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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9CDA it is the complementary color #206325. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9CDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9CDA shade: #E49CD5, #F5AEE8, #FFC0FB, #FFD2FF and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9CDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9CDA shade: #DF9CDA, #CE8AC7, #BD78B4, #AC66A1 and #9B548E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9CDA shade: #DF9BD9, #DF9BC7, #DF9BB5, #DF9BA3 and #DF9B9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9CDA shade: #DF9BD9, #D19BDF, #BF9BDF, #AD9BDF and #9B9BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9CDA shade matches the following richer shades: #DF9BD9, #E990E3, #F485EC and #FF7BF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9CDA shade: #DF9BD9, #D4A6D0, #C9B0C7, #BEBBBE and #B4C6B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9CDA shade: #BF9BDF, #D19BDF, #DF9BDA, #DF9BC8 and #DF9BB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9CDA shade: #CA5DC2, #D47CCE, #DF9BD9, #E9BAE5 and #F3D9F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9CDA shade: #DF9CDA, #DFAD9B and #9BDFC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9CDA shade: #DF9CDA, #DADF9B and #9BDADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9CDA shade: #DF9CDA, #DFAD9B, #9BDF9F and #9BCCDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9CDA shade: #DF9CDA, #DFC19B, #9BDF9F and #9BB8DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 2 / 13

HEX #DF9CDA

RGB 223 156 218

HSL 304.48, 0.51%, 0.74%

LAB 72.58, 34.79, -21.54

 

Complementary color

CMYK 68 / 0 / 63 / 61

HEX #206325

RGB 32 99 37

HSL 124.48, 0.51%, 0.26%

LAB 36.68, -34.94, 28.63

 

CMYK 0 / 32 / 7 / 11

HEX #E49CD5

RGB 228 156 213

HSL 312.5, 0.57%, 0.75%

LAB 72.94, 35.53, -18.2

 

CMYK 0 / 29 / 5 / 4

HEX #F5AEE8

RGB 245 174 232

HSL 310.99, 0.78%, 0.82%

LAB 79.33, 34.85, -18.7

 

CMYK 0 / 25 / 2 / 0

HEX #FFC0FB

RGB 255 192 251

HSL 303.81, 1%, 0.88%

LAB 84.96, 31.96, -20.28

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 30 / 2 / 13

HEX #DF9CDA

RGB 223 156 218

HSL 304.48, 0.51%, 0.74%

LAB 72.58, 34.79, -21.54

 

CMYK 0 / 33 / 3 / 19

HEX #CE8AC7

RGB 206 138 199

HSL 306.18, 0.41%, 0.67%

LAB 66.08, 35.49, -21.09

 

CMYK 0 / 37 / 5 / 26

HEX #BD78B4

RGB 189 120 180

HSL 307.83, 0.34%, 0.61%

LAB 59.48, 36.23, -20.59

 

CMYK 0 / 41 / 6 / 33

HEX #AC66A1

RGB 172 102 161

HSL 309.43, 0.3%, 0.54%

LAB 52.78, 37, -20.03

 

CMYK 0 / 46 / 8 / 39

HEX #9B548E

RGB 155 84 142

HSL 310.99, 0.3%, 0.47%

LAB 45.99, 37.78, -19.39

 

CMYK 0 / 30 / 3 / 13

HEX #DF9BD9

RGB 223 155 217

HSL 305.29, 0.52%, 0.74%

LAB 72.32, 35.14, -21.38

 

CMYK 0 / 30 / 11 / 13

HEX #DF9BC7

RGB 223 155 199

HSL 321.18, 0.52%, 0.74%

LAB 71.73, 32.01, -12.36

 

CMYK 0 / 30 / 19 / 13

HEX #DF9BB5

RGB 223 155 181

HSL 337.06, 0.52%, 0.74%

LAB 71.19, 29.12, -3.2

 

CMYK 0 / 30 / 27 / 13

HEX #DF9BA3

RGB 223 155 163

HSL 352.94, 0.52%, 0.74%

LAB 70.72, 26.5, 6.1

 

