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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9492CE it is the complementary color #206B6DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9492CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9492CE shade: #E4948DCE, #F5A6A0CE, #FFB8B3CE, #FFCAC6CE and #FFDCD9CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9492CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9492CE shade: #DF9492CE, #CE827FCE, #BD706CCE, #AC5E59CE and #9B4C46CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9492CE shade: #DF9290 and #DF9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9492CE shade: #DF9290, #DFA890, #DFBD90, #DFD290 and #D7DF90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9492CE shade matches the following richer shades: #DF9290, #EA8785 and #F67C79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9492CE shade: #DF9290, #D39D9C, #C8A8A7, #BCB3B3 and #B1BEBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9492CE shade: #DF90B9, #DF90A4, #DF9290, #DFA790 and #DFBC90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9492CE shade: #CC5450, #D67370, #DF9290, #E8B2B0 and #F1D1D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9492CE shade: #DF9492, #CEDF90 and #90AEDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9492CE shade: #DF9492, #90DF92 and #9290DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9492CE shade: #DF9492, #CEDF90, #90DEDF and #A190DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9492CE shade: #DF9492, #B6DF90, #90DEDF and #B990DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 28 / 10

HEX #DF9492CE

RGBA 223 148 146 0.81

HSLA 1.56, 0.55%, 0.72%, 0.81

LABA 68.71, 28.03, 12.7, 0.81

 

Complementary color

CMYK 57 / 1 / 0 / 46

HEX #206B6DCE

RGBA 32 107 109 0.81

HSLA 181.56, 0.55%, 0.28%, 0.81

LABA 41.1, -21.53, -7.78, 0.81

 

CMYK 0 / 28 / 31 / 9

HEX #E4948DCE

RGBA 228 148 141 0.81

HSLA 4.83, 0.62%, 0.72%, 0.81

LABA 69.18, 29.32, 16.23, 0.81

 

CMYK 0 / 26 / 28 / 3

HEX #F5A6A0CE

RGBA 245 166 160 0.81

HSLA 4.24, 0.81%, 0.79%, 0.81

LABA 75.59, 28.43, 15.01, 0.81

 

CMYK 0 / 23 / 24 / 0

HEX #FFB8B3CE

RGBA 255 184 179 0.81

HSLA 3.95, 1%, 0.85%, 0.81

LABA 81.18, 25.04, 12.75, 0.81

 

CMYK 0 / 17 / 18 / 0

HEX #FFCAC6CE

RGBA 255 202 198 0.81

HSLA 4.21, 1%, 0.89%, 0.81

LABA 85.8, 18.19, 9.16, 0.81

 

CMYK 0 / 11 / 12 / 0

HEX #FFDCD9CE

RGBA 255 220 217 0.81

HSLA 4.74, 1%, 0.93%, 0.81

LABA 90.53, 11.63, 5.94, 0.81

 

CMYK 0 / 27 / 28 / 10

HEX #DF9492CE

RGBA 223 148 146 0.81

HSLA 1.56, 0.55%, 0.72%, 0.81

LABA 68.71, 28.03, 12.7, 0.81

 

CMYK 0 / 30 / 31 / 16

HEX #CE827FCE

RGBA 206 130 127 0.81

HSLA 2.28, 0.45%, 0.65%, 0.81

LABA 62.19, 28.95, 13.95, 0.81

 

CMYK 0 / 33 / 35 / 21

HEX #BD706CCE

RGBA 189 112 108 0.81

HSLA 2.96, 0.38%, 0.58%, 0.81

LABA 55.57, 29.98, 15.36, 0.81

 

CMYK 0 / 37 / 39 / 26

HEX #AC5E59CE

RGBA 172 94 89 0.81

HSLA 3.61, 0.33%, 0.51%, 0.81

LABA 48.88, 31.1, 16.98, 0.81

 

CMYK 0 / 41 / 44 / 32

HEX #9B4C46CE

RGBA 155 76 70 0.81

HSLA 4.24, 0.38%, 0.44%, 0.81

LABA 42.12, 32.32, 18.91, 0.81

 

