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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFAC0E it is the complementary color #2053F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFAC0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFAC0E shade: #E4AC09, #F5BE1C, #FFD02F, #FFE242 and #FFF455

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFAC0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFAC0E shade: #DFAC0E, #CE9A00, #BD8800, #AC7600 and #9B6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFAC0E shade: #DDAA0E, #DD720E, #DD3B0E and #DD0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFAC0E shade: #DDAA0E, #D7DD0E, #A0DD0E, #68DD0E and #30DD0E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFAC0E shade matches the following richer shades: #DDAA0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFAC0E shade: #DDAA0E, #CAA021, #B79734, #A48D47 and #91835A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFAC0E shade: #DD3B0E, #DD720E, #DDA90E, #D9DD0E and #A2DD0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFAC0E shade: #8F6E09, #B68C0C, #DDAA0E, #F1BF23 and #F3CA4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFAC0E shade: #DFAC0E, #18DD0E and #560EDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFAC0E shade: #DFAC0E, #0EDDA9 and #A90EDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFAC0E shade: #DFAC0E, #18DD0E, #0E42DD and #D20EDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFAC0E shade: #DFAC0E, #0EDD42, #0E42DD and #DD0EA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 94 / 13

HEX #DFAC0E

RGB 223 172 14

HSL 45.36, 0.88%, 0.46%

LAB 73.04, 6.66, 74.33

 

Complementary color

CMYK 87 / 66 / 0 / 5

HEX #2053F1

RGB 32 83 241

HSL 225.36, 0.88%, 0.54%

LAB 42.53, 42.95, -83

 

CMYK 0 / 25 / 96 / 11

HEX #E4AC09

RGB 228 172 9

HSL 44.66, 0.92%, 0.46%

LAB 73.56, 8.79, 75.55

 

CMYK 0 / 22 / 89 / 4

HEX #F5BE1C

RGB 245 190 28

HSL 44.79, 0.92%, 0.54%

LAB 79.8, 6.94, 78.03

 

CMYK 0 / 18 / 82 / 0

HEX #FFD02F

RGB 255 208 47

HSL 46.44, 1%, 0.59%

LAB 85.29, 2.36, 78.35

 

CMYK 0 / 11 / 74 / 0

HEX #FFE242

RGB 255 226 66

HSL 50.79, 1%, 0.63%

LAB 89.88, -6.1, 76.63

 

CMYK 0 / 4 / 67 / 0

HEX #FFF455

RGB 255 244 85

HSL 56.12, 1%, 0.67%

LAB 94.58, -14.11, 74.46

 

CMYK 0 / 23 / 94 / 13

HEX #DFAC0E

RGB 223 172 14

HSL 45.36, 0.88%, 0.46%

LAB 73.04, 6.66, 74.33

 

CMYK 0 / 25 / 100 / 19

HEX #CE9A00

RGB 206 154 0

HSL 44.85, 1%, 0.4%

LAB 66.7, 8.66, 70.76

 

CMYK 0 / 28 / 100 / 26

HEX #BD8800

RGB 189 136 0

HSL 43.17, 1%, 0.37%

LAB 60.27, 10.88, 65.48

 

CMYK 0 / 31 / 100 / 33

HEX #AC7600

RGB 172 118 0

HSL 41.16, 1%, 0.34%

LAB 53.74, 13.19, 60.13

 

CMYK 0 / 35 / 100 / 39

HEX #9B6400

RGB 155 100 0

HSL 38.71, 1%, 0.3%

LAB 47.08, 15.62, 54.69

 

CMYK 0 / 23 / 94 / 13

HEX #DDAA0E

RGB 221 170 14

HSL 45.22, 0.88%, 0.46%

LAB 72.33, 6.85, 73.71

 

CMYK 0 / 48 / 94 / 13

HEX #DD720E

RGB 221 114 14

HSL 28.99, 0.88%, 0.46%

LAB 59.38, 36.57, 64.5

 

CMYK 0 / 73 / 94 / 13

HEX #DD3B0E

RGB 221 59 14

HSL 13.04, 0.88%, 0.46%

LAB 50.13, 60.81, 58.47

 

CMYK 0 / 94 / 94 / 13

HEX #DD0E0E

RGB 221 14 14

HSL 0, 0.88%, 0.46%

LAB 46.6, 70.8, 56.38

 

CMYK 0 / 23 / 94 / 13

HEX #DDAA0E

RGB 221 170 14

HSL 45.22, 0.88%, 0.46%

LAB 72.33, 6.85, 73.71

 

CMYK 3 / 0 / 94 / 13

HEX #D7DD0E

RGB 215 221 14

HSL 61.74, 0.88%, 0.46%

LAB 85.09, -21.74, 83.03

 

CMYK 28 / 0 / 94 / 13

HEX #A0DD0E

RGB 160 221 14

HSL 77.68, 0.88%, 0.46%

LAB 81.41, -43.84, 78.58

 

CMYK 53 / 0 / 94 / 13

HEX #68DD0E

RGB 104 221 14

HSL 93.91, 0.88%, 0.46%

LAB 78.86, -62.34, 75.46

 

CMYK 78 / 0 / 94 / 13

HEX #30DD0E

RGB 48 221 14

HSL 110.14, 0.88%, 0.46%

LAB 77.5, -73.72, 73.79

 

CMYK 0 / 23 / 94 / 13

HEX #DDAA0E

RGB 221 170 14

HSL 45.22, 0.88%, 0.46%

LAB 72.33, 6.85, 73.71

 

CMYK 0 / 23 / 94 / 13

HEX #DDAA0E

RGB 221 170 14

HSL 45.22, 0.88%, 0.46%

LAB 72.33, 6.85, 73.71

 

