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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB35A it is the complementary color #204CA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB35A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB35A shade: #E4B355, #F5C568, #FFD77B, #FFE98E and #FFFBA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB35A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB35A shade: #DFB35A, #CEA147, #BD8F34, #AC7D21 and #9B6B0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB35A shade: #DFB258, #DF8E58, #DF6958 and #DF5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB35A shade: #DFB258, #DFD758, #C3DF58, #9FDF58 and #7ADF58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB35A shade matches the following richer shades: #DFB258 and #EFB848

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB35A shade: #DFB258, #CFAD68, #BFA878, #AFA288 and #9F9D98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB35A shade: #DF6A58, #DF8E58, #DFB258, #DFD658 and #C4DF58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB35A shade: #C08D25, #D9A335, #DFB258, #E6C27B and #ECD29D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB35A shade: #DFB35A, #6ADF58 and #7C58DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB35A shade: #DFB35A, #58DFB2 and #B258DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB35A shade: #DFB35A, #6ADF58, #5885DF and #CD58DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB35A shade: #DFB35A, #58DF6E, #5885DF and #DF58C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 60 / 13

HEX #DFB35A

RGB 223 179 90

HSL 40.15, 0.68%, 0.61%

LAB 75.24, 5.98, 50.65

 

Complementary color

CMYK 81 / 54 / 0 / 35

HEX #204CA5

RGB 32 76 165

HSL 220.15, 0.68%, 0.39%

LAB 34.38, 18.66, -52.26

 

CMYK 0 / 21 / 63 / 11

HEX #E4B355

RGB 228 179 85

HSL 39.44, 0.73%, 0.61%

LAB 75.69, 7.74, 53.65

 

CMYK 0 / 20 / 58 / 4

HEX #F5C568

RGB 245 197 104

HSL 39.57, 0.88%, 0.68%

LAB 82.03, 6.68, 52.41

 

CMYK 0 / 16 / 52 / 0

HEX #FFD77B

RGB 255 215 123

HSL 41.82, 1%, 0.74%

LAB 87.63, 2.96, 50.2

 

CMYK 0 / 9 / 44 / 0

HEX #FFE98E

RGB 255 233 142

HSL 48.32, 1%, 0.78%

LAB 92.35, -4.45, 46.8

 

CMYK 0 / 2 / 37 / 0

HEX #FFFBA1

RGB 255 251 161

HSL 57.45, 1%, 0.82%

LAB 97.16, -11.43, 43.62

 

CMYK 0 / 20 / 60 / 13

HEX #DFB35A

RGB 223 179 90

HSL 40.15, 0.68%, 0.61%

LAB 75.24, 5.98, 50.65

 

CMYK 0 / 22 / 66 / 19

HEX #CEA147

RGB 206 161 71

HSL 40, 0.58%, 0.54%

LAB 68.8, 7.09, 51.86

 

CMYK 0 / 24 / 72 / 26

HEX #BD8F34

RGB 189 143 52

HSL 39.85, 0.57%, 0.47%

LAB 62.26, 8.41, 52.88

 

CMYK 0 / 27 / 81 / 33

HEX #AC7D21

RGB 172 125 33

HSL 39.71, 0.68%, 0.4%

LAB 55.63, 9.97, 53.41

 

CMYK 0 / 31 / 91 / 39

HEX #9B6B0E

RGB 155 107 14

HSL 39.57, 0.83%, 0.33%

LAB 48.9, 11.85, 52.85

 

CMYK 0 / 20 / 61 / 13

HEX #DFB258

RGB 223 178 88

HSL 40, 0.68%, 0.61%

LAB 74.97, 6.37, 51.29

 

CMYK 0 / 36 / 61 / 13

HEX #DF8E58

RGB 223 142 88

HSL 24, 0.68%, 0.61%

LAB 66.32, 25.61, 41.17

 

CMYK 0 / 53 / 61 / 13

HEX #DF6958

RGB 223 105 88

HSL 7.56, 0.68%, 0.61%

LAB 58.5, 44.74, 31.56

 

CMYK 0 / 61 / 61 / 13

HEX #DF5858

RGB 223 88 88

HSL 0, 0.68%, 0.61%

LAB 55.45, 52.71, 27.67

 

CMYK 0 / 20 / 61 / 13

HEX #DFB258

RGB 223 178 88

HSL 40, 0.68%, 0.61%

LAB 74.97, 6.37, 51.29

 

CMYK 0 / 4 / 61 / 13

HEX #DFD758

RGB 223 215 88

HSL 56.44, 0.68%, 0.61%

LAB 84.48, -12.71, 61.87

 

CMYK 13 / 0 / 61 / 13

HEX #C3DF58

RGB 195 223 88

HSL 72.44, 0.68%, 0.61%

LAB 84.53, -27.92, 61.31

 

CMYK 29 / 0 / 61 / 13

HEX #9FDF58

RGB 159 223 88

HSL 88.44, 0.68%, 0.61%

LAB 82.3, -41.52, 58.23

 

CMYK 45 / 0 / 61 / 13

HEX #7ADF58

RGB 122 223 88

HSL 104.89, 0.68%, 0.61%

LAB 80.53, -53.71, 55.76

 

CMYK 0 / 20 / 61 / 13

HEX #DFB258

RGB 223 178 88

HSL 40, 0.68%, 0.61%

LAB 74.97, 6.37, 51.29

 

CMYK 0 / 23 / 70 / 6

HEX #EFB848

RGB 239 184 72

HSL 40.24, 0.84%, 0.61%

LAB 77.93, 8.99, 62.13

 

CMYK 0 / 20 / 61 / 13

HEX #DFB258

RGB 223 178 88

HSL 40, 0.68%, 0.61%

LAB 74.97, 6.37, 51.29

 

