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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF99C0 it is the complementary color #20663F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF99C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF99C0 shade: #E499BB, #F5ABCE, #FFBDE1, #FFCFF4 and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF99C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF99C0 shade: #DF99C0, #CE87AD, #BD759A, #AC6387 and #9B5174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF99C0 shade: #DF9AC1, #DF9AAE, #DF9A9B and #DF9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF99C0 shade: #DF9AC1, #DF9AD3, #D99ADF, #C69ADF and #B39ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF99C0 shade matches the following richer shades: #DF9AC1, #EA8FC2 and #F585C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF99C0 shade: #DF9AC1, #D4A5BF, #CAB0BE, #BFBABD and #B4C5BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF99C0 shade: #D89ADF, #DF9AD4, #DF9AC1, #DF9AAF and #DF9A9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF99C0 shade: #CB5C9A, #D57BAD, #DF9AC1, #E9BAD4 and #F3D9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF99C0 shade: #DF99C0, #DFC69A and #9ADDDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF99C0 shade: #DF99C0, #C1DF9A and #9AC1DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF99C0 shade: #DF99C0, #DFC69A, #9ADFB8 and #9AB4DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF99C0 shade: #DF99C0, #DFDB9A, #9ADFB8 and #9A9FDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 14 / 13

HEX #DF99C0

RGB 223 153 192

HSL 326.57, 0.52%, 0.74%

LAB 71.06, 31.93, -9.49

 

Complementary color

CMYK 69 / 0 / 38 / 60

HEX #20663F

RGB 32 102 63

HSL 146.57, 0.52%, 0.26%

LAB 38.14, -31.63, 15.85

 

CMYK 0 / 33 / 18 / 11

HEX #E499BB

RGB 228 153 187

HSL 332.8, 0.58%, 0.75%

LAB 71.46, 32.87, -6.06

 

CMYK 0 / 30 / 16 / 4

HEX #F5ABCE

RGB 245 171 206

HSL 331.62, 0.79%, 0.82%

LAB 77.87, 32.16, -6.8

 

CMYK 0 / 26 / 12 / 0

HEX #FFBDE1

RGB 255 189 225

HSL 327.27, 1%, 0.87%

LAB 83.49, 29.11, -8.61

 

CMYK 0 / 19 / 4 / 0

HEX #FFCFF4

RGB 255 207 244

HSL 313.75, 1%, 0.91%

LAB 88.17, 22.85, -11.75

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 31 / 14 / 13

HEX #DF99C0

RGB 223 153 192

HSL 326.57, 0.52%, 0.74%

LAB 71.06, 31.93, -9.49

 

CMYK 0 / 34 / 16 / 19

HEX #CE87AD

RGB 206 135 173

HSL 327.89, 0.42%, 0.67%

LAB 64.54, 32.67, -8.78

 

CMYK 0 / 38 / 19 / 26

HEX #BD759A

RGB 189 117 154

HSL 329.17, 0.35%, 0.6%

LAB 57.92, 33.45, -8

 

CMYK 0 / 42 / 22 / 33

HEX #AC6387

RGB 172 99 135

HSL 330.41, 0.31%, 0.53%

LAB 51.2, 34.28, -7.11

 

CMYK 0 / 48 / 25 / 39

HEX #9B5174

RGB 155 81 116

HSL 331.62, 0.31%, 0.46%

LAB 44.4, 35.13, -6.07

 

CMYK 0 / 31 / 13 / 13

HEX #DF9AC1

RGB 223 154 193

HSL 326.09, 0.52%, 0.74%

LAB 71.32, 31.56, -9.66

 

CMYK 0 / 31 / 22 / 13

HEX #DF9AAE

RGB 223 154 174

HSL 342.61, 0.52%, 0.74%

LAB 70.77, 28.61, 0.07

 

CMYK 0 / 31 / 30 / 13

HEX #DF9A9B

RGB 223 154 155

HSL 359.13, 0.52%, 0.74%

LAB 70.29, 25.96, 9.93

 

