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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFAC9C it is the complementary color #205363. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFAC9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFAC9C shade: #E4AC97, #F5BEAA, #FFD0BD, #FFE2D0 and #FFF4E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFAC9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFAC9C shade: #DFAC9C, #CE9A89, #BD8876, #AC7663 and #9B6450

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFAC9C shade: #DFAB9B and #DF9B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFAC9C shade: #DFAB9B, #DFBD9B, #DFD09B, #DBDF9B and #C9DF9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFAC9C shade matches the following richer shades: #DFAB9B, #E9A590, #F4A085 and #FF9A7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFAC9C shade: #DFAB9B, #D4B1A6, #C9B6B0, #BEBCBB and #B4C1C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFAC9C shade: #DF9BAF, #DF9B9D, #DFAB9B, #DFBD9B and #DFCF9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFAC9C shade: #CA775D, #D4917C, #DFAB9B, #E9C5BA and #F3DFD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFAC9C shade: #DFAC9C, #C1DF9B and #9BA6DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFAC9C shade: #DFAC9C, #9BDFAB and #AB9BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFAC9C shade: #DFAC9C, #C1DF9B, #9BCFDF and #B89BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFAC9C shade: #DFAC9C, #ADDF9B, #9BCFDF and #CC9BDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 30 / 13

HEX #DFAC9C

RGB 223 172 156

HSL 14.33, 0.51%, 0.74%

LAB 74.57, 16.41, 15.41

 

Complementary color

CMYK 68 / 16 / 0 / 61

HEX #205363

RGB 32 83 99

HSL 194.33, 0.51%, 0.26%

LAB 32.69, -11.43, -14.33

 

CMYK 0 / 25 / 34 / 11

HEX #E4AC97

RGB 228 172 151

HSL 16.36, 0.59%, 0.74%

LAB 74.97, 17.69, 18.77

 

CMYK 0 / 22 / 31 / 4

HEX #F5BEAA

RGB 245 190 170

HSL 16, 0.79%, 0.81%

LAB 81.37, 17, 17.69

 

CMYK 0 / 18 / 26 / 0

HEX #FFD0BD

RGB 255 208 189

HSL 17.27, 1%, 0.87%

LAB 87.02, 13.81, 15.66

 

CMYK 0 / 11 / 18 / 0

HEX #FFE2D0

RGB 255 226 208

HSL 22.98, 1%, 0.91%

LAB 91.78, 7.18, 12.43

 

CMYK 0 / 4 / 11 / 0

HEX #FFF4E3

RGB 255 244 227

HSL 36.43, 1%, 0.95%

LAB 96.62, 0.89, 9.49

 

CMYK 0 / 23 / 30 / 13

HEX #DFAC9C

RGB 223 172 156

HSL 14.33, 0.51%, 0.74%

LAB 74.57, 16.41, 15.41

 

CMYK 0 / 25 / 33 / 19

HEX #CE9A89

RGB 206 154 137

HSL 14.78, 0.41%, 0.67%

LAB 68.05, 17.11, 16.5

 

CMYK 0 / 28 / 38 / 26

HEX #BD8876

RGB 189 136 118

HSL 15.21, 0.35%, 0.6%

LAB 61.43, 17.91, 17.69

 

CMYK 0 / 31 / 42 / 33

HEX #AC7663

RGB 172 118 99

HSL 15.62, 0.31%, 0.53%

LAB 54.69, 18.82, 19.01

 

CMYK 0 / 35 / 48 / 39

HEX #9B6450

RGB 155 100 80

HSL 16, 0.32%, 0.46%

LAB 47.83, 19.87, 20.5

 

CMYK 0 / 23 / 30 / 13

HEX #DFAB9B

RGB 223 171 155

HSL 14.12, 0.52%, 0.74%

LAB 74.3, 16.82, 15.59

 

CMYK 0 / 30 / 30 / 13

HEX #DF9B9B

RGB 223 155 155

HSL 0, 0.52%, 0.74%

LAB 70.52, 25.42, 10.26

 

