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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF99D0 it is the complementary color #20662F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF99D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF99D0 shade: #E499CB, #F5ABDE, #FFBDF1, #FFCFFF and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF99D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF99D0 shade: #DF99D0, #CE87BD, #BD75AA, #AC6397 and #9B5184

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF99D0 shade: #DF9AD0, #DF9ABE, #DF9AAB and #DF9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF99D0 shade: #DF9AD0, #DB9ADF, #C99ADF, #B69ADF and #A49ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF99D0 shade matches the following richer shades: #DF9AD0, #EA8FD7 and #F585DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF99D0 shade: #DF9AD0, #D4A5CA, #CAB0C4, #BFBABE and #B4C5B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF99D0 shade: #C89ADF, #DB9ADF, #DF9AD1, #DF9ABF and #DF9AAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF99D0 shade: #CB5CB3, #D57BC2, #DF9AD0, #E9BADF and #F3D9ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF99D0 shade: #DF99D0, #DFB69A and #9ADFD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF99D0 shade: #DF99D0, #D1DF9A and #9AD1DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF99D0 shade: #DF99D0, #DFB69A, #9ADFA8 and #9AC4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF99D0 shade: #DF99D0, #DFCA9A, #9ADFA8 and #9AAFDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 7 / 13

HEX #DF99D0

RGB 223 153 208

HSL 312.86, 0.52%, 0.74%

LAB 71.57, 34.62, -17.57

 

Complementary color

CMYK 69 / 0 / 54 / 60

HEX #20662F

RGB 32 102 47

HSL 132.86, 0.52%, 0.26%

LAB 37.87, -34.67, 24.7

 

CMYK 0 / 33 / 11 / 11

HEX #E499CB

RGB 228 153 203

HSL 320, 0.58%, 0.75%

LAB 71.95, 35.43, -14.18

 

CMYK 0 / 30 / 9 / 4

HEX #F5ABDE

RGB 245 171 222

HSL 318.65, 0.79%, 0.82%

LAB 78.35, 34.74, -14.77

 

CMYK 0 / 26 / 5 / 0

HEX #FFBDF1

RGB 255 189 241

HSL 312.73, 1%, 0.87%

LAB 83.97, 31.78, -16.45

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 31 / 7 / 13

HEX #DF99D0

RGB 223 153 208

HSL 312.86, 0.52%, 0.74%

LAB 71.57, 34.62, -17.57

 

CMYK 0 / 34 / 8 / 19

HEX #CE87BD

RGB 206 135 189

HSL 314.37, 0.42%, 0.67%

LAB 65.06, 35.34, -17.02

 

CMYK 0 / 38 / 10 / 26

HEX #BD75AA

RGB 189 117 170

HSL 315.83, 0.35%, 0.6%

LAB 58.46, 36.09, -16.42

 

CMYK 0 / 42 / 12 / 33

HEX #AC6397

RGB 172 99 151

HSL 317.26, 0.31%, 0.53%

LAB 51.76, 36.88, -15.73

 

CMYK 0 / 48 / 15 / 39

HEX #9B5184

RGB 155 81 132

HSL 318.65, 0.31%, 0.46%

LAB 44.97, 37.66, -14.93

 

CMYK 0 / 31 / 7 / 13

HEX #DF9AD0

RGB 223 154 208

HSL 313.04, 0.52%, 0.74%

LAB 71.79, 34.08, -17.23

 

CMYK 0 / 31 / 15 / 13

HEX #DF9ABE

RGB 223 154 190

HSL 328.7, 0.52%, 0.74%

LAB 71.23, 31.07, -8.13

 

CMYK 0 / 31 / 23 / 13

HEX #DF9AAB

RGB 223 154 171

HSL 345.22, 0.52%, 0.74%

LAB 70.69, 28.17, 1.62

 

CMYK 0 / 31 / 31 / 13

HEX #DF9A9A

RGB 223 154 154

HSL 0, 0.52%, 0.74%

LAB 70.27, 25.83, 10.45

 

CMYK 0 / 31 / 7 / 13

HEX #DF9AD0

RGB 223 154 208

HSL 313.04, 0.52%, 0.74%

LAB 71.79, 34.08, -17.23

 

CMYK 2 / 31 / 0 / 13

HEX #DB9ADF

RGB 219 154 223

HSL 296.52, 0.52%, 0.74%

LAB 71.89, 35.5, -25.37

 

CMYK 10 / 31 / 0 / 13

HEX #C99ADF

RGB 201 154 223

HSL 280.87, 0.52%, 0.74%

LAB 70.08, 29.8, -28.32

 

CMYK 18 / 31 / 0 / 13

HEX #B69ADF

RGB 182 154 223

HSL 264.35, 0.52%, 0.74%

LAB 68.3, 23.9, -31.2

 

CMYK 26 / 31 / 0 / 13

HEX #A49ADF

RGB 164 154 223

HSL 248.7, 0.52%, 0.74%

LAB 66.77, 18.49, -33.69

 

CMYK 0 / 31 / 7 / 13

HEX #DF9AD0

RGB 223 154 208

HSL 313.04, 0.52%, 0.74%

LAB 71.79, 34.08, -17.23

 

CMYK 0 / 39 / 8 / 8

HEX #EA8FD7

RGB 234 143 215

HSL 312.53, 0.68%, 0.74%

LAB 70.9, 44.64, -22.33

 

CMYK 0 / 46 / 10 / 4

HEX #F585DD

RGB 245 133 221

HSL 312.86, 0.85%, 0.74%

LAB 70.46, 54.07, -26.2

 

CMYK 0 / 31 / 7 / 13

HEX #DF9AD0

RGB 223 154 208

HSL 313.04, 0.52%, 0.74%

LAB 71.79, 34.08, -17.23

 

