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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9722 it is the complementary color #2068DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9722 shade: #E4971D, #F5A930, #FFBB43, #FFCD56 and #FFDF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9722 shade: #DF9722, #CE850F, #BD7300, #AC6100 and #9B4F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9722 shade: #DF9620, #DF6320, #DF2F20 and #DF2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9722 shade: #DF9620, #DFCA20, #C1DF20, #8DDF20 and #5ADF20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9722 shade matches the following richer shades: #DF9620 and #F49B0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9722 shade: #DF9620, #CA9135, #B68C49, #A1885E and #8D8372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9722 shade: #DF3020, #DF6320, #DF9620, #DFC920 and #C2DF20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9722 shade: #976616, #BB7E1B, #DF9620, #E4A744 and #E9B868

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9722 shade: #DF9722, #43DF20 and #4920DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9722 shade: #DF9722, #20DF96 and #9620DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9722 shade: #DF9722, #43DF20, #2069DF and #BC20DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9722 shade: #DF9722, #20DF36, #2069DF and #DF20C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 85 / 13

HEX #DF9722

RGB 223 151 34

HSL 37.14, 0.75%, 0.5%

LAB 67.97, 18.24, 66.09

 

Complementary color

CMYK 86 / 53 / 0 / 13

HEX #2068DD

RGB 32 104 221

HSL 217.14, 0.75%, 0.5%

LAB 46.22, 22.1, -65.68

 

CMYK 0 / 34 / 87 / 11

HEX #E4971D

RGB 228 151 29

HSL 36.78, 0.79%, 0.5%

LAB 68.54, 20.26, 68.19

 

CMYK 0 / 31 / 80 / 4

HEX #F5A930

RGB 245 169 48

HSL 36.85, 0.91%, 0.57%

LAB 74.83, 18.43, 68.51

 

CMYK 0 / 27 / 74 / 0

HEX #FFBB43

RGB 255 187 67

HSL 38.3, 1%, 0.63%

LAB 80.3, 13.91, 67.07

 

CMYK 0 / 20 / 66 / 0

HEX #FFCD56

RGB 255 205 86

HSL 42.25, 1%, 0.67%

LAB 84.79, 5.52, 63.9

 

CMYK 0 / 13 / 59 / 0

HEX #FFDF69

RGB 255 223 105

HSL 47.2, 1%, 0.71%

LAB 89.42, -2.48, 60.69

 

CMYK 0 / 32 / 85 / 13

HEX #DF9722

RGB 223 151 34

HSL 37.14, 0.75%, 0.5%

LAB 67.97, 18.24, 66.09

 

CMYK 0 / 35 / 93 / 19

HEX #CE850F

RGB 206 133 15

HSL 37.07, 0.86%, 0.43%

LAB 61.59, 20.22, 64.94

 

CMYK 0 / 39 / 100 / 26

HEX #BD7300

RGB 189 115 0

HSL 36.51, 1%, 0.37%

LAB 55.15, 22.46, 62.1

 

CMYK 0 / 44 / 100 / 33

HEX #AC6100

RGB 172 97 0

HSL 33.84, 1%, 0.34%

LAB 48.66, 24.94, 56.84

 

CMYK 0 / 49 / 100 / 39

HEX #9B4F00

RGB 155 79 0

HSL 30.58, 1%, 0.3%

LAB 42.09, 27.47, 51.54

 

CMYK 0 / 33 / 86 / 13

HEX #DF9620

RGB 223 150 32

HSL 37.07, 0.75%, 0.5%

LAB 67.73, 18.72, 66.47

 

CMYK 0 / 56 / 86 / 13

HEX #DF6320

RGB 223 99 32

HSL 21.05, 0.75%, 0.5%

LAB 56.8, 45.12, 57.49

 

CMYK 0 / 79 / 86 / 13

HEX #DF2F20

RGB 223 47 32

HSL 4.71, 0.75%, 0.5%

LAB 49.28, 65.38, 51.25

 

CMYK 0 / 86 / 86 / 13

HEX #DF2020

RGB 223 32 32

HSL 0, 0.75%, 0.5%

LAB 48.04, 68.91, 50.21

 

CMYK 0 / 33 / 86 / 13

HEX #DF9620

RGB 223 150 32

HSL 37.07, 0.75%, 0.5%

LAB 67.73, 18.72, 66.47

 

CMYK 0 / 9 / 86 / 13

HEX #DFCA20

RGB 223 202 32

HSL 53.4, 0.75%, 0.5%

LAB 80.76, -8.61, 77.08

 

CMYK 13 / 0 / 86 / 13

HEX #C1DF20

RGB 193 223 32

HSL 69.42, 0.75%, 0.5%

LAB 84.08, -31.44, 78.85

 

CMYK 37 / 0 / 86 / 13

HEX #8DDF20

RGB 141 223 32

HSL 85.76, 0.75%, 0.5%

LAB 81.04, -51.12, 75.07

 

CMYK 60 / 0 / 86 / 13

HEX #5ADF20

RGB 90 223 32

HSL 101.78, 0.75%, 0.5%

LAB 79.07, -66.12, 72.59

 

CMYK 0 / 33 / 86 / 13

HEX #DF9620

RGB 223 150 32

HSL 37.07, 0.75%, 0.5%

LAB 67.73, 18.72, 66.47

 

CMYK 0 / 36 / 95 / 4

HEX #F49B0B

RGB 244 155 11

HSL 37.08, 0.91%, 0.5%

LAB 71.35, 24.65, 74.62

 

CMYK 0 / 33 / 86 / 13

HEX #DF9620

RGB 223 150 32

HSL 37.07, 0.75%, 0.5%

LAB 67.73, 18.72, 66.47

 

