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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9D86 it is the complementary color #206279. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9D86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9D86 shade: #E49D81, #F5AF94, #FFC1A7, #FFD3BA and #FFE5CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9D86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9D86 shade: #DF9D86, #CE8B73, #BD7960, #AC674D and #9B553A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9D86 shade: #DF9D86 and #DF8686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9D86 shade: #DF9D86, #DFB586, #DFCD86, #D9DF86 and #C1DF86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9D86 shade matches the following richer shades: #DF9D86, #EB977A and #F8916D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9D86 shade: #DF9D86, #D2A393, #C6A99F, #BAAFAB and #ADB5B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9D86 shade: #DF869F, #DF8688, #DF9C86, #DFB486 and #DFCC86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9D86 shade: #CE6845, #D68366, #DF9D86, #E8B7A7 and #F0D2C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9D86 shade: #DF9D86, #B7DF86 and #8693DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9D86 shade: #DF9D86, #86DF9C and #9C86DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9D86 shade: #DF9D86, #B7DF86, #86C9DF and #AE86DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9D86 shade: #DF9D86, #9CDF86, #86C9DF and #C986DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 40 / 13

HEX #DF9D86

RGB 223 157 134

HSL 15.51, 0.58%, 0.7%

LAB 70.54, 21.78, 21.87

 

Complementary color

CMYK 74 / 19 / 0 / 53

HEX #206279

RGB 32 98 121

HSL 195.51, 0.58%, 0.3%

LAB 38.59, -12.46, -18.91

 

CMYK 0 / 31 / 43 / 11

HEX #E49D81

RGB 228 157 129

HSL 16.97, 0.65%, 0.7%

LAB 71, 23.2, 25.32

 

CMYK 0 / 29 / 40 / 4

HEX #F5AF94

RGB 245 175 148

HSL 16.7, 0.83%, 0.77%

LAB 77.41, 22.29, 24.02

 

CMYK 0 / 24 / 35 / 0

HEX #FFC1A7

RGB 255 193 167

HSL 17.73, 1%, 0.83%

LAB 83.01, 18.83, 21.72

 

CMYK 0 / 17 / 27 / 0

HEX #FFD3BA

RGB 255 211 186

HSL 21.74, 1%, 0.86%

LAB 87.68, 11.84, 18.16

 

CMYK 0 / 10 / 20 / 0

HEX #FFE5CD

RGB 255 229 205

HSL 28.8, 1%, 0.9%

LAB 92.45, 5.2, 14.94

 

CMYK 0 / 30 / 40 / 13

HEX #DF9D86

RGB 223 157 134

HSL 15.51, 0.58%, 0.7%

LAB 70.54, 21.78, 21.87

 

CMYK 0 / 33 / 44 / 19

HEX #CE8B73

RGB 206 139 115

HSL 15.82, 0.48%, 0.63%

LAB 64.02, 22.72, 23.21

 

CMYK 0 / 36 / 49 / 26

HEX #BD7960

RGB 189 121 96

HSL 16.13, 0.41%, 0.56%

LAB 57.4, 23.79, 24.71

 

CMYK 0 / 40 / 55 / 33

HEX #AC674D

RGB 172 103 77

HSL 16.42, 0.38%, 0.49%

LAB 50.7, 25.01, 26.39

 

CMYK 0 / 45 / 63 / 39

HEX #9B553A

RGB 155 85 58

HSL 16.7, 0.46%, 0.42%

LAB 43.9, 26.41, 28.3

 

CMYK 0 / 30 / 40 / 13

HEX #DF9D86

RGB 223 157 134

HSL 15.51, 0.58%, 0.7%

LAB 70.54, 21.78, 21.87

 

CMYK 0 / 40 / 40 / 13

HEX #DF8686

RGB 223 134 134

HSL 0, 0.58%, 0.7%

LAB 65.33, 34.07, 14.68

 

CMYK 0 / 30 / 40 / 13

HEX #DF9D86

RGB 223 157 134

HSL 15.51, 0.58%, 0.7%

LAB 70.54, 21.78, 21.87

 

CMYK 0 / 19 / 40 / 13

HEX #DFB586

RGB 223 181 134

HSL 31.69, 0.58%, 0.7%

LAB 76.35, 8.93, 29.67

 

CMYK 0 / 8 / 40 / 13

HEX #DFCD86

RGB 223 205 134

HSL 47.87, 0.58%, 0.7%

LAB 82.42, -3.64, 37.6

 

CMYK 3 / 0 / 40 / 13

HEX #D9DF86

RGB 217 223 134

HSL 64.04, 0.58%, 0.7%

LAB 86.63, -15.1, 42.88

 

CMYK 13 / 0 / 40 / 13

HEX #C1DF86

RGB 193 223 134

HSL 80.22, 0.58%, 0.7%

LAB 84.91, -24.24, 40.35

 

CMYK 0 / 30 / 40 / 13

HEX #DF9D86

RGB 223 157 134

HSL 15.51, 0.58%, 0.7%

LAB 70.54, 21.78, 21.87

 

CMYK 0 / 36 / 48 / 8

HEX #EB977A

RGB 235 151 122

HSL 15.4, 0.74%, 0.7%

LAB 70.32, 28.43, 28.36

 

CMYK 0 / 42 / 56 / 3

HEX #F8916D

RGB 248 145 109

HSL 15.54, 0.91%, 0.7%

LAB 70.39, 35.49, 35.79

 

CMYK 0 / 30 / 40 / 13

HEX #DF9D86

RGB 223 157 134

HSL 15.51, 0.58%, 0.7%

LAB 70.54, 21.78, 21.87

 

