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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9923 it is the complementary color #2066DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9923. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9923 shade: #E4991E, #F5AB31, #FFBD44, #FFCF57 and #FFE16A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9923. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9923 shade: #DF9923, #CE8710, #BD7500, #AC6300 and #9B5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9923 shade: #E09A24, #E06724, #E03524 and #E02424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9923 shade: #E09A24, #E0CD24, #C0E024, #8EE024 and #5BE024

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9923 shade matches the following richer shades: #E09A24 and #F49F10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9923 shade: #E09A24, #CC9539, #B7904D, #A38A61 and #8F8575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9923 shade: #E03424, #E06624, #E09824, #E0CA24 and #C4E024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9923 shade: #9B6A16, #BF821B, #E09A24, #E5AB48 and #EABB6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9923 shade: #DF9923, #47E024 and #4D24E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9923 shade: #DF9923, #24E098 and #9824E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9923 shade: #DF9923, #47E024, #246CE0 and #BD24E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9923 shade: #DF9923, #24E03A, #246CE0 and #E024CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 84 / 13

HEX #DF9923

RGB 223 153 35

HSL 37.66, 0.75%, 0.51%

LAB 68.45, 17.19, 66.19

 

Complementary color

CMYK 85 / 54 / 0 / 14

HEX #2066DC

RGB 32 102 220

HSL 217.66, 0.75%, 0.49%

LAB 45.6, 23.01, -66.1

 

CMYK 0 / 33 / 87 / 11

HEX #E4991E

RGB 228 153 30

HSL 37.27, 0.79%, 0.51%

LAB 69.02, 19.21, 68.3

 

CMYK 0 / 30 / 80 / 4

HEX #F5AB31

RGB 245 171 49

HSL 37.35, 0.91%, 0.58%

LAB 75.3, 17.41, 68.6

 

CMYK 0 / 26 / 73 / 0

HEX #FFBD44

RGB 255 189 68

HSL 38.82, 1%, 0.63%

LAB 80.78, 12.91, 67.16

 

CMYK 0 / 19 / 66 / 0

HEX #FFCF57

RGB 255 207 87

HSL 42.86, 1%, 0.67%

LAB 85.29, 4.54, 64.01

 

CMYK 0 / 12 / 58 / 0

HEX #FFE16A

RGB 255 225 106

HSL 47.92, 1%, 0.71%

LAB 89.93, -3.42, 60.82

 

CMYK 0 / 31 / 84 / 13

HEX #DF9923

RGB 223 153 35

HSL 37.66, 0.75%, 0.51%

LAB 68.45, 17.19, 66.19

 

CMYK 0 / 34 / 92 / 19

HEX #CE8710

RGB 206 135 16

HSL 37.58, 0.86%, 0.44%

LAB 62.07, 19.15, 65.09

 

CMYK 0 / 38 / 100 / 26

HEX #BD7500

RGB 189 117 0

HSL 37.14, 1%, 0.37%

LAB 55.63, 21.36, 62.41

 

CMYK 0 / 42 / 100 / 33

HEX #AC6300

RGB 172 99 0

HSL 34.53, 1%, 0.34%

LAB 49.12, 23.83, 57.13

 

CMYK 0 / 48 / 100 / 39

HEX #9B5100

RGB 155 81 0

HSL 31.35, 1%, 0.3%

LAB 42.54, 26.36, 51.81

 

CMYK 0 / 31 / 84 / 12

HEX #E09A24

RGB 224 154 36

HSL 37.66, 0.75%, 0.51%

LAB 68.81, 17.11, 66.23

 

CMYK 0 / 54 / 84 / 12

HEX #E06724

RGB 224 103 36

HSL 21.38, 0.75%, 0.51%

LAB 57.73, 43.67, 56.8

 

CMYK 0 / 76 / 84 / 12

HEX #E03524

RGB 224 53 36

HSL 5.43, 0.75%, 0.51%

LAB 50.12, 64.03, 50.17

 

CMYK 0 / 84 / 84 / 12

HEX #E02424

RGB 224 36 36

HSL 0, 0.75%, 0.51%

LAB 48.56, 68.45, 48.79

 

CMYK 0 / 31 / 84 / 12

HEX #E09A24

RGB 224 154 36

HSL 37.66, 0.75%, 0.51%

LAB 68.81, 17.11, 66.23

 

CMYK 0 / 8 / 84 / 12

HEX #E0CD24

RGB 224 205 36

HSL 53.94, 0.75%, 0.51%

LAB 81.64, -9.61, 76.94

 

CMYK 14 / 0 / 84 / 12

HEX #C0E024

RGB 192 224 36

HSL 70.21, 0.75%, 0.51%

LAB 84.3, -32.2, 78.18

 

CMYK 37 / 0 / 84 / 12

HEX #8EE024

RGB 142 224 36

HSL 86.17, 0.75%, 0.51%

LAB 81.4, -51.05, 74.54

 

CMYK 59 / 0 / 84 / 12

HEX #5BE024

RGB 91 224 36

HSL 102.45, 0.75%, 0.51%

LAB 79.42, -66.06, 72.04

 

CMYK 0 / 31 / 84 / 12

HEX #E09A24

RGB 224 154 36

HSL 37.66, 0.75%, 0.51%

LAB 68.81, 17.11, 66.23

 

CMYK 0 / 35 / 93 / 4

HEX #F49F10

RGB 244 159 16

HSL 37.63, 0.91%, 0.51%

LAB 72.27, 22.6, 74.55

 

CMYK 0 / 31 / 84 / 12

HEX #E09A24

RGB 224 154 36

HSL 37.66, 0.75%, 0.51%

LAB 68.81, 17.11, 66.23

 

