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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB1FD it is the complementary color #204E02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB1FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB1FD shade: #E4B1F8, #F5C3FF, #FFD5FF, #FFE7FF and #FFF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB1FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB1FD shade: #DFB1FD, #CE9FEA, #BD8DD7, #AC7BC4 and #9B69B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB1FD shade: #DEAFFC, #F3AFFC, #FCAFF1, #FCAFDC and #FCAFC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB1FD shade: #DEAFFC, #C9AFFC, #B4AFFC and #AFAFFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB1FD shade matches the following richer shades: #DEAFFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB1FD shade: #DEAFFC, #DCB6F6, #DBBCEF, #DAC3E9 and #D8C9E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB1FD shade: #B4AFFC, #C9AFFC, #DDAFFC, #F2AFFC and #FCAFF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB1FD shade: #BD5EFA, #CD87FB, #DEAFFC and #EED7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB1FD shade: #DFB1FD, #FCAFBE and #AFFCBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB1FD shade: #DFB1FD, #FCDDAF and #AFFCDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB1FD shade: #DFB1FD, #FCAFBE, #CEFCAF and #AFFCED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB1FD shade: #DFB1FD, #FCB7AF, #CEFCAF and #AFF5FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 30 / 0 / 1

HEX #DFB1FD

RGB 223 177 253

HSL 276.32, 0.95%, 0.84%

LAB 78.59, 30.25, -31.33

 

Complementary color

CMYK 59 / 0 / 97 / 69

HEX #204E02

RGB 32 78 2

HSL 96.32, 0.95%, 0.16%

LAB 28.8, -29.48, 35.44

 

CMYK 8 / 29 / 0 / 3

HEX #E4B1F8

RGB 228 177 248

HSL 283.1, 0.84%, 0.83%

LAB 78.88, 30.79, -28.17

 

CMYK 4 / 24 / 0 / 0

HEX #F5C3FF

RGB 245 195 255

HSL 290, 1%, 0.88%

LAB 84.82, 27.91, -22.7

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 12 / 30 / 0 / 1

HEX #DFB1FD

RGB 223 177 253

HSL 276.32, 0.95%, 0.84%

LAB 78.59, 30.25, -31.33

 

CMYK 12 / 32 / 0 / 8

HEX #CE9FEA

RGB 206 159 234

HSL 277.6, 0.64%, 0.77%

LAB 72.13, 30.89, -31.13

 

CMYK 12 / 34 / 0 / 16

HEX #BD8DD7

RGB 189 141 215

HSL 278.92, 0.48%, 0.7%

LAB 65.57, 31.56, -30.94

 

CMYK 12 / 37 / 0 / 23

HEX #AC7BC4

RGB 172 123 196

HSL 280.27, 0.38%, 0.63%

LAB 58.9, 32.29, -30.74

 

CMYK 12 / 41 / 0 / 31

HEX #9B69B1

RGB 155 105 177

HSL 281.67, 0.32%, 0.55%

LAB 52.11, 33.07, -30.54

 

CMYK 12 / 31 / 0 / 1

HEX #DEAFFC

RGB 222 175 252

HSL 276.62, 0.93%, 0.84%

LAB 78, 30.82, -31.71

 

CMYK 4 / 31 / 0 / 1

HEX #F3AFFC

RGB 243 175 252

HSL 292.99, 0.93%, 0.84%

LAB 80.03, 37.3, -28.42

 

CMYK 0 / 31 / 4 / 1

HEX #FCAFF1

RGB 252 175 241

HSL 308.57, 0.93%, 0.84%

LAB 80.58, 38.15, -21.6

 

CMYK 0 / 31 / 13 / 1

HEX #FCAFDC

RGB 252 175 220

HSL 324.94, 0.93%, 0.84%

LAB 79.91, 34.64, -11.28

 

CMYK 0 / 31 / 21 / 1

HEX #FCAFC7

RGB 252 175 199

HSL 341.3, 0.93%, 0.84%

LAB 79.32, 31.43, -0.78

 

CMYK 12 / 31 / 0 / 1

HEX #DEAFFC

RGB 222 175 252

HSL 276.62, 0.93%, 0.84%

LAB 78, 30.82, -31.71

 

CMYK 20 / 31 / 0 / 1

HEX #C9AFFC

RGB 201 175 252

HSL 260.26, 0.93%, 0.84%

LAB 76.13, 24.49, -34.75

 

CMYK 29 / 31 / 0 / 1

HEX #B4AFFC

RGB 180 175 252

HSL 243.9, 0.93%, 0.84%

LAB 74.44, 18.39, -37.51

 

CMYK 31 / 31 / 0 / 1

HEX #AFAFFC

RGB 175 175 252

HSL 240, 0.93%, 0.84%

LAB 74.06, 16.98, -38.12

 

CMYK 12 / 31 / 0 / 1

HEX #DEAFFC

RGB 222 175 252

HSL 276.62, 0.93%, 0.84%

LAB 78, 30.82, -31.71

 

CMYK 12 / 31 / 0 / 1

HEX #DEAFFC

RGB 222 175 252

HSL 276.62, 0.93%, 0.84%

LAB 78, 30.82, -31.71

 

CMYK 11 / 26 / 0 / 4

HEX #DCB6F6

RGB 220 182 246

HSL 275.63, 0.78%, 0.84%

LAB 79.23, 25.2, -26.62

 

