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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9DA9 it is the complementary color #206256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9DA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9DA9 shade: #E49DA4, #F5AFB7, #FFC1CA, #FFD3DD and #FFE5F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9DA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9DA9 shade: #DF9DA9, #CE8B96, #BD7983, #AC6770 and #9B555D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9DA9 shade: #E09FAB and #E09F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9DA9 shade: #E09FAB, #E09FBC, #E09FCE, #E09FDF and #CF9FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9DA9 shade matches the following richer shades: #E09FAB, #EA94A4, #F48A9D and #FF8097

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9DA9 shade: #E09FAB, #D5A9B1, #CBB3B8, #C1BEBE and #B7C8C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9DA9 shade: #E09FCD, #E09FBC, #E09FAB, #E0A49F and #E0B59F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9DA9 shade: #CC6074, #D6808F, #E09FAB, #EABEC6 and #F4DDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9DA9 shade: #DF9DA9, #DFE09F and #9FC5E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9DA9 shade: #DF9DA9, #ABE09F and #9FABE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9DA9 shade: #DF9DA9, #DFE09F, #9FE0D4 and #A09FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9DA9 shade: #DF9DA9, #CBE09F, #9FE0D4 and #B39FE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 24 / 13

HEX #DF9DA9

RGB 223 157 169

HSL 349.09, 0.51%, 0.75%

LAB 71.33, 26.27, 3.66

 

Complementary color

CMYK 67 / 0 / 12 / 62

HEX #206256

RGB 32 98 86

HSL 169.09, 0.51%, 0.25%

LAB 37.32, -23.89, 0.72

 

CMYK 0 / 31 / 28 / 11

HEX #E49DA4

RGB 228 157 164

HSL 354.08, 0.57%, 0.75%

LAB 71.75, 27.41, 7.1

 

CMYK 0 / 29 / 25 / 4

HEX #F5AFB7

RGB 245 175 183

HSL 353.14, 0.78%, 0.82%

LAB 78.16, 26.66, 6.14

 

CMYK 0 / 24 / 21 / 0

HEX #FFC1CA

RGB 255 193 202

HSL 351.29, 1%, 0.88%

LAB 83.79, 23.48, 4.15

 

CMYK 0 / 17 / 13 / 0

HEX #FFD3DD

RGB 255 211 221

HSL 346.36, 1%, 0.91%

LAB 88.48, 16.94, 0.86

 

CMYK 0 / 10 / 6 / 0

HEX #FFE5F0

RGB 255 229 240

HSL 334.62, 1%, 0.95%

LAB 93.27, 10.7, -2.1

 

CMYK 0 / 30 / 24 / 13

HEX #DF9DA9

RGB 223 157 169

HSL 349.09, 0.51%, 0.75%

LAB 71.33, 26.27, 3.66

 

CMYK 0 / 33 / 27 / 19

HEX #CE8B96

RGB 206 139 150

HSL 350.15, 0.41%, 0.68%

LAB 64.79, 27.04, 4.61

 

CMYK 0 / 36 / 31 / 26

HEX #BD7983

RGB 189 121 131

HSL 351.18, 0.34%, 0.61%

LAB 58.16, 27.88, 5.67

 

CMYK 0 / 40 / 35 / 33

HEX #AC6770

RGB 172 103 112

HSL 352.17, 0.29%, 0.54%

LAB 51.43, 28.81, 6.87

 

CMYK 0 / 45 / 40 / 39

HEX #9B555D

RGB 155 85 93

HSL 353.14, 0.29%, 0.47%

LAB 44.6, 29.83, 8.27

 

CMYK 0 / 29 / 24 / 12

HEX #E09FAB

RGB 224 159 171

HSL 348.92, 0.51%, 0.75%

LAB 71.95, 25.85, 3.46

 

CMYK 0 / 29 / 29 / 12

HEX #E09F9F

RGB 224 159 159

HSL 0, 0.51%, 0.75%

LAB 71.65, 24.18, 9.67

 

