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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFA69ACE it is the complementary color #205965CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFA69ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFA69ACE shade: #E4A695CE, #F5B8A8CE, #FFCABBCE, #FFDCCECE and #FFEEE1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFA69ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFA69ACE shade: #DFA69ACE, #CE9487CE, #BD8274CE, #AC7061CE and #9B5E4ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFA69ACE shade: #DFA69A and #DF9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFA69ACE shade: #DFA69A, #DFB99A, #DFCB9A, #DFDE9A and #CEDF9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFA69ACE shade matches the following richer shades: #DFA69A, #EA9F8F and #F59885

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFA69ACE shade: #DFA69A, #D4ADA5, #CAB4B0, #BFBBBA and #B4C2C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFA69ACE shade: #DF9AB4, #DF9AA1, #DFA69A, #DFB89A and #DFCA9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFA69ACE shade: #CB6F5C, #D58B7B, #DFA69A, #E9C2BA and #F3DDD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFA69ACE shade: #DFA69A, #C6DF9A and #9AAADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFA69ACE shade: #DFA69A, #9ADFA6 and #A69ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFA69ACE shade: #DFA69A, #C6DF9A, #9AD4DF and #B49ADF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFA69ACE shade: #DFA69A, #B1DF9A, #9AD4DF and #C89ADF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 25 / 10

HEX #DFA69ACE

RGBA 223 166 154 0.81

HSLA 10.43, 0.52%, 0.74%, 0.81

LABA 73.08, 19.37, 14.43, 0.81

 

Complementary color

CMYK 55 / 10 / 0 / 49

HEX #205965CE

RGBA 32 89 101 0.81

HSLA 190.43, 0.52%, 0.26%, 0.81

LABA 34.79, -14.25, -12.38, 0.81

 

CMYK 0 / 22 / 28 / 9

HEX #E4A695CE

RGBA 228 166 149 0.81

HSLA 12.91, 0.59%, 0.74%, 0.81

LABA 73.5, 20.65, 17.83, 0.81

 

CMYK 0 / 20 / 25 / 3

HEX #F5B8A8CE

RGBA 245 184 168 0.81

HSLA 12.47, 0.79%, 0.81%, 0.81

LABA 79.91, 19.91, 16.72, 0.81

 

CMYK 0 / 17 / 22 / 0

HEX #FFCABBCE

RGBA 255 202 187 0.81

HSLA 13.24, 1%, 0.87%, 0.81

LABA 85.55, 16.67, 14.65, 0.81

 

CMYK 0 / 11 / 16 / 0

HEX #FFDCCECE

RGBA 255 220 206 0.81

HSLA 17.14, 1%, 0.9%, 0.81

LABA 90.28, 9.98, 11.34, 0.81

 

CMYK 0 / 5 / 10 / 0

HEX #FFEEE1CE

RGBA 255 238 225 0.81

HSLA 26, 1%, 0.94%, 0.81

LABA 95.1, 3.63, 8.34, 0.81

 

CMYK 0 / 21 / 25 / 10

HEX #DFA69ACE

RGBA 223 166 154 0.81

HSLA 10.43, 0.52%, 0.74%, 0.81

LABA 73.08, 19.37, 14.43, 0.81

 

CMYK 0 / 23 / 28 / 16

HEX #CE9487CE

RGBA 206 148 135 0.81

HSLA 10.99, 0.42%, 0.67%, 0.81

LABA 66.56, 20.13, 15.54, 0.81

 

CMYK 0 / 25 / 31 / 21

HEX #BD8274CE

RGBA 189 130 116 0.81

HSLA 11.51, 0.36%, 0.6%, 0.81

LABA 59.93, 20.99, 16.76, 0.81

 

CMYK 0 / 28 / 35 / 26

HEX #AC7061CE

RGBA 172 112 97 0.81

HSLA 12, 0.31%, 0.53%, 0.81

LABA 53.19, 21.97, 18.14, 0.81

 