CMYK 0 / 30 / 30 / 13

HEX #DF9B9B

RGB 223 155 155

HSL 0, 0.52%, 0.74%

LAB 70.52, 25.42, 10.26

 

CMYK 0 / 30 / 3 / 13

HEX #DF9BD9

RGB 223 155 217

HSL 305.29, 0.52%, 0.74%

LAB 72.32, 35.14, -21.38

 

CMYK 6 / 30 / 0 / 13

HEX #D19BDF

RGB 209 155 223

HSL 287.65, 0.52%, 0.74%

LAB 71.09, 31.78, -26.68

 

CMYK 14 / 30 / 0 / 13

HEX #BF9BDF

RGB 191 155 223

HSL 271.76, 0.52%, 0.74%

LAB 69.36, 26.12, -29.5

 

CMYK 22 / 30 / 0 / 13

HEX #AD9BDF

RGB 173 155 223

HSL 255.88, 0.52%, 0.74%

LAB 67.77, 20.61, -32.09

 

CMYK 30 / 30 / 0 / 13

HEX #9B9BDF

RGB 155 155 223

HSL 240, 0.52%, 0.74%

LAB 66.32, 15.31, -34.45

 

CMYK 0 / 30 / 3 / 13

HEX #DF9BD9

RGB 223 155 217

HSL 305.29, 0.52%, 0.74%

LAB 72.32, 35.14, -21.38

 

CMYK 0 / 38 / 3 / 9

HEX #E990E3

RGB 233 144 227

HSL 304.04, 0.67%, 0.74%

LAB 71.43, 45.88, -28.14

 

CMYK 0 / 45 / 3 / 4

HEX #F485EC

RGB 244 133 236

HSL 304.32, 0.83%, 0.74%

LAB 70.92, 56.27, -33.77

 

CMYK 0 / 52 / 4 / 0

HEX #FF7BF5

RGB 255 123 245

HSL 304.55, 1%, 0.74%

LAB 70.88, 65.58, -38.65

 

CMYK 0 / 30 / 3 / 13

HEX #DF9BD9

RGB 223 155 217

HSL 305.29, 0.52%, 0.74%

LAB 72.32, 35.14, -21.38

 

CMYK 0 / 22 / 2 / 17

HEX #D4A6D0

RGB 212 166 208

HSL 305.22, 0.35%, 0.74%

LAB 73.43, 23.91, -14.87

 

CMYK 0 / 12 / 1 / 21

HEX #C9B0C7

RGB 201 176 199

HSL 304.8, 0.19%, 0.74%

LAB 74.57, 13.04, -8.35

 

CMYK 0 / 2 / 0 / 25

HEX #BEBBBE

RGB 190 187 190

HSL 300, 0.02%, 0.74%

LAB 76.2, 1.61, -1.15

 

CMYK 9 / 0 / 9 / 22

HEX #B4C6B5

RGB 180 198 181

HSL 123.33, 0.14%, 0.74%

LAB 78.13, -9.33, 6.43

 

CMYK 14 / 30 / 0 / 13

HEX #BF9BDF

RGB 191 155 223

HSL 271.76, 0.52%, 0.74%

LAB 69.36, 26.12, -29.5

 

CMYK 6 / 30 / 0 / 13

HEX #D19BDF

RGB 209 155 223

HSL 287.65, 0.52%, 0.74%

LAB 71.09, 31.78, -26.68

 

CMYK 0 / 30 / 2 / 13

HEX #DF9BDA

RGB 223 155 218

HSL 304.41, 0.52%, 0.74%

LAB 72.36, 35.32, -21.88

 

CMYK 0 / 30 / 10 / 13

HEX #DF9BC8

RGB 223 155 200

HSL 320.29, 0.52%, 0.74%

LAB 71.76, 32.18, -12.87

 

CMYK 0 / 30 / 18 / 13

HEX #DF9BB6

RGB 223 155 182

HSL 336.18, 0.52%, 0.74%

LAB 71.22, 29.28, -3.71

 

