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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF94F4CE it is the complementary color #206B0BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF94F4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF94F4CE shade: #E494EFCE, #F5A6FFCE, #FFB8FFCE, #FFCAFFCE and #FFDCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF94F4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF94F4CE shade: #DF94F4CE, #CE82E1CE, #BD70CECE, #AC5EBBCE and #9B4CA8CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF94F4CE shade: #DF95F4, #F495EF, #F495D5, #F495BC and #F495A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF94F4CE shade: #DF95F4, #C595F4, #AC95F4 and #9595F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF94F4CE shade matches the following richer shades: #DF95F4 and #E48BFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF94F4CE shade: #DF95F4, #DA9EEA, #D4A8E1, #CFB1D7 and #CABBCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF94F4CE shade: #AB95F4, #C495F4, #DE95F4, #F495F1 and #F495D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF94F4CE shade: #C94AEC, #D470F0, #DF95F4, #EABAF8 and #F6E0FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF94F4CE shade: #DF94F4, #F49598 and #95F4B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF94F4CE shade: #DF94F4, #F4DE95 and #95F4DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF94F4CE shade: #DF94F4, #F49598, #ABF495 and #95F4F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF94F4CE shade: #DF94F4, #F4AE95, #ABF495 and #95DBF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 32 / 0 / 3

HEX #DF94F4CE

RGBA 223 148 244 0.81

HSLA 286.88, 0.81%, 0.77%, 0.81

LABA 71.83, 43.95, -36.93, 0.81

 

Complementary color

CMYK 57 / 0 / 73 / 47

HEX #206B0BCE

RGBA 32 107 11 0.81

HSLA 106.88, 0.81%, 0.23%, 0.81

LABA 39.32, -40.32, 41.76, 0.81

 

CMYK 4 / 31 / 0 / 5

HEX #E494EFCE

RGBA 228 148 239 0.81

HSLA 292.75, 0.74%, 0.76%, 0.81

LABA 72.17, 44.48, -33.63, 0.81

 

CMYK 3 / 28 / 0 / 0

HEX #F5A6FFCE

RGBA 245 166 255 0.81

HSLA 293.26, 1%, 0.83%, 0.81

LABA 78.41, 43.19, -32.51, 0.81

 

CMYK 0 / 23 / 0 / 0

HEX #FFB8FFCE

RGBA 255 184 255 0.81

HSLA 300, 1%, 0.86%, 0.81

LABA 83.32, 36.87, -24.9, 0.81

 

CMYK 0 / 17 / 0 / 0

HEX #FFCAFFCE

RGBA 255 202 255 0.81

HSLA 300, 1%, 0.9%, 0.81

LABA 87.35, 27.42, -18.79, 0.81

 

CMYK 0 / 11 / 0 / 0

HEX #FFDCFFCE

RGBA 255 220 255 0.81

HSLA 300, 1%, 0.93%, 0.81

LABA 91.53, 17.99, -12.51, 0.81

 

CMYK 7 / 32 / 0 / 3

HEX #DF94F4CE

RGBA 223 148 244 0.81

HSLA 286.88, 0.81%, 0.77%, 0.81

LABA 71.83, 43.95, -36.93, 0.81

 

CMYK 7 / 34 / 0 / 10

HEX #CE82E1CE

RGBA 206 130 225 0.81

HSLA 288, 0.61%, 0.7%, 0.81

LABA 65.38, 44.7, -36.66, 0.81

 

CMYK 7 / 37 / 0 / 16

HEX #BD70CECE

RGBA 189 112 206 0.81

HSLA 289.15, 0.49%, 0.62%, 0.81

LABA 58.85, 45.47, -36.35, 0.81

 

CMYK 6 / 40 / 0 / 22

HEX #AC5EBBCE

RGBA 172 94 187 0.81

HSLA 290.32, 0.41%, 0.55%, 0.81

LABA 52.25, 46.21, -35.98, 0.81

 

CMYK 6 / 44 / 0 / 28

HEX #9B4CA8CE

RGBA 155 76 168 0.81

HSLA 291.52, 0.38%, 0.48%, 0.81

LABA 45.59, 46.89, -35.5, 0.81

 