CMYK 0 / 31 / 31 / 13

HEX #DF9A9A

RGB 223 154 154

HSL 0, 0.52%, 0.74%

LAB 70.27, 25.83, 10.45

 

CMYK 0 / 31 / 13 / 13

HEX #DF9AC1

RGB 223 154 193

HSL 326.09, 0.52%, 0.74%

LAB 71.32, 31.56, -9.66

 

CMYK 0 / 31 / 5 / 13

HEX #DF9AD3

RGB 223 154 211

HSL 310.43, 0.52%, 0.74%

LAB 71.89, 34.61, -18.73

 

CMYK 3 / 31 / 0 / 13

HEX #D99ADF

RGB 217 154 223

HSL 294.78, 0.52%, 0.74%

LAB 71.68, 34.86, -25.71

 

CMYK 11 / 31 / 0 / 13

HEX #C69ADF

RGB 198 154 223

HSL 278.26, 0.52%, 0.74%

LAB 69.79, 28.86, -28.79

 

CMYK 20 / 31 / 0 / 13

HEX #B39ADF

RGB 179 154 223

HSL 261.74, 0.52%, 0.74%

LAB 68.04, 22.99, -31.63

 

CMYK 0 / 31 / 13 / 13

HEX #DF9AC1

RGB 223 154 193

HSL 326.09, 0.52%, 0.74%

LAB 71.32, 31.56, -9.66

 

CMYK 0 / 39 / 17 / 8

HEX #EA8FC2

RGB 234 143 194

HSL 326.37, 0.68%, 0.74%

LAB 70.2, 41.27, -11.76

 

CMYK 0 / 46 / 20 / 4

HEX #F585C3

RGB 245 133 195

HSL 326.79, 0.85%, 0.74%

LAB 69.56, 50.11, -13.13

 

CMYK 0 / 31 / 13 / 13

HEX #DF9AC1

RGB 223 154 193

HSL 326.09, 0.52%, 0.74%

LAB 71.32, 31.56, -9.66

 

CMYK 0 / 22 / 10 / 17

HEX #D4A5BF

RGB 212 165 191

HSL 326.81, 0.35%, 0.74%

LAB 72.67, 21.44, -6.66

 

CMYK 0 / 13 / 6 / 21

HEX #CAB0BE

RGB 202 176 190

HSL 327.69, 0.2%, 0.74%

LAB 74.4, 11.76, -3.67

 

CMYK 0 / 3 / 1 / 25

HEX #BFBABD

RGB 191 186 189

HSL 324, 0.04%, 0.74%

LAB 75.99, 2.31, -0.9

 

CMYK 9 / 0 / 5 / 23

HEX #B4C5BC

RGB 180 197 188

HSL 148.24, 0.13%, 0.74%

LAB 78.03, -7.51, 2.52

 

CMYK 3 / 31 / 0 / 13

HEX #D89ADF

RGB 216 154 223

HSL 293.91, 0.52%, 0.74%

LAB 71.58, 34.54, -25.88

 

CMYK 0 / 31 / 5 / 13

HEX #DF9AD4

RGB 223 154 212

HSL 309.57, 0.52%, 0.74%

LAB 71.93, 34.78, -19.23

 

CMYK 0 / 31 / 13 / 13

HEX #DF9AC1

RGB 223 154 193

HSL 326.09, 0.52%, 0.74%

LAB 71.32, 31.56, -9.66

 

CMYK 0 / 31 / 22 / 13

HEX #DF9AAF

RGB 223 154 175

HSL 341.74, 0.52%, 0.74%

LAB 70.8, 28.76, -0.44

 

CMYK 0 / 31 / 30 / 13

HEX #DF9A9D

RGB 223 154 157

HSL 357.39, 0.52%, 0.74%

LAB 70.34, 26.22, 8.89

 

