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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFAA65 it is the complementary color #20559A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFAA65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFAA65 shade: #E4AA60, #F5BC73, #FFCE86, #FFE099 and #FFF2AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFAA65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFAA65 shade: #DFAA65, #CE9852, #BD863F, #AC742C and #9B6219

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFAA65 shade: #E0AB67, #E08A67, #E06A67 and #E06767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFAA65 shade: #E0AB67, #E0CC67, #D3E067, #B2E067 and #92E067

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFAA65 shade matches the following richer shades: #E0AB67, #EFAD58 and #FDAF49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFAA65 shade: #E0AB67, #D1A975, #C2A784, #B3A593 and #A4A3A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFAA65 shade: #E06967, #E08967, #E0A967, #E0CA67 and #D6E067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFAA65 shade: #CA8429, #D99844, #E0AB67, #E7BE89 and #EED1AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFAA65 shade: #DFAA65, #85E067 and #7967E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFAA65 shade: #DFAA65, #67E0A9 and #A967E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFAA65 shade: #DFAA65, #85E067, #679DE0 and #C167E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFAA65 shade: #DFAA65, #67E06D, #679DE0 and #E067DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 55 / 13

HEX #DFAA65

RGB 223 170 101

HSL 33.93, 0.66%, 0.64%

LAB 73.14, 11.6, 42.75

 

Complementary color

CMYK 79 / 45 / 0 / 40

HEX #20559A

RGB 32 85 154

HSL 213.93, 0.66%, 0.36%

LAB 36.25, 8.27, -42.65

 

CMYK 0 / 25 / 58 / 11

HEX #E4AA60

RGB 228 170 96

HSL 33.64, 0.71%, 0.64%

LAB 73.6, 13.28, 45.94

 

CMYK 0 / 23 / 53 / 4

HEX #F5BC73

RGB 245 188 115

HSL 33.69, 0.87%, 0.71%

LAB 79.96, 12.24, 44.55

 

CMYK 0 / 19 / 47 / 0

HEX #FFCE86

RGB 255 206 134

HSL 35.7, 1%, 0.76%

LAB 85.57, 8.56, 42.22

 

CMYK 0 / 12 / 40 / 0

HEX #FFE099

RGB 255 224 153

HSL 41.76, 1%, 0.8%

LAB 90.26, 1.21, 38.68

 

CMYK 0 / 5 / 33 / 0

HEX #FFF2AC

RGB 255 242 172

HSL 50.6, 1%, 0.84%

LAB 95.05, -5.73, 35.41

 

CMYK 0 / 24 / 55 / 13

HEX #DFAA65

RGB 223 170 101

HSL 33.93, 0.66%, 0.64%

LAB 73.14, 11.6, 42.75

 

CMYK 0 / 26 / 60 / 19

HEX #CE9852

RGB 206 152 82

HSL 33.87, 0.56%, 0.56%

LAB 66.66, 12.7, 44.16

 

CMYK 0 / 29 / 67 / 26

HEX #BD863F

RGB 189 134 63

HSL 33.81, 0.5%, 0.49%

LAB 60.09, 13.98, 45.56

 

CMYK 0 / 33 / 74 / 33

HEX #AC742C

RGB 172 116 44

HSL 33.75, 0.59%, 0.42%

LAB 53.43, 15.49, 46.81

 

CMYK 0 / 37 / 84 / 39

HEX #9B6219

RGB 155 98 25

HSL 33.69, 0.72%, 0.35%

LAB 46.68, 17.3, 47.57

 

CMYK 0 / 24 / 54 / 12

HEX #E0AB67

RGB 224 171 103

HSL 33.72, 0.66%, 0.64%

LAB 73.51, 11.65, 42.21

 

CMYK 0 / 38 / 54 / 12

HEX #E08A67

RGB 224 138 103

HSL 17.36, 0.66%, 0.64%

LAB 65.75, 29.3, 32.5

 