CMYK 9 / 39 / 0 / 4

HEX #DF95F4

RGB 223 149 244

HSL 286.74, 0.81%, 0.77%

LAB 72.04, 43.42, -36.6

 

CMYK 0 / 39 / 2 / 4

HEX #F495EF

RGB 244 149 239

HSL 303.16, 0.81%, 0.77%

LAB 74.16, 48.77, -30.4

 

CMYK 0 / 39 / 13 / 4

HEX #F495D5

RGB 244 149 213

HSL 319.58, 0.81%, 0.77%

LAB 73.24, 44.42, -17.57

 

CMYK 0 / 39 / 23 / 4

HEX #F495BC

RGB 244 149 188

HSL 335.37, 0.81%, 0.77%

LAB 72.47, 40.65, -4.92

 

CMYK 0 / 39 / 34 / 4

HEX #F495A2

RGB 244 149 162

HSL 351.79, 0.81%, 0.77%

LAB 71.78, 37.21, 8.5

 

CMYK 9 / 39 / 0 / 4

HEX #DF95F4

RGB 223 149 244

HSL 286.74, 0.81%, 0.77%

LAB 72.04, 43.42, -36.6

 

CMYK 19 / 39 / 0 / 4

HEX #C595F4

RGB 197 149 244

HSL 270.32, 0.81%, 0.77%

LAB 69.4, 35.82, -40.91

 

CMYK 30 / 39 / 0 / 4

HEX #AC95F4

RGB 172 149 244

HSL 254.53, 0.81%, 0.77%

LAB 67.12, 28.76, -44.63

 

CMYK 39 / 39 / 0 / 4

HEX #9595F4

RGB 149 149 244

HSL 240, 0.81%, 0.77%

LAB 65.29, 22.64, -47.64

 

CMYK 9 / 39 / 0 / 4

HEX #DF95F4

RGB 223 149 244

HSL 286.74, 0.81%, 0.77%

LAB 72.04, 43.42, -36.6

 

CMYK 10 / 45 / 0 / 1

HEX #E48BFD

RGB 228 139 253

HSL 286.84, 0.97%, 0.77%

LAB 70.91, 51.82, -43.22

 

CMYK 9 / 39 / 0 / 4

HEX #DF95F4

RGB 223 149 244

HSL 286.74, 0.81%, 0.77%

LAB 72.04, 43.42, -36.6

 

CMYK 7 / 32 / 0 / 8

HEX #DA9EEA

RGB 218 158 234

HSL 287.37, 0.64%, 0.77%

LAB 73.09, 35.14, -29.56

 

CMYK 6 / 25 / 0 / 12

HEX #D4A8E1

RGB 212 168 225

HSL 286.32, 0.49%, 0.77%

LAB 74.47, 26.06, -22.59

 

CMYK 4 / 18 / 0 / 16

HEX #CFB1D7

RGB 207 177 215

HSL 287.37, 0.32%, 0.77%

LAB 75.83, 17.57, -15.13

 

CMYK 2 / 9 / 0 / 19

HEX #CABBCE

RGB 202 187 206

HSL 287.37, 0.16%, 0.77%

LAB 77.61, 8.74, -7.63

 

CMYK 30 / 39 / 0 / 4

HEX #AB95F4

RGB 171 149 244

HSL 253.89, 0.81%, 0.77%

LAB 67.04, 28.48, -44.77

 

CMYK 20 / 39 / 0 / 4

HEX #C495F4

RGB 196 149 244

HSL 269.68, 0.81%, 0.77%

LAB 69.3, 35.53, -41.07

 

CMYK 9 / 39 / 0 / 4

HEX #DE95F4

RGB 222 149 244

HSL 286.11, 0.81%, 0.77%

LAB 71.93, 43.13, -36.77

 

CMYK 0 / 39 / 1 / 4

HEX #F495F1

RGB 244 149 241

HSL 301.89, 0.81%, 0.77%

LAB 74.24, 49.13, -31.37

 

