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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB169 it is the complementary color #204E96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB169 shade: #E4B164, #F5C377, #FFD58A, #FFE79D and #FFF9B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB169 shade: #DFB169, #CE9F56, #BD8D43, #AC7B30 and #9B691D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB169 shade: #DFB068, #DF9068, #DF7068 and #DF6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB169 shade: #DFB068, #DFD168, #CDDF68, #ADDF68 and #8DDF68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB169 shade matches the following richer shades: #DFB068, #EEB459 and #FDB74A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB169 shade: #DFB068, #D0AD76, #C1AA85, #B2A794 and #A3A3A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB169 shade: #DF6F68, #DF8F68, #DFAF68, #DFCF68 and #CFDF68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB169 shade: #C98B2B, #D89F45, #DFB068, #E6C28A and #EDD4AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB169 shade: #DFB169, #7FDF68 and #7F68DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB169 shade: #DFB169, #68DFAF and #AF68DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB169 shade: #DFB169, #7FDF68, #6897DF and #C768DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB169 shade: #DFB169, #68DF73, #6897DF and #DF68D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 53 / 13

HEX #DFB169

RGB 223 177 105

HSL 36.61, 0.65%, 0.64%

LAB 74.92, 8.21, 42.9

 

Complementary color

CMYK 79 / 48 / 0 / 41

HEX #204E96

RGB 32 78 150

HSL 216.61, 0.65%, 0.36%

LAB 33.89, 11.35, -44.01

 

CMYK 0 / 22 / 56 / 11

HEX #E4B164

RGB 228 177 100

HSL 36.09, 0.7%, 0.64%

LAB 75.36, 9.87, 46.05

 

CMYK 0 / 20 / 51 / 4

HEX #F5C377

RGB 245 195 119

HSL 36.19, 0.86%, 0.71%

LAB 81.72, 8.92, 44.71

 

CMYK 0 / 16 / 46 / 0

HEX #FFD58A

RGB 255 213 138

HSL 38.46, 1%, 0.77%

LAB 87.33, 5.33, 42.45

 

CMYK 0 / 9 / 38 / 0

HEX #FFE79D

RGB 255 231 157

HSL 45.31, 1%, 0.81%

LAB 92.06, -1.91, 39.01

 

CMYK 0 / 2 / 31 / 0

HEX #FFF9B0

RGB 255 249 176

HSL 55.44, 1%, 0.85%

LAB 96.88, -8.73, 35.84

 

CMYK 0 / 21 / 53 / 13

HEX #DFB169

RGB 223 177 105

HSL 36.61, 0.65%, 0.64%

LAB 74.92, 8.21, 42.9

 

CMYK 0 / 23 / 58 / 19

HEX #CE9F56

RGB 206 159 86

HSL 36.5, 0.55%, 0.57%

LAB 68.45, 9.2, 44.26

 

CMYK 0 / 25 / 65 / 26

HEX #BD8D43

RGB 189 141 67

HSL 36.39, 0.48%, 0.5%

LAB 61.89, 10.37, 45.61

 

CMYK 0 / 28 / 72 / 33

HEX #AC7B30

RGB 172 123 48

HSL 36.29, 0.56%, 0.43%

LAB 55.23, 11.76, 46.84

 

CMYK 0 / 32 / 81 / 39

HEX #9B691D

RGB 155 105 29

HSL 36.19, 0.68%, 0.36%

LAB 48.46, 13.43, 47.64

 

CMYK 0 / 21 / 53 / 13

HEX #DFB068

RGB 223 176 104

HSL 36.3, 0.65%, 0.64%

LAB 74.66, 8.65, 43.08

 

CMYK 0 / 35 / 53 / 13

HEX #DF9068

RGB 223 144 104

HSL 20.17, 0.65%, 0.64%

LAB 67, 25.78, 33.53

 