CMYK 0 / 16 / 50 / 19

HEX #CFAD68

RGB 207 173 104

HSL 40.19, 0.52%, 0.61%

LAB 72.33, 3.62, 39.86

 

CMYK 0 / 12 / 37 / 25

HEX #BFA878

RGB 191 168 120

HSL 40.56, 0.36%, 0.61%

LAB 69.78, 1.42, 27.89

 

CMYK 0 / 7 / 22 / 31

HEX #AFA288

RGB 175 162 136

HSL 40, 0.2%, 0.61%

LAB 67.08, 0.45, 15.24

 

CMYK 0 / 1 / 4 / 38

HEX #9F9D98

RGB 159 157 152

HSL 42.86, 0.04%, 0.61%

LAB 64.77, -0.21, 2.86

 

CMYK 0 / 52 / 61 / 13

HEX #DF6A58

RGB 223 106 88

HSL 8, 0.68%, 0.61%

LAB 58.7, 44.25, 31.8

 

CMYK 0 / 36 / 61 / 13

HEX #DF8E58

RGB 223 142 88

HSL 24, 0.68%, 0.61%

LAB 66.32, 25.61, 41.17

 

CMYK 0 / 20 / 61 / 13

HEX #DFB258

RGB 223 178 88

HSL 40, 0.68%, 0.61%

LAB 74.97, 6.37, 51.29

 

CMYK 0 / 4 / 61 / 13

HEX #DFD658

RGB 223 214 88

HSL 56, 0.68%, 0.61%

LAB 84.22, -12.21, 61.59

 

CMYK 12 / 0 / 61 / 13

HEX #C4DF58

RGB 196 223 88

HSL 72, 0.68%, 0.61%

LAB 84.59, -27.53, 61.41

 

CMYK 0 / 27 / 81 / 25

HEX #C08D25

RGB 192 141 37

HSL 40.26, 0.68%, 0.45%

LAB 61.99, 10.21, 58.57

 

CMYK 0 / 25 / 76 / 15

HEX #D9A335

RGB 217 163 53

HSL 40.24, 0.68%, 0.53%

LAB 70.32, 9.85, 61.42

 

CMYK 0 / 20 / 61 / 13

HEX #DFB258

RGB 223 178 88

HSL 40, 0.68%, 0.61%

LAB 74.97, 6.37, 51.29

 

CMYK 0 / 16 / 47 / 10

HEX #E6C27B

RGB 230 194 123

HSL 39.81, 0.68%, 0.69%

LAB 80.09, 3.74, 40.35

 

CMYK 0 / 11 / 33 / 7

HEX #ECD29D

RGB 236 210 157

HSL 40.25, 0.68%, 0.77%

LAB 85.18, 1.5, 29.62

 

CMYK 0 / 20 / 60 / 13

HEX #DFB35A

RGB 223 179 90

HSL 40.15, 0.68%, 0.61%

LAB 75.24, 5.98, 50.65

 

CMYK 52 / 0 / 61 / 13

HEX #6ADF58

RGB 106 223 88

HSL 112, 0.68%, 0.61%

LAB 79.92, -58.2, 54.91

 

CMYK 44 / 61 / 0 / 13

HEX #7C58DF

RGB 124 88 223

HSL 256, 0.68%, 0.61%

LAB 47.74, 46.13, -64.09

 

CMYK 0 / 20 / 60 / 13

HEX #DFB35A

RGB 223 179 90

HSL 40.15, 0.68%, 0.61%

LAB 75.24, 5.98, 50.65

 

CMYK 61 / 0 / 20 / 13

HEX #58DFB2

RGB 88 223 178

HSL 160, 0.68%, 0.61%

LAB 80.77, -47.35, 11.23

 

CMYK 20 / 61 / 0 / 13

HEX #B258DF

RGB 178 88 223

HSL 280, 0.68%, 0.61%

LAB 53.78, 58.16, -54.05

 

CMYK 0 / 20 / 60 / 13

HEX #DFB35A

RGB 223 179 90

HSL 40.15, 0.68%, 0.61%

LAB 75.24, 5.98, 50.65

 

CMYK 52 / 0 / 61 / 13

HEX #6ADF58

RGB 106 223 88

HSL 112, 0.68%, 0.61%

LAB 79.92, -58.2, 54.91

 

CMYK 61 / 40 / 0 / 13

HEX #5885DF

RGB 88 133 223

HSL 220, 0.68%, 0.61%

LAB 56.27, 11.97, -50.55

 

CMYK 8 / 61 / 0 / 13

HEX #CD58DF

RGB 205 88 223

HSL 292, 0.68%, 0.61%

LAB 57.35, 64.62, -48.16

 

CMYK 0 / 20 / 60 / 13

HEX #DFB35A

RGB 223 179 90

HSL 40.15, 0.68%, 0.61%

LAB 75.24, 5.98, 50.65

 

CMYK 61 / 0 / 51 / 13

HEX #58DF6E

RGB 88 223 110

HSL 129.78, 0.68%, 0.61%

LAB 79.6, -59.84, 44.34

 

CMYK 61 / 40 / 0 / 13

HEX #5885DF

RGB 88 133 223

HSL 220, 0.68%, 0.61%

LAB 56.27, 11.97, -50.55

 

CMYK 0 / 61 / 10 / 13

HEX #DF58C9

RGB 223 88 201

HSL 309.78, 0.68%, 0.61%

LAB 58.87, 65.44, -33.14

 

Description

Color code: HEX #DFB35A | qconv.com Color code: HEX #DFB35A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 179 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 179 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 60 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 60% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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