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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFAB153F it is the complementary color #2054EA3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFAB153F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFAB153F shade: #E4AB103F, #F5BD233F, #FFCF363F, #FFE1493F and #FFF35C3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFAB153F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFAB153F shade: #DFAB153F, #CE99023F, #BD87003F, #AC75003F and #9B63003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFAB153F shade: #E0AC15, #E07515, #E03E15 and #E01515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFAB153F shade: #E0AC15, #DEE015, #A7E015, #70E015 and #39E015

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFAB153F shade matches the following richer shades: #E0AC15 and #F4B501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFAB153F shade: #E0AC15, #CCA229, #B8983C, #A58F50 and #918564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFAB153F shade: #E03D15, #E07415, #E0AA15, #E0E015 and #AAE015

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFAB153F shade: #94720E, #BA8F11, #E0AC15, #ECBC32 and #EFC858

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFAB153F shade: #DFAB15, #22E015 and #5915E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFAB153F shade: #DFAB15, #15E0AA and #AA15E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFAB153F shade: #DFAB15, #22E015, #154BE0 and #D215E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFAB153F shade: #DFAB15, #15E044, #154BE0 and #E015B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 23 / 3

HEX #DFAB153F

RGBA 223 171 21 0.25

HSLA 44.55, 0.83%, 0.48%, 0.25

LABA 72.8, 7.29, 73.02, 0.25

 

Complementary color

CMYK 22 / 16 / 0 / 2

HEX #2054EA3F

RGBA 32 84 234 0.25

HSLA 224.55, 0.83%, 0.52%, 0.25

LABA 42.14, 39.79, -79.7, 0.25

 

CMYK 0 / 6 / 23 / 3

HEX #E4AB103F

RGBA 228 171 16 0.25

HSLA 43.87, 0.87%, 0.48%, 0.25

LABA 73.32, 9.4, 74.48, 0.25

 

CMYK 0 / 6 / 21 / 1

HEX #F5BD233F

RGBA 245 189 35 0.25

HSLA 44, 0.91%, 0.55%, 0.25

LABA 79.57, 7.6, 76.31, 0.25

 

CMYK 0 / 5 / 20 / 0

HEX #FFCF363F

RGBA 255 207 54 0.25

HSLA 45.67, 1%, 0.61%, 0.25

LABA 85.07, 3.08, 76.1, 0.25

 

CMYK 0 / 3 / 18 / 0

HEX #FFE1493F

RGBA 255 225 73 0.25

HSLA 50.11, 1%, 0.64%, 0.25

LABA 89.67, -5.3, 73.99, 0.25

 

CMYK 0 / 1 / 16 / 0

HEX #FFF35C3F

RGBA 255 243 92 0.25

HSLA 55.58, 1%, 0.68%, 0.25

LABA 94.37, -13.24, 71.55, 0.25

 

CMYK 0 / 6 / 23 / 3

HEX #DFAB153F

RGBA 223 171 21 0.25

HSLA 44.55, 0.83%, 0.48%, 0.25

LABA 72.8, 7.29, 73.02, 0.25

 

CMYK 0 / 6 / 25 / 5

HEX #CE99023F

RGBA 206 153 2 0.25

HSLA 44.41, 0.98%, 0.41%, 0.25

LABA 66.45, 9.22, 70.32, 0.25

 

CMYK 0 / 7 / 25 / 6

HEX #BD87003F

RGBA 189 135 0 0.25

HSLA 42.86, 1%, 0.37%, 0.25

LABA 60.02, 11.43, 65.31, 0.25

 

CMYK 0 / 8 / 25 / 8

HEX #AC75003F

RGBA 172 117 0 0.25

HSLA 40.81, 1%, 0.34%, 0.25

LABA 53.49, 13.76, 59.96, 0.25

 

CMYK 0 / 9 / 25 / 10

HEX #9B63003F

RGBA 155 99 0 0.25

HSLA 38.32, 1%, 0.3%, 0.25

LABA 46.83, 16.19, 54.53, 0.25

 

