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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFAC1E it is the complementary color #2053E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFAC1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFAC1E shade: #E4AC19, #F5BE2C, #FFD03F, #FFE252 and #FFF465

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFAC1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFAC1E shade: #DFAC1E, #CE9A0B, #BD8800, #AC7600 and #9B6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFAC1E shade: #E0AD1F, #E0791F, #E0451F and #E01F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFAC1E shade: #E0AD1F, #DFE01F, #ABE01F, #77E01F and #43E01F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFAC1E shade matches the following richer shades: #E0AD1F and #F5B70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFAC1E shade: #E0AD1F, #CCA333, #B79A48, #A3905C and #8E8671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFAC1E shade: #E0451F, #E0791F, #E0AD1F, #E0E01F and #ADE01F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFAC1E shade: #987515, #BC911A, #E0AD1F, #E5BA43 and #EAC867

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFAC1E shade: #DFAC1E, #2CE01F and #5F1FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFAC1E shade: #DFAC1E, #1FE0AD and #AD1FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFAC1E shade: #DFAC1E, #2CE01F, #1F52E0 and #D31FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFAC1E shade: #DFAC1E, #1FE04C, #1F52E0 and #E01FB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 87 / 13

HEX #DFAC1E

RGB 223 172 30

HSL 44.15, 0.76%, 0.5%

LAB 73.08, 6.93, 71.33

 

Complementary color

CMYK 86 / 63 / 0 / 12

HEX #2053E1

RGB 32 83 225

HSL 224.15, 0.76%, 0.5%

LAB 41.1, 37.11, -76.29

 

CMYK 0 / 25 / 89 / 11

HEX #E4AC19

RGB 228 172 25

HSL 43.45, 0.8%, 0.5%

LAB 73.59, 9.01, 73.07

 

CMYK 0 / 22 / 82 / 4

HEX #F5BE2C

RGB 245 190 44

HSL 43.58, 0.91%, 0.57%

LAB 79.85, 7.31, 74.15

 

CMYK 0 / 18 / 75 / 0

HEX #FFD03F

RGB 255 208 63

HSL 45.31, 1%, 0.62%

LAB 85.37, 2.89, 73.41

 

CMYK 0 / 11 / 68 / 0

HEX #FFE252

RGB 255 226 82

HSL 49.94, 1%, 0.66%

LAB 89.98, -5.37, 70.93

 

CMYK 0 / 4 / 60 / 0

HEX #FFF465

RGB 255 244 101

HSL 55.71, 1%, 0.7%

LAB 94.7, -13.18, 68.25

 

CMYK 0 / 23 / 87 / 13

HEX #DFAC1E

RGB 223 172 30

HSL 44.15, 0.76%, 0.5%

LAB 73.08, 6.93, 71.33

 

CMYK 0 / 25 / 95 / 19

HEX #CE9A0B

RGB 206 154 11

HSL 44, 0.9%, 0.43%

LAB 66.72, 8.78, 69.31

 

CMYK 0 / 28 / 100 / 26

HEX #BD8800

RGB 189 136 0

HSL 43.17, 1%, 0.37%

LAB 60.27, 10.88, 65.48

 

CMYK 0 / 31 / 100 / 33

HEX #AC7600

RGB 172 118 0

HSL 41.16, 1%, 0.34%

LAB 53.74, 13.19, 60.13

 

CMYK 0 / 35 / 100 / 39

HEX #9B6400

RGB 155 100 0

HSL 38.71, 1%, 0.3%

LAB 47.08, 15.62, 54.69

 

CMYK 0 / 23 / 86 / 12

HEX #E0AD1F

RGB 224 173 31

HSL 44.15, 0.76%, 0.5%

LAB 73.44, 6.86, 71.42

 

CMYK 0 / 46 / 86 / 12

HEX #E0791F

RGB 224 121 31

HSL 27.98, 0.76%, 0.5%

LAB 61.33, 34.48, 61.6

 