CMYK 0 / 32 / 40 / 32

HEX #9B5E4ECE

RGBA 155 94 78 0.81

HSLA 12.47, 0.33%, 0.46%, 0.81

LABA 46.34, 23.09, 19.7, 0.81

 

CMYK 0 / 26 / 31 / 13

HEX #DFA69A

RGB 223 166 154

HSL 10.43, 0.52%, 0.74%

LAB 73.08, 19.37, 14.43

 

CMYK 0 / 31 / 31 / 13

HEX #DF9A9A

RGB 223 154 154

HSL 0, 0.52%, 0.74%

LAB 70.27, 25.83, 10.45

 

CMYK 0 / 26 / 31 / 13

HEX #DFA69A

RGB 223 166 154

HSL 10.43, 0.52%, 0.74%

LAB 73.08, 19.37, 14.43

 

CMYK 0 / 17 / 31 / 13

HEX #DFB99A

RGB 223 185 154

HSL 26.96, 0.52%, 0.74%

LAB 77.71, 9.21, 20.85

 

CMYK 0 / 9 / 31 / 13

HEX #DFCB9A

RGB 223 203 154

HSL 42.61, 0.52%, 0.74%

LAB 82.23, -0.26, 27.02

 

CMYK 0 / 0 / 31 / 13

HEX #DFDE9A

RGB 223 222 154

HSL 59.13, 0.52%, 0.74%

LAB 87.13, -9.98, 33.56

 

CMYK 8 / 0 / 31 / 13

HEX #CEDF9A

RGB 206 223 154

HSL 74.78, 0.52%, 0.74%

LAB 86.12, -16.88, 32

 

CMYK 0 / 26 / 31 / 13

HEX #DFA69A

RGB 223 166 154

HSL 10.43, 0.52%, 0.74%

LAB 73.08, 19.37, 14.43

 

CMYK 0 / 32 / 39 / 8

HEX #EA9F8F

RGB 234 159 143

HSL 10.55, 0.68%, 0.74%

LAB 72.41, 25.99, 19.7

 

CMYK 0 / 38 / 46 / 4

HEX #F59885

RGB 245 152 133

HSL 10.18, 0.85%, 0.74%

LAB 71.94, 32.82, 24.73

 

CMYK 0 / 26 / 31 / 13

HEX #DFA69A

RGB 223 166 154

HSL 10.43, 0.52%, 0.74%

LAB 73.08, 19.37, 14.43

 

CMYK 0 / 18 / 22 / 17

HEX #D4ADA5

RGB 212 173 165

HSL 10.21, 0.35%, 0.74%

LAB 73.93, 12.96, 9.45

 

CMYK 0 / 11 / 13 / 21

HEX #CAB4B0

RGB 202 180 176

HSL 9.23, 0.2%, 0.74%

LAB 75.03, 7.2, 4.9

 

CMYK 0 / 2 / 3 / 25

HEX #BFBBBA

RGB 191 187 186

HSL 12, 0.04%, 0.74%

LAB 76.17, 1.22, 0.99

 

CMYK 9 / 2 / 0 / 23

HEX #B4C2C5

RGB 180 194 197

HSL 190.59, 0.13%, 0.74%

LAB 77.47, -4.19, -3.16

 

CMYK 0 / 31 / 19 / 13

HEX #DF9AB4

RGB 223 154 180

HSL 337.39, 0.52%, 0.74%

LAB 70.94, 29.51, -3.02

 

CMYK 0 / 31 / 28 / 13

HEX #DF9AA1

RGB 223 154 161

HSL 353.91, 0.52%, 0.74%

LAB 70.44, 26.76, 6.81

 

CMYK 0 / 26 / 31 / 13

HEX #DFA69A

RGB 223 166 154

HSL 10.43, 0.52%, 0.74%

LAB 73.08, 19.37, 14.43

 

CMYK 0 / 17 / 31 / 13

HEX #DFB89A

RGB 223 184 154

HSL 26.09, 0.52%, 0.74%

LAB 77.46, 9.74, 20.51

 

