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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB210 it is the complementary color #204DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB210 shade: #E4B20B, #F5C41E, #FFD631, #FFE844 and #FFFA57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB210 shade: #DFB210, #CEA000, #BD8E00, #AC7C00 and #9B6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB210 shade: #E0B310, #E07B10, #E04210 and #E01010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB210 shade: #E0B310, #D5E010, #9DE010, #65E010 and #2CE010

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB210 shade matches the following richer shades: #E0B310

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB210 shade: #E0B310, #CDA823, #B99D36, #A6924A and #93875D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB210 shade: #E04010, #E07810, #E0AF10, #D9E010 and #A2E010

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB210 shade: #93750A, #BA940D, #E0B310, #F0C529 and #F3CF4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB210 shade: #DFB210, #17E010 and #5C10E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB210 shade: #DFB210, #10E0AF and #AF10E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB210 shade: #DFB210, #17E010, #1040E0 and #D910E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB210 shade: #DFB210, #10E047, #1040E0 and #E010A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 93 / 13

HEX #DFB210

RGB 223 178 16

HSL 46.96, 0.87%, 0.47%

LAB 74.55, 3.52, 75.16

 

Complementary color

CMYK 87 / 68 / 0 / 6

HEX #204DEF

RGB 32 77 239

HSL 226.96, 0.87%, 0.53%

LAB 40.97, 45.91, -84.44

 

CMYK 0 / 22 / 95 / 11

HEX #E4B20B

RGB 228 178 11

HSL 46.18, 0.91%, 0.47%

LAB 75.05, 5.64, 76.4

 

CMYK 0 / 20 / 88 / 4

HEX #F5C41E

RGB 245 196 30

HSL 46.33, 0.91%, 0.54%

LAB 81.28, 3.87, 78.79

 

CMYK 0 / 16 / 81 / 0

HEX #FFD631

RGB 255 214 49

HSL 48.06, 1%, 0.6%

LAB 86.79, -0.64, 79.08

 

CMYK 0 / 9 / 73 / 0

HEX #FFE844

RGB 255 232 68

HSL 52.62, 1%, 0.63%

LAB 91.41, -9.01, 77.41

 

CMYK 0 / 2 / 66 / 0

HEX #FFFA57

RGB 255 250 87

HSL 58.21, 1%, 0.67%

LAB 96.13, -16.91, 75.29

 

CMYK 0 / 20 / 93 / 13

HEX #DFB210

RGB 223 178 16

HSL 46.96, 0.87%, 0.47%

LAB 74.55, 3.52, 75.16

 

CMYK 0 / 22 / 100 / 19

HEX #CEA000

RGB 206 160 0

HSL 46.6, 1%, 0.4%

LAB 68.21, 5.43, 71.8

 

CMYK 0 / 25 / 100 / 26

HEX #BD8E00

RGB 189 142 0

HSL 45.08, 1%, 0.37%

LAB 61.8, 7.58, 66.52

 

CMYK 0 / 28 / 100 / 33

HEX #AC7C00

RGB 172 124 0

HSL 43.26, 1%, 0.34%

LAB 55.26, 9.83, 61.16

 

CMYK 0 / 32 / 100 / 39

HEX #9B6A00

RGB 155 106 0

HSL 41.03, 1%, 0.3%

LAB 48.61, 12.18, 55.7

 

CMYK 0 / 20 / 93 / 12

HEX #E0B310

RGB 224 179 16

HSL 47.02, 0.87%, 0.47%

LAB 74.9, 3.43, 75.46

 

CMYK 0 / 45 / 93 / 12

HEX #E07B10

RGB 224 123 16

HSL 30.87, 0.87%, 0.47%

LAB 61.7, 33.17, 65.9

 

CMYK 0 / 71 / 93 / 12

HEX #E04210

RGB 224 66 16

HSL 14.42, 0.87%, 0.47%

LAB 51.59, 59.32, 59.08

 

CMYK 0 / 93 / 93 / 12

HEX #E01010

RGB 224 16 16

HSL 0, 0.87%, 0.47%

LAB 47.31, 71.37, 56.44

 

CMYK 0 / 20 / 93 / 12

HEX #E0B310

RGB 224 179 16

HSL 47.02, 0.87%, 0.47%

LAB 74.9, 3.43, 75.46

 

CMYK 5 / 0 / 93 / 12

HEX #D5E010

RGB 213 224 16

HSL 63.17, 0.87%, 0.47%

LAB 85.75, -23.99, 83.25

 

CMYK 30 / 0 / 93 / 12

HEX #9DE010

RGB 157 224 16

HSL 79.33, 0.87%, 0.47%

LAB 82.12, -46.2, 78.85

 

CMYK 55 / 0 / 93 / 12

HEX #65E010

RGB 101 224 16

HSL 95.48, 0.87%, 0.47%

LAB 79.68, -64.16, 75.86

 

CMYK 80 / 0 / 93 / 12

HEX #2CE010

RGB 44 224 16

HSL 111.92, 0.87%, 0.47%

LAB 78.39, -75.02, 74.27

 

CMYK 0 / 20 / 93 / 12

HEX #E0B310

RGB 224 179 16

HSL 47.02, 0.87%, 0.47%

LAB 74.9, 3.43, 75.46

 

CMYK 0 / 20 / 93 / 12

HEX #E0B310

RGB 224 179 16

HSL 47.02, 0.87%, 0.47%

LAB 74.9, 3.43, 75.46

 

