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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB2D0 it is the complementary color #204D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB2D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB2D0 shade: #E4B2CB, #F5C4DE, #FFD6F1, #FFE8FF and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB2D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB2D0 shade: #DFB2D0, #CEA0BD, #BD8EAA, #AC7C97 and #9B6A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB2D0 shade: #DFB3D1, #DFB3C5, #DFB3B9 and #DFB3B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB2D0 shade: #DFB3D1, #DFB3DD, #D6B3DF, #CBB3DF and #BFB3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB2D0 shade matches the following richer shades: #DFB3D1, #E8ABD4, #F1A2D7 and #F99AD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB2D0 shade: #DFB3D1, #D7BCCE, #CEC5CB, #C5CDC8 and #BDD6C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB2D0 shade: #D7B3DF, #DFB3DC, #DFB3D1, #DFB3C5 and #DFB3B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB2D0 shade: #C779AD, #D396BF, #DFB3D1, #ECD1E3 and #F8EEF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB2D0 shade: #DFB2D0, #DFCBB3 and #B3DFDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB2D0 shade: #DFB2D0, #D1DFB3 and #B3D1DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB2D0 shade: #DFB2D0, #DFCBB3, #B3DFC2 and #B3C8DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB2D0 shade: #DFB2D0, #DFD8B3, #B3DFC2 and #B3BBDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 7 / 13

HEX #DFB2D0

RGB 223 178 208

HSL 320, 0.41%, 0.79%

LAB 77.33, 21.17, -8.93

 

Complementary color

CMYK 58 / 0 / 39 / 70

HEX #204D2F

RGB 32 77 47

HSL 140, 0.41%, 0.21%

LAB 28.95, -23.36, 13.23

 

CMYK 0 / 22 / 11 / 11

HEX #E4B2CB

RGB 228 178 203

HSL 330, 0.48%, 0.8%

LAB 77.67, 22.05, -5.66

 

CMYK 0 / 20 / 9 / 4

HEX #F5C4DE

RGB 245 196 222

HSL 328.16, 0.71%, 0.86%

LAB 84.05, 21.52, -6.28

 

CMYK 0 / 16 / 5 / 0

HEX #FFD6F1

RGB 255 214 241

HSL 320.49, 1%, 0.92%

LAB 89.72, 18.67, -7.86

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 0 / 20 / 7 / 13

HEX #DFB2D0

RGB 223 178 208

HSL 320, 0.41%, 0.79%

LAB 77.33, 21.17, -8.93

 

CMYK 0 / 22 / 8 / 19

HEX #CEA0BD

RGB 206 160 189

HSL 322.17, 0.32%, 0.72%

LAB 70.83, 21.72, -8.36

 

CMYK 0 / 25 / 10 / 26

HEX #BD8EAA

RGB 189 142 170

HSL 324.26, 0.26%, 0.65%

LAB 64.22, 22.31, -7.76

 

CMYK 0 / 28 / 12 / 33

HEX #AC7C97

RGB 172 124 151

HSL 326.25, 0.22%, 0.58%

LAB 57.48, 22.96, -7.12

 

CMYK 0 / 32 / 15 / 39

HEX #9B6A84

RGB 155 106 132

HSL 328.16, 0.2%, 0.51%

LAB 50.62, 23.68, -6.42

 

CMYK 0 / 20 / 6 / 13

HEX #DFB3D1

RGB 223 179 209

HSL 319.09, 0.41%, 0.79%

LAB 77.6, 20.81, -9.08

 

CMYK 0 / 20 / 12 / 13

HEX #DFB3C5

RGB 223 179 197

HSL 335.45, 0.41%, 0.79%

LAB 77.26, 18.76, -3.06

 

CMYK 0 / 20 / 17 / 13

HEX #DFB3B9

RGB 223 179 185

HSL 351.82, 0.41%, 0.79%

LAB 76.94, 16.83, 3

 