CMYK 0 / 22 / 5 / 17

HEX #D4A5CA

RGB 212 165 202

HSL 312.77, 0.35%, 0.74%

LAB 73, 23.37, -12.22

 

CMYK 0 / 13 / 3 / 21

HEX #CAB0C4

RGB 202 176 196

HSL 313.85, 0.2%, 0.74%

LAB 74.57, 12.84, -6.7

 

CMYK 0 / 3 / 1 / 25

HEX #BFBABE

RGB 191 186 190

HSL 312, 0.04%, 0.74%

LAB 76.02, 2.49, -1.4

 

CMYK 9 / 0 / 7 / 23

HEX #B4C5B8

RGB 180 197 184

HSL 134.12, 0.13%, 0.74%

LAB 77.93, -8.26, 4.53

 

CMYK 10 / 31 / 0 / 13

HEX #C89ADF

RGB 200 154 223

HSL 280, 0.52%, 0.74%

LAB 69.98, 29.49, -28.47

 

CMYK 2 / 31 / 0 / 13

HEX #DB9ADF

RGB 219 154 223

HSL 296.52, 0.52%, 0.74%

LAB 71.89, 35.5, -25.37

 

CMYK 0 / 31 / 6 / 13

HEX #DF9AD1

RGB 223 154 209

HSL 312.17, 0.52%, 0.74%

LAB 71.83, 34.26, -17.73

 

CMYK 0 / 31 / 14 / 13

HEX #DF9ABF

RGB 223 154 191

HSL 327.83, 0.52%, 0.74%

LAB 71.26, 31.23, -8.64

 

CMYK 0 / 31 / 22 / 13

HEX #DF9AAD

RGB 223 154 173

HSL 343.48, 0.52%, 0.74%

LAB 70.74, 28.46, 0.59

 

CMYK 0 / 55 / 12 / 20

HEX #CB5CB3

RGB 203 92 179

HSL 312.97, 0.52%, 0.58%

LAB 55.69, 54.73, -25.67

 

CMYK 0 / 42 / 9 / 16

HEX #D57BC2

RGB 213 123 194

HSL 312.67, 0.52%, 0.66%

LAB 63.51, 44.82, -22.11

 

CMYK 0 / 31 / 7 / 13

HEX #DF9AD0

RGB 223 154 208

HSL 313.04, 0.52%, 0.74%

LAB 71.79, 34.08, -17.23

 

CMYK 0 / 20 / 4 / 9

HEX #E9BADF

RGB 233 186 223

HSL 312.77, 0.52%, 0.82%

LAB 80.61, 22.92, -12.05

 

CMYK 0 / 11 / 2 / 5

HEX #F3D9ED

RGB 243 217 237

HSL 313.85, 0.52%, 0.9%

LAB 89.3, 12.37, -6.5

 

CMYK 0 / 31 / 7 / 13

HEX #DF99D0

RGB 223 153 208

HSL 312.86, 0.52%, 0.74%

LAB 71.57, 34.62, -17.57

 

CMYK 0 / 18 / 31 / 13

HEX #DFB69A

RGB 223 182 154

HSL 24.35, 0.52%, 0.74%

LAB 76.97, 10.8, 19.83

 

CMYK 31 / 0 / 6 / 13

HEX #9ADFD1

RGB 154 223 209

HSL 167.83, 0.52%, 0.74%

LAB 84.1, -24.55, -0.06

 

CMYK 0 / 31 / 7 / 13

HEX #DF99D0

RGB 223 153 208

HSL 312.86, 0.52%, 0.74%

LAB 71.57, 34.62, -17.57

 

CMYK 6 / 0 / 31 / 13

HEX #D1DF9A

RGB 209 223 154

HSL 72.17, 0.52%, 0.74%

LAB 86.34, -15.76, 32.32

 

CMYK 31 / 6 / 0 / 13

HEX #9AD1DF

RGB 154 209 223

HSL 192.17, 0.52%, 0.74%

LAB 80.63, -14.36, -12.63

 

CMYK 0 / 31 / 7 / 13

HEX #DF99D0

RGB 223 153 208

HSL 312.86, 0.52%, 0.74%

LAB 71.57, 34.62, -17.57

 

CMYK 0 / 18 / 31 / 13

HEX #DFB69A

RGB 223 182 154

HSL 24.35, 0.52%, 0.74%

LAB 76.97, 10.8, 19.83

 

CMYK 31 / 0 / 25 / 13

HEX #9ADFA8

RGB 154 223 168

HSL 132.17, 0.52%, 0.74%

LAB 83.16, -32.66, 20.21

 

CMYK 31 / 12 / 0 / 13

HEX #9AC4DF

RGB 154 196 223

HSL 203.48, 0.52%, 0.74%

LAB 77.09, -7.58, -17.95

 

CMYK 0 / 31 / 7 / 13

HEX #DF99D0

RGB 223 153 208

HSL 312.86, 0.52%, 0.74%

LAB 71.57, 34.62, -17.57

 

CMYK 0 / 9 / 31 / 13

HEX #DFCA9A

RGB 223 202 154

HSL 41.74, 0.52%, 0.74%

LAB 81.98, 0.26, 26.68

 

CMYK 31 / 0 / 25 / 13

HEX #9ADFA8

RGB 154 223 168

HSL 132.17, 0.52%, 0.74%

LAB 83.16, -32.66, 20.21

 

CMYK 31 / 22 / 0 / 13

HEX #9AAFDF

RGB 154 175 223

HSL 221.74, 0.52%, 0.74%

LAB 71.46, 3.79, -26.52

 

Description

Color code: HEX #DF99D0 | qconv.com Color code: HEX #DF99D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 153 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 153 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 7 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 7% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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