CMYK 0 / 23 / 30 / 13

HEX #DFAB9B

RGB 223 171 155

HSL 14.12, 0.52%, 0.74%

LAB 74.3, 16.82, 15.59

 

CMYK 0 / 15 / 30 / 13

HEX #DFBD9B

RGB 223 189 155

HSL 30, 0.52%, 0.74%

LAB 78.72, 7.22, 21.71

 

CMYK 0 / 7 / 30 / 13

HEX #DFD09B

RGB 223 208 155

HSL 46.76, 0.52%, 0.74%

LAB 83.53, -2.72, 28.25

 

CMYK 2 / 0 / 30 / 13

HEX #DBDF9B

RGB 219 223 155

HSL 63.53, 0.52%, 0.74%

LAB 87.1, -11.87, 32.96

 

CMYK 10 / 0 / 30 / 13

HEX #C9DF9B

RGB 201 223 155

HSL 79.41, 0.52%, 0.74%

LAB 85.79, -18.59, 30.98

 

CMYK 0 / 23 / 30 / 13

HEX #DFAB9B

RGB 223 171 155

HSL 14.12, 0.52%, 0.74%

LAB 74.3, 16.82, 15.59

 

CMYK 0 / 29 / 38 / 9

HEX #E9A590

RGB 233 165 144

HSL 14.16, 0.67%, 0.74%

LAB 73.71, 22.52, 20.91

 

CMYK 0 / 34 / 45 / 4

HEX #F4A085

RGB 244 160 133

HSL 14.59, 0.83%, 0.74%

LAB 73.59, 28.24, 26.93

 

CMYK 0 / 40 / 52 / 0

HEX #FF9A7B

RGB 255 154 123

HSL 14.09, 1%, 0.74%

LAB 73.42, 34.67, 32.34

 

CMYK 0 / 23 / 30 / 13

HEX #DFAB9B

RGB 223 171 155

HSL 14.12, 0.52%, 0.74%

LAB 74.3, 16.82, 15.59

 

CMYK 0 / 17 / 22 / 17

HEX #D4B1A6

RGB 212 177 166

HSL 14.35, 0.35%, 0.74%

LAB 74.95, 10.96, 10.35

 

CMYK 0 / 9 / 12 / 21

HEX #C9B6B0

RGB 201 182 176

HSL 14.4, 0.19%, 0.74%

LAB 75.46, 5.76, 5.5

 

CMYK 0 / 1 / 2 / 25

HEX #BEBCBB

RGB 190 188 187

HSL 20, 0.02%, 0.74%

LAB 76.38, 0.52, 0.74

 

CMYK 9 / 3 / 0 / 22

HEX #B4C1C6

RGB 180 193 198

HSL 196.67, 0.14%, 0.74%

LAB 77.23, -3.46, -4.05

 

CMYK 0 / 30 / 22 / 13

HEX #DF9BAF

RGB 223 155 175

HSL 342.35, 0.52%, 0.74%

LAB 71.03, 28.22, -0.11

 

CMYK 0 / 30 / 30 / 13

HEX #DF9B9D

RGB 223 155 157

HSL 358.24, 0.52%, 0.74%

LAB 70.57, 25.68, 9.22

 

CMYK 0 / 23 / 30 / 13

HEX #DFAB9B

RGB 223 171 155

HSL 14.12, 0.52%, 0.74%

LAB 74.3, 16.82, 15.59

 

CMYK 0 / 15 / 30 / 13

HEX #DFBD9B

RGB 223 189 155

HSL 30, 0.52%, 0.74%

LAB 78.72, 7.22, 21.71

 

CMYK 0 / 7 / 30 / 13

HEX #DFCF9B

RGB 223 207 155

HSL 45.88, 0.52%, 0.74%

LAB 83.27, -2.2, 27.9

 

