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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB91D it is the complementary color #2046E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB91D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB91D shade: #E4B918, #F5CB2B, #FFDD3E, #FFEF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB91D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB91D shade: #DFB91D, #CEA70A, #BD9500, #AC8300 and #9B7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB91D shade: #DDB71D, #DD841D, #DD501D and #DD1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB91D shade: #DDB71D, #CFDD1D, #9BDD1D, #67DD1D and #33DD1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB91D shade matches the following richer shades: #DDB71D and #F1C409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB91D shade: #DDB71D, #C9AB31, #B59F45, #A19359 and #8C866E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB91D shade: #DD501D, #DD831D, #DDB71D, #D0DD1D and #9DDD1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB91D shade: #947B13, #B99918, #DDB71D, #E6C53D and #EBD062

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB91D shade: #DFB91D, #1DDD1D and #6A1DDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB91D shade: #DFB91D, #1DDDB7 and #B71DDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB91D shade: #DFB91D, #1DDD1D, #1D43DD and #DD1DDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB91D shade: #DFB91D, #1DDD56, #1D43DD and #DD1DA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 87 / 13

HEX #DFB91D

RGB 223 185 29

HSL 48.25, 0.77%, 0.49%

LAB 76.36, 0.08, 74.18

 

Complementary color

CMYK 86 / 69 / 0 / 11

HEX #2046E2

RGB 32 70 226

HSL 228.25, 0.77%, 0.51%

LAB 38.16, 45.55, -81.7

 

CMYK 0 / 19 / 89 / 11

HEX #E4B918

RGB 228 185 24

HSL 47.35, 0.81%, 0.49%

LAB 76.83, 2.15, 75.78

 

CMYK 0 / 17 / 82 / 4

HEX #F5CB2B

RGB 245 203 43

HSL 47.52, 0.91%, 0.56%

LAB 83.07, 0.56, 77.17

 

CMYK 0 / 13 / 76 / 0

HEX #FFDD3E

RGB 255 221 62

HSL 49.43, 1%, 0.62%

LAB 88.6, -3.75, 76.76

 

CMYK 0 / 6 / 68 / 0

HEX #FFEF51

RGB 255 239 81

HSL 54.48, 1%, 0.66%

LAB 93.27, -11.87, 74.63

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 17 / 87 / 13

HEX #DFB91D

RGB 223 185 29

HSL 48.25, 0.77%, 0.49%

LAB 76.36, 0.08, 74.18

 

CMYK 0 / 19 / 95 / 19

HEX #CEA70A

RGB 206 167 10

HSL 48.06, 0.91%, 0.42%

LAB 70.02, 1.8, 71.85

 

CMYK 0 / 21 / 100 / 26

HEX #BD9500

RGB 189 149 0

HSL 47.3, 1%, 0.37%

LAB 63.6, 3.76, 67.77

 

CMYK 0 / 24 / 100 / 33

HEX #AC8300

RGB 172 131 0

HSL 45.7, 1%, 0.34%

LAB 57.08, 5.92, 62.4

 

CMYK 0 / 27 / 100 / 39

HEX #9B7100

RGB 155 113 0

HSL 43.74, 1%, 0.3%

LAB 50.43, 8.18, 56.93

 

CMYK 0 / 17 / 87 / 13

HEX #DDB71D

RGB 221 183 29

HSL 48.13, 0.77%, 0.49%

LAB 75.65, 0.25, 73.54

 

CMYK 0 / 40 / 87 / 13

HEX #DD841D

RGB 221 132 29

HSL 32.19, 0.77%, 0.49%

LAB 63.31, 27.42, 63.66

 

CMYK 0 / 64 / 87 / 13

HEX #DD501D

RGB 221 80 29

HSL 15.94, 0.77%, 0.49%

LAB 53.17, 52.97, 55.54

 

CMYK 0 / 87 / 87 / 13

HEX #DD1D1D

RGB 221 29 29

HSL 0, 0.77%, 0.49%

LAB 47.42, 68.89, 50.95

 

CMYK 0 / 17 / 87 / 13

HEX #DDB71D

RGB 221 183 29

HSL 48.13, 0.77%, 0.49%

LAB 75.65, 0.25, 73.54

 

CMYK 6 / 0 / 87 / 13

HEX #CFDD1D

RGB 207 221 29

HSL 64.38, 0.77%, 0.49%

LAB 84.52, -24.83, 80.18

 

CMYK 30 / 0 / 87 / 13

HEX #9BDD1D

RGB 155 221 29

HSL 80.63, 0.77%, 0.49%

LAB 81.17, -45.39, 76.05

 

CMYK 53 / 0 / 87 / 13

HEX #67DD1D

RGB 103 221 29

HSL 96.88, 0.77%, 0.49%

LAB 78.86, -62.24, 73.17

 

CMYK 77 / 0 / 87 / 13

HEX #33DD1D

RGB 51 221 29

HSL 113.13, 0.77%, 0.49%

LAB 77.58, -72.9, 71.56

 

CMYK 0 / 17 / 87 / 13

HEX #DDB71D

RGB 221 183 29

HSL 48.13, 0.77%, 0.49%

LAB 75.65, 0.25, 73.54

 

CMYK 0 / 19 / 96 / 5

HEX #F1C409

RGB 241 196 9

HSL 48.36, 0.93%, 0.49%

LAB 80.85, 1.87, 81.38

 

CMYK 0 / 17 / 87 / 13

HEX #DDB71D

RGB 221 183 29

HSL 48.13, 0.77%, 0.49%

LAB 75.65, 0.25, 73.54

 

