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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFAFDE it is the complementary color #205021. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFAFDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFAFDE shade: #E4AFD9, #F5C1EC, #FFD3FF, #FFE5FF and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFAFDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFAFDE shade: #DFAFDE, #CE9DCB, #BD8BB8, #AC79A5 and #9B6792

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFAFDE shade: #DFAFDE, #DFAFD1, #DFAFC4, #DFAFB7 and #DFAFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFAFDE shade: #DFAFDE, #D3AFDF, #C6AFDF, #B9AFDF and #AFAFDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFAFDE shade matches the following richer shades: #DFAFDE, #E8A6E7, #F19DEF and #FA94F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFAFDE shade: #DFAFDE, #D6B8D5, #CDC1CD, #C4CAC4 and #BBD3BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFAFDE shade: #C6AFDF, #D3AFDF, #DFAFDE, #DFAFD1 and #DFAFC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFAFDE shade: #C874C6, #D391D2, #DFAFDE, #EBCCEA and #F7EAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFAFDE shade: #DFAFDE, #DFB9AF and #AFDFCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFAFDE shade: #DFAFDE, #DEDFAF and #AFDEDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFAFDE shade: #DFAFDE, #DFB9AF, #AFDFB0 and #AFD5DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFAFDE shade: #DFAFDE, #DFC8AF, #AFDFB0 and #AFC6DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

Complementary color

CMYK 60 / 0 / 59 / 69

HEX #205021

RGB 32 80 33

HSL 121.25, 0.43%, 0.22%

LAB 29.8, -27.36, 22.66

 

CMYK 0 / 23 / 5 / 11

HEX #E4AFD9

RGB 228 175 217

HSL 312.45, 0.5%, 0.79%

LAB 77.38, 26.06, -13.7

 

CMYK 0 / 21 / 4 / 4

HEX #F5C1EC

RGB 245 193 236

HSL 310.38, 0.72%, 0.86%

LAB 83.76, 25.5, -14.19

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

CMYK 0 / 24 / 1 / 19

HEX #CE9DCB

RGB 206 157 203

HSL 303.67, 0.33%, 0.71%

LAB 70.56, 25.88, -16.51

 

CMYK 0 / 26 / 3 / 26

HEX #BD8BB8

RGB 189 139 184

HSL 306, 0.27%, 0.64%

LAB 63.95, 26.51, -16.06

 

CMYK 0 / 30 / 4 / 33

HEX #AC79A5

RGB 172 121 165

HSL 308.24, 0.24%, 0.57%

LAB 57.23, 27.19, -15.58

 

CMYK 0 / 34 / 6 / 39

HEX #9B6792

RGB 155 103 146

HSL 310.38, 0.21%, 0.51%

LAB 50.39, 27.92, -15.06

 

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

CMYK 0 / 22 / 6 / 13

HEX #DFAFD1

RGB 223 175 209

HSL 317.5, 0.43%, 0.78%

LAB 76.65, 22.96, -10.49

 

CMYK 0 / 22 / 12 / 13

HEX #DFAFC4

RGB 223 175 196

HSL 333.75, 0.43%, 0.78%

LAB 76.27, 20.75, -3.96

 

CMYK 0 / 22 / 18 / 13

HEX #DFAFB7

RGB 223 175 183

HSL 350, 0.43%, 0.78%

LAB 75.93, 18.67, 2.62

 

CMYK 0 / 22 / 22 / 13

HEX #DFAFAF

RGB 223 175 175

HSL 0, 0.43%, 0.78%

LAB 75.73, 17.46, 6.7

 

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

CMYK 5 / 22 / 0 / 13

HEX #D3AFDF

RGB 211 175 223

HSL 285, 0.43%, 0.78%

LAB 75.97, 21.53, -19.24

 

CMYK 11 / 22 / 0 / 13

HEX #C6AFDF

RGB 198 175 223

HSL 268.75, 0.43%, 0.78%

LAB 74.82, 17.31, -21.09

 

CMYK 17 / 22 / 0 / 13

HEX #B9AFDF

RGB 185 175 223

HSL 252.5, 0.43%, 0.78%

LAB 73.74, 13.17, -22.83

 

CMYK 22 / 22 / 0 / 13

HEX #AFAFDF

RGB 175 175 223

HSL 240, 0.43%, 0.78%

LAB 72.96, 10.05, -24.09

 

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

CMYK 0 / 28 / 0 / 9

HEX #E8A6E7

RGB 232 166 231

HSL 300.91, 0.59%, 0.78%

LAB 76.19, 34.71, -23.06

 

CMYK 0 / 35 / 1 / 5

HEX #F19DEF

RGB 241 157 239

HSL 301.43, 0.75%, 0.78%

LAB 75.48, 43.73, -28.4

 