CMYK 0 / 53 / 54 / 12

HEX #E06A67

RGB 224 106 103

HSL 1.49, 0.66%, 0.64%

LAB 59.1, 45.74, 23.83

 

CMYK 0 / 54 / 54 / 12

HEX #E06767

RGB 224 103 103

HSL 0, 0.66%, 0.64%

LAB 58.53, 47.2, 23.08

 

CMYK 0 / 24 / 54 / 12

HEX #E0AB67

RGB 224 171 103

HSL 33.72, 0.66%, 0.64%

LAB 73.51, 11.65, 42.21

 

CMYK 0 / 9 / 54 / 12

HEX #E0CC67

RGB 224 204 103

HSL 50.08, 0.66%, 0.64%

LAB 81.84, -5.64, 52.18

 

CMYK 6 / 0 / 54 / 12

HEX #D3E067

RGB 211 224 103

HSL 66.45, 0.66%, 0.64%

LAB 86.08, -20.9, 56.82

 

CMYK 21 / 0 / 54 / 12

HEX #B2E067

RGB 178 224 103

HSL 82.81, 0.66%, 0.64%

LAB 83.84, -33.65, 53.65

 

CMYK 35 / 0 / 54 / 12

HEX #92E067

RGB 146 224 103

HSL 98.68, 0.66%, 0.64%

LAB 82.06, -44.99, 51.12

 

CMYK 0 / 24 / 54 / 12

HEX #E0AB67

RGB 224 171 103

HSL 33.72, 0.66%, 0.64%

LAB 73.51, 11.65, 42.21

 

CMYK 0 / 28 / 63 / 6

HEX #EFAD58

RGB 239 173 88

HSL 33.77, 0.83%, 0.64%

LAB 75.42, 15.7, 52.24

 

CMYK 0 / 31 / 71 / 1

HEX #FDAF49

RGB 253 175 73

HSL 34, 0.98%, 0.64%

LAB 77.29, 19.61, 61.52

 

CMYK 0 / 24 / 54 / 12

HEX #E0AB67

RGB 224 171 103

HSL 33.72, 0.66%, 0.64%

LAB 73.51, 11.65, 42.21

 

CMYK 0 / 19 / 44 / 18

HEX #D1A975

RGB 209 169 117

HSL 33.91, 0.5%, 0.64%

LAB 71.7, 7.87, 32.33

 

CMYK 0 / 14 / 32 / 24

HEX #C2A784

RGB 194 167 132

HSL 33.87, 0.34%, 0.64%

LAB 70.02, 4.66, 21.76

 

CMYK 0 / 8 / 18 / 30

HEX #B3A593

RGB 179 165 147

HSL 33.75, 0.17%, 0.64%

LAB 68.46, 2.05, 11.16

 

CMYK 0 / 1 / 1 / 36

HEX #A4A3A2

RGB 164 163 162

HSL 30, 0.01%, 0.64%

LAB 67.05, 0.17, 0.64

 

CMYK 0 / 53 / 54 / 12

HEX #E06967

RGB 224 105 103

HSL 0.99, 0.66%, 0.64%

LAB 58.91, 46.23, 23.58

 

CMYK 0 / 39 / 54 / 12

HEX #E08967

RGB 224 137 103

HSL 16.86, 0.66%, 0.64%

LAB 65.53, 29.83, 32.22

 

CMYK 0 / 25 / 54 / 12

HEX #E0A967

RGB 224 169 103

HSL 32.73, 0.66%, 0.64%

LAB 73.03, 12.71, 41.61

 

CMYK 0 / 10 / 54 / 12

HEX #E0CA67

RGB 224 202 103

HSL 49.09, 0.66%, 0.64%

LAB 81.33, -4.62, 51.58

 

CMYK 4 / 0 / 54 / 12

HEX #D6E067

RGB 214 224 103

HSL 64.96, 0.66%, 0.64%

LAB 86.3, -19.7, 57.14

 