CMYK 0 / 15 / 76 / 21

HEX #C9AB31

RGB 201 171 49

HSL 48.16, 0.61%, 0.49%

LAB 70.71, -1.55, 62.7

 

CMYK 0 / 12 / 62 / 29

HEX #B59F45

RGB 181 159 69

HSL 48.21, 0.45%, 0.49%

LAB 65.79, -2.79, 48.77

 

CMYK 0 / 9 / 45 / 37

HEX #A19359

RGB 161 147 89

HSL 48.33, 0.29%, 0.49%

LAB 60.93, -3.17, 32.51

 

CMYK 0 / 4 / 21 / 45

HEX #8C866E

RGB 140 134 110

HSL 48, 0.12%, 0.49%

LAB 55.84, -1.93, 13.75

 

CMYK 0 / 64 / 87 / 13

HEX #DD501D

RGB 221 80 29

HSL 15.94, 0.77%, 0.49%

LAB 53.17, 52.97, 55.54

 

CMYK 0 / 41 / 87 / 13

HEX #DD831D

RGB 221 131 29

HSL 31.88, 0.77%, 0.49%

LAB 63.09, 27.95, 63.48

 

CMYK 0 / 17 / 87 / 13

HEX #DDB71D

RGB 221 183 29

HSL 48.13, 0.77%, 0.49%

LAB 75.65, 0.25, 73.54

 

CMYK 6 / 0 / 87 / 13

HEX #D0DD1D

RGB 208 221 29

HSL 64.06, 0.77%, 0.49%

LAB 84.59, -24.41, 80.28

 

CMYK 29 / 0 / 87 / 13

HEX #9DDD1D

RGB 157 221 29

HSL 80, 0.77%, 0.49%

LAB 81.27, -44.65, 76.18

 

CMYK 0 / 17 / 87 / 42

HEX #947B13

RGB 148 123 19

HSL 48.37, 0.77%, 0.33%

LAB 52.41, -0.4, 54.04

 

CMYK 0 / 17 / 87 / 27

HEX #B99918

RGB 185 153 24

HSL 48.07, 0.77%, 0.41%

LAB 64.29, 0.16, 64.05

 

CMYK 0 / 17 / 87 / 13

HEX #DDB71D

RGB 221 183 29

HSL 48.13, 0.77%, 0.49%

LAB 75.65, 0.25, 73.54

 

CMYK 0 / 14 / 73 / 10

HEX #E6C53D

RGB 230 197 61

HSL 48.28, 0.77%, 0.57%

LAB 80.23, -2.11, 68.41

 

CMYK 0 / 11 / 58 / 8

HEX #EBD062

RGB 235 208 98

HSL 48.18, 0.77%, 0.65%

LAB 83.79, -3.54, 56.99

 

CMYK 0 / 17 / 87 / 13

HEX #DFB91D

RGB 223 185 29

HSL 48.25, 0.77%, 0.49%

LAB 76.36, 0.08, 74.18

 

CMYK 87 / 0 / 87 / 13

HEX #1DDD1D

RGB 29 221 29

HSL 120, 0.77%, 0.49%

LAB 77.32, -75.24, 71.23

 

CMYK 52 / 87 / 0 / 13

HEX #6A1DDD

RGB 106 29 221

HSL 264.06, 0.77%, 0.49%

LAB 36.3, 69.15, -81.75

 

CMYK 0 / 17 / 87 / 13

HEX #DFB91D

RGB 223 185 29

HSL 48.25, 0.77%, 0.49%

LAB 76.36, 0.08, 74.18

 

CMYK 87 / 0 / 17 / 13

HEX #1DDDB7

RGB 29 221 183

HSL 168.13, 0.77%, 0.49%

LAB 79.27, -52.56, 6.28

 

CMYK 17 / 87 / 0 / 13

HEX #B71DDD

RGB 183 29 221

HSL 288.13, 0.77%, 0.49%

LAB 47.19, 79.11, -63.49

 

CMYK 0 / 17 / 87 / 13

HEX #DFB91D

RGB 223 185 29

HSL 48.25, 0.77%, 0.49%

LAB 76.36, 0.08, 74.18

 

CMYK 87 / 0 / 87 / 13

HEX #1DDD1D

RGB 29 221 29

HSL 120, 0.77%, 0.49%

LAB 77.32, -75.24, 71.23

 

CMYK 87 / 70 / 0 / 13

HEX #1D43DD

RGB 29 67 221

HSL 228.13, 0.77%, 0.49%

LAB 36.92, 45.44, -80.89

 

CMYK 0 / 87 / 0 / 13

HEX #DD1DDD

RGB 221 29 221

HSL 300, 0.77%, 0.49%

LAB 53.46, 85.35, -53.07

 

CMYK 0 / 17 / 87 / 13

HEX #DFB91D

RGB 223 185 29

HSL 48.25, 0.77%, 0.49%

LAB 76.36, 0.08, 74.18

 

CMYK 87 / 0 / 61 / 13

HEX #1DDD56

RGB 29 221 86

HSL 137.81, 0.77%, 0.49%

LAB 77.67, -70.87, 52.78

 

CMYK 87 / 70 / 0 / 13

HEX #1D43DD

RGB 29 67 221

HSL 228.13, 0.77%, 0.49%

LAB 36.92, 45.44, -80.89

 

CMYK 0 / 87 / 26 / 13

HEX #DD1DA3

RGB 221 29 163

HSL 318.13, 0.77%, 0.49%

LAB 50.56, 77.74, -23.98

 

Description

Color code: HEX #DFB91D | qconv.com Color code: HEX #DFB91D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 185 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 185 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 87% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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