CMYK 0 / 39 / 12 / 4

HEX #F495D7

RGB 244 149 215

HSL 318.32, 0.81%, 0.77%

LAB 73.31, 44.74, -18.57

 

CMYK 15 / 69 / 0 / 7

HEX #C94AEC

RGB 201 74 236

HSL 287.04, 0.81%, 0.61%

LAB 55.45, 71.87, -58.52

 

CMYK 12 / 53 / 0 / 6

HEX #D470F0

RGB 212 112 240

HSL 286.88, 0.81%, 0.69%

LAB 63.24, 58.47, -48.27

 

CMYK 9 / 39 / 0 / 4

HEX #DF95F4

RGB 223 149 244

HSL 286.74, 0.81%, 0.77%

LAB 72.04, 43.42, -36.6

 

CMYK 6 / 25 / 0 / 3

HEX #EABAF8

RGB 234 186 248

HSL 286.45, 0.82%, 0.85%

LAB 81.5, 27.86, -24.11

 

CMYK 2 / 11 / 0 / 1

HEX #F6E0FC

RGB 246 224 252

HSL 287.14, 0.82%, 0.93%

LAB 91.65, 12.41, -10.84

 

CMYK 9 / 39 / 0 / 4

HEX #DF94F4

RGB 223 148 244

HSL 286.88, 0.81%, 0.77%

LAB 71.83, 43.95, -36.93

 

CMYK 0 / 39 / 38 / 4

HEX #F49598

RGB 244 149 152

HSL 358.11, 0.81%, 0.77%

LAB 71.55, 36.03, 13.72

 

CMYK 39 / 0 / 25 / 4

HEX #95F4B8

RGB 149 244 184

HSL 142.11, 0.81%, 0.77%

LAB 89.18, -40.8, 20.23

 

CMYK 9 / 39 / 0 / 4

HEX #DF94F4

RGB 223 148 244

HSL 286.88, 0.81%, 0.77%

LAB 71.83, 43.95, -36.93

 

CMYK 0 / 9 / 39 / 4

HEX #F4DE95

RGB 244 222 149

HSL 46.11, 0.81%, 0.77%

LAB 88.75, -2.47, 38.55

 

CMYK 39 / 0 / 9 / 4

HEX #95F4DE

RGB 149 244 222

HSL 166.11, 0.81%, 0.77%

LAB 90.03, -33.09, 1.74

 

CMYK 9 / 39 / 0 / 4

HEX #DF94F4

RGB 223 148 244

HSL 286.88, 0.81%, 0.77%

LAB 71.83, 43.95, -36.93

 

CMYK 0 / 39 / 38 / 4

HEX #F49598

RGB 244 149 152

HSL 358.11, 0.81%, 0.77%

LAB 71.55, 36.03, 13.72

 

CMYK 30 / 0 / 39 / 4

HEX #ABF495

RGB 171 244 149

HSL 106.11, 0.81%, 0.77%

LAB 89.64, -39.78, 38.74

 

CMYK 39 / 0 / 1 / 4

HEX #95F4F1

RGB 149 244 241

HSL 178.11, 0.81%, 0.77%

LAB 90.52, -28.76, -7.43

 

CMYK 9 / 39 / 0 / 4

HEX #DF94F4

RGB 223 148 244

HSL 286.88, 0.81%, 0.77%

LAB 71.83, 43.95, -36.93

 

CMYK 0 / 29 / 39 / 4

HEX #F4AE95

RGB 244 174 149

HSL 15.79, 0.81%, 0.77%

LAB 77.09, 22.55, 23.02

 

CMYK 30 / 0 / 39 / 4

HEX #ABF495

RGB 171 244 149

HSL 106.11, 0.81%, 0.77%

LAB 89.64, -39.78, 38.74

 

CMYK 39 / 10 / 0 / 4

HEX #95DBF4

RGB 149 219 244

HSL 195.79, 0.81%, 0.77%

LAB 83.75, -15.7, -19.14

 

Description

Color code: HEX #DF94F4CE | qconv.com Color code: HEX #DF94F4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 148 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 148 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 32 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 32% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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