CMYK 0 / 35 / 80 / 21

HEX #CA8429

RGB 202 132 41

HSL 33.91, 0.66%, 0.48%

LAB 60.97, 19.67, 56.62

 

CMYK 0 / 30 / 69 / 15

HEX #D99844

RGB 217 152 68

HSL 33.83, 0.66%, 0.56%

LAB 67.74, 16.48, 52.45

 

CMYK 0 / 24 / 54 / 12

HEX #E0AB67

RGB 224 171 103

HSL 33.72, 0.66%, 0.64%

LAB 73.51, 11.65, 42.21

 

CMYK 0 / 18 / 41 / 9

HEX #E7BE89

RGB 231 190 137

HSL 33.83, 0.66%, 0.72%

LAB 79.4, 7.68, 32.26

 

CMYK 0 / 12 / 28 / 7

HEX #EED1AB

RGB 238 209 171

HSL 34.03, 0.66%, 0.8%

LAB 85.36, 4.54, 22.59

 

CMYK 0 / 24 / 55 / 13

HEX #DFAA65

RGB 223 170 101

HSL 33.93, 0.66%, 0.64%

LAB 73.14, 11.6, 42.75

 

CMYK 41 / 0 / 54 / 12

HEX #85E067

RGB 133 224 103

HSL 105.12, 0.66%, 0.64%

LAB 81.44, -49.18, 50.24

 

CMYK 46 / 54 / 0 / 12

HEX #7967E0

RGB 121 103 224

HSL 248.93, 0.66%, 0.64%

LAB 50.86, 37.18, -59.64

 

CMYK 0 / 24 / 55 / 13

HEX #DFAA65

RGB 223 170 101

HSL 33.93, 0.66%, 0.64%

LAB 73.14, 11.6, 42.75

 

CMYK 54 / 0 / 25 / 12

HEX #67E0A9

RGB 103 224 169

HSL 152.73, 0.66%, 0.64%

LAB 81.32, -46.66, 16.8

 

CMYK 25 / 54 / 0 / 12

HEX #A967E0

RGB 169 103 224

HSL 272.73, 0.66%, 0.64%

LAB 55.6, 48.62, -51.78

 

CMYK 0 / 24 / 55 / 13

HEX #DFAA65

RGB 223 170 101

HSL 33.93, 0.66%, 0.64%

LAB 73.14, 11.6, 42.75

 

CMYK 41 / 0 / 54 / 12

HEX #85E067

RGB 133 224 103

HSL 105.12, 0.66%, 0.64%

LAB 81.44, -49.18, 50.24

 

CMYK 54 / 30 / 0 / 12

HEX #679DE0

RGB 103 157 224

HSL 213.22, 0.66%, 0.64%

LAB 63.66, 1.22, -39.4

 

CMYK 14 / 54 / 0 / 12

HEX #C167E0

RGB 193 103 224

HSL 284.63, 0.66%, 0.64%

LAB 58.43, 54.79, -47.11

 

CMYK 0 / 24 / 55 / 13

HEX #DFAA65

RGB 223 170 101

HSL 33.93, 0.66%, 0.64%

LAB 73.14, 11.6, 42.75

 

CMYK 54 / 0 / 51 / 12

HEX #67E06D

RGB 103 224 109

HSL 122.98, 0.66%, 0.64%

LAB 80.35, -56.88, 45.84

 

CMYK 54 / 30 / 0 / 12

HEX #679DE0

RGB 103 157 224

HSL 213.22, 0.66%, 0.64%

LAB 63.66, 1.22, -39.4

 

CMYK 0 / 54 / 3 / 12

HEX #E067DA

RGB 224 103 218

HSL 302.98, 0.66%, 0.64%

LAB 62.18, 61.88, -37.58

 

Description

Color code: HEX #DFAA65 | qconv.com Color code: HEX #DFAA65 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 170 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 170 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 55 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 55% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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