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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFACB0 it is the complementary color #20534F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFACB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFACB0 shade: #E4ACAB, #F5BEBE, #FFD0D1, #FFE2E4 and #FFF4F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFACB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFACB0 shade: #DFACB0, #CE9A9D, #BD888A, #AC7677 and #9B6464

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFACB0 shade: #DEABAF and #DEABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFACB0 shade: #DEABAF, #DEABBD, #DEABCA, #DEABD8 and #D6ABDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFACB0 shade matches the following richer shades: #DEABAF, #E8A1A7, #F1989F and #FB8E97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFACB0 shade: #DEABAF, #D5B4B7, #CBBEBF, #C2C7C7 and #B8D1CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFACB0 shade: #DEABCA, #DEABBD, #DEABAF, #DEB4AB and #DEC2AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFACB0 shade: #C76F76, #D38D92, #DEABAF, #EAC8CB and #F5E6E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFACB0 shade: #DFACB0, #D8DEAB and #ABC3DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFACB0 shade: #DFACB0, #AFDEAB and #ABAFDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFACB0 shade: #DFACB0, #D8DEAB, #ABDEDA and #B1ABDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFACB0 shade: #DFACB0, #C9DEAB, #ABDEDA and #C0ABDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 21 / 13

HEX #DFACB0

RGB 223 172 176

HSL 355.29, 0.44%, 0.77%

LAB 75.03, 19.22, 5.15

 

Complementary color

CMYK 61 / 0 / 5 / 67

HEX #20534F

RGB 32 83 79

HSL 175.29, 0.44%, 0.23%

LAB 31.94, -18.04, -2.79

 

CMYK 0 / 25 / 25 / 11

HEX #E4ACAB

RGB 228 172 171

HSL 1.05, 0.51%, 0.78%

LAB 75.41, 20.34, 8.5

 

CMYK 0 / 22 / 22 / 4

HEX #F5BEBE

RGB 245 190 190

HSL 0, 0.73%, 0.85%

LAB 81.81, 19.72, 7.61

 

CMYK 0 / 18 / 18 / 0

HEX #FFD0D1

RGB 255 208 209

HSL 358.72, 1%, 0.91%

LAB 87.47, 16.66, 5.74

 

CMYK 0 / 11 / 11 / 0

HEX #FFE2E4

RGB 255 226 228

HSL 355.86, 1%, 0.94%

LAB 92.24, 10.26, 2.66

 

CMYK 0 / 4 / 3 / 0

HEX #FFF4F7

RGB 255 244 247

HSL 343.64, 1%, 0.98%

LAB 97.1, 4.19, -0.14

 

CMYK 0 / 23 / 21 / 13

HEX #DFACB0

RGB 223 172 176

HSL 355.29, 0.44%, 0.77%

LAB 75.03, 19.22, 5.15

 

CMYK 0 / 25 / 24 / 19

HEX #CE9A9D

RGB 206 154 157

HSL 356.54, 0.35%, 0.71%

LAB 68.51, 19.85, 6.03

 

CMYK 0 / 28 / 27 / 26

HEX #BD888A

RGB 189 136 138

HSL 357.74, 0.29%, 0.64%

LAB 61.88, 20.56, 6.98

 

CMYK 0 / 31 / 31 / 33

HEX #AC7677

RGB 172 118 119

HSL 358.89, 0.25%, 0.57%

LAB 55.13, 21.35, 8.03

 

CMYK 0 / 35 / 35 / 39

HEX #9B6464

RGB 155 100 100

HSL 0, 0.22%, 0.5%

LAB 48.26, 22.24, 9.22

 

CMYK 0 / 23 / 21 / 13

HEX #DEABAF

RGB 222 171 175

HSL 355.29, 0.44%, 0.77%

LAB 74.67, 19.24, 5.16

 

CMYK 0 / 23 / 23 / 13

HEX #DEABAB

RGB 222 171 171

HSL 0, 0.44%, 0.77%

LAB 74.57, 18.65, 7.21

 

