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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFAD78 it is the complementary color #205287. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFAD78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFAD78 shade: #E4AD73, #F5BF86, #FFD199, #FFE3AC and #FFF5BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFAD78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFAD78 shade: #DFAD78, #CE9B65, #BD8952, #AC773F and #9B652C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFAD78 shade: #DFAC77, #DF9077 and #DF7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFAD78 shade: #DFAC77, #DFC977, #D9DF77, #BDDF77 and #A1DF77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFAD78 shade matches the following richer shades: #DFAC77, #EDAD69 and #FAAD5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFAD78 shade: #DFAC77, #D1AC84, #C4AC92, #B6ABA0 and #A9ABAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFAD78 shade: #DF777A, #DF8F77, #DFAB77, #DFC777 and #DCDF77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFAD78 shade: #CF8434, #D79855, #DFAC77, #E7C198 and #EFD5BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFAD78 shade: #DFAD78, #96DF77 and #8177DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFAD78 shade: #DFAD78, #77DFAB and #AB77DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFAD78 shade: #DFAD78, #96DF77, #77ABDF and #C077DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFAD78 shade: #DFAD78, #77DF77, #77ABDF and #DF77DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 46 / 13

HEX #DFAD78

RGB 223 173 120

HSL 30.87, 0.62%, 0.67%

LAB 74.15, 11.72, 34.18

 

Complementary color

CMYK 76 / 39 / 0 / 47

HEX #205287

RGB 32 82 135

HSL 210.87, 0.62%, 0.33%

LAB 34.17, 2.74, -34.42

 

CMYK 0 / 24 / 50 / 11

HEX #E4AD73

RGB 228 173 115

HSL 30.8, 0.68%, 0.67%

LAB 74.58, 13.27, 37.46

 

CMYK 0 / 22 / 45 / 4

HEX #F5BF86

RGB 245 191 134

HSL 30.81, 0.85%, 0.74%

LAB 80.96, 12.4, 36.12

 

CMYK 0 / 18 / 40 / 0

HEX #FFD199

RGB 255 209 153

HSL 32.94, 1%, 0.8%

LAB 86.58, 8.91, 33.86

 

CMYK 0 / 11 / 33 / 0

HEX #FFE3AC

RGB 255 227 172

HSL 39.76, 1%, 0.84%

LAB 91.31, 1.84, 30.42

 

CMYK 0 / 4 / 25 / 0

HEX #FFF5BF

RGB 255 245 191

HSL 50.63, 1%, 0.87%

LAB 96.13, -4.85, 27.26

 

CMYK 0 / 22 / 46 / 13

HEX #DFAD78

RGB 223 173 120

HSL 30.87, 0.62%, 0.67%

LAB 74.15, 11.72, 34.18

 

CMYK 0 / 25 / 51 / 19

HEX #CE9B65

RGB 206 155 101

HSL 30.86, 0.52%, 0.6%

LAB 67.65, 12.63, 35.56

 

CMYK 0 / 28 / 57 / 26

HEX #BD8952

RGB 189 137 82

HSL 30.84, 0.45%, 0.53%

LAB 61.06, 13.68, 37.02

 

CMYK 0 / 31 / 63 / 33

HEX #AC773F

RGB 172 119 63

HSL 30.83, 0.46%, 0.46%

LAB 54.37, 14.93, 38.55

 

CMYK 0 / 35 / 72 / 39

HEX #9B652C

RGB 155 101 44

HSL 30.81, 0.56%, 0.39%

LAB 47.57, 16.42, 40.06

 

CMYK 0 / 23 / 47 / 13

HEX #DFAC77

RGB 223 172 119

HSL 30.58, 0.62%, 0.67%

LAB 73.88, 12.15, 34.37

 

CMYK 0 / 35 / 47 / 13

HEX #DF9077

RGB 223 144 119

HSL 14.42, 0.62%, 0.67%

LAB 67.25, 27.17, 25.68

 

CMYK 0 / 47 / 47 / 13

HEX #DF7777

RGB 223 119 119

HSL 0, 0.62%, 0.67%

LAB 61.84, 40.3, 18.36

 

CMYK 0 / 23 / 47 / 13

HEX #DFAC77

RGB 223 172 119

HSL 30.58, 0.62%, 0.67%

LAB 73.88, 12.15, 34.37

 

CMYK 0 / 10 / 47 / 13

HEX #DFC977

RGB 223 201 119

HSL 47.31, 0.62%, 0.67%

LAB 81.18, -3.1, 43.59

 

CMYK 3 / 0 / 47 / 13

HEX #D9DF77

RGB 217 223 119

HSL 63.46, 0.62%, 0.67%

LAB 86.43, -16.62, 49.93

 

CMYK 15 / 0 / 47 / 13

HEX #BDDF77

RGB 189 223 119

HSL 79.62, 0.62%, 0.67%

LAB 84.45, -27.44, 47.05

 

CMYK 28 / 0 / 47 / 13

HEX #A1DF77

RGB 161 223 119

HSL 95.77, 0.62%, 0.67%

LAB 82.75, -37.62, 44.57

 

CMYK 0 / 23 / 47 / 13

HEX #DFAC77

RGB 223 172 119

HSL 30.58, 0.62%, 0.67%

LAB 73.88, 12.15, 34.37

 

CMYK 0 / 27 / 56 / 7

HEX #EDAD69

RGB 237 173 105

HSL 30.91, 0.79%, 0.67%

LAB 75.4, 16.08, 43.81

 

CMYK 0 / 31 / 64 / 2

HEX #FAAD5B

RGB 250 173 91

HSL 30.94, 0.94%, 0.67%

LAB 76.66, 20.41, 52.55

 

