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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9C41 it is the complementary color #2063BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9C41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9C41 shade: #E49C3C, #F5AE4F, #FFC062, #FFD275 and #FFE488

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9C41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9C41 shade: #DF9C41, #CE8A2E, #BD781B, #AC6608 and #9B5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9C41 shade: #DE9B3F, #DE703F, #DE453F and #DE3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9C41 shade: #DE9B3F, #DEC63F, #CCDE3F, #A1DE3F and #76DE3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9C41 shade matches the following richer shades: #DE9B3F and #F19E2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9C41 shade: #DE9B3F, #CC9851, #BA9563, #A89376 and #969088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9C41 shade: #DE443F, #DE6F3F, #DE993F, #DEC43F and #CFDE3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9C41 shade: #AE701D, #D18723, #DE9B3F, #E4AD62 and #EAC086

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9C41 shade: #DF9C41, #64DE3F and #5A3FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9C41 shade: #DF9C41, #3FDE99 and #993FDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9C41 shade: #DF9C41, #64DE3F, #3F84DE and #B93FDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9C41 shade: #DF9C41, #3FDE4A, #3F84DE and #DE3FD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 71 / 13

HEX #DF9C41

RGB 223 156 65

HSL 34.56, 0.71%, 0.56%

LAB 69.36, 16.72, 55.72

 

Complementary color

CMYK 83 / 48 / 0 / 25

HEX #2063BE

RGB 32 99 190

HSL 214.56, 0.71%, 0.44%

LAB 42.69, 13.3, -53.59

 

CMYK 0 / 32 / 74 / 11

HEX #E49C3C

RGB 228 156 60

HSL 34.29, 0.76%, 0.56%

LAB 69.89, 18.6, 58.6

 

CMYK 0 / 29 / 68 / 4

HEX #F5AE4F

RGB 245 174 79

HSL 34.34, 0.89%, 0.64%

LAB 76.22, 17.13, 57.49

 

CMYK 0 / 25 / 62 / 0

HEX #FFC062

RGB 255 192 98

HSL 35.92, 1%, 0.69%

LAB 81.75, 12.97, 55.19

 

CMYK 0 / 18 / 54 / 0

HEX #FFD275

RGB 255 210 117

HSL 40.43, 1%, 0.73%

LAB 86.32, 5.03, 51.52

 

CMYK 0 / 11 / 47 / 0

HEX #FFE488

RGB 255 228 136

HSL 46.39, 1%, 0.77%

LAB 91.02, -2.5, 48.06

 

CMYK 0 / 30 / 71 / 13

HEX #DF9C41

RGB 223 156 65

HSL 34.56, 0.71%, 0.56%

LAB 69.36, 16.72, 55.72

 

CMYK 0 / 33 / 78 / 19

HEX #CE8A2E

RGB 206 138 46

HSL 34.5, 0.63%, 0.49%

LAB 62.92, 18.31, 56.66

 

CMYK 0 / 37 / 86 / 26

HEX #BD781B

RGB 189 120 27

HSL 34.44, 0.75%, 0.42%

LAB 56.42, 20.15, 56.95

 

CMYK 0 / 41 / 95 / 33

HEX #AC6608

RGB 172 102 8

HSL 34.39, 0.91%, 0.35%

LAB 49.85, 22.28, 55.86

 

CMYK 0 / 46 / 100 / 39

HEX #9B5400

RGB 155 84 0

HSL 32.52, 1%, 0.3%

LAB 43.23, 24.7, 52.23

 

CMYK 0 / 30 / 72 / 13

HEX #DE9B3F

RGB 222 155 63

HSL 34.72, 0.71%, 0.56%

LAB 68.99, 16.73, 56.18

 

CMYK 0 / 50 / 72 / 13

HEX #DE703F

RGB 222 112 63

HSL 18.49, 0.71%, 0.56%

LAB 59.41, 39.42, 46.03

 

CMYK 0 / 69 / 72 / 13

HEX #DE453F

RGB 222 69 63

HSL 2.26, 0.71%, 0.56%

LAB 52, 58.85, 37.72

 

CMYK 0 / 72 / 72 / 13

HEX #DE3F3F

RGB 222 63 63

HSL 0, 0.71%, 0.56%

LAB 51.2, 61.04, 36.8

 

CMYK 0 / 30 / 72 / 13

HEX #DE9B3F

RGB 222 155 63

HSL 34.72, 0.71%, 0.56%

LAB 68.99, 16.73, 56.18

 

CMYK 0 / 11 / 72 / 13

HEX #DEC63F

RGB 222 198 63

HSL 50.94, 0.71%, 0.56%

LAB 79.77, -5.93, 66.98

 

CMYK 8 / 0 / 72 / 13

HEX #CCDE3F

RGB 204 222 63

HSL 66.79, 0.71%, 0.56%

LAB 84.71, -25.36, 71.28

 

CMYK 27 / 0 / 72 / 13

HEX #A1DE3F

RGB 161 222 63

HSL 83.02, 0.71%, 0.56%

LAB 81.94, -42.16, 67.62

 

CMYK 47 / 0 / 72 / 13

HEX #76DE3F

RGB 118 222 63

HSL 99.25, 0.71%, 0.56%

LAB 79.87, -56.6, 64.88

 

CMYK 0 / 30 / 72 / 13

HEX #DE9B3F

RGB 222 155 63

HSL 34.72, 0.71%, 0.56%

LAB 68.99, 16.73, 56.18

 

CMYK 0 / 34 / 81 / 5

HEX #F19E2D

RGB 241 158 45

HSL 34.59, 0.88%, 0.56%

LAB 71.79, 22.46, 66.67

 

