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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9F06 it is the complementary color #2060F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9F06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9F06 shade: #E49F01, #F5B114, #FFC327, #FFD53A and #FFE74D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9F06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9F06 shade: #DF9F06, #CE8D00, #BD7B00, #AC6900 and #9B5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9F06 shade: #DF9F05, #DF6405, #DF2905 and #DF0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9F06 shade: #DF9F05, #DFDA05, #AADF05, #6FDF05 and #34DF05

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9F06 shade matches the following richer shades: #DF9F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9F06 shade: #DF9F05, #CD9718, #BA902A, #A8883D and #958050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9F06 shade: #DF2A05, #DF6405, #DF9E05, #DFD805 and #ACDF05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9F06 shade: #8F6603, #B78204, #DF9F05, #F9B515 and #FAC23D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9F06 shade: #DF9F06, #1BDF05 and #4705DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9F06 shade: #DF9F06, #05DF9E and #9E05DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9F06 shade: #DF9F06, #1BDF05, #0547DF and #C905DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9F06 shade: #DF9F06, #05DF31, #0547DF and #DF05B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 97 / 13

HEX #DF9F06

RGB 223 159 6

HSL 42.3, 0.95%, 0.45%

LAB 69.82, 13.5, 73.02

 

Complementary color

CMYK 87 / 61 / 0 / 2

HEX #2060F9

RGB 32 96 249

HSL 222.3, 0.95%, 0.55%

LAB 46.33, 37.77, -81.25

 

CMYK 0 / 30 / 100 / 11

HEX #E49F01

RGB 228 159 1

HSL 41.76, 0.99%, 0.45%

LAB 70.38, 15.62, 74.29

 

CMYK 0 / 28 / 92 / 4

HEX #F5B114

RGB 245 177 20

HSL 41.87, 0.92%, 0.52%

LAB 76.62, 13.61, 77.1

 

CMYK 0 / 24 / 85 / 0

HEX #FFC327

RGB 255 195 39

HSL 43.33, 1%, 0.58%

LAB 82.07, 8.84, 77.78

 

CMYK 0 / 16 / 77 / 0

HEX #FFD53A

RGB 255 213 58

HSL 47.21, 1%, 0.61%

LAB 86.58, 0.16, 76.2

 

CMYK 0 / 9 / 70 / 0

HEX #FFE74D

RGB 255 231 77

HSL 51.91, 1%, 0.65%

LAB 91.21, -8.11, 74.05

 

CMYK 0 / 29 / 97 / 13

HEX #DF9F06

RGB 223 159 6

HSL 42.3, 0.95%, 0.45%

LAB 69.82, 13.5, 73.02

 

CMYK 0 / 32 / 100 / 19

HEX #CE8D00

RGB 206 141 0

HSL 41.07, 1%, 0.4%

LAB 63.48, 15.7, 68.59

 

CMYK 0 / 35 / 100 / 26

HEX #BD7B00

RGB 189 123 0

HSL 39.05, 1%, 0.37%

LAB 57.06, 18.05, 63.34

 

CMYK 0 / 39 / 100 / 33

HEX #AC6900

RGB 172 105 0

HSL 36.63, 1%, 0.34%

LAB 50.54, 20.49, 58.03

 

CMYK 0 / 44 / 100 / 39

HEX #9B5700

RGB 155 87 0

HSL 33.68, 1%, 0.3%

LAB 43.92, 23.01, 52.66

 

CMYK 0 / 29 / 98 / 13

HEX #DF9F05

RGB 223 159 5

HSL 42.39, 0.96%, 0.45%

LAB 69.82, 13.49, 73.14

 

CMYK 0 / 55 / 98 / 13

HEX #DF6405

RGB 223 100 5

HSL 26.15, 0.96%, 0.45%

LAB 56.89, 44.24, 64.69

 

CMYK 0 / 82 / 98 / 13

HEX #DF2905

RGB 223 41 5

HSL 9.91, 0.96%, 0.45%

LAB 48.62, 66.58, 60.15

 

CMYK 0 / 98 / 98 / 13

HEX #DF0505

RGB 223 5 5

HSL 0, 0.96%, 0.45%

LAB 46.72, 72.01, 59.29

 

CMYK 0 / 29 / 98 / 13

HEX #DF9F05

RGB 223 159 5

HSL 42.39, 0.96%, 0.45%

LAB 69.82, 13.49, 73.14

 

CMYK 0 / 2 / 98 / 13

HEX #DFDA05

RGB 223 218 5

HSL 58.62, 0.96%, 0.45%

LAB 84.92, -16.99, 83.98

 

CMYK 24 / 0 / 98 / 13

HEX #AADF05

RGB 170 223 5

HSL 74.59, 0.96%, 0.45%

LAB 82.56, -41, 80.55

 

CMYK 50 / 0 / 98 / 13

HEX #6FDF05

RGB 111 223 5

HSL 90.83, 0.96%, 0.45%

LAB 79.71, -61.22, 77.1

 

CMYK 77 / 0 / 98 / 13

HEX #34DF05

RGB 52 223 5

HSL 107.06, 0.96%, 0.45%

LAB 78.18, -73.92, 75.24

 

CMYK 0 / 29 / 98 / 13

HEX #DF9F05

RGB 223 159 5

HSL 42.39, 0.96%, 0.45%

LAB 69.82, 13.49, 73.14

 

CMYK 0 / 29 / 98 / 13

HEX #DF9F05

RGB 223 159 5

HSL 42.39, 0.96%, 0.45%

LAB 69.82, 13.49, 73.14

 

