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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB2EE it is the complementary color #204D11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB2EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB2EE shade: #E4B2E9, #F5C4FC, #FFD6FF, #FFE8FF and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB2EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB2EE shade: #DFB2EE, #CEA0DB, #BD8EC8, #AC7CB5 and #9B6AA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB2EE shade: #E0B4EE, #EEB4ED, #EEB4DD, #EEB4CE and #EEB4BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB2EE shade: #E0B4EE, #D0B4EE, #C0B4EE and #B4B4EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB2EE shade matches the following richer shades: #E0B4EE, #E4ACF6 and #E7A5FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB2EE shade: #E0B4EE, #DCBBE7, #D8C3E0, #D5CAD8 and #D1D1D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB2EE shade: #C0B4EE, #D0B4EE, #E0B4EE, #EEB4ED and #EEB4DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB2EE shade: #C470E0, #D292E7, #E0B4EE, #EED6F6 and #FCF7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB2EE shade: #DFB2EE, #EEB4B7 and #B4EEC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB2EE shade: #DFB2EE, #EEE0B4 and #B4EEE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB2EE shade: #DFB2EE, #EEB4B7, #C2EEB4 and #B4EEEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB2EE shade: #DFB2EE, #EEC2B4, #C2EEB4 and #B4E0EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 25 / 0 / 7

HEX #DFB2EE

RGB 223 178 238

HSL 285, 0.64%, 0.82%

LAB 78.29, 26.72, -23.73

 

Complementary color

CMYK 58 / 0 / 78 / 70

HEX #204D11

RGB 32 77 17

HSL 105, 0.64%, 0.18%

LAB 28.53, -27.97, 29.41

 

CMYK 2 / 24 / 0 / 9

HEX #E4B2E9

RGB 228 178 233

HSL 294.55, 0.56%, 0.81%

LAB 78.59, 27.37, -20.53

 

CMYK 3 / 22 / 0 / 1

HEX #F5C4FC

RGB 245 196 252

HSL 292.5, 0.9%, 0.88%

LAB 84.96, 26.81, -20.91

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 6 / 25 / 0 / 7

HEX #DFB2EE

RGB 223 178 238

HSL 285, 0.64%, 0.82%

LAB 78.29, 26.72, -23.73

 

CMYK 6 / 27 / 0 / 14

HEX #CEA0DB

RGB 206 160 219

HSL 286.78, 0.45%, 0.74%

LAB 71.81, 27.3, -23.42

 

CMYK 5 / 29 / 0 / 22

HEX #BD8EC8

RGB 189 142 200

HSL 288.62, 0.35%, 0.67%

LAB 65.23, 27.93, -23.1

 

CMYK 5 / 31 / 0 / 29

HEX #AC7CB5

RGB 172 124 181

HSL 290.53, 0.28%, 0.6%

LAB 58.53, 28.61, -22.78

 

CMYK 4 / 35 / 0 / 36

HEX #9B6AA2

RGB 155 106 162

HSL 292.5, 0.23%, 0.53%

LAB 51.71, 29.34, -22.44

 

CMYK 6 / 24 / 0 / 7

HEX #E0B4EE

RGB 224 180 238

HSL 285.52, 0.63%, 0.82%

LAB 78.85, 25.96, -22.87

 

CMYK 0 / 24 / 0 / 7

HEX #EEB4ED

RGB 238 180 237

HSL 301.03, 0.63%, 0.82%

LAB 80.14, 30.29, -20.24

 

CMYK 0 / 24 / 7 / 7

HEX #EEB4DD

RGB 238 180 221

HSL 317.59, 0.63%, 0.82%

LAB 79.64, 27.46, -12.38

 

CMYK 0 / 24 / 13 / 7

HEX #EEB4CE

RGB 238 180 206

HSL 333.1, 0.63%, 0.82%

LAB 79.2, 24.96, -4.91

 

CMYK 0 / 24 / 20 / 7

HEX #EEB4BE

RGB 238 180 190

HSL 349.66, 0.63%, 0.82%

LAB 78.77, 22.49, 3.13

 

CMYK 6 / 24 / 0 / 7

HEX #E0B4EE

RGB 224 180 238

HSL 285.52, 0.63%, 0.82%

LAB 78.85, 25.96, -22.87

 

CMYK 13 / 24 / 0 / 7

HEX #D0B4EE

RGB 208 180 238

HSL 268.97, 0.63%, 0.82%

LAB 77.42, 20.88, -25.18

 

CMYK 19 / 24 / 0 / 7

HEX #C0B4EE

RGB 192 180 238

HSL 252.41, 0.63%, 0.82%

LAB 76.08, 15.9, -27.34

 

CMYK 24 / 24 / 0 / 7

HEX #B4B4EE

RGB 180 180 238

HSL 240, 0.63%, 0.82%

LAB 75.15, 12.28, -28.85

 

CMYK 6 / 24 / 0 / 7

HEX #E0B4EE

RGB 224 180 238

HSL 285.52, 0.63%, 0.82%

LAB 78.85, 25.96, -22.87

 

CMYK 7 / 30 / 0 / 4

HEX #E4ACF6

RGB 228 172 246

HSL 285.41, 0.8%, 0.82%

LAB 77.67, 33.08, -28.95

 

CMYK 9 / 35 / 0 / 1

HEX #E7A5FD

RGB 231 165 253

HSL 285, 0.96%, 0.82%

LAB 76.67, 39.11, -34.23

 

CMYK 6 / 24 / 0 / 7

HEX #E0B4EE

RGB 224 180 238

HSL 285.52, 0.63%, 0.82%

LAB 78.85, 25.96, -22.87

 

