93

HSL 42.92, 0.67%, 0.62%

LAB 77.04, 2.51, 51.3

 

CMYK 0 / 32 / 58 / 13

HEX #DF975D

RGB 223 151 93

HSL 26.77, 0.67%, 0.62%

LAB 68.47, 21.15, 41.17

 

CMYK 0 / 48 / 58 / 13

HEX #DF745D

RGB 223 116 93

HSL 10.62, 0.67%, 0.62%

LAB 60.75, 39.6, 31.61

 

CMYK 0 / 58 / 58 / 13

HEX #DF5D5D

RGB 223 93 93

HSL 0, 0.67%, 0.62%

LAB 56.39, 50.79, 26

 

CMYK 0 / 17 / 58 / 13

HEX #DFBA5D

RGB 223 186 93

HSL 42.92, 0.67%, 0.62%

LAB 77.04, 2.51, 51.3

 

CMYK 0 / 1 / 58 / 13

HEX #DFDD5D

RGB 223 221 93

HSL 59.08, 0.67%, 0.62%

LAB 86.1, -15.35, 61.51

 

CMYK 15 / 0 / 58 / 13

HEX #BEDF5D

RGB 190 223 93

HSL 75.23, 0.67%, 0.62%

LAB 84.23, -29.49, 58.76

 

CMYK 30 / 0 / 58 / 13

HEX #9BDF5D

RGB 155 223 93

HSL 91.38, 0.67%, 0.62%

LAB 82.13, -42.49, 55.81

 

CMYK 46 / 0 / 58 / 13

HEX #78DF5D

RGB 120 223 93

HSL 107.54, 0.67%, 0.62%

LAB 80.49, -53.79, 53.51

 

CMYK 0 / 17 / 58 / 13

HEX #DFBA5D

RGB 223 186 93

HSL 42.92, 0.67%, 0.62%

LAB 77.04, 2.51, 51.3

 

CMYK 0 / 20 / 68 / 6

HEX #EFC04D

RGB 239 192 77

HSL 42.59, 0.84%, 0.62%

LAB 79.95, 5.07, 62.12

 

CMYK 0 / 22 / 76 / 0

HEX #FEC73E

RGB 254 199 62

HSL 42.81, 0.99%, 0.62%

LAB 83.05, 7.06, 71.55

 

CMYK 0 / 17 / 58 / 13

HEX #DFBA5D

RGB 223 186 93

HSL 42.92, 0.67%, 0.62%

LAB 77.04, 2.51, 51.3

 

CMYK 0 / 14 / 47 / 19

HEX #CFB36D

RGB 207 179 109

HSL 42.86, 0.51%, 0.62%

LAB 73.94, 0.91, 39.31

 

CMYK 0 / 10 / 35 / 25

HEX #C0AC7D

RGB 192 172 125

HSL 42.09, 0.35%, 0.62%

LAB 71, 0.28, 26.84

 

CMYK 0 / 6 / 20 / 31

HEX #B0A68C

RGB 176 166 140

HSL 43.33, 0.19%, 0.62%

LAB 68.31, -0.73, 14.78

 

CMYK 0 / 1 / 2 / 37

HEX #A09F9C

RGB 160 159 156

HSL 45, 0.02%, 0.62%

LAB 65.49, -0.2, 1.68

 

CMYK 0 / 48 / 58 / 13

HEX #DF735D

RGB 223 115 93

HSL 10.15, 0.67%, 0.62%

LAB 60.55, 40.11, 31.35

 

CMYK 0 / 33 / 58 / 13

HEX #DF955D

RGB 223 149 93

HSL 25.85, 0.67%, 0.62%

LAB 68, 22.22, 40.6

 

CMYK 0 / 17 / 58 / 13

HEX #DFB85D

RGB 223 184 93

HSL 42, 0.67%, 0.62%

LAB 76.53, 3.56, 50.71

 

CMYK 0 / 2 / 58 / 13

HEX #DFDB5D

RGB 223 219 93

HSL 58.15, 0.67%, 0.62%

LAB 85.58, -14.36, 60.93

 

