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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9F7F it is the complementary color #206080. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9F7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9F7F shade: #E49F7A, #F5B18D, #FFC3A0, #FFD5B3 and #FFE7C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9F7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9F7F shade: #DF9F7F, #CE8D6C, #BD7B59, #AC6946 and #9B5733

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9F7F shade: #DFA081, #DF8781 and #DF8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9F7F shade: #DFA081, #DFBA81, #DFD381, #D2DF81 and #B8DF81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9F7F shade matches the following richer shades: #DFA081, #EC9C74 and #F99867

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9F7F shade: #DFA081, #D3A48D, #C6A99A, #B9ADA7 and #ACB1B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9F7F shade: #DF8193, #DF8781, #DFA081, #DFB981 and #DFD381

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9F7F shade: #CF6F3F, #D78760, #DFA081, #E8B9A2 and #F0D2C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9F7F shade: #DF9F7F, #ADDF81 and #8187DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9F7F shade: #DF9F7F, #81DFA0 and #A081DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9F7F shade: #DF9F7F, #ADDF81, #81C0DF and #B381DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9F7F shade: #DF9F7F, #90DF81, #81C0DF and #D081DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 43 / 13

HEX #DF9F7F

RGB 223 159 127

HSL 20, 0.6%, 0.69%

LAB 70.88, 19.94, 26.15

 

Complementary color

CMYK 75 / 25 / 0 / 50

HEX #206080

RGB 32 96 128

HSL 200, 0.6%, 0.31%

LAB 38.25, -8.74, -23.71

 

CMYK 0 / 30 / 46 / 11

HEX #E49F7A

RGB 228 159 122

HSL 20.94, 0.66%, 0.69%

LAB 71.35, 21.41, 29.57

 

CMYK 0 / 28 / 42 / 4

HEX #F5B18D

RGB 245 177 141

HSL 20.77, 0.84%, 0.76%

LAB 77.74, 20.48, 28.22

 

CMYK 0 / 24 / 37 / 0

HEX #FFC3A0

RGB 255 195 160

HSL 22.11, 1%, 0.81%

LAB 83.35, 16.97, 25.88

 

CMYK 0 / 16 / 30 / 0

HEX #FFD5B3

RGB 255 213 179

HSL 26.84, 1%, 0.85%

LAB 88.02, 9.9, 22.3

 

CMYK 0 / 9 / 22 / 0

HEX #FFE7C6

RGB 255 231 198

HSL 34.74, 1%, 0.89%

LAB 92.79, 3.18, 19.05

 

CMYK 0 / 29 / 43 / 13

HEX #DF9F7F

RGB 223 159 127

HSL 20, 0.6%, 0.69%

LAB 70.88, 19.94, 26.15

 

CMYK 0 / 32 / 48 / 19

HEX #CE8D6C

RGB 206 141 108

HSL 20.2, 0.5%, 0.62%

LAB 64.37, 20.92, 27.55

 

CMYK 0 / 35 / 53 / 26

HEX #BD7B59

RGB 189 123 89

HSL 20.4, 0.43%, 0.55%

LAB 57.76, 22.03, 29.09

 

CMYK 0 / 39 / 59 / 33

HEX #AC6946

RGB 172 105 70

HSL 20.59, 0.42%, 0.47%

LAB 51.05, 23.32, 30.81

 

CMYK 0 / 44 / 67 / 39

HEX #9B5733

RGB 155 87 51

HSL 20.77, 0.5%, 0.4%

LAB 44.27, 24.8, 32.7

 

CMYK 0 / 28 / 42 / 13

HEX #DFA081

RGB 223 160 129

HSL 19.79, 0.59%, 0.69%

LAB 71.16, 19.62, 25.43

 

CMYK 0 / 39 / 42 / 13

HEX #DF8781

RGB 223 135 129

HSL 3.83, 0.59%, 0.69%

LAB 65.44, 32.99, 17.65

 

CMYK 0 / 42 / 42 / 13

HEX #DF8181

RGB 223 129 129

HSL 0, 0.59%, 0.69%

LAB 64.14, 36.15, 15.86

 

CMYK 0 / 28 / 42 / 13

HEX #DFA081

RGB 223 160 129

HSL 19.79, 0.59%, 0.69%

LAB 71.16, 19.62, 25.43

 

CMYK 0 / 17 / 42 / 13

HEX #DFBA81

RGB 223 186 129

HSL 36.38, 0.59%, 0.69%

LAB 77.51, 5.74, 33.83

 

CMYK 0 / 5 / 42 / 13

HEX #DFD381

RGB 223 211 129

HSL 52.34, 0.59%, 0.69%

LAB 83.89, -7.24, 42.01

 

CMYK 6 / 0 / 42 / 13

HEX #D2DF81

RGB 210 223 129

HSL 68.3, 0.59%, 0.69%

LAB 86.04, -18.35, 44.49

 

CMYK 17 / 0 / 42 / 13

HEX #B8DF81

RGB 184 223 129

HSL 84.89, 0.59%, 0.69%

LAB 84.25, -28.18, 41.86

 

CMYK 0 / 28 / 42 / 13

HEX #DFA081

RGB 223 160 129

HSL 19.79, 0.59%, 0.69%

LAB 71.16, 19.62, 25.43

 

CMYK 0 / 34 / 51 / 7

HEX #EC9C74

RGB 236 156 116

HSL 20, 0.76%, 0.69%

LAB 71.47, 25.62, 33.12

 

CMYK 0 / 39 / 59 / 2

HEX #F99867

RGB 249 152 103

HSL 20.14, 0.92%, 0.69%

LAB 71.94, 31.81, 40.93

 