CMYK 5 / 19 / 0 / 9

HEX #DCBBE7

RGB 220 187 231

HSL 285, 0.48%, 0.82%

LAB 79.91, 19.54, -17.52

 

CMYK 4 / 13 / 0 / 12

HEX #D8C3E0

RGB 216 195 224

HSL 283.45, 0.32%, 0.82%

LAB 81.3, 12.58, -11.72

 

CMYK 1 / 6 / 0 / 15

HEX #D5CAD8

RGB 213 202 216

HSL 287.14, 0.15%, 0.82%

LAB 82.56, 6.34, -5.58

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D1

RGB 209 209 209

HSL 0, 0%, 0.82%

LAB 83.84, 0, -0.01

 

CMYK 19 / 24 / 0 / 7

HEX #C0B4EE

RGB 192 180 238

HSL 252.41, 0.63%, 0.82%

LAB 76.08, 15.9, -27.34

 

CMYK 13 / 24 / 0 / 7

HEX #D0B4EE

RGB 208 180 238

HSL 268.97, 0.63%, 0.82%

LAB 77.42, 20.88, -25.18

 

CMYK 6 / 24 / 0 / 7

HEX #E0B4EE

RGB 224 180 238

HSL 285.52, 0.63%, 0.82%

LAB 78.85, 25.96, -22.87

 

CMYK 0 / 24 / 0 / 7

HEX #EEB4ED

RGB 238 180 237

HSL 301.03, 0.63%, 0.82%

LAB 80.14, 30.29, -20.24

 

CMYK 0 / 24 / 7 / 7

HEX #EEB4DE

RGB 238 180 222

HSL 316.55, 0.63%, 0.82%

LAB 79.67, 27.63, -12.87

 

CMYK 13 / 50 / 0 / 12

HEX #C470E0

RGB 196 112 224

HSL 285, 0.64%, 0.66%

LAB 60.52, 51.05, -43.79

 

CMYK 9 / 37 / 0 / 9

HEX #D292E7

RGB 210 146 231

HSL 285.18, 0.64%, 0.74%

LAB 69.49, 38.55, -33.54

 

CMYK 6 / 24 / 0 / 7

HEX #E0B4EE

RGB 224 180 238

HSL 285.52, 0.63%, 0.82%

LAB 78.85, 25.96, -22.87

 

CMYK 3 / 13 / 0 / 4

HEX #EED6F6

RGB 238 214 246

HSL 285, 0.64%, 0.9%

LAB 88.41, 13.91, -12.6

 

CMYK 0 / 2 / 0 / 1

HEX #FCF7FD

RGB 252 247 253

HSL 290, 0.6%, 0.98%

LAB 97.76, 2.72, -2.29

 

CMYK 6 / 25 / 0 / 7

HEX #DFB2EE

RGB 223 178 238

HSL 285, 0.64%, 0.82%

LAB 78.29, 26.72, -23.73

 

CMYK 0 / 24 / 23 / 7

HEX #EEB4B7

RGB 238 180 183

HSL 356.9, 0.63%, 0.82%

LAB 78.6, 21.46, 6.67

 

CMYK 24 / 0 / 16 / 7

HEX #B4EEC8

RGB 180 238 200

HSL 140.69, 0.63%, 0.82%

LAB 89.4, -25.83, 12.49

 

CMYK 6 / 25 / 0 / 7

HEX #DFB2EE

RGB 223 178 238

HSL 285, 0.64%, 0.82%

LAB 78.29, 26.72, -23.73

 

CMYK 0 / 6 / 24 / 7

HEX #EEE0B4

RGB 238 224 180

HSL 45.52, 0.63%, 0.82%

LAB 89.29, -1.98, 23.31

 

CMYK 24 / 0 / 6 / 7

HEX #B4EEE0

RGB 180 238 224

HSL 165.52, 0.63%, 0.82%

LAB 89.97, -21.15, 0.8

 

CMYK 6 / 25 / 0 / 7

HEX #DFB2EE

RGB 223 178 238

HSL 285, 0.64%, 0.82%

LAB 78.29, 26.72, -23.73

 

CMYK 0 / 24 / 23 / 7

HEX #EEB4B7

RGB 238 180 183

HSL 356.9, 0.63%, 0.82%

LAB 78.6, 21.46, 6.67

 

CMYK 18 / 0 / 24 / 7

HEX #C2EEB4

RGB 194 238 180

HSL 105.52, 0.63%, 0.82%

LAB 89.82, -24.69, 23.54

 

CMYK 24 / 0 / 1 / 7

HEX #B4EEEC

RGB 180 238 236

HSL 177.93, 0.63%, 0.82%

LAB 90.28, -18.63, -5.01

 

CMYK 6 / 25 / 0 / 7

HEX #DFB2EE

RGB 223 178 238

HSL 285, 0.64%, 0.82%

LAB 78.29, 26.72, -23.73

 

CMYK 0 / 18 / 24 / 7

HEX #EEC2B4

RGB 238 194 180

HSL 14.48, 0.63%, 0.82%

LAB 81.87, 13.62, 12.95

 

CMYK 18 / 0 / 24 / 7

HEX #C2EEB4

RGB 194 238 180

HSL 105.52, 0.63%, 0.82%

LAB 89.82, -24.69, 23.54

 

CMYK 24 / 6 / 0 / 7

HEX #B4E0EE

RGB 180 224 238

HSL 194.48, 0.63%, 0.82%

LAB 86.6, -11.15, -11.52

 

Description

Color code: HEX #DFB2EE | qconv.com Color code: HEX #DFB2EE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 178 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 178 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 25 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 25% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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