CMYK 0 / 35 / 35 / 13

HEX #DF9290

RGB 223 146 144

HSL 1.52, 0.55%, 0.72%

LAB 68.21, 28.85, 13.11

 

CMYK 0 / 35 / 35 / 13

HEX #DF9090

RGB 223 144 144

HSL 0, 0.55%, 0.72%

LAB 67.76, 29.92, 12.48

 

CMYK 0 / 35 / 35 / 13

HEX #DF9290

RGB 223 146 144

HSL 1.52, 0.55%, 0.72%

LAB 68.21, 28.85, 13.11

 

CMYK 0 / 25 / 35 / 13

HEX #DFA890

RGB 223 168 144

HSL 18.23, 0.55%, 0.72%

LAB 73.35, 17.04, 20.26

 

CMYK 0 / 15 / 35 / 13

HEX #DFBD90

RGB 223 189 144

HSL 34.18, 0.55%, 0.72%

LAB 78.52, 5.85, 27.28

 

CMYK 0 / 6 / 35 / 13

HEX #DFD290

RGB 223 210 144

HSL 50.13, 0.55%, 0.72%

LAB 83.86, -5.08, 34.37

 

CMYK 4 / 0 / 35 / 13

HEX #D7DF90

RGB 215 223 144

HSL 66.08, 0.55%, 0.72%

LAB 86.62, -14.74, 37.85

 

CMYK 0 / 35 / 35 / 13

HEX #DF9290

RGB 223 146 144

HSL 1.52, 0.55%, 0.72%

LAB 68.21, 28.85, 13.11

 

CMYK 0 / 42 / 43 / 8

HEX #EA8785

RGB 234 135 133

HSL 1.19, 0.71%, 0.72%

LAB 66.91, 37.53, 17.66

 

CMYK 0 / 50 / 51 / 4

HEX #F67C79

RGB 246 124 121

HSL 1.44, 0.87%, 0.72%

LAB 66.05, 46.34, 23.48

 

CMYK 0 / 35 / 35 / 13

HEX #DF9290

RGB 223 146 144

HSL 1.52, 0.55%, 0.72%

LAB 68.21, 28.85, 13.11

 

CMYK 0 / 26 / 26 / 17

HEX #D39D9C

RGB 211 157 156

HSL 1.09, 0.38%, 0.72%

LAB 69.73, 19.96, 8.4

 

CMYK 0 / 16 / 17 / 22

HEX #C8A8A7

RGB 200 168 167

HSL 1.82, 0.23%, 0.72%

LAB 71.61, 11.5, 4.87

 

CMYK 0 / 5 / 5 / 26

HEX #BCB3B3

RGB 188 179 179

HSL 0, 0.06%, 0.72%

LAB 73.67, 3.19, 1.13

 

CMYK 7 / 1 / 0 / 25

HEX #B1BEBF

RGB 177 190 191

HSL 184.29, 0.1%, 0.72%

LAB 76.03, -4.26, -2.05

 

CMYK 0 / 35 / 17 / 13

HEX #DF90B9

RGB 223 144 185

HSL 328.86, 0.55%, 0.72%

LAB 68.85, 35.62, -8.89

 

CMYK 0 / 35 / 26 / 13

HEX #DF90A4

RGB 223 144 164

HSL 344.81, 0.55%, 0.72%

LAB 68.25, 32.53, 1.98

 

CMYK 0 / 35 / 35 / 13

HEX #DF9290

RGB 223 146 144

HSL 1.52, 0.55%, 0.72%

LAB 68.21, 28.85, 13.11

 

CMYK 0 / 25 / 35 / 13

HEX #DFA790

RGB 223 167 144

HSL 17.47, 0.55%, 0.72%

LAB 73.11, 17.58, 19.93

 

CMYK 0 / 16 / 35 / 13

HEX #DFBC90

RGB 223 188 144

HSL 33.42, 0.55%, 0.72%

LAB 78.27, 6.38, 26.94

 

