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Color name
HEX #DF9715

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9715 it is the complementary color #2068EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9715 shade: #E49710, #F5A923, #FFBB36, #FFCD49 and #FFDF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9715 shade: #DF9715, #CE8502, #BD7300, #AC6100 and #9B4F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9715 shade: #E09815, #E06115, #E02A15 and #E01515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9715 shade: #E09815, #E0CE15, #BBE015, #84E015 and #4DE015

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9715 shade matches the following richer shades: #E09815 and #F49D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9715 shade: #E09815, #CC9229, #B88C3C, #A58750 and #918164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9715 shade: #E02915, #E05F15, #E09515, #E0CC15 and #BEE015

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9715 shade: #94640E, #BA7E11, #E09815, #ECAA32 and #EFB958

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9715 shade: #DF9715, #37E015 and #4415E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9715 shade: #DF9715, #15E095 and #9515E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9715 shade: #DF9715, #37E015, #155FE0 and #BE15E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9715 shade: #DF9715, #15E030, #155FE0 and #E015C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 91 / 13

HEX #DF9715

RGB 223 151 21

HSL 38.61, 0.83%, 0.48%

LAB 67.93, 17.97, 69.34

 

Complementary color

CMYK 86 / 56 / 0 / 8

HEX #2068EA

RGB 32 104 234

HSL 218.61, 0.83%, 0.52%

LAB 47.17, 27.07, -71.47

 

CMYK 0 / 34 / 93 / 11

HEX #E49710

RGB 228 151 16

HSL 38.21, 0.87%, 0.48%

LAB 68.51, 20.04, 70.98

 

CMYK 0 / 31 / 86 / 4

HEX #F5A923

RGB 245 169 35

HSL 38.29, 0.91%, 0.55%

LAB 74.77, 18.08, 72.42

 

CMYK 0 / 27 / 79 / 0

HEX #FFBB36

RGB 255 187 54

HSL 39.7, 1%, 0.61%

LAB 80.22, 13.42, 71.74

 

CMYK 0 / 20 / 71 / 0

HEX #FFCD49

RGB 255 205 73

HSL 43.52, 1%, 0.64%

LAB 84.69, 4.86, 69.09

 

CMYK 0 / 13 / 64 / 0

HEX #FFDF5C

RGB 255 223 92

HSL 48.22, 1%, 0.68%

LAB 89.3, -3.31, 66.19

 

CMYK 0 / 32 / 91 / 13

HEX #DF9715

RGB 223 151 21

HSL 38.61, 0.83%, 0.48%

LAB 67.93, 17.97, 69.34

 

CMYK 0 / 35 / 99 / 19

HEX #CE8502

RGB 206 133 2

HSL 38.53, 0.98%, 0.41%

LAB 61.57, 20.07, 67.01

 

CMYK 0 / 39 / 100 / 26

HEX #BD7300

RGB 189 115 0

HSL 36.51, 1%, 0.37%

LAB 55.15, 22.46, 62.1

 

CMYK 0 / 44 / 100 / 33

HEX #AC6100

RGB 172 97 0

HSL 33.84, 1%, 0.34%

LAB 48.66, 24.94, 56.84

 

CMYK 0 / 49 / 100 / 39

HEX #9B4F00

RGB 155 79 0

HSL 30.58, 1%, 0.3%

LAB 42.09, 27.47, 51.54

 

CMYK 0 / 32 / 91 / 12

HEX #E09815

RGB 224 152 21

HSL 38.72, 0.83%, 0.48%

LAB 68.28, 17.86, 69.66

 

CMYK 0 / 57 / 91 / 12

HEX #E06115

RGB 224 97 21

HSL 22.46, 0.83%, 0.48%

LAB 56.54, 46.24, 61.01

 

CMYK 0 / 81 / 91 / 12

HEX #E02A15

RGB 224 42 21

HSL 6.21, 0.83%, 0.48%

LAB 48.95, 66.78, 55.7

 

CMYK 0 / 91 / 91 / 12

HEX #E01515

RGB 224 21 21

HSL 0, 0.83%, 0.48%

LAB 47.54, 70.81, 54.75

 

CMYK 0 / 32 / 91 / 12

HEX #E09815

RGB 224 152 21

HSL 38.72, 0.83%, 0.48%

LAB 68.28, 17.86, 69.66

 

CMYK 0 / 8 / 91 / 12

HEX #E0CE15

RGB 224 206 21

HSL 54.68, 0.83%, 0.48%

LAB 81.86, -10.41, 80

 

CMYK 17 / 0 / 91 / 12

HEX #BBE015

RGB 187 224 21

HSL 70.94, 0.83%, 0.48%

LAB 83.93, -34.55, 80.41

 

CMYK 41 / 0 / 91 / 12

HEX #84E015

RGB 132 224 21

HSL 87.19, 0.83%, 0.48%

LAB 80.89, -54.84, 76.68

 

CMYK 66 / 0 / 91 / 12

HEX #4DE015

RGB 77 224 21

HSL 103.45, 0.83%, 0.48%

LAB 79.01, -69.65, 74.36

 

CMYK 0 / 32 / 91 / 12

HEX #E09815

RGB 224 152 21

HSL 38.72, 0.83%, 0.48%

LAB 68.28, 17.86, 69.66

 

CMYK 0 / 36 / 100 / 4

HEX #F49D01

RGB 244 157 1

HSL 38.52, 0.99%, 0.48%

LAB 71.79, 23.52, 76.14

 

CMYK 0 / 32 / 91 / 12

HEX #E09815

RGB 224 152 21

HSL 38.72, 0.83%, 0.48%

LAB 68.28, 17.86, 69.66

 