CMYK 0 / 69 / 86 / 12

HEX #E0451F

RGB 224 69 31

HSL 11.81, 0.76%, 0.5%

LAB 52.07, 58.45, 54.06

 

CMYK 0 / 86 / 86 / 12

HEX #E01F1F

RGB 224 31 31

HSL 0, 0.76%, 0.5%

LAB 48.17, 69.35, 50.88

 

CMYK 0 / 23 / 86 / 12

HEX #E0AD1F

RGB 224 173 31

HSL 44.15, 0.76%, 0.5%

LAB 73.44, 6.86, 71.42

 

CMYK 0 / 0 / 86 / 12

HEX #DFE01F

RGB 223 224 31

HSL 60.31, 0.76%, 0.5%

LAB 86.55, -19.57, 81.97

 

CMYK 24 / 0 / 86 / 12

HEX #ABE01F

RGB 171 224 31

HSL 76.48, 0.76%, 0.5%

LAB 82.95, -40.61, 77.53

 

CMYK 47 / 0 / 86 / 12

HEX #77E01F

RGB 119 224 31

HSL 92.64, 0.76%, 0.5%

LAB 80.37, -58.67, 74.31

 

CMYK 70 / 0 / 86 / 12

HEX #43E01F

RGB 67 224 31

HSL 108.81, 0.76%, 0.5%

LAB 78.81, -71.23, 72.35

 

CMYK 0 / 23 / 86 / 12

HEX #E0AD1F

RGB 224 173 31

HSL 44.15, 0.76%, 0.5%

LAB 73.44, 6.86, 71.42

 

CMYK 0 / 25 / 96 / 4

HEX #F5B70A

RGB 245 183 10

HSL 44.17, 0.92%, 0.5%

LAB 78.05, 10.36, 79.47

 

CMYK 0 / 23 / 86 / 12

HEX #E0AD1F

RGB 224 173 31

HSL 44.15, 0.76%, 0.5%

LAB 73.44, 6.86, 71.42

 

CMYK 0 / 20 / 75 / 20

HEX #CCA333

RGB 204 163 51

HSL 43.92, 0.6%, 0.5%

LAB 68.95, 4.11, 60.39

 

CMYK 0 / 16 / 61 / 28

HEX #B79A48

RGB 183 154 72

HSL 44.32, 0.44%, 0.5%

LAB 64.68, 0.99, 46.17

 

CMYK 0 / 12 / 44 / 36

HEX #A3905C

RGB 163 144 92

HSL 43.94, 0.28%, 0.5%

LAB 60.34, -0.34, 30.19

 

CMYK 0 / 6 / 20 / 44

HEX #8E8671

RGB 142 134 113

HSL 43.45, 0.11%, 0.5%

LAB 56.08, -0.65, 12.4

 

CMYK 0 / 69 / 86 / 12

HEX #E0451F

RGB 224 69 31

HSL 11.81, 0.76%, 0.5%

LAB 52.07, 58.45, 54.06

 

CMYK 0 / 46 / 86 / 12

HEX #E0791F

RGB 224 121 31

HSL 27.98, 0.76%, 0.5%

LAB 61.33, 34.48, 61.6

 

CMYK 0 / 23 / 86 / 12

HEX #E0AD1F

RGB 224 173 31

HSL 44.15, 0.76%, 0.5%

LAB 73.44, 6.86, 71.42

 

CMYK 0 / 0 / 86 / 12

HEX #E0E01F

RGB 224 224 31

HSL 60, 0.76%, 0.5%

LAB 86.63, -19.15, 82.07

 

CMYK 23 / 0 / 86 / 12

HEX #ADE01F

RGB 173 224 31

HSL 75.85, 0.76%, 0.5%

LAB 83.07, -39.84, 77.68

 

CMYK 0 / 23 / 86 / 40

HEX #987515

RGB 152 117 21

HSL 43.97, 0.76%, 0.34%

LAB 51.21, 4.91, 52.66

 