CMYK 0 / 54 / 4 / 21

HEX #CA5DC2

RGB 202 93 194

HSL 304.4, 0.51%, 0.58%

LAB 56.37, 56.44, -33.27

 

CMYK 0 / 42 / 3 / 17

HEX #D47CCE

RGB 212 124 206

HSL 304.09, 0.51%, 0.66%

LAB 64.05, 46.07, -28.05

 

CMYK 0 / 30 / 3 / 13

HEX #DF9BD9

RGB 223 155 217

HSL 305.29, 0.52%, 0.74%

LAB 72.32, 35.14, -21.38

 

CMYK 0 / 20 / 2 / 9

HEX #E9BAE5

RGB 233 186 229

HSL 305.11, 0.52%, 0.82%

LAB 80.79, 23.99, -15

 

CMYK 0 / 11 / 1 / 5

HEX #F3D9F1

RGB 243 217 241

HSL 304.62, 0.52%, 0.9%

LAB 89.41, 13.08, -8.44

 

CMYK 0 / 30 / 2 / 13

HEX #DF9CDA

RGB 223 156 218

HSL 304.48, 0.51%, 0.74%

LAB 72.58, 34.79, -21.54

 

CMYK 0 / 22 / 30 / 13

HEX #DFAD9B

RGB 223 173 155

HSL 15.88, 0.52%, 0.74%

LAB 74.79, 15.74, 16.26

 

CMYK 30 / 0 / 10 / 13

HEX #9BDFC8

RGB 155 223 200

HSL 159.71, 0.52%, 0.74%

LAB 83.92, -26.18, 4.46

 

CMYK 0 / 30 / 2 / 13

HEX #DF9CDA

RGB 223 156 218

HSL 304.48, 0.51%, 0.74%

LAB 72.58, 34.79, -21.54

 

CMYK 2 / 0 / 30 / 13

HEX #DADF9B

RGB 218 223 155

HSL 64.41, 0.52%, 0.74%

LAB 87.02, -12.25, 32.84

 

CMYK 30 / 2 / 0 / 13

HEX #9BDADF

RGB 155 218 223

HSL 184.41, 0.52%, 0.74%

LAB 83.15, -18.66, -8.87

 

CMYK 0 / 30 / 2 / 13

HEX #DF9CDA

RGB 223 156 218

HSL 304.48, 0.51%, 0.74%

LAB 72.58, 34.79, -21.54

 

CMYK 0 / 22 / 30 / 13

HEX #DFAD9B

RGB 223 173 155

HSL 15.88, 0.52%, 0.74%

LAB 74.79, 15.74, 16.26

 

CMYK 30 / 0 / 29 / 13

HEX #9BDF9F

RGB 155 223 159

HSL 123.53, 0.52%, 0.74%

LAB 83.04, -33.89, 24.74

 

CMYK 30 / 9 / 0 / 13

HEX #9BCCDF

RGB 155 204 223

HSL 196.76, 0.52%, 0.74%

LAB 79.32, -11.5, -14.59

 

CMYK 0 / 30 / 2 / 13

HEX #DF9CDA

RGB 223 156 218

HSL 304.48, 0.51%, 0.74%

LAB 72.58, 34.79, -21.54

 

CMYK 0 / 13 / 30 / 13

HEX #DFC19B

RGB 223 193 155

HSL 33.53, 0.52%, 0.74%

LAB 79.72, 5.1, 23.08

 

CMYK 30 / 0 / 29 / 13

HEX #9BDF9F

RGB 155 223 159

HSL 123.53, 0.52%, 0.74%

LAB 83.04, -33.89, 24.74

 

CMYK 30 / 17 / 0 / 13

HEX #9BB8DF

RGB 155 184 223

HSL 214.41, 0.52%, 0.74%

LAB 73.92, -0.86, -22.76

 

Description

Color code: HEX #DF9CDA | qconv.com Color code: HEX #DF9CDA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 156 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 156 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 2 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 2% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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