CMYK 0 / 9 / 31 / 13

HEX #DFCA9A

RGB 223 202 154

HSL 41.74, 0.52%, 0.74%

LAB 81.98, 0.26, 26.68

 

CMYK 0 / 45 / 55 / 20

HEX #CB6F5C

RGB 203 111 92

HSL 10.27, 0.52%, 0.58%

LAB 56.92, 34.42, 26.68

 

CMYK 0 / 35 / 42 / 16

HEX #D58B7B

RGB 213 139 123

HSL 10.67, 0.52%, 0.66%

LAB 65, 26.35, 20.21

 

CMYK 0 / 26 / 31 / 13

HEX #DFA69A

RGB 223 166 154

HSL 10.43, 0.52%, 0.74%

LAB 73.08, 19.37, 14.43

 

CMYK 0 / 17 / 20 / 9

HEX #E9C2BA

RGB 233 194 186

HSL 10.21, 0.52%, 0.82%

LAB 81.54, 12.64, 9.21

 

CMYK 0 / 9 / 11 / 5

HEX #F3DDD9

RGB 243 221 217

HSL 9.23, 0.52%, 0.9%

LAB 89.76, 6.9, 4.69

 

CMYK 0 / 26 / 31 / 13

HEX #DFA69A

RGB 223 166 154

HSL 10.43, 0.52%, 0.74%

LAB 73.08, 19.37, 14.43

 

CMYK 11 / 0 / 31 / 13

HEX #C6DF9A

RGB 198 223 154

HSL 81.74, 0.52%, 0.74%

LAB 85.56, -19.83, 31.15

 

CMYK 31 / 24 / 0 / 13

HEX #9AAADF

RGB 154 170 223

HSL 226.09, 0.52%, 0.74%

LAB 70.14, 6.57, -28.55

 

CMYK 0 / 26 / 31 / 13

HEX #DFA69A

RGB 223 166 154

HSL 10.43, 0.52%, 0.74%

LAB 73.08, 19.37, 14.43

 

CMYK 31 / 0 / 26 / 13

HEX #9ADFA6

RGB 154 223 166

HSL 130.43, 0.52%, 0.74%

LAB 83.12, -33.01, 21.2

 

CMYK 26 / 31 / 0 / 13

HEX #A69ADF

RGB 166 154 223

HSL 250.43, 0.52%, 0.74%

LAB 66.93, 19.08, -33.42

 

CMYK 0 / 26 / 31 / 13

HEX #DFA69A

RGB 223 166 154

HSL 10.43, 0.52%, 0.74%

LAB 73.08, 19.37, 14.43

 

CMYK 11 / 0 / 31 / 13

HEX #C6DF9A

RGB 198 223 154

HSL 81.74, 0.52%, 0.74%

LAB 85.56, -19.83, 31.15

 

CMYK 31 / 5 / 0 / 13

HEX #9AD4DF

RGB 154 212 223

HSL 189.57, 0.52%, 0.74%

LAB 81.45, -15.9, -11.41

 

CMYK 19 / 31 / 0 / 13

HEX #B49ADF

RGB 180 154 223

HSL 262.61, 0.52%, 0.74%

LAB 68.13, 23.29, -31.48

 

CMYK 0 / 26 / 31 / 13

HEX #DFA69A

RGB 223 166 154

HSL 10.43, 0.52%, 0.74%

LAB 73.08, 19.37, 14.43

 

CMYK 21 / 0 / 31 / 13

HEX #B1DF9A

RGB 177 223 154

HSL 100, 0.52%, 0.74%

LAB 84.2, -27.33, 29.1

 

CMYK 31 / 5 / 0 / 13

HEX #9AD4DF

RGB 154 212 223

HSL 189.57, 0.52%, 0.74%

LAB 81.45, -15.9, -11.41

 

CMYK 10 / 31 / 0 / 13

HEX #C89ADF

RGB 200 154 223

HSL 280, 0.52%, 0.74%

LAB 69.98, 29.49, -28.47

 

Description

Color code: HEX #DFA69ACE | qconv.com Color code: HEX #DFA69ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 166 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 166 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 25 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 25% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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