CMYK 0 / 50 / 53 / 13

HEX #DF7068

RGB 223 112 104

HSL 4.03, 0.65%, 0.64%

LAB 60.14, 42.49, 24.61

 

CMYK 0 / 53 / 53 / 13

HEX #DF6868

RGB 223 104 104

HSL 0, 0.65%, 0.64%

LAB 58.59, 46.44, 22.56

 

CMYK 0 / 21 / 53 / 13

HEX #DFB068

RGB 223 176 104

HSL 36.3, 0.65%, 0.64%

LAB 74.66, 8.65, 43.08

 

CMYK 0 / 6 / 53 / 13

HEX #DFD168

RGB 223 209 104

HSL 52.94, 0.65%, 0.64%

LAB 83.07, -8.52, 53.12

 

CMYK 8 / 0 / 53 / 13

HEX #CDDF68

RGB 205 223 104

HSL 69.08, 0.65%, 0.64%

LAB 85.38, -22.7, 55.45

 

CMYK 22 / 0 / 53 / 13

HEX #ADDF68

RGB 173 223 104

HSL 85.21, 0.65%, 0.64%

LAB 83.26, -34.95, 52.45

 

CMYK 37 / 0 / 53 / 13

HEX #8DDF68

RGB 141 223 104

HSL 101.34, 0.65%, 0.64%

LAB 81.53, -46.1, 49.97

 

CMYK 0 / 21 / 53 / 13

HEX #DFB068

RGB 223 176 104

HSL 36.3, 0.65%, 0.64%

LAB 74.66, 8.65, 43.08

 

CMYK 0 / 24 / 63 / 7

HEX #EEB459

RGB 238 180 89

HSL 36.64, 0.81%, 0.64%

LAB 77.01, 11.65, 53.54

 

CMYK 0 / 28 / 71 / 1

HEX #FDB74A

RGB 253 183 74

HSL 36.54, 0.98%, 0.64%

LAB 79.18, 15.48, 63.04

 

CMYK 0 / 21 / 53 / 13

HEX #DFB068

RGB 223 176 104

HSL 36.3, 0.65%, 0.64%

LAB 74.66, 8.65, 43.08

 

CMYK 0 / 17 / 43 / 18

HEX #D0AD76

RGB 208 173 118

HSL 36.67, 0.49%, 0.64%

LAB 72.63, 5.42, 32.98

 

CMYK 0 / 12 / 31 / 24

HEX #C1AA85

RGB 193 170 133

HSL 37, 0.33%, 0.64%

LAB 70.72, 2.77, 22.16

 

CMYK 0 / 6 / 17 / 30

HEX #B2A794

RGB 178 167 148

HSL 38, 0.16%, 0.64%

LAB 68.93, 0.74, 11.25

 

CMYK 0 / 0 / 0 / 36

HEX #A3A3A3

RGB 163 163 163

HSL 0, 0%, 0.64%

LAB 66.99, 0, -0.01

 

CMYK 0 / 50 / 53 / 13

HEX #DF6F68

RGB 223 111 104

HSL 3.53, 0.65%, 0.64%

LAB 59.94, 42.99, 24.35

 

CMYK 0 / 36 / 53 / 13

HEX #DF8F68

RGB 223 143 104

HSL 19.66, 0.65%, 0.64%

LAB 66.77, 26.32, 33.24

 

CMYK 0 / 22 / 53 / 13

HEX #DFAF68

RGB 223 175 104

HSL 35.8, 0.65%, 0.64%

LAB 74.41, 9.19, 42.78

 

CMYK 0 / 7 / 53 / 13

HEX #DFCF68

RGB 223 207 104

HSL 51.93, 0.65%, 0.64%

LAB 82.55, -7.5, 52.51

 

CMYK 7 / 0 / 53 / 13

HEX #CFDF68

RGB 207 223 104

HSL 68.07, 0.65%, 0.64%

LAB 85.52, -21.91, 55.66

 