CMYK 0 / 26 / 88 / 20

HEX #CD9718

RGB 205 151 24

HSL 42.1, 0.79%, 0.45%

LAB 65.89, 10.16, 66.21

 

CMYK 0 / 23 / 77 / 27

HEX #BA902A

RGB 186 144 42

HSL 42.5, 0.63%, 0.45%

LAB 62.13, 6.08, 56.65

 

CMYK 0 / 19 / 64 / 34

HEX #A8883D

RGB 168 136 61

HSL 42.06, 0.47%, 0.45%

LAB 58.29, 3.49, 43.89

 

CMYK 0 / 14 / 46 / 42

HEX #958050

RGB 149 128 80

HSL 41.74, 0.3%, 0.45%

LAB 54.46, 1.25, 28.96

 

CMYK 0 / 81 / 98 / 13

HEX #DF2A05

RGB 223 42 5

HSL 10.18, 0.96%, 0.45%

LAB 48.7, 66.33, 60.19

 

CMYK 0 / 55 / 98 / 13

HEX #DF6405

RGB 223 100 5

HSL 26.15, 0.96%, 0.45%

LAB 56.89, 44.24, 64.69

 

CMYK 0 / 29 / 98 / 13

HEX #DF9E05

RGB 223 158 5

HSL 42.11, 0.96%, 0.45%

LAB 69.58, 14.03, 72.98

 

CMYK 0 / 3 / 98 / 13

HEX #DFD805

RGB 223 216 5

HSL 58.07, 0.96%, 0.45%

LAB 84.39, -16.01, 83.59

 

CMYK 23 / 0 / 98 / 13

HEX #ACDF05

RGB 172 223 5

HSL 74.04, 0.96%, 0.45%

LAB 82.68, -40.23, 80.7

 

CMYK 0 / 29 / 98 / 44

HEX #8F6603

RGB 143 102 3

HSL 42.43, 0.96%, 0.29%

LAB 46.11, 8.92, 52.61

 

CMYK 0 / 29 / 98 / 28

HEX #B78204

RGB 183 130 4

HSL 42.23, 0.96%, 0.37%

LAB 58.08, 11.54, 62.99

 

CMYK 0 / 29 / 98 / 13

HEX #DF9F05

RGB 223 159 5

HSL 42.39, 0.96%, 0.45%

LAB 69.82, 13.49, 73.14

 

CMYK 0 / 27 / 92 / 2

HEX #F9B515

RGB 249 181 21

HSL 42.11, 0.95%, 0.53%

LAB 78.02, 13.23, 78.16

 

CMYK 0 / 22 / 76 / 2

HEX #FAC23D

RGB 250 194 61

HSL 42.22, 0.95%, 0.61%

LAB 81.43, 7.92, 70.23

 

CMYK 0 / 29 / 97 / 13

HEX #DF9F06

RGB 223 159 6

HSL 42.3, 0.95%, 0.45%

LAB 69.82, 13.5, 73.02

 

CMYK 88 / 0 / 98 / 13

HEX #1BDF05

RGB 27 223 5

HSL 113.94, 0.96%, 0.45%

LAB 77.89, -76.54, 74.88

 

CMYK 68 / 98 / 0 / 13

HEX #4705DF

RGB 71 5 223

HSL 258.17, 0.96%, 0.45%

LAB 31.29, 72.08, -91.31

 

CMYK 0 / 29 / 97 / 13

HEX #DF9F06

RGB 223 159 6

HSL 42.3, 0.95%, 0.45%

LAB 69.82, 13.5, 73.02

 

CMYK 98 / 0 / 29 / 13

HEX #05DF9E

RGB 5 223 158

HSL 162.11, 0.96%, 0.45%

LAB 79.2, -60.27, 19.37

 

CMYK 29 / 98 / 0 / 13

HEX #9E05DF

RGB 158 5 223

HSL 282.11, 0.96%, 0.45%

LAB 42.32, 79.23, -72.74

 

CMYK 0 / 29 / 97 / 13

HEX #DF9F06

RGB 223 159 6

HSL 42.3, 0.95%, 0.45%

LAB 69.82, 13.5, 73.02

 

CMYK 88 / 0 / 98 / 13

HEX #1BDF05

RGB 27 223 5

HSL 113.94, 0.96%, 0.45%

LAB 77.89, -76.54, 74.88

 

CMYK 98 / 68 / 0 / 13

HEX #0547DF

RGB 5 71 223

HSL 221.83, 0.96%, 0.45%

LAB 37.6, 42.92, -80.93

 

CMYK 10 / 98 / 0 / 13

HEX #C905DF

RGB 201 5 223

HSL 293.94, 0.96%, 0.45%

LAB 49.32, 85.05, -61.05

 

CMYK 0 / 29 / 97 / 13

HEX #DF9F06

RGB 223 159 6

HSL 42.3, 0.95%, 0.45%

LAB 69.82, 13.5, 73.02

 

CMYK 98 / 0 / 78 / 13

HEX #05DF31

RGB 5 223 49

HSL 132.11, 0.96%, 0.45%

LAB 77.89, -76.01, 66.75

 

CMYK 98 / 68 / 0 / 13

HEX #0547DF

RGB 5 71 223

HSL 221.83, 0.96%, 0.45%

LAB 37.6, 42.92, -80.93

 

CMYK 0 / 98 / 19 / 13

HEX #DF05B4

RGB 223 5 180

HSL 311.83, 0.96%, 0.45%

LAB 50.79, 82.76, -33.62

 

Description

Color code: HEX #DF9F06 | qconv.com Color code: HEX #DF9F06 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 159 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 159 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 97 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 97% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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