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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB141 it is the complementary color #204EBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB141 shade: #E4B13C, #F5C34F, #FFD562, #FFE775 and #FFF988

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB141 shade: #DFB141, #CE9F2E, #BD8D1B, #AC7B08 and #9B6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB141 shade: #DEB03F, #DE853F, #DE5A3F and #DE3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB141 shade: #DEB03F, #DEDB3F, #B7DE3F, #8CDE3F and #61DE3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB141 shade matches the following richer shades: #DEB03F and #F1B82D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB141 shade: #DEB03F, #CCA851, #BAA163, #A89976 and #969288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB141 shade: #DE5A3F, #DE843F, #DEAF3F, #DED93F and #B9DE3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB141 shade: #AE841D, #D19E23, #DEB03F, #E4BF62 and #EACD86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB141 shade: #DFB141, #4FDE3F and #6F3FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB141 shade: #DFB141, #3FDEAF and #AF3FDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB141 shade: #DFB141, #4FDE3F, #3F6FDE and #CF3FDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB141 shade: #DFB141, #3FDE5F, #3F6FDE and #DE3FBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 71 / 13

HEX #DFB141

RGB 223 177 65

HSL 42.53, 0.71%, 0.56%

LAB 74.52, 5.53, 61.01

 

Complementary color

CMYK 83 / 59 / 0 / 25

HEX #204EBE

RGB 32 78 190

HSL 222.53, 0.71%, 0.44%

LAB 36.88, 27.11, -63

 

CMYK 0 / 22 / 74 / 11

HEX #E4B13C

RGB 228 177 60

HSL 41.79, 0.76%, 0.56%

LAB 74.99, 7.44, 63.64

 

CMYK 0 / 20 / 68 / 4

HEX #F5C34F

RGB 245 195 79

HSL 41.93, 0.89%, 0.64%

LAB 81.3, 6.14, 62.88

 

CMYK 0 / 16 / 62 / 0

HEX #FFD562

RGB 255 213 98

HSL 43.95, 1%, 0.69%

LAB 86.86, 2.14, 60.94

HEX #FFD562

CMYK 0 / 9 / 54 / 0

HEX #FFE775

RGB 255 231 117

HSL 49.57, 1%, 0.73%

LAB 91.55, -5.62, 57.7

HEX #FFE775

CMYK 0 / 2 / 47 / 0

HEX #FFF988

RGB 255 249 136

HSL 56.97, 1%, 0.77%

LAB 96.32, -12.93, 54.57

HEX #FFF988

CMYK 0 / 21 / 71 / 13

HEX #DFB141

RGB 223 177 65

HSL 42.53, 0.71%, 0.56%

LAB 74.52, 5.53, 61.01

 

CMYK 0 / 23 / 78 / 19

HEX #CE9F2E

RGB 206 159 46

HSL 42.38, 0.63%, 0.49%

LAB 68.11, 6.93, 61.52

 

CMYK 0 / 25 / 86 / 26

HEX #BD8D1B

RGB 189 141 27

HSL 42.22, 0.75%, 0.42%

LAB 61.61, 8.57, 61.25

 

CMYK 0 / 28 / 95 / 33

HEX #AC7B08

RGB 172 123 8

HSL 42.07, 0.91%, 0.35%

LAB 55.03, 10.5, 59.55

 

CMYK 0 / 32 / 100 / 39

HEX #9B6900

RGB 155 105 0

HSL 40.65, 1%, 0.3%

LAB 48.35, 12.75, 55.53

 

CMYK 0 / 21 / 72 / 13

HEX #DEB03F

RGB 222 176 63

HSL 42.64, 0.71%, 0.56%

LAB 74.15, 5.53, 61.42

 

CMYK 0 / 40 / 72 / 13

HEX #DE853F

RGB 222 133 63

HSL 26.42, 0.71%, 0.56%

LAB 63.89, 28.5, 50.84

 

CMYK 0 / 59 / 72 / 13

HEX #DE5A3F

RGB 222 90 63

HSL 10.19, 0.71%, 0.56%

LAB 55.28, 50.04, 41.45

 

CMYK 0 / 72 / 72 / 13

HEX #DE3F3F

RGB 222 63 63

HSL 0, 0.71%, 0.56%

LAB 51.2, 61.04, 36.8

 

CMYK 0 / 21 / 72 / 13

HEX #DEB03F

RGB 222 176 63

HSL 42.64, 0.71%, 0.56%

LAB 74.15, 5.53, 61.42

 

CMYK 0 / 1 / 72 / 13

HEX #DEDB3F

RGB 222 219 63

HSL 58.87, 0.71%, 0.56%

LAB 85.28, -16.49, 72.3

 

CMYK 18 / 0 / 72 / 13

HEX #B7DE3F

RGB 183 222 63

HSL 74.72, 0.71%, 0.56%

LAB 83.27, -33.77, 69.38

 

CMYK 37 / 0 / 72 / 13

HEX #8CDE3F

RGB 140 222 63

HSL 90.94, 0.71%, 0.56%

LAB 80.84, -49.6, 66.16

 

CMYK 56 / 0 / 72 / 13

HEX #61DE3F

RGB 97 222 63

HSL 107.17, 0.71%, 0.56%

LAB 79.12, -62.37, 63.88

 

CMYK 0 / 21 / 72 / 13

HEX #DEB03F

RGB 222 176 63

HSL 42.64, 0.71%, 0.56%

LAB 74.15, 5.53, 61.42

 

CMYK 0 / 24 / 81 / 5

HEX #F1B82D

RGB 241 184 45

HSL 42.55, 0.88%, 0.56%

LAB 77.98, 8.76, 72.08

 