CMYK 0 / 23 / 47 / 13

HEX #DFAC77

RGB 223 172 119

HSL 30.58, 0.62%, 0.67%

LAB 73.88, 12.15, 34.37

 

CMYK 0 / 18 / 37 / 18

HEX #D1AC84

RGB 209 172 132

HSL 31.17, 0.46%, 0.67%

LAB 72.71, 7.93, 25.65

 

CMYK 0 / 12 / 26 / 23

HEX #C4AC92

RGB 196 172 146

HSL 31.2, 0.3%, 0.67%

LAB 71.77, 4.64, 16.57

 

CMYK 0 / 6 / 12 / 29

HEX #B6ABA0

RGB 182 171 160

HSL 30, 0.13%, 0.67%

LAB 70.6, 2.04, 7.07

 

CMYK 2 / 1 / 0 / 32

HEX #A9ABAD

RGB 169 171 173

HSL 210, 0.02%, 0.67%

LAB 69.88, -0.32, -1.28

 

CMYK 0 / 47 / 45 / 13

HEX #DF777A

RGB 223 119 122

HSL 358.27, 0.62%, 0.67%

LAB 61.9, 40.6, 16.74

 

CMYK 0 / 36 / 47 / 13

HEX #DF8F77

RGB 223 143 119

HSL 13.85, 0.62%, 0.67%

LAB 67.02, 27.7, 25.37

 

CMYK 0 / 23 / 47 / 13

HEX #DFAB77

RGB 223 171 119

HSL 30, 0.62%, 0.67%

LAB 73.64, 12.69, 34.05

 

CMYK 0 / 11 / 47 / 13

HEX #DFC777

RGB 223 199 119

HSL 46.15, 0.62%, 0.67%

LAB 80.66, -2.07, 42.96

 

CMYK 1 / 0 / 47 / 13

HEX #DCDF77

RGB 220 223 119

HSL 61.73, 0.62%, 0.67%

LAB 86.66, -15.43, 50.26

 

CMYK 0 / 36 / 75 / 19

HEX #CF8434

RGB 207 132 52

HSL 30.97, 0.62%, 0.51%

LAB 61.67, 22.25, 52.96

 

CMYK 0 / 29 / 60 / 16

HEX #D79855

RGB 215 152 85

HSL 30.92, 0.62%, 0.59%

LAB 67.69, 16.71, 44.11

 

CMYK 0 / 23 / 47 / 13

HEX #DFAC77

RGB 223 172 119

HSL 30.58, 0.62%, 0.67%

LAB 73.88, 12.15, 34.37

 

CMYK 0 / 16 / 34 / 9

HEX #E7C198

RGB 231 193 152

HSL 31.14, 0.62%, 0.75%

LAB 80.4, 7.82, 25.72

 

CMYK 0 / 11 / 22 / 6

HEX #EFD5BA

RGB 239 213 186

HSL 30.57, 0.62%, 0.83%

LAB 86.74, 4.89, 16.65

 

CMYK 0 / 22 / 46 / 13

HEX #DFAD78

RGB 223 173 120

HSL 30.87, 0.62%, 0.67%

LAB 74.15, 11.72, 34.18

 

CMYK 33 / 0 / 47 / 13

HEX #96DF77

RGB 150 223 119

HSL 102.12, 0.62%, 0.67%

LAB 82.16, -41.37, 43.71

 

CMYK 42 / 47 / 0 / 13

HEX #8177DF

RGB 129 119 223

HSL 245.77, 0.62%, 0.67%

LAB 55.27, 29.31, -51.98

 

CMYK 0 / 22 / 46 / 13

HEX #DFAD78

RGB 223 173 120

HSL 30.87, 0.62%, 0.67%

LAB 74.15, 11.72, 34.18

 

CMYK 47 / 0 / 23 / 13

HEX #77DFAB

RGB 119 223 171

HSL 150, 0.62%, 0.67%

LAB 81.64, -42.01, 16.28

 

CMYK 23 / 47 / 0 / 13

HEX #AB77DF

RGB 171 119 223

HSL 270, 0.62%, 0.67%

LAB 59.14, 40.25, -45.59

 

CMYK 0 / 22 / 46 / 13

HEX #DFAD78

RGB 223 173 120

HSL 30.87, 0.62%, 0.67%

LAB 74.15, 11.72, 34.18

 

CMYK 33 / 0 / 47 / 13

HEX #96DF77

RGB 150 223 119

HSL 102.12, 0.62%, 0.67%

LAB 82.16, -41.37, 43.71

 

CMYK 47 / 23 / 0 / 13

HEX #77ABDF

RGB 119 171 223

HSL 210, 0.62%, 0.67%

LAB 68.3, -3.3, -31.56

 

CMYK 14 / 47 / 0 / 13

HEX #C077DF

RGB 192 119 223

HSL 282.12, 0.62%, 0.67%

LAB 61.42, 46.09, -41.85

 

CMYK 0 / 22 / 46 / 13

HEX #DFAD78

RGB 223 173 120

HSL 30.87, 0.62%, 0.67%

LAB 74.15, 11.72, 34.18

 

CMYK 47 / 0 / 47 / 13

HEX #77DF77

RGB 119 223 119

HSL 120, 0.62%, 0.67%

LAB 80.76, -50.9, 41.66

 

CMYK 47 / 23 / 0 / 13

HEX #77ABDF

RGB 119 171 223

HSL 210, 0.62%, 0.67%

LAB 68.3, -3.3, -31.56

 

CMYK 0 / 47 / 0 / 13

HEX #DF77DF

RGB 223 119 223

HSL 300, 0.62%, 0.67%

LAB 65.13, 54.87, -35.78

 

Description

Color code: HEX #DFAD78 | qconv.com Color code: HEX #DFAD78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 173 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 173 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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