CMYK 0 / 31 / 79 / 21

HEX #C98B2B

RGB 201 139 43

HSL 36.46, 0.65%, 0.48%

LAB 62.56, 15.48, 57.27

 

CMYK 0 / 26 / 68 / 15

HEX #D89F45

RGB 216 159 69

HSL 36.73, 0.65%, 0.56%

LAB 69.34, 12.34, 53.68

 

CMYK 0 / 21 / 53 / 13

HEX #DFB068

RGB 223 176 104

HSL 36.3, 0.65%, 0.64%

LAB 74.66, 8.65, 43.08

 

CMYK 0 / 16 / 40 / 10

HEX #E6C28A

RGB 230 194 138

HSL 36.52, 0.65%, 0.72%

LAB 80.32, 5.29, 32.93

 

CMYK 0 / 11 / 27 / 7

HEX #EDD4AC

RGB 237 212 172

HSL 36.92, 0.64%, 0.8%

LAB 86.04, 2.74, 22.99

 

CMYK 0 / 21 / 53 / 13

HEX #DFB169

RGB 223 177 105

HSL 36.61, 0.65%, 0.64%

LAB 74.92, 8.21, 42.9

 

CMYK 43 / 0 / 53 / 13

HEX #7FDF68

RGB 127 223 104

HSL 108.4, 0.65%, 0.64%

LAB 80.9, -50.49, 49.06

 

CMYK 43 / 53 / 0 / 13

HEX #7F68DF

RGB 127 104 223

HSL 251.6, 0.65%, 0.64%

LAB 51.54, 37.64, -57.95

 

CMYK 0 / 21 / 53 / 13

HEX #DFB169

RGB 223 177 105

HSL 36.61, 0.65%, 0.64%

LAB 74.92, 8.21, 42.9

 

CMYK 53 / 0 / 22 / 13

HEX #68DFAF

RGB 104 223 175

HSL 155.8, 0.65%, 0.64%

LAB 81.19, -44.74, 13.46

 

CMYK 22 / 53 / 0 / 13

HEX #AF68DF

RGB 175 104 223

HSL 275.8, 0.65%, 0.64%

LAB 56.43, 49.4, -49.86

 

CMYK 0 / 21 / 53 / 13

HEX #DFB169

RGB 223 177 105

HSL 36.61, 0.65%, 0.64%

LAB 74.92, 8.21, 42.9

 

CMYK 43 / 0 / 53 / 13

HEX #7FDF68

RGB 127 223 104

HSL 108.4, 0.65%, 0.64%

LAB 80.9, -50.49, 49.06

 

CMYK 53 / 32 / 0 / 13

HEX #6897DF

RGB 104 151 223

HSL 216.3, 0.65%, 0.64%

LAB 62, 4.58, -41.43

 

CMYK 11 / 53 / 0 / 13

HEX #C768DF

RGB 199 104 223

HSL 287.9, 0.65%, 0.64%

LAB 59.32, 55.67, -45.1

 

CMYK 0 / 21 / 53 / 13

HEX #DFB169

RGB 223 177 105

HSL 36.61, 0.65%, 0.64%

LAB 74.92, 8.21, 42.9

 

CMYK 53 / 0 / 48 / 13

HEX #68DF73

RGB 104 223 115

HSL 125.55, 0.65%, 0.64%

LAB 80.15, -55.43, 42.73

 

CMYK 53 / 32 / 0 / 13

HEX #6897DF

RGB 104 151 223

HSL 216.3, 0.65%, 0.64%

LAB 62, 4.58, -41.43

 

CMYK 0 / 53 / 5 / 13

HEX #DF68D3

RGB 223 104 211

HSL 306.05, 0.65%, 0.64%

LAB 61.91, 59.98, -34.07

 

Description

Color code: HEX #DFB169 | qconv.com Color code: HEX #DFB169 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 177 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 177 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 53 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 53% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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