CMYK 0 / 59 / 61 / 20

HEX #CC5450

RGB 204 84 80

HSL 1.94, 0.55%, 0.56%

LAB 51.56, 47.39, 26.71

 

CMYK 0 / 46 / 48 / 16

HEX #D67370

RGB 214 115 112

HSL 1.76, 0.55%, 0.64%

LAB 59.64, 38.34, 19.16

 

CMYK 0 / 35 / 35 / 13

HEX #DF9290

RGB 223 146 144

HSL 1.52, 0.55%, 0.72%

LAB 68.21, 28.85, 13.11

 

CMYK 0 / 23 / 24 / 9

HEX #E8B2B0

RGB 232 178 176

HSL 2.14, 0.55%, 0.8%

LAB 77.36, 19.32, 8.61

 

CMYK 0 / 13 / 14 / 5

HEX #F1D1D0

RGB 241 209 208

HSL 1.82, 0.54%, 0.88%

LAB 86.43, 11, 4.61

 

CMYK 0 / 34 / 35 / 13

HEX #DF9492

RGB 223 148 146

HSL 1.56, 0.55%, 0.72%

LAB 68.71, 28.03, 12.7

 

CMYK 8 / 0 / 35 / 13

HEX #CEDF90

RGB 206 223 144

HSL 72.91, 0.55%, 0.72%

LAB 85.96, -18.15, 36.87

 

CMYK 35 / 22 / 0 / 13

HEX #90AEDF

RGB 144 174 223

HSL 217.22, 0.55%, 0.72%

LAB 70.55, 1.52, -27.98

 

CMYK 0 / 34 / 35 / 13

HEX #DF9492

RGB 223 148 146

HSL 1.56, 0.55%, 0.72%

LAB 68.71, 28.03, 12.7

 

CMYK 35 / 0 / 35 / 13

HEX #90DF92

RGB 144 223 146

HSL 121.52, 0.55%, 0.72%

LAB 82.26, -39.47, 30.28

 

CMYK 35 / 35 / 0 / 13

HEX #9290DF

RGB 146 144 223

HSL 241.52, 0.55%, 0.72%

LAB 62.83, 19.09, -39.94

 

CMYK 0 / 34 / 35 / 13

HEX #DF9492

RGB 223 148 146

HSL 1.56, 0.55%, 0.72%

LAB 68.71, 28.03, 12.7

 

CMYK 8 / 0 / 35 / 13

HEX #CEDF90

RGB 206 223 144

HSL 72.91, 0.55%, 0.72%

LAB 85.96, -18.15, 36.87

 

CMYK 35 / 0 / 0 / 13

HEX #90DEDF

RGB 144 222 223

HSL 180.76, 0.55%, 0.72%

LAB 83.7, -23.61, -8.1

 

CMYK 28 / 35 / 0 / 13

HEX #A190DF

RGB 161 144 223

HSL 252.91, 0.55%, 0.72%

LAB 64.04, 23.31, -37.96

 

CMYK 0 / 34 / 35 / 13

HEX #DF9492

RGB 223 148 146

HSL 1.56, 0.55%, 0.72%

LAB 68.71, 28.03, 12.7

 

CMYK 18 / 0 / 35 / 13

HEX #B6DF90

RGB 182 223 144

HSL 91.14, 0.55%, 0.72%

LAB 84.35, -26.99, 34.45

 

CMYK 35 / 0 / 0 / 13

HEX #90DEDF

RGB 144 222 223

HSL 180.76, 0.55%, 0.72%

LAB 83.7, -23.61, -8.1

 

CMYK 17 / 35 / 0 / 13

HEX #B990DF

RGB 185 144 223

HSL 271.14, 0.55%, 0.72%

LAB 66.2, 30.4, -34.43

 

Description

Color code: HEX #DF9492CE | qconv.com Color code: HEX #DF9492CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 148 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 148 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 28 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 28% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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