CMYK 0 / 23 / 21 / 13

HEX #DEABAF

RGB 222 171 175

HSL 355.29, 0.44%, 0.77%

LAB 74.67, 19.24, 5.16

 

CMYK 0 / 23 / 15 / 13

HEX #DEABBD

RGB 222 171 189

HSL 338.82, 0.44%, 0.77%

LAB 75.03, 21.41, -1.97

 

CMYK 0 / 23 / 9 / 13

HEX #DEABCA

RGB 222 171 202

HSL 323.53, 0.44%, 0.77%

LAB 75.4, 23.56, -8.54

 

CMYK 0 / 23 / 3 / 13

HEX #DEABD8

RGB 222 171 216

HSL 307.06, 0.44%, 0.77%

LAB 75.83, 26.02, -15.54

 

CMYK 4 / 23 / 0 / 13

HEX #D6ABDE

RGB 214 171 222

HSL 290.59, 0.44%, 0.77%

LAB 75.26, 24.49, -19.74

 

CMYK 0 / 23 / 21 / 13

HEX #DEABAF

RGB 222 171 175

HSL 355.29, 0.44%, 0.77%

LAB 74.67, 19.24, 5.16

 

CMYK 0 / 31 / 28 / 9

HEX #E8A1A7

RGB 232 161 167

HSL 354.93, 0.61%, 0.77%

LAB 73.18, 27.15, 7.55

 

CMYK 0 / 37 / 34 / 5

HEX #F1989F

RGB 241 152 159

HSL 355.28, 0.76%, 0.77%

LAB 72, 34.19, 10.43

 

CMYK 0 / 43 / 40 / 2

HEX #FB8E97

RGB 251 142 151

HSL 355.05, 0.93%, 0.77%

LAB 70.93, 42.05, 13.53

 

CMYK 0 / 23 / 21 / 13

HEX #DEABAF

RGB 222 171 175

HSL 355.29, 0.44%, 0.77%

LAB 74.67, 19.24, 5.16

 

CMYK 0 / 15 / 14 / 16

HEX #D5B4B7

RGB 213 180 183

HSL 354.55, 0.28%, 0.77%

LAB 76.2, 12.35, 2.9

 

CMYK 0 / 6 / 6 / 20

HEX #CBBEBF

RGB 203 190 191

HSL 355.38, 0.11%, 0.77%

LAB 78.04, 4.75, 1.13

 

CMYK 3 / 0 / 0 / 22

HEX #C2C7C7

RGB 194 199 199

HSL 180, 0.04%, 0.77%

LAB 79.86, -1.71, -0.61

 

CMYK 12 / 0 / 1 / 18

HEX #B8D1CF

RGB 184 209 207

HSL 175.2, 0.21%, 0.77%

LAB 82, -8.73, -1.85

 

CMYK 0 / 23 / 9 / 13

HEX #DEABCA

RGB 222 171 202

HSL 323.53, 0.44%, 0.77%

LAB 75.4, 23.56, -8.54

 

CMYK 0 / 23 / 15 / 13

HEX #DEABBD

RGB 222 171 189

HSL 338.82, 0.44%, 0.77%

LAB 75.03, 21.41, -1.97

 

CMYK 0 / 23 / 21 / 13

HEX #DEABAF

RGB 222 171 175

HSL 355.29, 0.44%, 0.77%

LAB 74.67, 19.24, 5.16

 

CMYK 0 / 19 / 23 / 13

HEX #DEB4AB

RGB 222 180 171

HSL 10.59, 0.44%, 0.77%

LAB 76.75, 13.82, 10.32

 

CMYK 0 / 13 / 23 / 13

HEX #DEC2AB

RGB 222 194 171

HSL 27.06, 0.44%, 0.77%

LAB 80.21, 6.37, 15.21

 