CMYK 13 / 0 / 58 / 13

HEX #C1DF5D

RGB 193 223 93

HSL 73.85, 0.67%, 0.62%

LAB 84.43, -28.32, 59.04

 

CMYK 0 / 23 / 80 / 24

HEX #C39627

RGB 195 150 39

HSL 42.69, 0.67%, 0.46%

LAB 64.61, 6.69, 60.36

 

CMYK 0 / 21 / 73 / 15

HEX #D8AB3B

RGB 216 171 59

HSL 42.8, 0.67%, 0.54%

LAB 72.26, 5.41, 60.93

 

CMYK 0 / 17 / 58 / 13

HEX #DFBA5D

RGB 223 186 93

HSL 42.92, 0.67%, 0.62%

LAB 77.04, 2.51, 51.3

 

CMYK 0 / 13 / 44 / 10

HEX #E6C880

RGB 230 200 128

HSL 42.35, 0.67%, 0.7%

LAB 81.67, 1.11, 39.82

 

CMYK 0 / 9 / 32 / 7

HEX #EDD7A2

RGB 237 215 162

HSL 42.4, 0.68%, 0.78%

LAB 86.61, -0.09, 28.96

 

CMYK 0 / 17 / 59 / 13

HEX #DFB95B

RGB 223 185 91

HSL 42.73, 0.67%, 0.62%

LAB 76.76, 2.89, 51.93

 

CMYK 52 / 0 / 58 / 13

HEX #6ADF5D

RGB 106 223 93

HSL 114, 0.67%, 0.62%

LAB 79.97, -57.67, 52.77

 

CMYK 41 / 58 / 0 / 13

HEX #845DDF

RGB 132 93 223

HSL 258, 0.67%, 0.62%

LAB 49.57, 45.03, -61.1

 

CMYK 0 / 17 / 59 / 13

HEX #DFB95B

RGB 223 185 91

HSL 42.73, 0.67%, 0.62%

LAB 76.76, 2.89, 51.93

 

CMYK 58 / 0 / 17 / 13

HEX #5DDFB8

RGB 93 223 184

HSL 162, 0.67%, 0.62%

LAB 81.05, -45.03, 8.47

 

CMYK 17 / 58 / 0 / 13

HEX #B85DDF

RGB 184 93 223

HSL 282, 0.67%, 0.62%

LAB 55.43, 57.21, -51.39

 

CMYK 0 / 17 / 59 / 13

HEX #DFB95B

RGB 223 185 91

HSL 42.73, 0.67%, 0.62%

LAB 76.76, 2.89, 51.93

 

CMYK 52 / 0 / 58 / 13

HEX #6ADF5D

RGB 106 223 93

HSL 114, 0.67%, 0.62%

LAB 79.97, -57.67, 52.77

 

CMYK 58 / 41 / 0 / 13

HEX #5D84DF

RGB 93 132 223

HSL 222, 0.67%, 0.62%

LAB 56.25, 13.53, -50.57

 

CMYK 6 / 58 / 0 / 13

HEX #D25DDF

RGB 210 93 223

HSL 294, 0.67%, 0.62%

LAB 58.84, 63.64, -45.76

 

CMYK 0 / 17 / 59 / 13

HEX #DFB95B

RGB 223 185 91

HSL 42.73, 0.67%, 0.62%

LAB 76.76, 2.89, 51.93

 

CMYK 58 / 0 / 47 / 13

HEX #5DDF77

RGB 93 223 119

HSL 132, 0.67%, 0.62%

LAB 79.86, -57.45, 40.34

 

CMYK 58 / 41 / 0 / 13

HEX #5D84DF

RGB 93 132 223

HSL 222, 0.67%, 0.62%

LAB 56.25, 13.53, -50.57

 

CMYK 0 / 58 / 12 / 13

HEX #DF5DC5

RGB 223 93 197

HSL 312, 0.67%, 0.62%

LAB 59.48, 62.69, -29.91

 

Description

Color code: HEX #DFB95B | qconv.com Color code: HEX #DFB95B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 185 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 185 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 59 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 59% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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