CMYK 0 / 20 / 20 / 13

HEX #DFB3B3

RGB 223 179 179

HSL 0, 0.41%, 0.79%

LAB 76.79, 15.91, 6.05

 

CMYK 0 / 20 / 6 / 13

HEX #DFB3D1

RGB 223 179 209

HSL 319.09, 0.41%, 0.79%

LAB 77.6, 20.81, -9.08

 

CMYK 0 / 20 / 1 / 13

HEX #DFB3DD

RGB 223 179 221

HSL 302.73, 0.41%, 0.79%

LAB 77.96, 22.96, -15.04

 

CMYK 4 / 20 / 0 / 13

HEX #D6B3DF

RGB 214 179 223

HSL 287.73, 0.41%, 0.79%

LAB 77.2, 20.35, -17.35

 

CMYK 9 / 20 / 0 / 13

HEX #CBB3DF

RGB 203 179 223

HSL 272.73, 0.41%, 0.79%

LAB 76.23, 16.74, -18.91

 

CMYK 14 / 20 / 0 / 13

HEX #BFB3DF

RGB 191 179 223

HSL 256.36, 0.41%, 0.79%

LAB 75.23, 12.87, -20.52

 

CMYK 0 / 20 / 6 / 13

HEX #DFB3D1

RGB 223 179 209

HSL 319.09, 0.41%, 0.79%

LAB 77.6, 20.81, -9.08

 

CMYK 0 / 26 / 9 / 9

HEX #E8ABD4

RGB 232 171 212

HSL 319.67, 0.57%, 0.79%

LAB 76.7, 28.69, -11.95

 

CMYK 0 / 33 / 11 / 5

HEX #F1A2D7

RGB 241 162 215

HSL 319.75, 0.74%, 0.79%

LAB 75.73, 36.99, -14.95

 

CMYK 0 / 38 / 13 / 2

HEX #F99AD9

RGB 249 154 217

HSL 320.21, 0.89%, 0.79%

LAB 74.99, 44.1, -17.07

 

CMYK 0 / 20 / 6 / 13

HEX #DFB3D1

RGB 223 179 209

HSL 319.09, 0.41%, 0.79%

LAB 77.6, 20.81, -9.08

 

CMYK 0 / 13 / 4 / 16

HEX #D7BCCE

RGB 215 188 206

HSL 320, 0.25%, 0.79%

LAB 78.97, 12.67, -5.5

 

CMYK 0 / 4 / 1 / 19

HEX #CEC5CB

RGB 206 197 203

HSL 320, 0.08%, 0.79%

LAB 80.39, 4.21, -1.88

 

CMYK 4 / 0 / 2 / 20

HEX #C5CDC8

RGB 197 205 200

HSL 142.5, 0.07%, 0.79%

LAB 81.68, -3.65, 1.53

 

CMYK 12 / 0 / 8 / 16

HEX #BDD6C5

RGB 189 214 197

HSL 139.2, 0.23%, 0.79%

LAB 83.41, -11.57, 5.57

 

CMYK 4 / 20 / 0 / 13

HEX #D7B3DF

RGB 215 179 223

HSL 289.09, 0.41%, 0.79%

LAB 77.29, 20.68, -17.21

 

CMYK 0 / 20 / 1 / 13

HEX #DFB3DC

RGB 223 179 220

HSL 304.09, 0.41%, 0.79%

LAB 77.93, 22.77, -14.54

 

CMYK 0 / 20 / 6 / 13

HEX #DFB3D1

RGB 223 179 209

HSL 319.09, 0.41%, 0.79%

LAB 77.6, 20.81, -9.08

 

CMYK 0 / 20 / 12 / 13

HEX #DFB3C5

RGB 223 179 197

HSL 335.45, 0.41%, 0.79%

LAB 77.26, 18.76, -3.06

 

CMYK 0 / 20 / 17 / 13

HEX #DFB3B9

RGB 223 179 185

HSL 351.82, 0.41%, 0.79%

LAB 76.94, 16.83, 3

 