CMYK 0 / 23 / 91 / 12

HEX #E0AC15

RGB 224 172 21

HSL 44.63, 0.83%, 0.48%

LAB 73.16, 7.2, 73.34

 

CMYK 0 / 48 / 91 / 12

HEX #E07515

RGB 224 117 21

HSL 28.37, 0.83%, 0.48%

LAB 60.45, 36.34, 63.85

 

CMYK 0 / 72 / 91 / 12

HEX #E03E15

RGB 224 62 21

HSL 12.12, 0.83%, 0.48%

LAB 51.09, 60.81, 57.17

 

CMYK 0 / 91 / 91 / 12

HEX #E01515

RGB 224 21 21

HSL 0, 0.83%, 0.48%

LAB 47.54, 70.81, 54.75

 

CMYK 0 / 23 / 91 / 12

HEX #E0AC15

RGB 224 172 21

HSL 44.63, 0.83%, 0.48%

LAB 73.16, 7.2, 73.34

 

CMYK 1 / 0 / 91 / 12

HEX #DEE015

RGB 222 224 21

HSL 60.59, 0.83%, 0.48%

LAB 86.45, -20.17, 83.47

 

CMYK 25 / 0 / 91 / 12

HEX #A7E015

RGB 167 224 21

HSL 76.85, 0.83%, 0.48%

LAB 82.69, -42.36, 78.9

 

CMYK 50 / 0 / 91 / 12

HEX #70E015

RGB 112 224 21

HSL 93.1, 0.83%, 0.48%

LAB 80.07, -61.01, 75.68

 

CMYK 75 / 0 / 91 / 12

HEX #39E015

RGB 57 224 21

HSL 109.36, 0.83%, 0.48%

LAB 78.6, -73.18, 73.85

 

CMYK 0 / 23 / 91 / 12

HEX #E0AC15

RGB 224 172 21

HSL 44.63, 0.83%, 0.48%

LAB 73.16, 7.2, 73.34

 

CMYK 0 / 26 / 100 / 4

HEX #F4B501

RGB 244 181 1

HSL 44.44, 0.99%, 0.48%

LAB 77.45, 10.9, 79.94

 

CMYK 0 / 23 / 91 / 12

HEX #E0AC15

RGB 224 172 21

HSL 44.63, 0.83%, 0.48%

LAB 73.16, 7.2, 73.34

 

CMYK 0 / 21 / 80 / 20

HEX #CCA229

RGB 204 162 41

HSL 44.54, 0.67%, 0.48%

LAB 68.63, 4.26, 63.65

 

CMYK 0 / 17 / 67 / 28

HEX #B8983C

RGB 184 152 60

HSL 44.52, 0.51%, 0.48%

LAB 64.14, 1.72, 51.17

 

CMYK 0 / 13 / 52 / 35

HEX #A58F50

RGB 165 143 80

HSL 44.47, 0.35%, 0.48%

LAB 60.09, -0.16, 36.31

 

CMYK 0 / 8 / 31 / 43

HEX #918564

RGB 145 133 100

HSL 44, 0.18%, 0.48%

LAB 55.8, -0.81, 19.47

 

CMYK 0 / 73 / 91 / 12

HEX #E03D15

RGB 224 61 21

HSL 11.82, 0.83%, 0.48%

LAB 50.97, 61.15, 57.08

 

CMYK 0 / 48 / 91 / 12

HEX #E07415

RGB 224 116 21

HSL 28.08, 0.83%, 0.48%

LAB 60.24, 36.85, 63.7

 

CMYK 0 / 24 / 91 / 12

HEX #E0AA15

RGB 224 170 21

HSL 44.04, 0.83%, 0.48%

LAB 72.66, 8.26, 72.96

 

CMYK 0 / 0 / 91 / 12

HEX #E0E015

RGB 224 224 21

HSL 60, 0.83%, 0.48%

LAB 86.61, -19.33, 83.66

 

