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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB3BF it is the complementary color #204C40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB3BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DFB3BF: #E4B3BA, #F5C5CD, #FFD7E0, #FFE9F3 and #FFFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB3BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DFB3BF: #DFB3BF, #CEA1AC, #BD8F99, #AC7D86 and #9B6B73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 14 / 13

HEX #DFB3BF

RGB 223 179 191

HSL 343.64, 0.41%, 0.79%

LAB 77.09, 17.78, -0.03

 

Complementary color

CMYK 58 / 0 / 16 / 70

HEX #204C40

RGB 32 76 64

HSL 163.64, 0.41%, 0.21%

LAB 29.02, -18.62, 2.53

 

CMYK 0 / 21 / 18 / 11

HEX #E4B3BA

RGB 228 179 186

HSL 351.43, 0.48%, 0.8%

LAB 77.45, 18.8, 3.26

 

CMYK 0 / 20 / 16 / 4

HEX #F5C5CD

RGB 245 197 205

HSL 350, 0.71%, 0.87%

LAB 83.84, 18.26, 2.49

 

CMYK 0 / 16 / 12 / 0

HEX #FFD7E0

RGB 255 215 224

HSL 346.5, 1%, 0.92%

LAB 89.51, 15.33, 0.78

 

CMYK 0 / 9 / 5 / 0

HEX #FFE9F3

RGB 255 233 243

HSL 332.73, 1%, 0.96%

LAB 94.32, 9.14, -2.13

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 0 / 20 / 14 / 13

HEX #DFB3BF

RGB 223 179 191

HSL 343.64, 0.41%, 0.79%

LAB 77.09, 17.78, -0.03

 

CMYK 0 / 22 / 17 / 19

HEX #CEA1AC

RGB 206 161 172

HSL 345.33, 0.31%, 0.72%

LAB 70.59, 18.33, 0.7

 

CMYK 0 / 24 / 19 / 26

HEX #BD8F99

RGB 189 143 153

HSL 346.96, 0.26%, 0.65%

LAB 63.97, 18.93, 1.48

 

CMYK 0 / 27 / 22 / 33

HEX #AC7D86

RGB 172 125 134

HSL 348.51, 0.22%, 0.58%

LAB 57.23, 19.6, 2.34

 

CMYK 0 / 31 / 26 / 39

HEX #9B6B73

RGB 155 107 115

HSL 350, 0.19%, 0.51%

LAB 50.36, 20.35, 3.28

 

CMYK 0 / 20 / 14 / 13

HEX #DFB3BF

RGB 223 179 191

HSL 343.64, 0.41%, 0.79%

LAB 77.09, 17.78, -0.03

 

CMYK 0 / 20 / 17 / 13

HEX #DFB3B8

RGB 223 179 184

HSL 353.18, 0.41%, 0.79%

LAB 76.91, 16.68, 3.51

 

CMYK 0 / 19 / 20 / 13

HEX #DFB5B3

RGB 223 181 179

HSL 2.73, 0.41%, 0.79%

LAB 77.28, 14.84, 6.75

 

CMYK 0 / 15 / 20 / 13

HEX #DFBDB3

RGB 223 189 179

HSL 13.64, 0.41%, 0.79%

LAB 79.24, 10.57, 9.55

 

CMYK 0 / 12 / 20 / 13

HEX #DFC4B3

RGB 223 196 179

HSL 23.18, 0.41%, 0.79%

LAB 80.97, 6.86, 12.02

 

CMYK 0 / 20 / 14 / 13

HEX #DFB3BF

RGB 223 179 191

HSL 343.64, 0.41%, 0.79%

LAB 77.09, 17.78, -0.03

 

CMYK 0 / 21 / 16 / 93

HEX #130F10

RGB 19 15 16

HSL 345, 0.12%, 0.07%

LAB 4.67, 1.68, 0.02

 

CMYK 0 / 20 / 14 / 73

HEX #46383C

RGB 70 56 60

HSL 342.86, 0.11%, 0.25%

LAB 25.13, 6.97, -0.16

 

CMYK 0 / 20 / 14 / 53

HEX #796168

RGB 121 97 104

HSL 342.5, 0.11%, 0.43%

LAB 43.67, 10.92, -0.3

 

CMYK 0 / 20 / 15 / 33

HEX #AC8A93

RGB 172 138 147

HSL 344.12, 0.17%, 0.61%

LAB 60.83, 14.37, 0.11

 

CMYK 0 / 20 / 14 / 13

HEX #DFB3BF

RGB 223 179 191

HSL 343.64, 0.41%, 0.79%

LAB 77.09, 17.78, -0.03

 

CMYK 0 / 2 / 20 / 13

HEX #DFDBB3

RGB 223 219 179

HSL 54.55, 0.41%, 0.79%

LAB 86.8, -5.1, 20.2

 

CMYK 20 / 6 / 0 / 13

HEX #B3D1DF

RGB 179 209 223

HSL 199.09, 0.41%, 0.79%

LAB 82.12, -6.99, -10.25

 

CMYK 0 / 20 / 14 / 13

HEX #DFB3BF

RGB 223 179 191

HSL 343.64, 0.41%, 0.79%

LAB 77.09, 17.78, -0.03

 

CMYK 14 / 0 / 20 / 13

HEX #BFDFB3

RGB 191 223 179

HSL 103.64, 0.41%, 0.79%

LAB 85.56, -18.56, 18.12

 

CMYK 20 / 14 / 0 / 13

HEX #B3BFDF

RGB 179 191 223

HSL 223.64, 0.41%, 0.79%

LAB 77.38, 2.56, -17.35

 

CMYK 0 / 20 / 14 / 13

HEX #DFB3BF

RGB 223 179 191

HSL 343.64, 0.41%, 0.79%

LAB 77.09, 17.78, -0.03

 

CMYK 0 / 2 / 20 / 13

HEX #DFDBB3

RGB 223 219 179

HSL 54.55, 0.41%, 0.79%

LAB 86.8, -5.1, 20.2

 

CMYK 20 / 0 / 6 / 13

HEX #B3DFD2

RGB 179 223 210

HSL 162.27, 0.41%, 0.79%

LAB 85.51, -16.86, 1.65

 

CMYK 20 / 18 / 0 / 13

HEX #B3B7DF

RGB 179 183 223

HSL 234.55, 0.41%, 0.79%

LAB 75.31, 6.9, -20.48

 

CMYK 0 / 20 / 14 / 13

HEX #DFB3BF

RGB 223 179 191

HSL 343.64, 0.41%, 0.79%

LAB 77.09, 17.78, -0.03

 

CMYK 4 / 0 / 20 / 13

HEX #D5DFB3

RGB 213 223 179

HSL 73.64, 0.41%, 0.79%

LAB 87.08, -10.77, 20.48

 

CMYK 20 / 0 / 6 / 13

HEX #B3DFD2

RGB 179 223 210

HSL 162.27, 0.41%, 0.79%

LAB 85.51, -16.86, 1.65

 

CMYK 15 / 20 / 0 / 13

HEX #BDB3DF

RGB 189 179 223

HSL 253.64, 0.41%, 0.79%

LAB 75.07, 12.23, -20.78

 

Description

Color code: HEX #DFB3BF | qconv.com Color code: HEX #DFB3BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 179 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 179 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 14 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 14% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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