CMYK 0 / 29 / 24 / 12

HEX #E09FAB

RGB 224 159 171

HSL 348.92, 0.51%, 0.75%

LAB 71.95, 25.85, 3.46

 

CMYK 0 / 29 / 16 / 12

HEX #E09FBC

RGB 224 159 188

HSL 333.23, 0.51%, 0.75%

LAB 72.41, 28.42, -5.26

 

CMYK 0 / 29 / 8 / 12

HEX #E09FCE

RGB 224 159 206

HSL 316.62, 0.51%, 0.75%

LAB 72.96, 31.39, -14.37

 

CMYK 0 / 29 / 0 / 12

HEX #E09FDF

RGB 224 159 223

HSL 300.92, 0.51%, 0.75%

LAB 73.53, 34.41, -22.83

 

CMYK 8 / 29 / 0 / 12

HEX #CF9FE0

RGB 207 159 224

HSL 284.31, 0.51%, 0.75%

LAB 71.85, 29.16, -26.08

 

CMYK 0 / 29 / 24 / 12

HEX #E09FAB

RGB 224 159 171

HSL 348.92, 0.51%, 0.75%

LAB 71.95, 25.85, 3.46

 

CMYK 0 / 37 / 30 / 8

HEX #EA94A4

RGB 234 148 164

HSL 348.84, 0.67%, 0.75%

LAB 70.42, 34.38, 5.28

 

CMYK 0 / 43 / 36 / 4

HEX #F48A9D

RGB 244 138 157

HSL 349.25, 0.83%, 0.75%

LAB 69.36, 42.27, 7.83

 

CMYK 0 / 50 / 41 / 0

HEX #FF8097

RGB 255 128 151

HSL 349.13, 1%, 0.75%

LAB 68.7, 50.41, 10.46

 

CMYK 0 / 29 / 24 / 12

HEX #E09FAB

RGB 224 159 171

HSL 348.92, 0.51%, 0.75%

LAB 71.95, 25.85, 3.46

 

CMYK 0 / 21 / 17 / 16

HEX #D5A9B1

RGB 213 169 177

HSL 349.09, 0.34%, 0.75%

LAB 73.35, 17.33, 2.04

 

CMYK 0 / 12 / 9 / 20

HEX #CBB3B8

RGB 203 179 184

HSL 347.5, 0.19%, 0.75%

LAB 75.07, 9.44, 0.61

 

CMYK 0 / 2 / 2 / 24

HEX #C1BEBE

RGB 193 190 190

HSL 0, 0.02%, 0.75%

LAB 77.21, 1.05, 0.36

 

CMYK 9 / 0 / 1 / 22

HEX #B7C8C5

RGB 183 200 197

HSL 169.41, 0.13%, 0.75%

LAB 79.28, -6.34, -0.49

 

CMYK 0 / 29 / 8 / 12

HEX #E09FCD

RGB 224 159 205

HSL 317.54, 0.51%, 0.75%

LAB 72.93, 31.22, -13.86

 

CMYK 0 / 29 / 16 / 12

HEX #E09FBC

RGB 224 159 188

HSL 333.23, 0.51%, 0.75%

LAB 72.41, 28.42, -5.26

 

CMYK 0 / 29 / 24 / 12

HEX #E09FAB

RGB 224 159 171

HSL 348.92, 0.51%, 0.75%

LAB 71.95, 25.85, 3.46

 

CMYK 0 / 27 / 29 / 12

HEX #E0A49F

RGB 224 164 159

HSL 4.62, 0.51%, 0.75%

LAB 72.83, 21.49, 11.34

 

CMYK 0 / 19 / 29 / 12

HEX #E0B59F

RGB 224 181 159

HSL 20.31, 0.51%, 0.75%

LAB 76.92, 12.38, 17.09

 