CMYK 0 / 22 / 30 / 18

HEX #D2A393

RGB 210 163 147

HSL 15.24, 0.41%, 0.7%

LAB 70.87, 15.08, 14.97

 

CMYK 0 / 15 / 20 / 22

HEX #C6A99F

RGB 198 169 159

HSL 15.38, 0.25%, 0.7%

LAB 71.48, 8.96, 9.06

 

CMYK 0 / 6 / 8 / 27

HEX #BAAFAB

RGB 186 175 171

HSL 16, 0.1%, 0.7%

LAB 72.25, 3.22, 3.45

 

CMYK 6 / 2 / 0 / 28

HEX #ADB5B8

RGB 173 181 184

HSL 196.36, 0.07%, 0.7%

LAB 73.15, -2.2, -2.5

 

CMYK 0 / 40 / 29 / 13

HEX #DF869F

RGB 223 134 159

HSL 343.15, 0.58%, 0.7%

LAB 65.94, 37.14, 1.43

 

CMYK 0 / 40 / 39 / 13

HEX #DF8688

RGB 223 134 136

HSL 358.65, 0.58%, 0.7%

LAB 65.37, 34.29, 13.62

 

CMYK 0 / 30 / 40 / 13

HEX #DF9C86

RGB 223 156 134

HSL 14.83, 0.58%, 0.7%

LAB 70.31, 22.32, 21.55

 

CMYK 0 / 19 / 40 / 13

HEX #DFB486

RGB 223 180 134

HSL 31.01, 0.58%, 0.7%

LAB 76.1, 9.46, 29.34

 

CMYK 0 / 9 / 40 / 13

HEX #DFCC86

RGB 223 204 134

HSL 47.19, 0.58%, 0.7%

LAB 82.16, -3.12, 37.27

 

CMYK 0 / 50 / 67 / 19

HEX #CE6845

RGB 206 104 69

HSL 15.33, 0.58%, 0.54%

LAB 55.54, 37.59, 37.87

 

CMYK 0 / 39 / 52 / 16

HEX #D68366

RGB 214 131 102

HSL 15.54, 0.58%, 0.62%

LAB 62.92, 28.97, 29.15

 

CMYK 0 / 30 / 40 / 13

HEX #DF9D86

RGB 223 157 134

HSL 15.51, 0.58%, 0.7%

LAB 70.54, 21.78, 21.87

 

CMYK 0 / 21 / 28 / 9

HEX #E8B7A7

RGB 232 183 167

HSL 14.77, 0.59%, 0.78%

LAB 78.35, 15.42, 14.89

 

CMYK 0 / 13 / 17 / 6

HEX #F0D2C7

RGB 240 210 199

HSL 16.1, 0.58%, 0.86%

LAB 86.38, 8.73, 9.28

 

CMYK 0 / 30 / 40 / 13

HEX #DF9D86

RGB 223 157 134

HSL 15.51, 0.58%, 0.7%

LAB 70.54, 21.78, 21.87

 

CMYK 18 / 0 / 40 / 13

HEX #B7DF86

RGB 183 223 134

HSL 86.97, 0.58%, 0.7%

LAB 84.26, -27.93, 39.38

 

CMYK 40 / 34 / 0 / 13

HEX #8693DF

RGB 134 147 223

HSL 231.24, 0.58%, 0.7%

LAB 62.73, 14.13, -40.16

 

CMYK 0 / 30 / 40 / 13

HEX #DF9D86

RGB 223 157 134

HSL 15.51, 0.58%, 0.7%

LAB 70.54, 21.78, 21.87

 

CMYK 40 / 0 / 30 / 13

HEX #86DF9C

RGB 134 223 156

HSL 134.83, 0.58%, 0.7%

LAB 81.97, -40.79, 24.66

 

CMYK 30 / 40 / 0 / 13

HEX #9C86DF

RGB 156 134 223

HSL 254.83, 0.58%, 0.7%

LAB 61.17, 27.62, -42.48

 

CMYK 0 / 30 / 40 / 13

HEX #DF9D86

RGB 223 157 134

HSL 15.51, 0.58%, 0.7%

LAB 70.54, 21.78, 21.87

 

CMYK 18 / 0 / 40 / 13

HEX #B7DF86

RGB 183 223 134

HSL 86.97, 0.58%, 0.7%

LAB 84.26, -27.93, 39.38

 

CMYK 40 / 10 / 0 / 13

HEX #86C9DF

RGB 134 201 223

HSL 194.83, 0.58%, 0.7%

LAB 77.38, -15.61, -17.61

 

CMYK 22 / 40 / 0 / 13

HEX #AE86DF

RGB 174 134 223

HSL 266.97, 0.58%, 0.7%

LAB 62.82, 32.74, -39.78

 

CMYK 0 / 30 / 40 / 13

HEX #DF9D86

RGB 223 157 134

HSL 15.51, 0.58%, 0.7%

LAB 70.54, 21.78, 21.87

 

CMYK 30 / 0 / 40 / 13

HEX #9CDF86

RGB 156 223 134

HSL 105.17, 0.58%, 0.7%

LAB 82.68, -37.39, 37.03

 

CMYK 40 / 10 / 0 / 13

HEX #86C9DF

RGB 134 201 223

HSL 194.83, 0.58%, 0.7%

LAB 77.38, -15.61, -17.61

 

CMYK 10 / 40 / 0 / 13

HEX #C986DF

RGB 201 134 223

HSL 285.17, 0.58%, 0.7%

LAB 65.59, 40.69, -35.26

 

Description

Color code: HEX #DF9D86 | qconv.com Color code: HEX #DF9D86 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 157 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 157 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 40 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 40% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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