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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB5FA it is the complementary color #204A05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB5FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB5FA shade: #E4B5F5, #F5C7FF, #FFD9FF, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB5FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB5FA shade: #DFB5FA, #CEA3E7, #BD91D4, #AC7FC1 and #9B6DAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB5FA shade: #E0B7FA, #F2B7FA, #FAB7F0, #FAB7DE and #FAB7CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB5FA shade: #E0B7FA, #CEB7FA, #BCB7FA and #B7B7FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB5FA shade matches the following richer shades: #E0B7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB5FA shade: #E0B7FA, #DFBEF4, #DDC4EE, #DCCAE7 and #DBD0E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB5FA shade: #BCB7FA, #CEB7FA, #DFB7FA, #F1B7FA and #FAB7F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB5FA shade: #BF6AF5, #CF91F7, #E0B7FA, #F1DEFD and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB5FA shade: #DFB5FA, #FAB7C5 and #B7FAC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB5FA shade: #DFB5FA, #FADFB7 and #B7FADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB5FA shade: #DFB5FA, #FAB7C5, #D2FAB7 and #B7FAED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB5FA shade: #DFB5FA, #FABEB7, #D2FAB7 and #B7F3FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 28 / 0 / 2

HEX #DFB5FA

RGB 223 181 250

HSL 276.52, 0.87%, 0.85%

LAB 79.41, 27.49, -28.47

 

Complementary color

CMYK 57 / 0 / 93 / 71

HEX #204A05

RGB 32 74 5

HSL 96.52, 0.87%, 0.15%

LAB 27.34, -27.55, 33

 

CMYK 7 / 26 / 0 / 4

HEX #E4B5F5

RGB 228 181 245

HSL 284.06, 0.76%, 0.84%

LAB 79.69, 28.06, -25.32

 

CMYK 4 / 22 / 0 / 0

HEX #F5C7FF

RGB 245 199 255

HSL 289.29, 1%, 0.89%

LAB 85.75, 25.79, -21.3

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 11 / 28 / 0 / 2

HEX #DFB5FA

RGB 223 181 250

HSL 276.52, 0.87%, 0.85%

LAB 79.41, 27.49, -28.47

 

CMYK 11 / 29 / 0 / 9

HEX #CEA3E7

RGB 206 163 231

HSL 277.94, 0.59%, 0.77%

LAB 72.95, 28.08, -28.24

 

CMYK 11 / 32 / 0 / 17

HEX #BD91D4

RGB 189 145 212

HSL 279.4, 0.44%, 0.7%

LAB 66.38, 28.72, -28.02

 

CMYK 11 / 34 / 0 / 24

HEX #AC7FC1

RGB 172 127 193

HSL 280.91, 0.35%, 0.63%

LAB 59.71, 29.4, -27.79

 

CMYK 11 / 37 / 0 / 32

HEX #9B6DAE

RGB 155 109 174

HSL 282.46, 0.29%, 0.55%

LAB 52.91, 30.14, -27.57

 

CMYK 10 / 27 / 0 / 2

HEX #E0B7FA

RGB 224 183 250

HSL 276.72, 0.87%, 0.85%

LAB 79.96, 26.72, -27.61

 

CMYK 3 / 27 / 0 / 2

HEX #F2B7FA

RGB 242 183 250

HSL 292.84, 0.87%, 0.85%

LAB 81.65, 32.38, -24.89

 

CMYK 0 / 27 / 4 / 2

HEX #FAB7F0

RGB 250 183 240

HSL 308.96, 0.87%, 0.85%

LAB 82.1, 33.13, -18.78

 

CMYK 0 / 27 / 11 / 2

HEX #FAB7DE

RGB 250 183 222

HSL 325.07, 0.87%, 0.85%

LAB 81.55, 30.09, -9.94

 

CMYK 0 / 27 / 18 / 2

HEX #FAB7CC

RGB 250 183 204

HSL 341.19, 0.87%, 0.85%

LAB 81.04, 27.26, -0.98

 

CMYK 10 / 27 / 0 / 2

HEX #E0B7FA

RGB 224 183 250

HSL 276.72, 0.87%, 0.85%

LAB 79.96, 26.72, -27.61

 

CMYK 18 / 27 / 0 / 2

HEX #CEB7FA

RGB 206 183 250

HSL 260.6, 0.87%, 0.85%

LAB 78.4, 21.18, -30.15

 

CMYK 25 / 27 / 0 / 2

HEX #BCB7FA

RGB 188 183 250

HSL 244.48, 0.87%, 0.85%

LAB 76.96, 15.8, -32.49

 

CMYK 27 / 27 / 0 / 2

HEX #B7B7FA

RGB 183 183 250

HSL 240, 0.87%, 0.85%

LAB 76.58, 14.34, -33.1

 

CMYK 10 / 27 / 0 / 2

HEX #E0B7FA

RGB 224 183 250

HSL 276.72, 0.87%, 0.85%

LAB 79.96, 26.72, -27.61

 

CMYK 10 / 27 / 0 / 2

HEX #E0B7FA

RGB 224 183 250

HSL 276.72, 0.87%, 0.85%

LAB 79.96, 26.72, -27.61

 

CMYK 9 / 22 / 0 / 4

HEX #DFBEF4

RGB 223 190 244

HSL 276.67, 0.71%, 0.85%

LAB 81.32, 21.44, -22.34

 

