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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF971F it is the complementary color #2068E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF971F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF971F shade: #E4971A, #F5A92D, #FFBB40, #FFCD53 and #FFDF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF971F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF971F shade: #DF971F, #CE850C, #BD7300, #AC6100 and #9B4F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF971F shade: #E0971E, #E0631E, #E02F1E and #E01E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF971F shade: #E0971E, #E0CB1E, #C0E01E, #8CE01E and #58E01E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF971F shade matches the following richer shades: #E0971E and #F59C09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF971F shade: #E0971E, #CB9233, #B78D47, #A2885C and #8D8371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF971F shade: #E02E1E, #E0621E, #E0961E, #E0C91E and #C3E01E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF971F shade: #976614, #BC7F19, #E0971E, #E5A842 and #EAB967

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF971F shade: #DF971F, #42E01E and #481EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF971F shade: #DF971F, #1EE096 and #961EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF971F shade: #DF971F, #42E01E, #1E68E0 and #BC1EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF971F shade: #DF971F, #1EE035, #1E68E0 and #E01EC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 86 / 13

HEX #DF971F

RGB 223 151 31

HSL 37.5, 0.76%, 0.5%

LAB 67.96, 18.16, 66.94

 

Complementary color

CMYK 86 / 54 / 0 / 12

HEX #2068E0

RGB 32 104 224

HSL 217.5, 0.76%, 0.5%

LAB 46.43, 23.26, -67.03

 

CMYK 0 / 34 / 89 / 11

HEX #E4971A

RGB 228 151 26

HSL 37.13, 0.8%, 0.5%

LAB 68.53, 20.2, 68.94

 

CMYK 0 / 31 / 82 / 4

HEX #F5A92D

RGB 245 169 45

HSL 37.2, 0.91%, 0.57%

LAB 74.81, 18.34, 69.5

 

CMYK 0 / 27 / 75 / 0

HEX #FFBB40

RGB 255 187 64

HSL 38.64, 1%, 0.63%

LAB 80.28, 13.78, 68.21

 

CMYK 0 / 20 / 67 / 0

HEX #FFCD53

RGB 255 205 83

HSL 42.56, 1%, 0.66%

LAB 84.76, 5.35, 65.14

 

CMYK 0 / 13 / 60 / 0

HEX #FFDF66

RGB 255 223 102

HSL 47.45, 1%, 0.7%

LAB 89.39, -2.68, 61.99

 

CMYK 0 / 32 / 86 / 13

HEX #DF971F

RGB 223 151 31

HSL 37.5, 0.76%, 0.5%

LAB 67.96, 18.16, 66.94

 

CMYK 0 / 35 / 94 / 19

HEX #CE850C

RGB 206 133 12

HSL 37.42, 0.89%, 0.43%

LAB 61.59, 20.18, 65.47

 

CMYK 0 / 39 / 100 / 26

HEX #BD7300

RGB 189 115 0

HSL 36.51, 1%, 0.37%

LAB 55.15, 22.46, 62.1

 

CMYK 0 / 44 / 100 / 33

HEX #AC6100

RGB 172 97 0

HSL 33.84, 1%, 0.34%

LAB 48.66, 24.94, 56.84

 

CMYK 0 / 49 / 100 / 39

HEX #9B4F00

RGB 155 79 0

HSL 30.58, 1%, 0.3%

LAB 42.09, 27.47, 51.54

 

CMYK 0 / 33 / 87 / 12

HEX #E0971E

RGB 224 151 30

HSL 37.42, 0.76%, 0.5%

LAB 68.08, 18.57, 67.35

 

CMYK 0 / 56 / 87 / 12

HEX #E0631E

RGB 224 99 30

HSL 21.34, 0.76%, 0.5%

LAB 56.94, 45.46, 58.4

 

CMYK 0 / 79 / 87 / 12

HEX #E02F1E

RGB 224 47 30

HSL 5.26, 0.76%, 0.5%

LAB 49.46, 65.63, 52.39

 

CMYK 0 / 87 / 87 / 12

HEX #E01E1E

RGB 224 30 30

HSL 0, 0.76%, 0.5%

LAB 48.1, 69.52, 51.28

 

CMYK 0 / 33 / 87 / 12

HEX #E0971E

RGB 224 151 30

HSL 37.42, 0.76%, 0.5%

LAB 68.08, 18.57, 67.35

 

CMYK 0 / 9 / 87 / 12

HEX #E0CB1E

RGB 224 203 30

HSL 53.51, 0.76%, 0.5%

LAB 81.1, -8.73, 77.81

 

CMYK 14 / 0 / 87 / 12

HEX #C0E01E

RGB 192 224 30

HSL 69.9, 0.76%, 0.5%

LAB 84.28, -32.35, 79.37

 

CMYK 38 / 0 / 87 / 12

HEX #8CE01E

RGB 140 224 30

HSL 85.98, 0.76%, 0.5%

LAB 81.28, -51.93, 75.65

 

CMYK 61 / 0 / 87 / 12

HEX #58E01E

RGB 88 224 30

HSL 102.06, 0.76%, 0.5%

LAB 79.32, -66.99, 73.19

 

CMYK 0 / 33 / 87 / 12

HEX #E0971E

RGB 224 151 30

HSL 37.42, 0.76%, 0.5%

LAB 68.08, 18.57, 67.35

 

CMYK 0 / 36 / 96 / 4

HEX #F59C09

RGB 245 156 9

HSL 37.37, 0.93%, 0.5%

LAB 71.7, 24.53, 75.16

 

CMYK 0 / 33 / 87 / 12

HEX #E0971E

RGB 224 151 30

HSL 37.42, 0.76%, 0.5%

LAB 68.08, 18.57, 67.35

 