CMYK 0 / 27 / 72 / 20

HEX #CC9539

RGB 204 149 57

HSL 37.55, 0.59%, 0.51%

LAB 65.46, 11.95, 54.51

 

CMYK 0 / 21 / 58 / 28

HEX #B7904D

RGB 183 144 77

HSL 37.92, 0.42%, 0.51%

LAB 62.13, 6.84, 40.73

 

CMYK 0 / 15 / 40 / 36

HEX #A38A61

RGB 163 138 97

HSL 37.27, 0.26%, 0.51%

LAB 58.81, 3.55, 25.47

 

CMYK 0 / 7 / 18 / 44

HEX #8F8575

RGB 143 133 117

HSL 36.92, 0.1%, 0.51%

LAB 55.99, 0.96, 9.98

 

CMYK 0 / 77 / 84 / 12

HEX #E03424

RGB 224 52 36

HSL 5.11, 0.75%, 0.51%

LAB 50.01, 64.33, 50.08

 

CMYK 0 / 54 / 84 / 12

HEX #E06624

RGB 224 102 36

HSL 21.06, 0.75%, 0.51%

LAB 57.54, 44.15, 56.63

 

CMYK 0 / 32 / 84 / 12

HEX #E09824

RGB 224 152 36

HSL 37.02, 0.75%, 0.51%

LAB 68.34, 18.18, 65.83

 

CMYK 0 / 10 / 84 / 12

HEX #E0CA24

RGB 224 202 36

HSL 52.98, 0.75%, 0.51%

LAB 80.86, -8.09, 76.3

 

CMYK 13 / 0 / 84 / 12

HEX #C4E024

RGB 196 224 36

HSL 68.94, 0.75%, 0.51%

LAB 84.57, -30.58, 78.52

 

CMYK 0 / 32 / 86 / 39

HEX #9B6A16

RGB 155 106 22

HSL 37.89, 0.75%, 0.35%

LAB 48.68, 12.62, 50.36

 

CMYK 0 / 32 / 86 / 25

HEX #BF821B

RGB 191 130 27

HSL 37.68, 0.75%, 0.43%

LAB 59.09, 15.52, 59.26

 

CMYK 0 / 31 / 84 / 12

HEX #E09A24

RGB 224 154 36

HSL 37.66, 0.75%, 0.51%

LAB 68.81, 17.11, 66.23

 

CMYK 0 / 25 / 69 / 10

HEX #E5AB48

RGB 229 171 72

HSL 37.83, 0.75%, 0.59%

LAB 73.71, 11.62, 57.4

 

CMYK 0 / 20 / 53 / 8

HEX #EABB6D

RGB 234 187 109

HSL 37.44, 0.75%, 0.67%

LAB 78.54, 7.79, 45.56

 

CMYK 0 / 31 / 84 / 13

HEX #DF9923

RGB 223 153 35

HSL 37.66, 0.75%, 0.51%

LAB 68.45, 17.19, 66.19

 

CMYK 68 / 0 / 84 / 12

HEX #47E024

RGB 71 224 36

HSL 108.83, 0.75%, 0.51%

LAB 78.91, -70.3, 71.4

 

CMYK 66 / 84 / 0 / 12

HEX #4D24E0

RGB 77 36 224

HSL 253.09, 0.75%, 0.51%

LAB 34.44, 65.1, -86.63

 

CMYK 0 / 31 / 84 / 13

HEX #DF9923

RGB 223 153 35

HSL 37.66, 0.75%, 0.51%

LAB 68.45, 17.19, 66.19

 

CMYK 84 / 0 / 32 / 12

HEX #24E098

RGB 36 224 152

HSL 157.02, 0.75%, 0.51%

LAB 79.59, -60.41, 23.06

 

CMYK 32 / 84 / 0 / 12

HEX #9824E0

RGB 152 36 224

HSL 277.02, 0.75%, 0.51%

LAB 43.24, 73.48, -71.84

 

CMYK 0 / 31 / 84 / 13

HEX #DF9923

RGB 223 153 35

HSL 37.66, 0.75%, 0.51%

LAB 68.45, 17.19, 66.19

 

CMYK 68 / 0 / 84 / 12

HEX #47E024

RGB 71 224 36

HSL 108.83, 0.75%, 0.51%

LAB 78.91, -70.3, 71.4

 

CMYK 84 / 52 / 0 / 12

HEX #246CE0

RGB 36 108 224

HSL 217.02, 0.75%, 0.51%

LAB 47.6, 20.98, -65.13

 

CMYK 16 / 84 / 0 / 12

HEX #BD24E0

RGB 189 36 224

HSL 288.83, 0.75%, 0.51%

LAB 48.84, 79.16, -62.49

 

CMYK 0 / 31 / 84 / 13

HEX #DF9923

RGB 223 153 35

HSL 37.66, 0.75%, 0.51%

LAB 68.45, 17.19, 66.19

 

CMYK 84 / 0 / 74 / 12

HEX #24E03A

RGB 36 224 58

HSL 127.02, 0.75%, 0.51%

LAB 78.46, -73.87, 64.52

 

CMYK 84 / 52 / 0 / 12

HEX #246CE0

RGB 36 108 224

HSL 217.02, 0.75%, 0.51%

LAB 47.6, 20.98, -65.13

 

CMYK 0 / 84 / 10 / 12

HEX #E024CA

RGB 224 36 202

HSL 307.02, 0.75%, 0.51%

LAB 53.36, 81.99, -42.35

 

Description

Color code: HEX #DF9923 | qconv.com Color code: HEX #DF9923 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 153 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 153 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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