CMYK 7 / 18 / 0 / 7

HEX #DDC4EE

RGB 221 196 238

HSL 275.71, 0.55%, 0.85%

LAB 82.39, 16.39, -17.53

 

CMYK 5 / 13 / 0 / 9

HEX #DCCAE7

RGB 220 202 231

HSL 277.24, 0.38%, 0.85%

LAB 83.56, 11.51, -12.05

 

CMYK 3 / 8 / 0 / 12

HEX #DBD0E1

RGB 219 208 225

HSL 278.82, 0.22%, 0.85%

LAB 84.8, 6.86, -7.02

 

CMYK 25 / 27 / 0 / 2

HEX #BCB7FA

RGB 188 183 250

HSL 244.48, 0.87%, 0.85%

LAB 76.96, 15.8, -32.49

 

CMYK 18 / 27 / 0 / 2

HEX #CEB7FA

RGB 206 183 250

HSL 260.6, 0.87%, 0.85%

LAB 78.4, 21.18, -30.15

 

CMYK 11 / 27 / 0 / 2

HEX #DFB7FA

RGB 223 183 250

HSL 275.82, 0.87%, 0.85%

LAB 79.87, 26.41, -27.76

 

CMYK 4 / 27 / 0 / 2

HEX #F1B7FA

RGB 241 183 250

HSL 291.94, 0.87%, 0.85%

LAB 81.55, 32.06, -25.05

 

CMYK 0 / 27 / 4 / 2

HEX #FAB7F1

RGB 250 183 241

HSL 308.06, 0.87%, 0.85%

LAB 82.13, 33.31, -19.26

 

CMYK 22 / 57 / 0 / 4

HEX #BF6AF5

RGB 191 106 245

HSL 276.69, 0.87%, 0.69%

LAB 59.87, 57.18, -56.55

 

CMYK 16 / 41 / 0 / 3

HEX #CF91F7

RGB 207 145 247

HSL 276.47, 0.86%, 0.77%

LAB 69.63, 41.51, -42.11

 

CMYK 10 / 27 / 0 / 2

HEX #E0B7FA

RGB 224 183 250

HSL 276.72, 0.87%, 0.85%

LAB 79.96, 26.72, -27.61

 

CMYK 5 / 12 / 0 / 1

HEX #F1DEFD

RGB 241 222 253

HSL 276.77, 0.89%, 0.93%

LAB 90.8, 12.01, -12.69

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 11 / 28 / 0 / 2

HEX #DFB5FA

RGB 223 181 250

HSL 276.52, 0.87%, 0.85%

LAB 79.41, 27.49, -28.47

 

CMYK 0 / 27 / 21 / 2

HEX #FAB7C5

RGB 250 183 197

HSL 347.46, 0.87%, 0.85%

LAB 80.86, 26.23, 2.53

 

CMYK 27 / 0 / 21 / 2

HEX #B7FAC5

RGB 183 250 197

HSL 132.54, 0.87%, 0.85%

LAB 92.78, -31.12, 18.83

 

CMYK 11 / 28 / 0 / 2

HEX #DFB5FA

RGB 223 181 250

HSL 276.52, 0.87%, 0.85%

LAB 79.41, 27.49, -28.47

 

CMYK 0 / 11 / 27 / 2

HEX #FADFB7

RGB 250 223 183

HSL 35.82, 0.87%, 0.85%

LAB 90.1, 3.39, 23.02

 

CMYK 27 / 0 / 11 / 2

HEX #B7FADF

RGB 183 250 223

HSL 155.82, 0.87%, 0.85%

LAB 93.35, -26.27, 6.24

 

CMYK 11 / 28 / 0 / 2

HEX #DFB5FA

RGB 223 181 250

HSL 276.52, 0.87%, 0.85%

LAB 79.41, 27.49, -28.47

 

CMYK 0 / 27 / 21 / 2

HEX #FAB7C5

RGB 250 183 197

HSL 347.46, 0.87%, 0.85%

LAB 80.86, 26.23, 2.53

 

CMYK 16 / 0 / 27 / 2

HEX #D2FAB7

RGB 210 250 183

HSL 95.82, 0.87%, 0.85%

LAB 94.09, -24.5, 28.02

 

CMYK 27 / 0 / 5 / 2

HEX #B7FAED

RGB 183 250 237

HSL 168.36, 0.87%, 0.85%

LAB 93.69, -23.43, -0.51

 

CMYK 11 / 28 / 0 / 2

HEX #DFB5FA

RGB 223 181 250

HSL 276.52, 0.87%, 0.85%

LAB 79.41, 27.49, -28.47

 

CMYK 0 / 24 / 27 / 2

HEX #FABEB7

RGB 250 190 183

HSL 6.27, 0.87%, 0.85%

LAB 82.15, 20.58, 11.9

 

CMYK 16 / 0 / 27 / 2

HEX #D2FAB7

RGB 210 250 183

HSL 95.82, 0.87%, 0.85%

LAB 94.09, -24.5, 28.02

 

CMYK 27 / 3 / 0 / 2

HEX #B7F3FA

RGB 183 243 250

HSL 186.27, 0.87%, 0.85%

LAB 92.16, -17.21, -9.5

 

Description

Color code: HEX #DFB5FA | qconv.com Color code: HEX #DFB5FA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 181 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 181 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 28 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 28% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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