CMYK 0 / 28 / 74 / 21

HEX #CA9135

RGB 202 145 53

HSL 37.05, 0.58%, 0.5%

LAB 64.21, 13.06, 54.89

 

CMYK 0 / 23 / 60 / 29

HEX #B68C49

RGB 182 140 73

HSL 36.88, 0.43%, 0.5%

LAB 60.94, 8.3, 41.35

 

CMYK 0 / 16 / 42 / 37

HEX #A1885E

RGB 161 136 94

HSL 37.61, 0.26%, 0.5%

LAB 58.03, 3.48, 26.07

 

CMYK 0 / 7 / 19 / 45

HEX #8D8372

RGB 141 131 114

HSL 37.78, 0.11%, 0.5%

LAB 55.19, 0.8, 10.55

 

CMYK 0 / 78 / 86 / 13

HEX #DF3020

RGB 223 48 32

HSL 5.03, 0.75%, 0.5%

LAB 49.38, 65.1, 51.33

 

CMYK 0 / 56 / 86 / 13

HEX #DF6320

RGB 223 99 32

HSL 21.05, 0.75%, 0.5%

LAB 56.8, 45.12, 57.49

 

CMYK 0 / 33 / 86 / 13

HEX #DF9620

RGB 223 150 32

HSL 37.07, 0.75%, 0.5%

LAB 67.73, 18.72, 66.47

 

CMYK 0 / 10 / 86 / 13

HEX #DFC920

RGB 223 201 32

HSL 53.09, 0.75%, 0.5%

LAB 80.5, -8.1, 76.87

 

CMYK 13 / 0 / 86 / 13

HEX #C2DF20

RGB 194 223 32

HSL 69.11, 0.75%, 0.5%

LAB 84.15, -31.03, 78.93

 

CMYK 0 / 32 / 85 / 41

HEX #976616

RGB 151 102 22

HSL 37.21, 0.75%, 0.34%

LAB 47.16, 13.07, 48.87

 

CMYK 0 / 33 / 86 / 27

HEX #BB7E1B

RGB 187 126 27

HSL 37.13, 0.75%, 0.42%

LAB 57.62, 15.96, 57.85

 

CMYK 0 / 33 / 86 / 13

HEX #DF9620

RGB 223 150 32

HSL 37.07, 0.75%, 0.5%

LAB 67.73, 18.72, 66.47

 

CMYK 0 / 27 / 70 / 11

HEX #E4A744

RGB 228 167 68

HSL 37.13, 0.75%, 0.58%

LAB 72.59, 13.12, 57.94

 

CMYK 0 / 21 / 55 / 9

HEX #E9B868

RGB 233 184 104

HSL 37.21, 0.75%, 0.66%

LAB 77.64, 8.55, 46.92

 

CMYK 0 / 32 / 85 / 13

HEX #DF9722

RGB 223 151 34

HSL 37.14, 0.75%, 0.5%

LAB 67.97, 18.24, 66.09

 

CMYK 70 / 0 / 86 / 13

HEX #43DF20

RGB 67 223 32

HSL 109.01, 0.75%, 0.5%

LAB 78.5, -70.88, 71.88

 

CMYK 67 / 86 / 0 / 13

HEX #4920DF

RGB 73 32 223

HSL 252.88, 0.75%, 0.5%

LAB 33.51, 65.97, -87.6

 

CMYK 0 / 32 / 85 / 13

HEX #DF9722

RGB 223 151 34

HSL 37.14, 0.75%, 0.5%

LAB 67.97, 18.24, 66.09

 

CMYK 86 / 0 / 33 / 13

HEX #20DF96

RGB 32 223 150

HSL 157.07, 0.75%, 0.5%

LAB 79.2, -60.77, 23.57

 

CMYK 33 / 86 / 0 / 13

HEX #9620DF

RGB 150 32 223

HSL 277.07, 0.75%, 0.5%

LAB 42.53, 74.01, -72.44

 

CMYK 0 / 32 / 85 / 13

HEX #DF9722

RGB 223 151 34

HSL 37.14, 0.75%, 0.5%

LAB 67.97, 18.24, 66.09

 

CMYK 70 / 0 / 86 / 13

HEX #43DF20

RGB 67 223 32

HSL 109.01, 0.75%, 0.5%

LAB 78.5, -70.88, 71.88

 

CMYK 86 / 53 / 0 / 13

HEX #2069DF

RGB 32 105 223

HSL 217.07, 0.75%, 0.5%

LAB 46.63, 22.23, -66.14

 

CMYK 16 / 86 / 0 / 13

HEX #BC20DF

RGB 188 32 223

HSL 289.01, 0.75%, 0.5%

LAB 48.33, 79.66, -62.75

 

CMYK 0 / 32 / 85 / 13

HEX #DF9722

RGB 223 151 34

HSL 37.14, 0.75%, 0.5%

LAB 67.97, 18.24, 66.09

 

CMYK 86 / 0 / 76 / 13

HEX #20DF36

RGB 32 223 54

HSL 126.91, 0.75%, 0.5%

LAB 78.08, -74.22, 65.45

 

CMYK 86 / 53 / 0 / 13

HEX #2069DF

RGB 32 105 223

HSL 217.07, 0.75%, 0.5%

LAB 46.63, 22.23, -66.14

 

CMYK 0 / 86 / 10 / 13

HEX #DF20C9

RGB 223 32 201

HSL 306.91, 0.75%, 0.5%

LAB 52.88, 82.39, -42.53

 

Description

Color code: HEX #DF9722 | qconv.com Color code: HEX #DF9722 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 151 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 151 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 85 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 85% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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