CMYK 0 / 39 / 13 / 22

HEX #C779AD

RGB 199 121 173

HSL 320, 0.41%, 0.63%

LAB 60.63, 37.8, -14.72

 

CMYK 0 / 29 / 9 / 17

HEX #D396BF

RGB 211 150 191

HSL 319.67, 0.41%, 0.71%

LAB 69.06, 29.25, -12.06

 

CMYK 0 / 20 / 6 / 13

HEX #DFB3D1

RGB 223 179 209

HSL 319.09, 0.41%, 0.79%

LAB 77.6, 20.81, -9.08

 

CMYK 0 / 11 / 4 / 7

HEX #ECD1E3

RGB 236 209 227

HSL 320, 0.42%, 0.87%

LAB 86.49, 12.44, -5.42

 

CMYK 0 / 4 / 2 / 3

HEX #F8EEF4

RGB 248 238 244

HSL 324, 0.42%, 0.95%

LAB 95.01, 4.4, -1.7

 

CMYK 0 / 20 / 7 / 13

HEX #DFB2D0

RGB 223 178 208

HSL 320, 0.41%, 0.79%

LAB 77.33, 21.17, -8.93

 

CMYK 0 / 9 / 20 / 13

HEX #DFCBB3

RGB 223 203 179

HSL 32.73, 0.41%, 0.79%

LAB 82.73, 3.18, 14.51

 

CMYK 20 / 0 / 1 / 13

HEX #B3DFDC

RGB 179 223 220

HSL 175.91, 0.41%, 0.79%

LAB 85.77, -14.81, -3.25

 

CMYK 0 / 20 / 7 / 13

HEX #DFB2D0

RGB 223 178 208

HSL 320, 0.41%, 0.79%

LAB 77.33, 21.17, -8.93

 

CMYK 6 / 0 / 20 / 13

HEX #D1DFB3

RGB 209 223 179

HSL 79.09, 0.41%, 0.79%

LAB 86.79, -12.21, 20.03

 

CMYK 20 / 6 / 0 / 13

HEX #B3D1DF

RGB 179 209 223

HSL 199.09, 0.41%, 0.79%

LAB 82.12, -6.99, -10.25

 

CMYK 0 / 20 / 7 / 13

HEX #DFB2D0

RGB 223 178 208

HSL 320, 0.41%, 0.79%

LAB 77.33, 21.17, -8.93

 

CMYK 0 / 9 / 20 / 13

HEX #DFCBB3

RGB 223 203 179

HSL 32.73, 0.41%, 0.79%

LAB 82.73, 3.18, 14.51

 

CMYK 20 / 0 / 13 / 13

HEX #B3DFC2

RGB 179 223 194

HSL 140.45, 0.41%, 0.79%

LAB 85.13, -19.95, 9.53

 

CMYK 20 / 10 / 0 / 13

HEX #B3C8DF

RGB 179 200 223

HSL 211.36, 0.41%, 0.79%

LAB 79.74, -2.26, -13.81

 

CMYK 0 / 20 / 7 / 13

HEX #DFB2D0

RGB 223 178 208

HSL 320, 0.41%, 0.79%

LAB 77.33, 21.17, -8.93

 

CMYK 0 / 3 / 20 / 13

HEX #DFD8B3

RGB 223 216 179

HSL 50.45, 0.41%, 0.79%

LAB 86.03, -3.56, 19.13

 

CMYK 20 / 0 / 13 / 13

HEX #B3DFC2

RGB 179 223 194

HSL 140.45, 0.41%, 0.79%

LAB 85.13, -19.95, 9.53

 

CMYK 20 / 16 / 0 / 13

HEX #B3BBDF

RGB 179 187 223

HSL 229.09, 0.41%, 0.79%

LAB 76.35, 4.72, -18.92

 

Description

Color code: HEX #DFB2D0 | qconv.com Color code: HEX #DFB2D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 178 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 178 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 7 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 7% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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