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Color name
HEX #DFB822

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB822 it is the complementary color #2047DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB822. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB822 shade: #E4B81D, #F5CA30, #FFDC43, #FFEE56 and #FFFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB822. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB822 shade: #DFB822, #CEA60F, #BD9400, #AC8200 and #9B7000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB822 shade: #DFB820, #DF8420, #DF5120 and #DF2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB822 shade: #DFB820, #D3DF20, #9FDF20, #6CDF20 and #38DF20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB822 shade matches the following richer shades: #DFB820 and #F4C40B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB822 shade: #DFB820, #CAAC35, #B69F49, #A1935E and #8D8772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB822 shade: #DF5020, #DF8320, #DFB620, #D6DF20 and #A3DF20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB822 shade: #977C16, #BB9A1B, #DFB820, #E4C344 and #E9CF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB822 shade: #DFB822, #23DF20 and #6920DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB822 shade: #DFB822, #20DFB6 and #B620DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB822 shade: #DFB822, #23DF20, #2049DF and #DC20DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB822 shade: #DFB822, #20DF56, #2049DF and #DF20A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 85 / 13

HEX #DFB822

RGB 223 184 34

HSL 47.62, 0.75%, 0.5%

LAB 76.12, 0.71, 72.83

 

Complementary color

CMYK 86 / 68 / 0 / 13

HEX #2047DD

RGB 32 71 221

HSL 227.62, 0.75%, 0.5%

LAB 37.9, 43.16, -79.27

 

CMYK 0 / 19 / 87 / 11

HEX #E4B81D

RGB 228 184 29

HSL 46.73, 0.79%, 0.5%

LAB 76.6, 2.77, 74.58

 

CMYK 0 / 18 / 80 / 4

HEX #F5CA30

RGB 245 202 48

HSL 46.9, 0.91%, 0.57%

LAB 82.84, 1.22, 75.57

 

CMYK 0 / 14 / 74 / 0

HEX #FFDC43

RGB 255 220 67

HSL 48.83, 1%, 0.63%

LAB 88.38, -3.05, 74.87

 

CMYK 0 / 7 / 66 / 0

HEX #FFEE56

RGB 255 238 86

HSL 53.96, 1%, 0.67%

LAB 93.05, -11.12, 72.52

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 17 / 85 / 13

HEX #DFB822

RGB 223 184 34

HSL 47.62, 0.75%, 0.5%

LAB 76.12, 0.71, 72.83

 

CMYK 0 / 19 / 93 / 19

HEX #CEA60F

RGB 206 166 15

HSL 47.43, 0.86%, 0.43%

LAB 69.77, 2.39, 70.98

 

CMYK 0 / 22 / 100 / 26

HEX #BD9400

RGB 189 148 0

HSL 46.98, 1%, 0.37%

LAB 63.34, 4.3, 67.59

 

CMYK 0 / 24 / 100 / 33

HEX #AC8200

RGB 172 130 0

HSL 45.35, 1%, 0.34%

LAB 56.82, 6.47, 62.22

 

CMYK 0 / 28 / 100 / 39

HEX #9B7000

RGB 155 112 0

HSL 43.35, 1%, 0.3%

LAB 50.16, 8.75, 56.75

 

CMYK 0 / 17 / 86 / 13

HEX #DFB820

RGB 223 184 32

HSL 47.75, 0.75%, 0.5%

LAB 76.11, 0.66, 73.31

 

CMYK 0 / 41 / 86 / 13

HEX #DF8420

RGB 223 132 32

HSL 31.41, 0.75%, 0.5%

LAB 63.59, 28.32, 63.07

 

CMYK 0 / 64 / 86 / 13

HEX #DF5120

RGB 223 81 32

HSL 15.39, 0.75%, 0.5%

LAB 53.68, 53.3, 54.91

 

CMYK 0 / 86 / 86 / 13

HEX #DF2020

RGB 223 32 32

HSL 0, 0.75%, 0.5%

LAB 48.04, 68.91, 50.21

 

CMYK 0 / 17 / 86 / 13

HEX #DFB820

RGB 223 184 32

HSL 47.75, 0.75%, 0.5%

LAB 76.11, 0.66, 73.31

 

CMYK 5 / 0 / 86 / 13

HEX #D3DF20

RGB 211 223 32

HSL 63.77, 0.75%, 0.5%

LAB 85.37, -24.06, 80.43

 

CMYK 29 / 0 / 86 / 13

HEX #9FDF20

RGB 159 223 32

HSL 80.1, 0.75%, 0.5%

LAB 81.97, -44.68, 76.23

 

CMYK 52 / 0 / 86 / 13

HEX #6CDF20

RGB 108 223 32

HSL 96.13, 0.75%, 0.5%

LAB 79.65, -61.47, 73.32

 

CMYK 75 / 0 / 86 / 13

HEX #38DF20

RGB 56 223 32

HSL 112.46, 0.75%, 0.5%

LAB 78.3, -72.66, 71.62

 

CMYK 0 / 17 / 86 / 13

HEX #DFB820

RGB 223 184 32

HSL 47.75, 0.75%, 0.5%

LAB 76.11, 0.66, 73.31

 

CMYK 0 / 20 / 95 / 4

HEX #F4C40B

RGB 244 196 11

HSL 47.64, 0.91%, 0.5%

LAB 81.15, 3.18, 81.54

 

CMYK 0 / 17 / 86 / 13

HEX #DFB820

RGB 223 184 32

HSL 47.75, 0.75%, 0.5%

LAB 76.11, 0.66, 73.31

 

