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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9FEE it is the complementary color #206011. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9FEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9FEE shade: #E49FE9, #F5B1FC, #FFC3FF, #FFD5FF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9FEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9FEE shade: #DF9FEE, #CE8DDB, #BD7BC8, #AC69B5 and #9B57A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9FEE shade: #DF9FEE, #EE9FE7, #EE9FD2, #EE9FBD and #EE9FA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9FEE shade: #DF9FEE, #CA9FEE, #B49FEE, #9F9FEE and #9F9FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9FEE shade matches the following richer shades: #DF9FEE and #E496F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9FEE shade: #DF9FEE, #D9A8E5, #D3B1DC, #CEBAD2 and #C8C3C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9FEE shade: #B49FEE, #C99FEE, #DE9FEE, #EE9FE8 and #EE9FD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9FEE shade: #C759E1, #D37CE7, #DF9FEE, #EAC2F4 and #F6E5FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9FEE shade: #DF9FEE, #EE9F9F and #9FEEBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9FEE shade: #DF9FEE, #EEDE9F and #9FEEDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9FEE shade: #DF9FEE, #EE9F9F, #AFEE9F and #9FEEEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9FEE shade: #DF9FEE, #EEB79F, #AFEE9F and #9FD6EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

Complementary color

CMYK 67 / 0 / 82 / 62

HEX #206011

RGB 32 96 17

HSL 108.61, 0.7%, 0.22%

LAB 35.43, -35.83, 36.3

 

CMYK 2 / 32 / 0 / 9

HEX #E49FE9

RGB 228 159 233

HSL 295.95, 0.63%, 0.77%

LAB 74.3, 37.54, -27.07

 

CMYK 3 / 30 / 0 / 1

HEX #F5B1FC

RGB 245 177 252

HSL 294.4, 0.93%, 0.84%

LAB 80.67, 36.86, -27.42

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

CMYK 6 / 36 / 0 / 14

HEX #CE8DDB

RGB 206 141 219

HSL 290, 0.52%, 0.71%

LAB 67.49, 37.65, -30.05

 

CMYK 5 / 39 / 0 / 22

HEX #BD7BC8

RGB 189 123 200

HSL 291.43, 0.41%, 0.63%

LAB 60.92, 38.39, -29.73

 

CMYK 5 / 42 / 0 / 29

HEX #AC69B5

RGB 172 105 181

HSL 292.89, 0.34%, 0.56%

LAB 54.25, 39.16, -29.39

 

CMYK 4 / 46 / 0 / 36

HEX #9B57A2

RGB 155 87 162

HSL 294.4, 0.3%, 0.49%

LAB 47.49, 39.94, -28.98

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

CMYK 0 / 33 / 3 / 7

HEX #EE9FE7

RGB 238 159 231

HSL 305.32, 0.7%, 0.78%

LAB 75.29, 40.33, -24.37

 

CMYK 0 / 33 / 12 / 7

HEX #EE9FD2

RGB 238 159 210

HSL 321.27, 0.7%, 0.78%

LAB 74.59, 36.75, -13.96

 

CMYK 0 / 33 / 21 / 7

HEX #EE9FBD

RGB 238 159 189

HSL 337.22, 0.7%, 0.78%

LAB 73.96, 33.49, -3.35

 

CMYK 0 / 33 / 29 / 7

HEX #EE9FA8

RGB 238 159 168

HSL 353.16, 0.7%, 0.78%

LAB 73.42, 30.55, 7.43

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

CMYK 15 / 33 / 0 / 7

HEX #CA9FEE

RGB 202 159 238

HSL 272.66, 0.7%, 0.78%

LAB 71.91, 30.51, -33.69

 

CMYK 24 / 33 / 0 / 7

HEX #B49FEE

RGB 180 159 238

HSL 255.95, 0.7%, 0.78%

LAB 69.95, 23.96, -36.89

 

CMYK 33 / 33 / 0 / 7

HEX #9F9FEE

RGB 159 159 238

HSL 240, 0.7%, 0.78%

LAB 68.27, 17.99, -39.63

 

CMYK 33 / 33 / 0 / 7

HEX #9F9FEE

RGB 159 159 238

HSL 240, 0.7%, 0.78%

LAB 68.27, 17.99, -39.63

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

CMYK 8 / 39 / 0 / 3

HEX #E496F7

RGB 228 150 247

HSL 288.25, 0.86%, 0.78%

LAB 72.91, 44.96, -36.84

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

CMYK 5 / 27 / 0 / 10

HEX #D9A8E5

RGB 217 168 229

HSL 288.2, 0.54%, 0.78%

LAB 75.09, 28.45, -23.79

 