CMYK 0 / 18 / 83 / 20

HEX #CDA823

RGB 205 168 35

HSL 46.94, 0.71%, 0.47%

LAB 70.25, 1.31, 66.93

 

CMYK 0 / 15 / 71 / 27

HEX #B99D36

RGB 185 157 54

HSL 47.18, 0.55%, 0.47%

LAB 65.51, -0.87, 55.19

 

CMYK 0 / 12 / 55 / 35

HEX #A6924A

RGB 166 146 74

HSL 46.96, 0.38%, 0.47%

LAB 60.92, -1.9, 40.41

 

CMYK 0 / 8 / 37 / 42

HEX #93875D

RGB 147 135 93

HSL 46.67, 0.23%, 0.47%

LAB 56.41, -2.01, 24.24

 

CMYK 0 / 71 / 93 / 12

HEX #E04010

RGB 224 64 16

HSL 13.85, 0.87%, 0.47%

LAB 51.33, 60.04, 58.92

 

CMYK 0 / 46 / 93 / 12

HEX #E07810

RGB 224 120 16

HSL 30, 0.87%, 0.47%

LAB 61.06, 34.72, 65.45

 

CMYK 0 / 22 / 93 / 12

HEX #E0AF10

RGB 224 175 16

HSL 45.87, 0.87%, 0.47%

LAB 73.9, 5.54, 74.72

 

CMYK 3 / 0 / 93 / 12

HEX #D9E010

RGB 217 224 16

HSL 62.02, 0.87%, 0.47%

LAB 86.06, -22.32, 83.62

 

CMYK 28 / 0 / 93 / 12

HEX #A2E010

RGB 162 224 16

HSL 77.88, 0.87%, 0.47%

LAB 82.39, -44.34, 79.19

 

CMYK 0 / 20 / 93 / 42

HEX #93750A

RGB 147 117 10

HSL 46.86, 0.87%, 0.31%

LAB 50.63, 2.32, 54.65

 

CMYK 0 / 20 / 93 / 27

HEX #BA940D

RGB 186 148 13

HSL 46.82, 0.87%, 0.39%

LAB 63.05, 3.11, 65.35

 

CMYK 0 / 20 / 93 / 12

HEX #E0B310

RGB 224 179 16

HSL 47.02, 0.87%, 0.47%

LAB 74.9, 3.43, 75.46

 

CMYK 0 / 18 / 83 / 6

HEX #F0C529

RGB 240 197 41

HSL 47.04, 0.87%, 0.55%

LAB 81.08, 1.46, 75.83

 

CMYK 0 / 15 / 67 / 5

HEX #F3CF4F

RGB 243 207 79

HSL 46.83, 0.87%, 0.63%

LAB 84.09, -0.89, 65.73

 

CMYK 0 / 20 / 93 / 13

HEX #DFB210

RGB 223 178 16

HSL 46.96, 0.87%, 0.47%

LAB 74.55, 3.52, 75.16

 

CMYK 90 / 0 / 93 / 12

HEX #17E010

RGB 23 224 16

HSL 117.98, 0.87%, 0.47%

LAB 78.19, -76.88, 74.02

 

CMYK 59 / 93 / 0 / 12

HEX #5C10E0

RGB 92 16 224

HSL 261.92, 0.87%, 0.47%

LAB 34.04, 71.72, -87.25

 

CMYK 0 / 20 / 93 / 13

HEX #DFB210

RGB 223 178 16

HSL 46.96, 0.87%, 0.47%

LAB 74.55, 3.52, 75.16

 

CMYK 93 / 0 / 22 / 12

HEX #10E0AF

RGB 16 224 175

HSL 165.87, 0.87%, 0.47%

LAB 79.91, -56.36, 11.43

 

CMYK 22 / 93 / 0 / 12

HEX #AF10E0

RGB 175 16 224

HSL 285.87, 0.87%, 0.47%

LAB 45.45, 80.48, -68.08

 

CMYK 0 / 20 / 93 / 13

HEX #DFB210

RGB 223 178 16

HSL 46.96, 0.87%, 0.47%

LAB 74.55, 3.52, 75.16

 

CMYK 90 / 0 / 93 / 12

HEX #17E010

RGB 23 224 16

HSL 117.98, 0.87%, 0.47%

LAB 78.19, -76.88, 74.02

 

CMYK 93 / 71 / 0 / 12

HEX #1040E0

RGB 16 64 224

HSL 226.15, 0.87%, 0.47%

LAB 36.29, 47.8, -83.66

 

CMYK 3 / 93 / 0 / 12

HEX #D910E0

RGB 217 16 224

HSL 297.98, 0.87%, 0.47%

LAB 52.4, 86.77, -56.51

 

CMYK 0 / 20 / 93 / 13

HEX #DFB210

RGB 223 178 16

HSL 46.96, 0.87%, 0.47%

LAB 74.55, 3.52, 75.16

 

CMYK 93 / 0 / 68 / 12

HEX #10E047

RGB 16 224 71

HSL 135.87, 0.87%, 0.47%

LAB 78.39, -74.13, 59.71

 

CMYK 93 / 71 / 0 / 12

HEX #1040E0

RGB 16 64 224

HSL 226.15, 0.87%, 0.47%

LAB 36.29, 47.8, -83.66

 

CMYK 0 / 93 / 25 / 12

HEX #E010A9

RGB 224 16 169

HSL 315.87, 0.87%, 0.47%

LAB 50.78, 80.76, -27.15

 

Description

Color code: HEX #DFB210 | qconv.com Color code: HEX #DFB210 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 178 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 178 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 93 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 93% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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