CMYK 0 / 23 / 86 / 26

HEX #BC911A

RGB 188 145 26

HSL 44.07, 0.76%, 0.42%

LAB 62.52, 5.91, 62.23

 

CMYK 0 / 23 / 86 / 12

HEX #E0AD1F

RGB 224 173 31

HSL 44.15, 0.76%, 0.5%

LAB 73.44, 6.86, 71.42

 

CMYK 0 / 19 / 71 / 10

HEX #E5BA43

RGB 229 186 67

HSL 44.07, 0.76%, 0.58%

LAB 77.39, 3.46, 63.3

 

CMYK 0 / 15 / 56 / 8

HEX #EAC867

RGB 234 200 103

HSL 44.43, 0.76%, 0.66%

LAB 81.72, 0.53, 52.26

 

CMYK 0 / 23 / 87 / 13

HEX #DFAC1E

RGB 223 172 30

HSL 44.15, 0.76%, 0.5%

LAB 73.08, 6.93, 71.33

 

CMYK 80 / 0 / 86 / 12

HEX #2CE01F

RGB 44 224 31

HSL 115.96, 0.76%, 0.5%

LAB 78.43, -74.56, 71.87

 

CMYK 58 / 86 / 0 / 12

HEX #5F1FE0

RGB 95 31 224

HSL 259.9, 0.76%, 0.5%

LAB 35.59, 68.27, -84.68

 

CMYK 0 / 23 / 87 / 13

HEX #DFAC1E

RGB 223 172 30

HSL 44.15, 0.76%, 0.5%

LAB 73.08, 6.93, 71.33

 

CMYK 86 / 0 / 23 / 12

HEX #1FE0AD

RGB 31 224 173

HSL 164.15, 0.76%, 0.5%

LAB 79.97, -56.07, 12.58

 

CMYK 23 / 86 / 0 / 12

HEX #AD1FE0

RGB 173 31 224

HSL 284.15, 0.76%, 0.5%

LAB 45.97, 77.72, -67.25

 

CMYK 0 / 23 / 87 / 13

HEX #DFAC1E

RGB 223 172 30

HSL 44.15, 0.76%, 0.5%

LAB 73.08, 6.93, 71.33

 

CMYK 80 / 0 / 86 / 12

HEX #2CE01F

RGB 44 224 31

HSL 115.96, 0.76%, 0.5%

LAB 78.43, -74.56, 71.87

 

CMYK 86 / 63 / 0 / 12

HEX #1F52E0

RGB 31 82 224

HSL 224.15, 0.76%, 0.5%

LAB 40.75, 37.31, -76.31

 

CMYK 6 / 86 / 0 / 12

HEX #D31FE0

RGB 211 31 224

HSL 295.96, 0.76%, 0.5%

LAB 52.07, 83.78, -57.09

 

CMYK 0 / 23 / 87 / 13

HEX #DFAC1E

RGB 223 172 30

HSL 44.15, 0.76%, 0.5%

LAB 73.08, 6.93, 71.33

 

CMYK 86 / 0 / 66 / 12

HEX #1FE04C

RGB 31 224 76

HSL 133.99, 0.76%, 0.5%

LAB 78.53, -72.72, 57.93

 

CMYK 86 / 63 / 0 / 12

HEX #1F52E0

RGB 31 82 224

HSL 224.15, 0.76%, 0.5%

LAB 40.75, 37.31, -76.31

 

CMYK 0 / 86 / 20 / 12

HEX #E01FB3

RGB 224 31 179

HSL 313.99, 0.76%, 0.5%

LAB 51.93, 79.91, -31.24

 

Description

Color code: HEX #DFAC1E | qconv.com Color code: HEX #DFAC1E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 172 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 172 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 87% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

98% - PigmentFrance – Une ...
Link: http://pigmentfrance.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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