CMYK 0 / 41 / 54 / 21

HEX #CA775D

RGB 202 119 93

HSL 14.31, 0.51%, 0.58%

LAB 58.55, 29.85, 28.2

 

CMYK 0 / 32 / 42 / 17

HEX #D4917C

RGB 212 145 124

HSL 14.32, 0.51%, 0.66%

LAB 66.29, 22.82, 21.4

 

CMYK 0 / 23 / 30 / 13

HEX #DFAB9B

RGB 223 171 155

HSL 14.12, 0.52%, 0.74%

LAB 74.3, 16.82, 15.59

 

CMYK 0 / 15 / 20 / 9

HEX #E9C5BA

RGB 233 197 186

HSL 14.04, 0.52%, 0.82%

LAB 82.27, 11.05, 10.25

 

CMYK 0 / 8 / 11 / 5

HEX #F3DFD9

RGB 243 223 217

HSL 13.85, 0.52%, 0.9%

LAB 90.25, 5.86, 5.4

 

CMYK 0 / 23 / 30 / 13

HEX #DFAC9C

RGB 223 172 156

HSL 14.33, 0.51%, 0.74%

LAB 74.57, 16.41, 15.41

 

CMYK 13 / 0 / 30 / 13

HEX #C1DF9B

RGB 193 223 155

HSL 86.47, 0.52%, 0.74%

LAB 85.24, -21.51, 30.15

 

CMYK 30 / 26 / 0 / 13

HEX #9BA6DF

RGB 155 166 223

HSL 230.29, 0.52%, 0.74%

LAB 69.16, 9.09, -30.05

 

CMYK 0 / 23 / 30 / 13

HEX #DFAC9C

RGB 223 172 156

HSL 14.33, 0.51%, 0.74%

LAB 74.57, 16.41, 15.41

 

CMYK 30 / 0 / 23 / 13

HEX #9BDFAB

RGB 155 223 171

HSL 134.12, 0.52%, 0.74%

LAB 83.28, -31.81, 18.81

 

CMYK 23 / 30 / 0 / 13

HEX #AB9BDF

RGB 171 155 223

HSL 254.12, 0.52%, 0.74%

LAB 67.6, 20.01, -32.36

 

CMYK 0 / 23 / 30 / 13

HEX #DFAC9C

RGB 223 172 156

HSL 14.33, 0.51%, 0.74%

LAB 74.57, 16.41, 15.41

 

CMYK 13 / 0 / 30 / 13

HEX #C1DF9B

RGB 193 223 155

HSL 86.47, 0.52%, 0.74%

LAB 85.24, -21.51, 30.15

 

CMYK 30 / 7 / 0 / 13

HEX #9BCFDF

RGB 155 207 223

HSL 194.12, 0.52%, 0.74%

LAB 80.14, -13.05, -13.36

 

CMYK 17 / 30 / 0 / 13

HEX #B89BDF

RGB 184 155 223

HSL 265.59, 0.52%, 0.74%

LAB 68.72, 23.96, -30.53

 

CMYK 0 / 23 / 30 / 13

HEX #DFAC9C

RGB 223 172 156

HSL 14.33, 0.51%, 0.74%

LAB 74.57, 16.41, 15.41

 

CMYK 22 / 0 / 30 / 13

HEX #ADDF9B

RGB 173 223 155

HSL 104.12, 0.52%, 0.74%

LAB 83.98, -28.57, 28.24

 

CMYK 30 / 7 / 0 / 13

HEX #9BCFDF

RGB 155 207 223

HSL 194.12, 0.52%, 0.74%

LAB 80.14, -13.05, -13.36

 

CMYK 9 / 30 / 0 / 13

HEX #CC9BDF

RGB 204 155 223

HSL 283.24, 0.52%, 0.74%

LAB 70.6, 30.2, -27.49

 

Description

Color code: HEX #DFAC9C | qconv.com Color code: HEX #DFAC9C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 172 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 172 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 30 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 30% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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