CMYK 0 / 28 / 75 / 20

HEX #CB9233

RGB 203 146 51

HSL 37.5, 0.6%, 0.5%

LAB 64.56, 12.86, 56.1

 

CMYK 0 / 23 / 61 / 28

HEX #B78D47

RGB 183 141 71

HSL 37.5, 0.44%, 0.5%

LAB 61.28, 8.04, 42.78

 

CMYK 0 / 16 / 43 / 36

HEX #A2885C

RGB 162 136 92

HSL 37.71, 0.28%, 0.5%

LAB 58.1, 3.67, 27.28

 

CMYK 0 / 7 / 20 / 45

HEX #8D8371

RGB 141 131 113

HSL 38.57, 0.11%, 0.5%

LAB 55.16, 0.64, 11.1

 

CMYK 0 / 79 / 87 / 12

HEX #E02E1E

RGB 224 46 30

HSL 4.95, 0.76%, 0.5%

LAB 49.37, 65.9, 52.31

 

CMYK 0 / 56 / 87 / 12

HEX #E0621E

RGB 224 98 30

HSL 21.03, 0.76%, 0.5%

LAB 56.76, 45.93, 58.26

 

CMYK 0 / 33 / 87 / 12

HEX #E0961E

RGB 224 150 30

HSL 37.11, 0.76%, 0.5%

LAB 67.84, 19.1, 67.16

 

CMYK 0 / 10 / 87 / 12

HEX #E0C91E

RGB 224 201 30

HSL 52.89, 0.76%, 0.5%

LAB 80.58, -7.72, 77.39

 

CMYK 13 / 0 / 87 / 12

HEX #C3E01E

RGB 195 224 30

HSL 68.97, 0.76%, 0.5%

LAB 84.49, -31.14, 79.62

 

CMYK 0 / 32 / 87 / 41

HEX #976614

RGB 151 102 20

HSL 37.56, 0.77%, 0.34%

LAB 47.15, 13.02, 49.52

 

CMYK 0 / 32 / 87 / 26

HEX #BC7F19

RGB 188 127 25

HSL 37.55, 0.77%, 0.42%

LAB 57.98, 15.8, 58.79

 

CMYK 0 / 33 / 87 / 12

HEX #E0971E

RGB 224 151 30

HSL 37.42, 0.76%, 0.5%

LAB 68.08, 18.57, 67.35

 

CMYK 0 / 27 / 71 / 10

HEX #E5A842

RGB 229 168 66

HSL 37.55, 0.76%, 0.58%

LAB 72.93, 12.91, 59.18

 

CMYK 0 / 21 / 56 / 8

HEX #EAB967

RGB 234 185 103

HSL 37.56, 0.76%, 0.66%

LAB 77.98, 8.36, 47.84

 

CMYK 0 / 32 / 86 / 13

HEX #DF971F

RGB 223 151 31

HSL 37.5, 0.76%, 0.5%

LAB 67.96, 18.16, 66.94

 

CMYK 71 / 0 / 87 / 12

HEX #42E01E

RGB 66 224 30

HSL 108.87, 0.76%, 0.5%

LAB 78.79, -71.44, 72.52

 

CMYK 68 / 87 / 0 / 12

HEX #481EE0

RGB 72 30 224

HSL 252.99, 0.76%, 0.5%

LAB 33.32, 66.83, -88.5

 

CMYK 0 / 32 / 86 / 13

HEX #DF971F

RGB 223 151 31

HSL 37.5, 0.76%, 0.5%

LAB 67.96, 18.16, 66.94

 

CMYK 87 / 0 / 33 / 12

HEX #1EE096

RGB 30 224 150

HSL 157.11, 0.76%, 0.5%

LAB 79.49, -61.27, 23.96

 

CMYK 33 / 87 / 0 / 12

HEX #961EE0

RGB 150 30 224

HSL 277.11, 0.76%, 0.5%

LAB 42.45, 74.68, -73.14

 

CMYK 0 / 32 / 86 / 13

HEX #DF971F

RGB 223 151 31

HSL 37.5, 0.76%, 0.5%

LAB 67.96, 18.16, 66.94

 

CMYK 71 / 0 / 87 / 12

HEX #42E01E

RGB 66 224 30

HSL 108.87, 0.76%, 0.5%

LAB 78.79, -71.44, 72.52

 

CMYK 87 / 54 / 0 / 12

HEX #1E68E0

RGB 30 104 224

HSL 217.11, 0.76%, 0.5%

LAB 46.39, 23.13, -67.1

 

CMYK 16 / 87 / 0 / 12

HEX #BC1EE0

RGB 188 30 224

HSL 288.87, 0.76%, 0.5%

LAB 48.26, 80.22, -63.43

 

CMYK 0 / 32 / 86 / 13

HEX #DF971F

RGB 223 151 31

HSL 37.5, 0.76%, 0.5%

LAB 67.96, 18.16, 66.94

 

CMYK 87 / 0 / 76 / 12

HEX #1EE035

RGB 30 224 53

HSL 127.11, 0.76%, 0.5%

LAB 78.37, -74.74, 66.04

 

CMYK 87 / 54 / 0 / 12

HEX #1E68E0

RGB 30 104 224

HSL 217.11, 0.76%, 0.5%

LAB 46.39, 23.13, -67.1

 

CMYK 0 / 87 / 10 / 12

HEX #E01EC9

RGB 224 30 201

HSL 307.11, 0.76%, 0.5%

LAB 52.94, 82.91, -42.43

 

Description

Color code: HEX #DF971F | qconv.com Color code: HEX #DF971F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 151 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 151 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 86% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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