CMYK 0 / 44 / 41 / 22

HEX #C76F76

RGB 199 111 118

HSL 355.23, 0.44%, 0.61%

LAB 56.9, 35.45, 11.59

 

CMYK 0 / 33 / 31 / 17

HEX #D38D92

RGB 211 141 146

HSL 355.71, 0.44%, 0.69%

LAB 65.73, 27.28, 8.28

 

CMYK 0 / 23 / 21 / 13

HEX #DEABAF

RGB 222 171 175

HSL 355.29, 0.44%, 0.77%

LAB 74.67, 19.24, 5.16

 

CMYK 0 / 15 / 13 / 8

HEX #EAC8CB

RGB 234 200 203

HSL 354.71, 0.45%, 0.85%

LAB 83.5, 12.45, 2.95

 

CMYK 0 / 6 / 6 / 4

HEX #F5E6E7

RGB 245 230 231

HSL 356, 0.43%, 0.93%

LAB 92.48, 5.26, 1.33

 

CMYK 0 / 23 / 21 / 13

HEX #DFACB0

RGB 223 172 176

HSL 355.29, 0.44%, 0.77%

LAB 75.03, 19.22, 5.15

 

CMYK 3 / 0 / 23 / 13

HEX #D8DEAB

RGB 216 222 171

HSL 67.06, 0.44%, 0.77%

LAB 86.89, -10.35, 24.4

 

CMYK 23 / 12 / 0 / 13

HEX #ABC3DE

RGB 171 195 222

HSL 211.76, 0.44%, 0.77%

LAB 77.85, -2.27, -16.16

 

CMYK 0 / 23 / 21 / 13

HEX #DFACB0

RGB 223 172 176

HSL 355.29, 0.44%, 0.77%

LAB 75.03, 19.22, 5.15

 

CMYK 21 / 0 / 23 / 13

HEX #AFDEAB

RGB 175 222 171

HSL 115.29, 0.44%, 0.77%

LAB 84.12, -24.85, 20.15

 

CMYK 23 / 21 / 0 / 13

HEX #ABAFDE

RGB 171 175 222

HSL 235.29, 0.44%, 0.77%

LAB 72.62, 8.6, -24.09

 

CMYK 0 / 23 / 21 / 13

HEX #DFACB0

RGB 223 172 176

HSL 355.29, 0.44%, 0.77%

LAB 75.03, 19.22, 5.15

 

CMYK 3 / 0 / 23 / 13

HEX #D8DEAB

RGB 216 222 171

HSL 67.06, 0.44%, 0.77%

LAB 86.89, -10.35, 24.4

 

CMYK 23 / 0 / 2 / 13

HEX #ABDEDA

RGB 171 222 218

HSL 175.29, 0.44%, 0.77%

LAB 84.98, -17.15, -3.42

 

CMYK 20 / 23 / 0 / 13

HEX #B1ABDE

RGB 177 171 222

HSL 247.06, 0.44%, 0.77%

LAB 72.06, 12.65, -24.91

 

CMYK 0 / 23 / 21 / 13

HEX #DFACB0

RGB 223 172 176

HSL 355.29, 0.44%, 0.77%

LAB 75.03, 19.22, 5.15

 

CMYK 9 / 0 / 23 / 13

HEX #C9DEAB

RGB 201 222 171

HSL 84.71, 0.44%, 0.77%

LAB 85.81, -15.8, 22.74

 

CMYK 23 / 0 / 2 / 13

HEX #ABDEDA

RGB 171 222 218

HSL 175.29, 0.44%, 0.77%

LAB 84.98, -17.15, -3.42

 

CMYK 14 / 23 / 0 / 13

HEX #C0ABDE

RGB 192 171 222

HSL 264.71, 0.44%, 0.77%

LAB 73.29, 17.37, -22.92

 

Description

Color code: HEX #DFACB0 | qconv.com Color code: HEX #DFACB0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 172 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 172 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 21% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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