CMYK 0 / 28 / 80 / 20

HEX #CC9229

RGB 204 146 41

HSL 38.65, 0.67%, 0.48%

LAB 64.61, 12.91, 60.02

 

CMYK 0 / 24 / 67 / 28

HEX #B88C3C

RGB 184 140 60

HSL 38.71, 0.51%, 0.48%

LAB 61.02, 8.29, 47.84

 

CMYK 0 / 18 / 52 / 35

HEX #A58750

RGB 165 135 80

HSL 38.82, 0.35%, 0.48%

LAB 57.95, 4.28, 33.68

 

CMYK 0 / 11 / 31 / 43

HEX #918164

RGB 145 129 100

HSL 38.67, 0.18%, 0.48%

LAB 54.7, 1.45, 17.97

 

CMYK 0 / 82 / 91 / 12

HEX #E02915

RGB 224 41 21

HSL 5.91, 0.83%, 0.48%

LAB 48.87, 67.03, 55.64

 

CMYK 0 / 58 / 91 / 12

HEX #E05F15

RGB 224 95 21

HSL 21.87, 0.83%, 0.48%

LAB 56.17, 47.18, 60.75

 

CMYK 0 / 33 / 91 / 12

HEX #E09515

RGB 224 149 21

HSL 37.83, 0.83%, 0.48%

LAB 67.57, 19.47, 69.13

 

CMYK 0 / 9 / 91 / 12

HEX #E0CC15

RGB 224 204 21

HSL 54.09, 0.83%, 0.48%

LAB 81.34, -9.4, 79.59

 

CMYK 15 / 0 / 91 / 12

HEX #BEE015

RGB 190 224 21

HSL 70.05, 0.83%, 0.48%

LAB 84.13, -33.34, 80.65

 

CMYK 0 / 32 / 91 / 42

HEX #94640E

RGB 148 100 14

HSL 38.51, 0.83%, 0.32%

LAB 46.23, 12.63, 50.39

 

CMYK 0 / 32 / 91 / 27

HEX #BA7E11

RGB 186 126 17

HSL 38.7, 0.83%, 0.4%

LAB 57.46, 15.29, 60.36

 

CMYK 0 / 32 / 91 / 12

HEX #E09815

RGB 224 152 21

HSL 38.72, 0.83%, 0.48%

LAB 68.28, 17.86, 69.66

 

CMYK 0 / 28 / 79 / 7

HEX #ECAA32

RGB 236 170 50

HSL 38.71, 0.83%, 0.56%

LAB 74.07, 14.16, 66.77

 

CMYK 0 / 23 / 63 / 6

HEX #EFB958

RGB 239 185 88

HSL 38.54, 0.83%, 0.64%

LAB 78.32, 9.37, 55.51

 

CMYK 0 / 32 / 91 / 13

HEX #DF9715

RGB 223 151 21

HSL 38.61, 0.83%, 0.48%

LAB 67.93, 17.97, 69.34

 

CMYK 75 / 0 / 91 / 12

HEX #37E015

RGB 55 224 21

HSL 109.95, 0.83%, 0.48%

LAB 78.57, -73.47, 73.81

 

CMYK 70 / 91 / 0 / 12

HEX #4415E0

RGB 68 21 224

HSL 253.89, 0.83%, 0.48%

LAB 32.14, 69.19, -90.48

 

CMYK 0 / 32 / 91 / 13

HEX #DF9715

RGB 223 151 21

HSL 38.61, 0.83%, 0.48%

LAB 67.93, 17.97, 69.34

 

CMYK 91 / 0 / 33 / 12

HEX #15E095

RGB 21 224 149

HSL 157.83, 0.83%, 0.48%

LAB 79.41, -62, 24.35

 

CMYK 33 / 91 / 0 / 12

HEX #9515E0

RGB 149 21 224

HSL 277.83, 0.83%, 0.48%

LAB 41.7, 76.35, -74.37

 

CMYK 0 / 32 / 91 / 13

HEX #DF9715

RGB 223 151 21

HSL 38.61, 0.83%, 0.48%

LAB 67.93, 17.97, 69.34

 

CMYK 75 / 0 / 91 / 12

HEX #37E015

RGB 55 224 21

HSL 109.95, 0.83%, 0.48%

LAB 78.57, -73.47, 73.81

 

CMYK 91 / 58 / 0 / 12

HEX #155FE0

RGB 21 95 224

HSL 218.13, 0.83%, 0.48%

LAB 43.84, 28.45, -71.26

 

CMYK 15 / 91 / 0 / 12

HEX #BE15E0

RGB 190 21 224

HSL 289.95, 0.83%, 0.48%

LAB 48.09, 81.99, -63.69

 

CMYK 0 / 32 / 91 / 13

HEX #DF9715

RGB 223 151 21

HSL 38.61, 0.83%, 0.48%

LAB 67.93, 17.97, 69.34

 

CMYK 91 / 0 / 79 / 12

HEX #15E030

RGB 21 224 48

HSL 127.98, 0.83%, 0.48%

LAB 78.28, -75.67, 67.44

 

CMYK 91 / 58 / 0 / 12

HEX #155FE0

RGB 21 95 224

HSL 218.13, 0.83%, 0.48%

LAB 43.84, 28.45, -71.26

 

CMYK 0 / 91 / 12 / 12

HEX #E015C5

RGB 224 21 197

HSL 307.98, 0.83%, 0.48%

LAB 52.3, 83.65, -41.13

 

Description

Color code: HEX #DF9715 | qconv.com Color code: HEX #DF9715 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 151 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 151 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 91 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 91% 13% C M Y K

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Provide designers and agencies with accurate color values.

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