CMYK 0 / 30 / 72 / 13

HEX #DE9B3F

RGB 222 155 63

HSL 34.72, 0.71%, 0.56%

LAB 68.99, 16.73, 56.18

 

CMYK 0 / 25 / 60 / 20

HEX #CC9851

RGB 204 152 81

HSL 34.63, 0.55%, 0.56%

LAB 66.43, 11.78, 44.33

 

CMYK 0 / 20 / 47 / 27

HEX #BA9563

RGB 186 149 99

HSL 34.48, 0.39%, 0.56%

LAB 64.03, 7.36, 31.59

 

CMYK 0 / 13 / 30 / 34

HEX #A89376

RGB 168 147 118

HSL 34.8, 0.22%, 0.56%

LAB 62.08, 3.31, 18.25

 

CMYK 0 / 4 / 9 / 41

HEX #969088

RGB 150 144 136

HSL 34.29, 0.06%, 0.56%

LAB 60.08, 0.75, 5.03

 

CMYK 0 / 69 / 72 / 13

HEX #DE443F

RGB 222 68 63

HSL 1.89, 0.71%, 0.56%

LAB 51.86, 59.22, 37.56

 

CMYK 0 / 50 / 72 / 13

HEX #DE6F3F

RGB 222 111 63

HSL 18.11, 0.71%, 0.56%

LAB 59.21, 39.92, 45.81

 

CMYK 0 / 31 / 72 / 13

HEX #DE993F

RGB 222 153 63

HSL 33.96, 0.71%, 0.56%

LAB 68.51, 17.8, 55.68

 

CMYK 0 / 12 / 72 / 13

HEX #DEC43F

RGB 222 196 63

HSL 50.19, 0.71%, 0.56%

LAB 79.25, -4.91, 66.47

 

CMYK 7 / 0 / 72 / 13

HEX #CFDE3F

RGB 207 222 63

HSL 65.66, 0.71%, 0.56%

LAB 84.93, -24.14, 71.56

 

CMYK 0 / 36 / 83 / 32

HEX #AE701D

RGB 174 112 29

HSL 34.34, 0.71%, 0.4%

LAB 52.59, 18.03, 52.25

 

CMYK 0 / 35 / 83 / 18

HEX #D18723

RGB 209 135 35

HSL 34.48, 0.71%, 0.48%

LAB 62.51, 20.86, 60.48

 

CMYK 0 / 30 / 72 / 13

HEX #DE9B3F

RGB 222 155 63

HSL 34.72, 0.71%, 0.56%

LAB 68.99, 16.73, 56.18

 

CMYK 0 / 24 / 57 / 11

HEX #E4AD62

RGB 228 173 98

HSL 34.62, 0.71%, 0.64%

LAB 74.36, 11.84, 45.84

 

CMYK 0 / 18 / 43 / 8

HEX #EAC086

RGB 234 192 134

HSL 34.8, 0.7%, 0.72%

LAB 80.13, 7.5, 34.84

 

CMYK 0 / 30 / 71 / 13

HEX #DF9C41

RGB 223 156 65

HSL 34.56, 0.71%, 0.56%

LAB 69.36, 16.72, 55.72

 

CMYK 55 / 0 / 72 / 13

HEX #64DE3F

RGB 100 222 63

HSL 106.04, 0.71%, 0.56%

LAB 79.22, -61.61, 64.01

 

CMYK 59 / 72 / 0 / 13

HEX #5A3FDE

RGB 90 63 222

HSL 250.19, 0.71%, 0.56%

LAB 39.58, 53.68, -76.96

 

CMYK 0 / 30 / 71 / 13

HEX #DF9C41

RGB 223 156 65

HSL 34.56, 0.71%, 0.56%

LAB 69.36, 16.72, 55.72

 

CMYK 72 / 0 / 31 / 13

HEX #3FDE99

RGB 63 222 153

HSL 153.96, 0.71%, 0.56%

LAB 79.39, -56.48, 22.32

 

CMYK 31 / 72 / 0 / 13

HEX #993FDE

RGB 153 63 222

HSL 273.96, 0.71%, 0.56%

LAB 46.45, 63.92, -65.47

 

CMYK 0 / 30 / 71 / 13

HEX #DF9C41

RGB 223 156 65

HSL 34.56, 0.71%, 0.56%

LAB 69.36, 16.72, 55.72

 

CMYK 55 / 0 / 72 / 13

HEX #64DE3F

RGB 100 222 63

HSL 106.04, 0.71%, 0.56%

LAB 79.22, -61.61, 64.01

 

CMYK 72 / 41 / 0 / 13

HEX #3F84DE

RGB 63 132 222

HSL 213.96, 0.71%, 0.56%

LAB 54.9, 8.15, -52.22

 

CMYK 17 / 72 / 0 / 13

HEX #B93FDE

RGB 185 63 222

HSL 286.04, 0.71%, 0.56%

LAB 50.85, 70.11, -58.13

 

CMYK 0 / 30 / 71 / 13

HEX #DF9C41

RGB 223 156 65

HSL 34.56, 0.71%, 0.56%

LAB 69.36, 16.72, 55.72

 

CMYK 72 / 0 / 67 / 13

HEX #3FDE4A

RGB 63 222 74

HSL 124.15, 0.71%, 0.56%

LAB 78.34, -68.47, 58.65

 

CMYK 72 / 41 / 0 / 13

HEX #3F84DE

RGB 63 132 222

HSL 213.96, 0.71%, 0.56%

LAB 54.9, 8.15, -52.22

 

CMYK 0 / 72 / 5 / 13

HEX #DE3FD4

RGB 222 63 212

HSL 303.77, 0.71%, 0.56%

LAB 55.93, 76.14, -44.03

 

Description

Color code: HEX #DF9C41 | qconv.com Color code: HEX #DF9C41 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 156 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 156 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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