CMYK 0 / 15 / 74 / 21

HEX #CAAC35

RGB 202 172 53

HSL 47.92, 0.58%, 0.5%

LAB 71.09, -1.47, 61.63

 

CMYK 0 / 13 / 60 / 29

HEX #B69F49

RGB 182 159 73

HSL 47.34, 0.43%, 0.5%

LAB 65.92, -2.07, 47.07

 

CMYK 0 / 9 / 42 / 37

HEX #A1935E

RGB 161 147 94

HSL 47.46, 0.26%, 0.5%

LAB 61, -2.61, 29.92

 

CMYK 0 / 4 / 19 / 45

HEX #8D8772

RGB 141 135 114

HSL 46.67, 0.11%, 0.5%

LAB 56.29, -1.46, 12.11

 

CMYK 0 / 64 / 86 / 13

HEX #DF5020

RGB 223 80 32

HSL 15.08, 0.75%, 0.5%

LAB 53.52, 53.73, 54.78

 

CMYK 0 / 41 / 86 / 13

HEX #DF8320

RGB 223 131 32

HSL 31.1, 0.75%, 0.5%

LAB 63.36, 28.85, 62.89

 

CMYK 0 / 18 / 86 / 13

HEX #DFB620

RGB 223 182 32

HSL 47.12, 0.75%, 0.5%

LAB 75.61, 1.71, 72.89

 

CMYK 4 / 0 / 86 / 13

HEX #D6DF20

RGB 214 223 32

HSL 62.83, 0.75%, 0.5%

LAB 85.59, -22.81, 80.71

 

CMYK 27 / 0 / 86 / 13

HEX #A3DF20

RGB 163 223 32

HSL 78.85, 0.75%, 0.5%

LAB 82.2, -43.18, 76.51

 

CMYK 0 / 18 / 85 / 41

HEX #977C16

RGB 151 124 22

HSL 47.44, 0.75%, 0.34%

LAB 53.01, 0.52, 53.83

 

CMYK 0 / 18 / 86 / 27

HEX #BB9A1B

RGB 187 154 27

HSL 47.63, 0.75%, 0.42%

LAB 64.77, 0.59, 63.78

 

CMYK 0 / 17 / 86 / 13

HEX #DFB820

RGB 223 184 32

HSL 47.75, 0.75%, 0.5%

LAB 76.11, 0.66, 73.31

 

CMYK 0 / 14 / 70 / 11

HEX #E4C344

RGB 228 195 68

HSL 47.63, 0.75%, 0.58%

LAB 79.58, -1.6, 65.07

 

CMYK 0 / 11 / 55 / 9

HEX #E9CF68

RGB 233 207 104

HSL 47.91, 0.75%, 0.66%

LAB 83.42, -3.41, 53.75

 

CMYK 0 / 17 / 85 / 13

HEX #DFB822

RGB 223 184 34

HSL 47.62, 0.75%, 0.5%

LAB 76.12, 0.71, 72.83

 

CMYK 84 / 0 / 86 / 13

HEX #23DF20

RGB 35 223 32

HSL 119.06, 0.75%, 0.5%

LAB 78.01, -75.17, 71.26

 

CMYK 53 / 86 / 0 / 13

HEX #6920DF

RGB 105 32 223

HSL 262.93, 0.75%, 0.5%

LAB 36.68, 68.66, -82.27

 

CMYK 0 / 17 / 85 / 13

HEX #DFB822

RGB 223 184 34

HSL 47.62, 0.75%, 0.5%

LAB 76.12, 0.71, 72.83

 

CMYK 86 / 0 / 18 / 13

HEX #20DFB6

RGB 32 223 182

HSL 167.12, 0.75%, 0.5%

LAB 79.87, -53.42, 7.69

 

CMYK 18 / 86 / 0 / 13

HEX #B620DF

RGB 182 32 223

HSL 287.12, 0.75%, 0.5%

LAB 47.37, 78.71, -64.34

 

CMYK 0 / 17 / 85 / 13

HEX #DFB822

RGB 223 184 34

HSL 47.62, 0.75%, 0.5%

LAB 76.12, 0.71, 72.83

 

CMYK 84 / 0 / 86 / 13

HEX #23DF20

RGB 35 223 32

HSL 119.06, 0.75%, 0.5%

LAB 78.01, -75.17, 71.26

 

CMYK 86 / 67 / 0 / 13

HEX #2049DF

RGB 32 73 223

HSL 227.12, 0.75%, 0.5%

LAB 38.55, 42.65, -79.35

 

CMYK 1 / 86 / 0 / 13

HEX #DC20DF

RGB 220 32 223

HSL 299.06, 0.75%, 0.5%

LAB 53.57, 84.99, -54.04

 

CMYK 0 / 17 / 85 / 13

HEX #DFB822

RGB 223 184 34

HSL 47.62, 0.75%, 0.5%

LAB 76.12, 0.71, 72.83

 

CMYK 86 / 0 / 61 / 13

HEX #20DF56

RGB 32 223 86

HSL 136.96, 0.75%, 0.5%

LAB 78.32, -71.25, 53.53

 

CMYK 86 / 67 / 0 / 13

HEX #2049DF

RGB 32 73 223

HSL 227.12, 0.75%, 0.5%

LAB 38.55, 42.65, -79.35

 

CMYK 0 / 86 / 24 / 13

HEX #DF20A9

RGB 223 32 169

HSL 316.96, 0.75%, 0.5%

LAB 51.37, 78.33, -26.26

 

Description

Color code: HEX #DFB822 | qconv.com Color code: HEX #DFB822 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 184 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 184 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 85 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 85% 13% C M Y K

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