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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF94FA it is the complementary color #206B05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF94FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF94FA shade: #E494F5, #F5A6FF, #FFB8FF, #FFCAFF and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF94FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF94FA shade: #DF94FA, #CE82E7, #BD70D4, #AC5EC1 and #9B4CAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF94FA shade: #DF94FA, #FA94F9, #FA94DE, #FA94C2 and #FA94A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF94FA shade: #DF94FA, #C394FA, #A894FA and #9494FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF94FA shade matches the following richer shades: #DF94FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF94FA shade: #DF94FA, #DB9DF1, #D6A6E8, #D2AFDF and #CEB8D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF94FA shade: #A894FA, #C394FA, #DF94FA, #FA94FA and #FA94DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF94FA shade: #C745F6, #D36CF8, #DF94FA, #EBBBFC and #F7E3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF94FA shade: #DF94FA, #FA949B and #94FAB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF94FA shade: #DF94FA, #FADF94 and #94FADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF94FA shade: #DF94FA, #FA949B, #AFFA94 and #94FAF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF94FA shade: #DF94FA, #FAAC94, #AFFA94 and #94E2FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

Complementary color

CMYK 70 / 0 / 95 / 58

HEX #206B05

RGB 32 107 5

HSL 104.12, 0.91%, 0.22%

LAB 39.3, -40.6, 43.24

 

CMYK 7 / 40 / 0 / 4

HEX #E494F5

RGB 228 148 245

HSL 289.48, 0.83%, 0.77%

LAB 72.41, 45.62, -36.53

 

CMYK 4 / 35 / 0 / 0

HEX #F5A6FF

RGB 245 166 255

HSL 293.26, 1%, 0.83%

LAB 78.41, 43.19, -32.51

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

CMYK 11 / 44 / 0 / 9

HEX #CE82E7

RGB 206 130 231

HSL 285.15, 0.68%, 0.71%

LAB 65.64, 45.9, -39.57

 

CMYK 11 / 47 / 0 / 17

HEX #BD70D4

RGB 189 112 212

HSL 286.2, 0.54%, 0.64%

LAB 59.12, 46.67, -39.3

 

CMYK 11 / 51 / 0 / 24

HEX #AC5EC1

RGB 172 94 193

HSL 287.27, 0.44%, 0.56%

LAB 52.54, 47.42, -38.98

 

CMYK 11 / 56 / 0 / 32

HEX #9B4CAE

RGB 155 76 174

HSL 288.37, 0.39%, 0.49%

LAB 45.9, 48.09, -38.55

 

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

CMYK 0 / 41 / 0 / 2

HEX #FA94F9

RGB 250 148 249

HSL 300.59, 0.91%, 0.78%

LAB 75.04, 52.82, -34.42

 

CMYK 0 / 41 / 11 / 2

HEX #FA94DE

RGB 250 148 222

HSL 316.47, 0.91%, 0.78%

LAB 74.05, 48.27, -21.22

 

CMYK 0 / 41 / 22 / 2

HEX #FA94C2

RGB 250 148 194

HSL 332.94, 0.91%, 0.78%

LAB 73.15, 44.04, -7.15

 

CMYK 0 / 41 / 33 / 2

HEX #FA94A7

RGB 250 148 167

HSL 348.82, 0.91%, 0.78%

LAB 72.42, 40.48, 6.75

 

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

CMYK 22 / 41 / 0 / 2

HEX #C394FA

RGB 195 148 250

HSL 267.65, 0.91%, 0.78%

LAB 69.24, 37.14, -44.44

 

CMYK 33 / 41 / 0 / 2

HEX #A894FA

RGB 168 148 250

HSL 251.76, 0.91%, 0.78%

LAB 66.83, 29.75, -48.4

 

CMYK 41 / 41 / 0 / 2

HEX #9494FA

RGB 148 148 250

HSL 240, 0.91%, 0.78%

LAB 65.26, 24.61, -50.98

 

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

CMYK 9 / 35 / 0 / 5

HEX #DB9DF1

RGB 219 157 241

HSL 284.29, 0.75%, 0.78%

LAB 73.24, 37.37, -33.14

 

CMYK 8 / 28 / 0 / 9

HEX #D6A6E8

RGB 214 166 232

HSL 283.64, 0.59%, 0.78%

LAB 74.44, 29.17, -26.43

 