CMYK 0 / 28 / 42 / 13

HEX #DFA081

RGB 223 160 129

HSL 19.79, 0.59%, 0.69%

LAB 71.16, 19.62, 25.43

 

CMYK 0 / 22 / 33 / 17

HEX #D3A48D

RGB 211 164 141

HSL 19.71, 0.44%, 0.69%

LAB 71.09, 14.14, 18.59

 

CMYK 0 / 15 / 22 / 22

HEX #C6A99A

RGB 198 169 154

HSL 20.45, 0.28%, 0.69%

LAB 71.36, 8.2, 11.65

 

CMYK 0 / 6 / 10 / 27

HEX #B9ADA7

RGB 185 173 167

HSL 20, 0.11%, 0.69%

LAB 71.55, 3.25, 4.61

 

CMYK 4 / 2 / 0 / 29

HEX #ACB1B4

RGB 172 177 180

HSL 202.5, 0.05%, 0.69%

LAB 71.9, -1.17, -2.15

 

CMYK 0 / 42 / 34 / 13

HEX #DF8193

RGB 223 129 147

HSL 348.51, 0.59%, 0.69%

LAB 64.56, 38.22, 6.24

 

CMYK 0 / 39 / 42 / 13

HEX #DF8781

RGB 223 135 129

HSL 3.83, 0.59%, 0.69%

LAB 65.44, 32.99, 17.65

 

CMYK 0 / 28 / 42 / 13

HEX #DFA081

RGB 223 160 129

HSL 19.79, 0.59%, 0.69%

LAB 71.16, 19.62, 25.43

 

CMYK 0 / 17 / 42 / 13

HEX #DFB981

RGB 223 185 129

HSL 35.74, 0.59%, 0.69%

LAB 77.26, 6.27, 33.51

 

CMYK 0 / 5 / 42 / 13

HEX #DFD381

RGB 223 211 129

HSL 52.34, 0.59%, 0.69%

LAB 83.89, -7.24, 42.01

 

CMYK 0 / 46 / 70 / 19

HEX #CF6F3F

RGB 207 111 63

HSL 20, 0.6%, 0.53%

LAB 57.07, 34.02, 42.83

 

CMYK 0 / 37 / 55 / 16

HEX #D78760

RGB 215 135 96

HSL 19.66, 0.6%, 0.61%

LAB 63.85, 26.72, 33.66

 

CMYK 0 / 28 / 42 / 13

HEX #DFA081

RGB 223 160 129

HSL 19.79, 0.59%, 0.69%

LAB 71.16, 19.62, 25.43

 

CMYK 0 / 20 / 30 / 9

HEX #E8B9A2

RGB 232 185 162

HSL 19.71, 0.6%, 0.77%

LAB 78.73, 13.69, 18.11

 

CMYK 0 / 13 / 19 / 6

HEX #F0D2C3

RGB 240 210 195

HSL 20, 0.6%, 0.85%

LAB 86.28, 8.12, 11.27

 

CMYK 0 / 29 / 43 / 13

HEX #DF9F7F

RGB 223 159 127

HSL 20, 0.6%, 0.69%

LAB 70.88, 19.94, 26.15

 

CMYK 22 / 0 / 42 / 13

HEX #ADDF81

RGB 173 223 129

HSL 91.91, 0.59%, 0.69%

LAB 83.57, -32.17, 40.86

 

CMYK 42 / 39 / 0 / 13

HEX #8187DF

RGB 129 135 223

HSL 236.17, 0.59%, 0.69%

LAB 59.27, 19.86, -45.63

 

CMYK 0 / 29 / 43 / 13

HEX #DF9F7F

RGB 223 159 127

HSL 20, 0.6%, 0.69%

LAB 70.88, 19.94, 26.15

 

CMYK 42 / 0 / 28 / 13

HEX #81DFA0

RGB 129 223 160

HSL 139.79, 0.59%, 0.69%

LAB 81.83, -41.48, 22.35

 

CMYK 28 / 42 / 0 / 13

HEX #A081DF

RGB 160 129 223

HSL 259.79, 0.59%, 0.69%

LAB 60.34, 31.59, -43.77

 

CMYK 0 / 29 / 43 / 13

HEX #DF9F7F

RGB 223 159 127

HSL 20, 0.6%, 0.69%

LAB 70.88, 19.94, 26.15

 

CMYK 22 / 0 / 42 / 13

HEX #ADDF81

RGB 173 223 129

HSL 91.91, 0.59%, 0.69%

LAB 83.57, -32.17, 40.86

 

CMYK 42 / 14 / 0 / 13

HEX #81C0DF

RGB 129 192 223

HSL 199.79, 0.59%, 0.69%

LAB 74.63, -12.18, -21.81

 

CMYK 20 / 42 / 0 / 13

HEX #B381DF

RGB 179 129 223

HSL 271.91, 0.59%, 0.69%

LAB 62.18, 36.97, -40.75

 

CMYK 0 / 29 / 43 / 13

HEX #DF9F7F

RGB 223 159 127

HSL 20, 0.6%, 0.69%

LAB 70.88, 19.94, 26.15

 

CMYK 35 / 0 / 42 / 13

HEX #90DF81

RGB 144 223 129

HSL 110.43, 0.59%, 0.69%

LAB 82, -42, 38.53

 

CMYK 42 / 14 / 0 / 13

HEX #81C0DF

RGB 129 192 223

HSL 199.79, 0.59%, 0.69%

LAB 74.63, -12.18, -21.81

 

CMYK 7 / 42 / 0 / 13

HEX #D081DF

RGB 208 129 223

HSL 290.43, 0.59%, 0.69%

LAB 65.31, 45.43, -35.63

 

Description

Color code: HEX #DF9F7F | qconv.com Color code: HEX #DF9F7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 159 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 159 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 43% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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