CMYK 0 / 53 / 43 / 20

HEX #CC6074

RGB 204 96 116

HSL 348.89, 0.51%, 0.59%

LAB 54.52, 44.74, 9.5

 

CMYK 0 / 40 / 33 / 16

HEX #D6808F

RGB 214 128 143

HSL 349.53, 0.51%, 0.67%

LAB 63.11, 34.98, 6.28

 

CMYK 0 / 29 / 24 / 12

HEX #E09FAB

RGB 224 159 171

HSL 348.92, 0.51%, 0.75%

LAB 71.95, 25.85, 3.46

 

CMYK 0 / 19 / 15 / 8

HEX #EABEC6

RGB 234 190 198

HSL 349.09, 0.51%, 0.83%

LAB 80.96, 16.96, 1.93

 

CMYK 0 / 9 / 8 / 4

HEX #F4DDE1

RGB 244 221 225

HSL 349.57, 0.51%, 0.91%

LAB 90.04, 8.56, 0.91

 

CMYK 0 / 30 / 24 / 13

HEX #DF9DA9

RGB 223 157 169

HSL 349.09, 0.51%, 0.75%

LAB 71.33, 26.27, 3.66

 

CMYK 0 / 0 / 29 / 12

HEX #DFE09F

RGB 223 224 159

HSL 60.92, 0.51%, 0.75%

LAB 87.73, -10.36, 31.81

 

CMYK 29 / 12 / 0 / 12

HEX #9FC5E0

RGB 159 197 224

HSL 204.92, 0.51%, 0.75%

LAB 77.69, -6.44, -17.56

 

CMYK 0 / 30 / 24 / 13

HEX #DF9DA9

RGB 223 157 169

HSL 349.09, 0.51%, 0.75%

LAB 71.33, 26.27, 3.66

 

CMYK 24 / 0 / 29 / 12

HEX #ABE09F

RGB 171 224 159

HSL 108.92, 0.51%, 0.75%

LAB 84.21, -29.1, 26.47

 

CMYK 29 / 24 / 0 / 12

HEX #9FABE0

RGB 159 171 224

HSL 228.92, 0.51%, 0.75%

LAB 70.79, 7.71, -28.07

 

CMYK 0 / 30 / 24 / 13

HEX #DF9DA9

RGB 223 157 169

HSL 349.09, 0.51%, 0.75%

LAB 71.33, 26.27, 3.66

 

CMYK 0 / 0 / 29 / 12

HEX #DFE09F

RGB 223 224 159

HSL 60.92, 0.51%, 0.75%

LAB 87.73, -10.36, 31.81

 

CMYK 29 / 0 / 5 / 12

HEX #9FE0D4

RGB 159 224 212

HSL 168.92, 0.51%, 0.75%

LAB 84.71, -22.96, -0.72

 

CMYK 29 / 29 / 0 / 12

HEX #A09FE0

RGB 160 159 224

HSL 240.92, 0.51%, 0.75%

LAB 67.76, 14.74, -32.73

 

CMYK 0 / 30 / 24 / 13

HEX #DF9DA9

RGB 223 157 169

HSL 349.09, 0.51%, 0.75%

LAB 71.33, 26.27, 3.66

 

CMYK 9 / 0 / 29 / 12

HEX #CBE09F

RGB 203 224 159

HSL 79.38, 0.51%, 0.75%

LAB 86.26, -17.8, 29.59

 

CMYK 29 / 0 / 5 / 12

HEX #9FE0D4

RGB 159 224 212

HSL 168.92, 0.51%, 0.75%

LAB 84.71, -22.96, -0.72

 

CMYK 20 / 29 / 0 / 12

HEX #B39FE0

RGB 179 159 224

HSL 258.46, 0.51%, 0.75%

LAB 69.3, 20.41, -30.23

 

Description

Color code: HEX #DF9DA9 | qconv.com Color code: HEX #DF9DA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 157 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 157 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 24 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 24% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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