CMYK 6 / 22 / 0 / 13

HEX #D2AFDF

RGB 210 175 223

HSL 283.75, 0.43%, 0.78%

LAB 75.88, 21.2, -19.38

 

CMYK 4 / 14 / 0 / 16

HEX #CEB8D6

RGB 206 184 214

HSL 284, 0.27%, 0.78%

LAB 77.43, 13.24, -12.19

 

CMYK 33 / 41 / 0 / 2

HEX #A894FA

RGB 168 148 250

HSL 251.76, 0.91%, 0.78%

LAB 66.83, 29.75, -48.4

 

CMYK 22 / 41 / 0 / 2

HEX #C394FA

RGB 195 148 250

HSL 267.65, 0.91%, 0.78%

LAB 69.24, 37.14, -44.44

 

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

CMYK 0 / 41 / 0 / 2

HEX #FA94FA

RGB 250 148 250

HSL 300, 0.91%, 0.78%

LAB 75.08, 53, -34.9

 

CMYK 0 / 41 / 11 / 2

HEX #FA94DF

RGB 250 148 223

HSL 315.88, 0.91%, 0.78%

LAB 74.08, 48.43, -21.72

 

CMYK 19 / 72 / 0 / 4

HEX #C745F6

RGB 199 69 246

HSL 284.07, 0.91%, 0.62%

LAB 55.13, 75.21, -64.65

 

CMYK 15 / 56 / 0 / 3

HEX #D36CF8

RGB 211 108 248

HSL 284.14, 0.91%, 0.7%

LAB 62.8, 61.71, -53.39

 

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

CMYK 7 / 26 / 0 / 1

HEX #EBBBFC

RGB 235 187 252

HSL 284.31, 0.92%, 0.86%

LAB 81.96, 28.42, -25.54

 

CMYK 3 / 11 / 0 / 0

HEX #F7E3FE

RGB 247 227 254

HSL 284.44, 0.93%, 0.94%

LAB 92.52, 11.54, -10.59

 

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

CMYK 0 / 41 / 38 / 2

HEX #FA949B

RGB 250 148 155

HSL 355.88, 0.91%, 0.78%

LAB 72.14, 39.07, 13

 

CMYK 41 / 0 / 27 / 2

HEX #94FAB6

RGB 148 250 182

HSL 140, 0.91%, 0.78%

LAB 90.8, -44.09, 23.49

 

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

CMYK 0 / 11 / 41 / 2

HEX #FADF94

RGB 250 223 148

HSL 44.12, 0.91%, 0.78%

LAB 89.5, -0.75, 40.12

 

CMYK 41 / 0 / 11 / 2

HEX #94FADF

RGB 148 250 223

HSL 164.12, 0.91%, 0.78%

LAB 91.68, -35.9, 3.62

 

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

CMYK 0 / 41 / 38 / 2

HEX #FA949B

RGB 250 148 155

HSL 355.88, 0.91%, 0.78%

LAB 72.14, 39.07, 13

 

CMYK 30 / 0 / 41 / 2

HEX #AFFA94

RGB 175 250 148

HSL 104.12, 0.91%, 0.78%

LAB 91.52, -41.26, 41.69

 

CMYK 41 / 0 / 3 / 2

HEX #94FAF3

RGB 148 250 243

HSL 175.88, 0.91%, 0.78%

LAB 92.19, -31.38, -6.01

 

CMYK 11 / 41 / 0 / 2

HEX #DF94FA

RGB 223 148 250

HSL 284.12, 0.91%, 0.78%

LAB 72.07, 45.14, -39.81

 

CMYK 0 / 31 / 41 / 2

HEX #FAAC94

RGB 250 172 148

HSL 14.12, 0.91%, 0.78%

LAB 77.26, 25.79, 23.91

 

CMYK 30 / 0 / 41 / 2

HEX #AFFA94

RGB 175 250 148

HSL 104.12, 0.91%, 0.78%

LAB 91.52, -41.26, 41.69

 

CMYK 41 / 10 / 0 / 2

HEX #94E2FA

RGB 148 226 250

HSL 194.12, 0.91%, 0.78%

LAB 85.8, -17.98, -19.21

 

Description

Color code: HEX #DF94FA | qconv.com Color code: HEX #DF94FA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 148 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 148 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 41 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 41% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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