CMYK 0 / 55 / 24 / 20

HEX #CB5C9A

RGB 203 92 154

HSL 326.49, 0.52%, 0.58%

LAB 54.75, 51, -12.56

 

CMYK 0 / 42 / 19 / 16

HEX #D57BAD

RGB 213 123 173

HSL 326.67, 0.52%, 0.66%

LAB 62.78, 41.45, -11.31

 

CMYK 0 / 31 / 13 / 13

HEX #DF9AC1

RGB 223 154 193

HSL 326.09, 0.52%, 0.74%

LAB 71.32, 31.56, -9.66

 

CMYK 0 / 20 / 9 / 9

HEX #E9BAD4

RGB 233 186 212

HSL 326.81, 0.52%, 0.82%

LAB 80.29, 21.02, -6.6

 

CMYK 0 / 11 / 5 / 5

HEX #F3D9E7

RGB 243 217 231

HSL 327.69, 0.52%, 0.9%

LAB 89.13, 11.32, -3.58

 

CMYK 0 / 31 / 14 / 13

HEX #DF99C0

RGB 223 153 192

HSL 326.57, 0.52%, 0.74%

LAB 71.06, 31.93, -9.49

 

CMYK 0 / 11 / 31 / 13

HEX #DFC69A

RGB 223 198 154

HSL 38.26, 0.52%, 0.74%

LAB 80.97, 2.35, 25.3

 

CMYK 31 / 1 / 0 / 13

HEX #9ADDDF

RGB 154 221 223

HSL 181.74, 0.52%, 0.74%

LAB 83.92, -20.44, -7.73

 

CMYK 0 / 31 / 14 / 13

HEX #DF99C0

RGB 223 153 192

HSL 326.57, 0.52%, 0.74%

LAB 71.06, 31.93, -9.49

 

CMYK 13 / 0 / 31 / 13

HEX #C1DF9A

RGB 193 223 154

HSL 86.09, 0.52%, 0.74%

LAB 85.22, -21.65, 30.64

 

CMYK 31 / 13 / 0 / 13

HEX #9AC1DF

RGB 154 193 223

HSL 206.09, 0.52%, 0.74%

LAB 76.28, -5.99, -19.18

 

CMYK 0 / 31 / 14 / 13

HEX #DF99C0

RGB 223 153 192

HSL 326.57, 0.52%, 0.74%

LAB 71.06, 31.93, -9.49

 

CMYK 0 / 11 / 31 / 13

HEX #DFC69A

RGB 223 198 154

HSL 38.26, 0.52%, 0.74%

LAB 80.97, 2.35, 25.3

 

CMYK 31 / 0 / 17 / 13

HEX #9ADFB8

RGB 154 223 184

HSL 146.09, 0.52%, 0.74%

LAB 83.5, -29.69, 12.29

 

CMYK 31 / 19 / 0 / 13

HEX #9AB4DF

RGB 154 180 223

HSL 217.39, 0.52%, 0.74%

LAB 72.79, 1.04, -24.49

 

CMYK 0 / 31 / 14 / 13

HEX #DF99C0

RGB 223 153 192

HSL 326.57, 0.52%, 0.74%

LAB 71.06, 31.93, -9.49

 

CMYK 0 / 2 / 31 / 13

HEX #DFDB9A

RGB 223 219 154

HSL 56.52, 0.52%, 0.74%

LAB 86.35, -8.47, 32.53

 

CMYK 31 / 0 / 17 / 13

HEX #9ADFB8

RGB 154 223 184

HSL 146.09, 0.52%, 0.74%

LAB 83.5, -29.69, 12.29

 

CMYK 31 / 29 / 0 / 13

HEX #9A9FDF

RGB 154 159 223

HSL 235.65, 0.52%, 0.74%

LAB 67.27, 12.75, -32.97

 

Description

Color code: HEX #DF99C0 | qconv.com Color code: HEX #DF99C0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 153 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 153 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 14 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 14% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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