CMYK 4 / 20 / 0 / 14

HEX #D3B1DC

RGB 211 177 220

HSL 287.44, 0.38%, 0.78%

LAB 76.35, 19.86, -17.03

 

CMYK 2 / 11 / 0 / 18

HEX #CEBAD2

RGB 206 186 210

HSL 290, 0.21%, 0.78%

LAB 77.81, 11.4, -9.46

 

CMYK 0 / 3 / 0 / 21

HEX #C8C3C9

RGB 200 195 201

HSL 290, 0.05%, 0.78%

LAB 79.34, 2.84, -2.39

 

CMYK 24 / 33 / 0 / 7

HEX #B49FEE

RGB 180 159 238

HSL 255.95, 0.7%, 0.78%

LAB 69.95, 23.96, -36.89

 

CMYK 16 / 33 / 0 / 7

HEX #C99FEE

RGB 201 159 238

HSL 271.9, 0.7%, 0.78%

LAB 71.82, 30.2, -33.84

 

CMYK 7 / 33 / 0 / 7

HEX #DE9FEE

RGB 222 159 238

HSL 287.85, 0.7%, 0.78%

LAB 73.87, 36.63, -30.51

 

CMYK 0 / 33 / 3 / 7

HEX #EE9FE8

RGB 238 159 232

HSL 304.56, 0.7%, 0.78%

LAB 75.33, 40.5, -24.86

 

CMYK 0 / 33 / 11 / 7

HEX #EE9FD3

RGB 238 159 211

HSL 320.51, 0.7%, 0.78%

LAB 74.62, 36.92, -14.46

 

CMYK 12 / 60 / 0 / 12

HEX #C759E1

RGB 199 89 225

HSL 288.53, 0.69%, 0.62%

LAB 56.8, 63.1, -50.21

 

CMYK 9 / 46 / 0 / 9

HEX #D37CE7

RGB 211 124 231

HSL 288.79, 0.69%, 0.7%

LAB 64.99, 50.45, -40.54

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

CMYK 4 / 20 / 0 / 4

HEX #EAC2F4

RGB 234 194 244

HSL 288, 0.69%, 0.86%

LAB 83.24, 22.83, -19.35

 

CMYK 2 / 8 / 0 / 2

HEX #F6E5FA

RGB 246 229 250

HSL 288.57, 0.68%, 0.94%

LAB 92.81, 9.44, -8.08

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

CMYK 0 / 33 / 33 / 7

HEX #EE9F9F

RGB 238 159 159

HSL 0, 0.7%, 0.78%

LAB 73.2, 29.4, 12.09

 

CMYK 33 / 0 / 20 / 7

HEX #9FEEBF

RGB 159 238 191

HSL 144.3, 0.7%, 0.78%

LAB 88.1, -33.9, 15.17

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

CMYK 0 / 7 / 33 / 7

HEX #EEDE9F

RGB 238 222 159

HSL 47.85, 0.7%, 0.78%

LAB 88.41, -3.65, 32.93

 

CMYK 33 / 0 / 7 / 7

HEX #9FEEDE

RGB 159 238 222

HSL 167.85, 0.7%, 0.78%

LAB 88.82, -27.59, 0.04

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

CMYK 0 / 33 / 33 / 7

HEX #EE9F9F

RGB 238 159 159

HSL 0, 0.7%, 0.78%

LAB 73.2, 29.4, 12.09

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 33 / 0 / 0 / 7

HEX #9FEEEE

RGB 159 238 238

HSL 180, 0.7%, 0.78%

LAB 89.25, -24.02, -7.7

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FEE

RGB 223 159 238

HSL 288.61, 0.7%, 0.78%

LAB 73.97, 36.93, -30.34

 

CMYK 0 / 23 / 33 / 7

HEX #EEB79F

RGB 238 183 159

HSL 18.23, 0.7%, 0.78%

LAB 78.78, 16.66, 19.88

 

CMYK 26 / 0 / 33 / 7

HEX #AFEE9F

RGB 175 238 159

HSL 107.85, 0.7%, 0.78%

LAB 88.34, -34.3, 32.06

 

CMYK 33 / 10 / 0 / 7

HEX #9FD6EE

RGB 159 214 238

HSL 198.23, 0.7%, 0.78%

LAB 82.72, -11.97, -17.46

 

Description

Color code: HEX #DF9FEE | qconv.com Color code: HEX #DF9FEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 159 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 159 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 33 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 33% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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