CMYK 0 / 21 / 72 / 13

HEX #DEB03F

RGB 222 176 63

HSL 42.64, 0.71%, 0.56%

LAB 74.15, 5.53, 61.42

 

CMYK 0 / 18 / 60 / 20

HEX #CCA851

RGB 204 168 81

HSL 42.44, 0.55%, 0.56%

LAB 70.48, 3.15, 49

 

CMYK 0 / 13 / 47 / 27

HEX #BAA163

RGB 186 161 99

HSL 42.76, 0.39%, 0.56%

LAB 67.15, 0.82, 35.55

 

CMYK 0 / 9 / 30 / 34

HEX #A89976

RGB 168 153 118

HSL 42, 0.22%, 0.56%

LAB 63.68, -0, 20.43

 

CMYK 0 / 3 / 9 / 41

HEX #969288

RGB 150 146 136

HSL 42.86, 0.06%, 0.56%

LAB 60.62, -0.37, 5.81

 

CMYK 0 / 59 / 72 / 13

HEX #DE5A3F

RGB 222 90 63

HSL 10.19, 0.71%, 0.56%

LAB 55.28, 50.04, 41.45

 

CMYK 0 / 41 / 72 / 13

HEX #DE843F

RGB 222 132 63

HSL 26.04, 0.71%, 0.56%

LAB 63.66, 29.03, 50.6

 

CMYK 0 / 21 / 72 / 13

HEX #DEAF3F

RGB 222 175 63

HSL 42.26, 0.71%, 0.56%

LAB 73.9, 6.06, 61.17

 

CMYK 0 / 2 / 72 / 13

HEX #DED93F

RGB 222 217 63

HSL 58.11, 0.71%, 0.56%

LAB 84.75, -15.51, 71.79

 

CMYK 17 / 0 / 72 / 13

HEX #B9DE3F

RGB 185 222 63

HSL 73.96, 0.71%, 0.56%

LAB 83.4, -32.98, 69.55

 

CMYK 0 / 24 / 83 / 32

HEX #AE841D

RGB 174 132 29

HSL 42.62, 0.71%, 0.4%

LAB 57.65, 6.84, 56.64

 

CMYK 0 / 24 / 83 / 18

HEX #D19E23

RGB 209 158 35

HSL 42.41, 0.71%, 0.48%

LAB 68.12, 8.42, 65.28

 

CMYK 0 / 21 / 72 / 13

HEX #DEB03F

RGB 222 176 63

HSL 42.64, 0.71%, 0.56%

LAB 74.15, 5.53, 61.42

 

CMYK 0 / 16 / 57 / 11

HEX #E4BF62

RGB 228 191 98

HSL 42.92, 0.71%, 0.64%

LAB 78.83, 2.35, 51.12

 

CMYK 0 / 12 / 43 / 8

HEX #EACD86

RGB 234 205 134

HSL 42.6, 0.7%, 0.72%

LAB 83.38, 0.73, 39.03

 

CMYK 0 / 21 / 71 / 13

HEX #DFB141

RGB 223 177 65

HSL 42.53, 0.71%, 0.56%

LAB 74.52, 5.53, 61.01

 

CMYK 64 / 0 / 72 / 13

HEX #4FDE3F

RGB 79 222 63

HSL 113.96, 0.71%, 0.56%

LAB 78.62, -66.48, 63.2

 

CMYK 50 / 72 / 0 / 13

HEX #6F3FDE

RGB 111 63 222

HSL 258.11, 0.71%, 0.56%

LAB 41.55, 56.69, -73.67

 

CMYK 0 / 21 / 71 / 13

HEX #DFB141

RGB 223 177 65

HSL 42.53, 0.71%, 0.56%

LAB 74.52, 5.53, 61.01

 

CMYK 72 / 0 / 21 / 13

HEX #3FDEAF

RGB 63 222 175

HSL 162.26, 0.71%, 0.56%

LAB 79.84, -51.64, 11.4

 

CMYK 21 / 72 / 0 / 13

HEX #AF3FDE

RGB 175 63 222

HSL 282.26, 0.71%, 0.56%

LAB 49.43, 68.13, -60.51

 

CMYK 0 / 21 / 71 / 13

HEX #DFB141

RGB 223 177 65

HSL 42.53, 0.71%, 0.56%

LAB 74.52, 5.53, 61.01

 

CMYK 64 / 0 / 72 / 13

HEX #4FDE3F

RGB 79 222 63

HSL 113.96, 0.71%, 0.56%

LAB 78.62, -66.48, 63.2

 

CMYK 72 / 50 / 0 / 13

HEX #3F6FDE

RGB 63 111 222

HSL 221.89, 0.71%, 0.56%

LAB 49.13, 21.15, -61.48

 

CMYK 7 / 72 / 0 / 13

HEX #CF3FDE

RGB 207 63 222

HSL 294.34, 0.71%, 0.56%

LAB 54.13, 74.58, -52.71

 

CMYK 0 / 21 / 71 / 13

HEX #DFB141

RGB 223 177 65

HSL 42.53, 0.71%, 0.56%

LAB 74.52, 5.53, 61.01

 

CMYK 72 / 0 / 57 / 13

HEX #3FDE5F

RGB 63 222 95

HSL 132.08, 0.71%, 0.56%

LAB 78.53, -66.15, 49.91

 

CMYK 72 / 50 / 0 / 13

HEX #3F6FDE

RGB 63 111 222

HSL 221.89, 0.71%, 0.56%

LAB 49.13, 21.15, -61.48

 

CMYK 0 / 72 / 14 / 13

HEX #DE3FBF

RGB 222 63 191

HSL 311.7, 0.71%, 0.56%

LAB 54.91, 73.07, -33.59

 

Description

Color code: HEX #DFB141 | qconv.com Color code: HEX #DFB141 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 177 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 177 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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