CMYK 24 / 0 / 91 / 12

HEX #AAE015

RGB 170 224 21

HSL 75.96, 0.83%, 0.48%

LAB 82.87, -41.22, 79.11

 

CMYK 0 / 23 / 91 / 42

HEX #94720E

RGB 148 114 14

HSL 44.78, 0.83%, 0.32%

LAB 49.93, 4.58, 53.31

 

CMYK 0 / 23 / 91 / 27

HEX #BA8F11

RGB 186 143 17

HSL 44.73, 0.83%, 0.4%

LAB 61.76, 5.91, 63.64

 

CMYK 0 / 23 / 91 / 12

HEX #E0AC15

RGB 224 172 21

HSL 44.63, 0.83%, 0.48%

LAB 73.16, 7.2, 73.34

 

CMYK 0 / 20 / 79 / 7

HEX #ECBC32

RGB 236 188 50

HSL 44.52, 0.83%, 0.56%

LAB 78.48, 4.7, 70.76

 

CMYK 0 / 16 / 63 / 6

HEX #EFC858

RGB 239 200 88

HSL 44.5, 0.83%, 0.64%

LAB 82.04, 1.56, 59.62

 

CMYK 0 / 23 / 91 / 13

HEX #DFAB15

RGB 223 171 21

HSL 44.55, 0.83%, 0.48%

LAB 72.8, 7.29, 73.02

 

CMYK 85 / 0 / 91 / 12

HEX #22E015

RGB 34 224 21

HSL 116.16, 0.83%, 0.48%

LAB 78.29, -75.92, 73.46

 

CMYK 60 / 91 / 0 / 12

HEX #5915E0

RGB 89 21 224

HSL 260.1, 0.83%, 0.48%

LAB 34.07, 70.47, -87.21

 

CMYK 0 / 23 / 91 / 13

HEX #DFAB15

RGB 223 171 21

HSL 44.55, 0.83%, 0.48%

LAB 72.8, 7.29, 73.02

 

CMYK 91 / 0 / 24 / 12

HEX #15E0AA

RGB 21 224 170

HSL 164.04, 0.83%, 0.48%

LAB 79.83, -57.34, 13.95

 

CMYK 24 / 91 / 0 / 12

HEX #AA15E0

RGB 170 21 224

HSL 284.04, 0.83%, 0.48%

LAB 44.89, 79.1, -69.03

 

CMYK 0 / 23 / 91 / 13

HEX #DFAB15

RGB 223 171 21

HSL 44.55, 0.83%, 0.48%

LAB 72.8, 7.29, 73.02

 

CMYK 85 / 0 / 91 / 12

HEX #22E015

RGB 34 224 21

HSL 116.16, 0.83%, 0.48%

LAB 78.29, -75.92, 73.46

 

CMYK 91 / 67 / 0 / 12

HEX #154BE0

RGB 21 75 224

HSL 224.04, 0.83%, 0.48%

LAB 38.85, 41.24, -79.43

 

CMYK 6 / 91 / 0 / 12

HEX #D215E0

RGB 210 21 224

HSL 295.86, 0.83%, 0.48%

LAB 51.4, 85.1, -58.18

 

CMYK 0 / 23 / 91 / 13

HEX #DFAB15

RGB 223 171 21

HSL 44.55, 0.83%, 0.48%

LAB 72.8, 7.29, 73.02

 

CMYK 91 / 0 / 70 / 12

HEX #15E044

RGB 21 224 68

HSL 133.89, 0.83%, 0.48%

LAB 78.4, -74.16, 60.87

 

CMYK 91 / 67 / 0 / 12

HEX #154BE0

RGB 21 75 224

HSL 224.04, 0.83%, 0.48%

LAB 38.85, 41.24, -79.43

 

CMYK 0 / 91 / 21 / 12

HEX #E015B1

RGB 224 21 177

HSL 313.89, 0.83%, 0.48%

LAB 51.33, 81.14, -31

 

Description

Color code: HEX #DFAB153F | qconv.com Color code: HEX #DFAB153F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 171 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 171 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 23 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 23% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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