CMYK 0 / 41 / 1 / 2

HEX #FA94F8

RGB 250 148 248

HSL 301.18, 0.91%, 0.78%

LAB 75, 52.64, -33.94

 

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

CMYK 0 / 14 / 0 / 16

HEX #D6B8D5

RGB 214 184 213

HSL 302, 0.27%, 0.78%

LAB 78.1, 15.75, -10.58

 

CMYK 0 / 6 / 0 / 20

HEX #CDC1CD

RGB 205 193 205

HSL 300, 0.11%, 0.78%

LAB 79.34, 6.36, -4.5

 

CMYK 3 / 0 / 3 / 21

HEX #C4CAC4

RGB 196 202 196

HSL 120, 0.05%, 0.78%

LAB 80.72, -3.16, 2.26

 

CMYK 11 / 0 / 11 / 17

HEX #BBD3BB

RGB 187 211 187

HSL 120, 0.21%, 0.78%

LAB 82.24, -12.53, 9.18

 

CMYK 11 / 22 / 0 / 13

HEX #C6AFDF

RGB 198 175 223

HSL 268.75, 0.43%, 0.78%

LAB 74.82, 17.31, -21.09

 

CMYK 5 / 22 / 0 / 13

HEX #D3AFDF

RGB 211 175 223

HSL 285, 0.43%, 0.78%

LAB 75.97, 21.53, -19.24

 

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

CMYK 0 / 22 / 6 / 13

HEX #DFAFD1

RGB 223 175 209

HSL 317.5, 0.43%, 0.78%

LAB 76.65, 22.96, -10.49

 

CMYK 0 / 22 / 12 / 13

HEX #DFAFC4

RGB 223 175 196

HSL 333.75, 0.43%, 0.78%

LAB 76.27, 20.75, -3.96

 

CMYK 0 / 42 / 1 / 22

HEX #C874C6

RGB 200 116 198

HSL 301.43, 0.43%, 0.62%

LAB 60.65, 45.12, -28.92

 

CMYK 0 / 31 / 0 / 17

HEX #D391D2

RGB 211 145 210

HSL 300.91, 0.43%, 0.7%

LAB 68.57, 35.35, -23.35

 

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

CMYK 0 / 13 / 0 / 8

HEX #EBCCEA

RGB 235 204 234

HSL 301.94, 0.44%, 0.86%

LAB 85.4, 15.99, -10.77

 

CMYK 0 / 5 / 0 / 3

HEX #F7EAF6

RGB 247 234 246

HSL 304.62, 0.45%, 0.94%

LAB 94, 6.47, -4.23

 

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

CMYK 0 / 17 / 22 / 13

HEX #DFB9AF

RGB 223 185 175

HSL 12.5, 0.43%, 0.78%

LAB 78.16, 12.11, 10.18

 

CMYK 22 / 0 / 8 / 13

HEX #AFDFCD

RGB 175 223 205

HSL 157.5, 0.43%, 0.78%

LAB 85.15, -19.11, 3.73

 

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

CMYK 0 / 0 / 22 / 13

HEX #DEDFAF

RGB 222 223 175

HSL 61.25, 0.43%, 0.78%

LAB 87.68, -8.08, 23.48

 

CMYK 22 / 0 / 0 / 13

HEX #AFDEDF

RGB 175 222 223

HSL 181.25, 0.43%, 0.78%

LAB 85.34, -14.89, -5.49

 

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

CMYK 0 / 17 / 22 / 13

HEX #DFB9AF

RGB 223 185 175

HSL 12.5, 0.43%, 0.78%

LAB 78.16, 12.11, 10.18

 

CMYK 22 / 0 / 21 / 13

HEX #AFDFB0

RGB 175 223 176

HSL 121.25, 0.43%, 0.78%

LAB 84.5, -24.49, 18.06

 

CMYK 22 / 4 / 0 / 13

HEX #AFD5DF

RGB 175 213 223

HSL 192.5, 0.43%, 0.78%

LAB 82.93, -10.29, -9.07

 

CMYK 0 / 22 / 0 / 13

HEX #DFAFDE

RGB 223 175 222

HSL 301.25, 0.43%, 0.78%

LAB 77.05, 25.3, -16.95

 

CMYK 0 / 10 / 22 / 13

HEX #DFC8AF

RGB 223 200 175

HSL 31.25, 0.43%, 0.78%

LAB 81.89, 4.17, 15.45

 

CMYK 22 / 0 / 21 / 13

HEX #AFDFB0

RGB 175 223 176

HSL 121.25, 0.43%, 0.78%

LAB 84.5, -24.49, 18.06

 

CMYK 22 / 11 / 0 / 13

HEX #AFC6DF

RGB 175 198 223

HSL 211.25, 0.43%, 0.78%

LAB 78.94, -2.43, -15.03

 

Description

Color code: HEX #DFAFDE | qconv.com Color code: HEX #DFAFDE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 175 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 175 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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