CMYK 8 / 21 / 0 / 6

HEX #DBBCEF

RGB 219 188 239

HSL 276.47, 0.61%, 0.84%

LAB 80.32, 20.24, -21.21

 

CMYK 6 / 16 / 0 / 9

HEX #DAC3E9

RGB 218 195 233

HSL 276.32, 0.46%, 0.84%

LAB 81.74, 14.97, -15.86

 

CMYK 4 / 11 / 0 / 11

HEX #D8C9E2

RGB 216 201 226

HSL 276, 0.3%, 0.84%

LAB 82.84, 9.76, -10.49

 

CMYK 29 / 31 / 0 / 1

HEX #B4AFFC

RGB 180 175 252

HSL 243.9, 0.93%, 0.84%

LAB 74.44, 18.39, -37.51

 

CMYK 20 / 31 / 0 / 1

HEX #C9AFFC

RGB 201 175 252

HSL 260.26, 0.93%, 0.84%

LAB 76.13, 24.49, -34.75

 

CMYK 12 / 31 / 0 / 1

HEX #DDAFFC

RGB 221 175 252

HSL 275.84, 0.93%, 0.84%

LAB 77.91, 30.52, -31.86

 

CMYK 4 / 31 / 0 / 1

HEX #F2AFFC

RGB 242 175 252

HSL 292.21, 0.93%, 0.84%

LAB 79.93, 36.98, -28.58

 

CMYK 0 / 31 / 4 / 1

HEX #FCAFF2

RGB 252 175 242

HSL 307.79, 0.93%, 0.84%

LAB 80.61, 38.32, -22.09

 

CMYK 24 / 62 / 0 / 2

HEX #BD5EFA

RGB 189 94 250

HSL 276.54, 0.94%, 0.67%

LAB 57.78, 63.57, -62.68

 

CMYK 18 / 46 / 0 / 2

HEX #CD87FB

RGB 205 135 251

HSL 276.21, 0.94%, 0.76%

LAB 67.48, 47.14, -47.69

 

CMYK 12 / 31 / 0 / 1

HEX #DEAFFC

RGB 222 175 252

HSL 276.62, 0.93%, 0.84%

LAB 78, 30.82, -31.71

 

CMYK 6 / 15 / 0 / 1

HEX #EED7FD

RGB 238 215 253

HSL 276.32, 0.9%, 0.92%

LAB 88.86, 14.71, -15.61

 

CMYK 12 / 30 / 0 / 1

HEX #DFB1FD

RGB 223 177 253

HSL 276.32, 0.95%, 0.84%

LAB 78.59, 30.25, -31.33

 

CMYK 0 / 31 / 25 / 1

HEX #FCAFBE

RGB 252 175 190

HSL 348.31, 0.93%, 0.84%

LAB 79.08, 30.15, 3.76

 

CMYK 31 / 0 / 25 / 1

HEX #AFFCBE

RGB 175 252 190

HSL 131.69, 0.93%, 0.84%

LAB 92.77, -35.73, 22.33

 

CMYK 12 / 30 / 0 / 1

HEX #DFB1FD

RGB 223 177 253

HSL 276.32, 0.95%, 0.84%

LAB 78.59, 30.25, -31.33

 

CMYK 0 / 12 / 31 / 1

HEX #FCDDAF

RGB 252 221 175

HSL 35.84, 0.93%, 0.84%

LAB 89.63, 4.14, 26.55

 

CMYK 31 / 0 / 12 / 1

HEX #AFFCDD

RGB 175 252 221

HSL 155.84, 0.93%, 0.84%

LAB 93.43, -29.95, 7.34

 

CMYK 12 / 30 / 0 / 1

HEX #DFB1FD

RGB 223 177 253

HSL 276.32, 0.95%, 0.84%

LAB 78.59, 30.25, -31.33

 

CMYK 0 / 31 / 25 / 1

HEX #FCAFBE

RGB 252 175 190

HSL 348.31, 0.93%, 0.84%

LAB 79.08, 30.15, 3.76

 

CMYK 18 / 0 / 31 / 1

HEX #CEFCAF

RGB 206 252 175

HSL 95.84, 0.93%, 0.84%

LAB 94.24, -27.99, 32.21

 

CMYK 31 / 0 / 6 / 1

HEX #AFFCED

RGB 175 252 237

HSL 168.31, 0.93%, 0.84%

LAB 93.82, -26.65, -0.37

 

CMYK 12 / 30 / 0 / 1

HEX #DFB1FD

RGB 223 177 253

HSL 276.32, 0.95%, 0.84%

LAB 78.59, 30.25, -31.33

 

CMYK 0 / 27 / 31 / 1

HEX #FCB7AF

RGB 252 183 175

HSL 6.23, 0.93%, 0.84%

LAB 80.55, 23.95, 13.96

 

CMYK 18 / 0 / 31 / 1

HEX #CEFCAF

RGB 206 252 175

HSL 95.84, 0.93%, 0.84%

LAB 94.24, -27.99, 32.21

 

CMYK 31 / 3 / 0 / 1

HEX #AFF5FC

RGB 175 245 252

HSL 185.45, 0.93%, 0.84%

LAB 92.33, -19.96, -10.34

 

Description

Color code: HEX #DFB1FD | qconv.com Color code: HEX #DFB1FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 177 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 177 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 30 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 30% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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