CMYK 0 / 21 / 84 / 21

HEX #CAA021

RGB 202 160 33

HSL 45.09, 0.72%, 0.46%

LAB 67.88, 4.2, 65.36

 

CMYK 0 / 17 / 72 / 28

HEX #B79734

RGB 183 151 52

HSL 45.34, 0.56%, 0.46%

LAB 63.71, 1.38, 54.13

 

CMYK 0 / 14 / 57 / 36

HEX #A48D47

RGB 164 141 71

HSL 45.16, 0.4%, 0.46%

LAB 59.34, -0.28, 40.02

 

CMYK 0 / 10 / 38 / 43

HEX #91835A

RGB 145 131 90

HSL 44.73, 0.23%, 0.46%

LAB 55.06, -1, 24.12

 

CMYK 0 / 73 / 94 / 13

HEX #DD3B0E

RGB 221 59 14

HSL 13.04, 0.88%, 0.46%

LAB 50.13, 60.81, 58.47

 

CMYK 0 / 48 / 94 / 13

HEX #DD720E

RGB 221 114 14

HSL 28.99, 0.88%, 0.46%

LAB 59.38, 36.57, 64.5

 

CMYK 0 / 24 / 94 / 13

HEX #DDA90E

RGB 221 169 14

HSL 44.93, 0.88%, 0.46%

LAB 72.08, 7.38, 73.53

 

CMYK 2 / 0 / 94 / 13

HEX #D9DD0E

RGB 217 221 14

HSL 61.16, 0.88%, 0.46%

LAB 85.25, -20.9, 83.22

 

CMYK 27 / 0 / 94 / 13

HEX #A2DD0E

RGB 162 221 14

HSL 77.1, 0.88%, 0.46%

LAB 81.53, -43.08, 78.72

 

CMYK 0 / 23 / 94 / 44

HEX #8F6E09

RGB 143 110 9

HSL 45.22, 0.88%, 0.3%

LAB 48.27, 4.41, 52.87

 

CMYK 0 / 23 / 93 / 29

HEX #B68C0C

RGB 182 140 12

HSL 45.18, 0.88%, 0.38%

LAB 60.54, 5.67, 63.45

 

CMYK 0 / 23 / 94 / 13

HEX #DDAA0E

RGB 221 170 14

HSL 45.22, 0.88%, 0.46%

LAB 72.33, 6.85, 73.71

 

CMYK 0 / 21 / 85 / 5

HEX #F1BF23

RGB 241 191 35

HSL 45.44, 0.88%, 0.54%

LAB 79.66, 4.85, 76.21

 

CMYK 0 / 17 / 70 / 5

HEX #F3CA4A

RGB 243 202 74

HSL 45.44, 0.88%, 0.62%

LAB 82.8, 1.42, 66.42

 

CMYK 0 / 23 / 94 / 13

HEX #DFAC0E

RGB 223 172 14

HSL 45.36, 0.88%, 0.46%

LAB 73.04, 6.66, 74.33

 

CMYK 89 / 0 / 94 / 13

HEX #18DD0E

RGB 24 221 14

HSL 117.1, 0.88%, 0.46%

LAB 77.24, -76.05, 73.47

 

CMYK 61 / 94 / 0 / 13

HEX #560EDD

RGB 86 14 221

HSL 260.87, 0.88%, 0.46%

LAB 32.95, 70.99, -87.36

 

CMYK 0 / 23 / 94 / 13

HEX #DFAC0E

RGB 223 172 14

HSL 45.36, 0.88%, 0.46%

LAB 73.04, 6.66, 74.33

 

CMYK 94 / 0 / 24 / 13

HEX #0EDDA9

RGB 14 221 169

HSL 164.93, 0.88%, 0.46%

LAB 78.85, -56.72, 13.1

 

CMYK 24 / 94 / 0 / 13

HEX #A90EDD

RGB 169 14 221

HSL 284.93, 0.88%, 0.46%

LAB 44.19, 79.36, -68.46

 

CMYK 0 / 23 / 94 / 13

HEX #DFAC0E

RGB 223 172 14

HSL 45.36, 0.88%, 0.46%

LAB 73.04, 6.66, 74.33

 

CMYK 89 / 0 / 94 / 13

HEX #18DD0E

RGB 24 221 14

HSL 117.1, 0.88%, 0.46%

LAB 77.24, -76.05, 73.47

 

CMYK 94 / 70 / 0 / 13

HEX #0E42DD

RGB 14 66 221

HSL 224.93, 0.88%, 0.46%

LAB 36.39, 45.48, -81.79

 

CMYK 5 / 94 / 0 / 13

HEX #D20EDD

RGB 210 14 221

HSL 296.81, 0.88%, 0.46%

LAB 50.96, 85.4, -57.18

 

CMYK 0 / 23 / 94 / 13

HEX #DFAC0E

RGB 223 172 14

HSL 45.36, 0.88%, 0.46%

LAB 73.04, 6.66, 74.33

 

CMYK 94 / 0 / 70 / 13

HEX #0EDD42

RGB 14 221 66

HSL 135.07, 0.88%, 0.46%

LAB 77.4, -73.82, 60.56

 

CMYK 94 / 70 / 0 / 13

HEX #0E42DD

RGB 14 66 221

HSL 224.93, 0.88%, 0.46%

LAB 36.39, 45.48, -81.79

 

CMYK 0 / 94 / 24 / 13

HEX #DD0EA9

RGB 221 14 169

HSL 315.07, 0.88%, 0.46%

LAB 50.16, 80.37, -28.16

 

Description

Color code: HEX #DFAC0E | qconv.com Color code: HEX #DFAC0E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 172 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 172 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 94 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 94% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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