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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF90CB it is the complementary color #206F34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF90CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF90CB shade: #E490C6, #F5A2D9, #FFB4EC, #FFC6FF and #FFD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF90CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF90CB shade: #DF90CB, #CE7EB8, #BD6CA5, #AC5A92 and #9B487F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF90CB shade: #DE90CA, #DE90B5, #DE90A0 and #DE9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF90CB shade: #DE90CA, #DD90DE, #C890DE, #B390DE and #9E90DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF90CB shade matches the following richer shades: #DE90CA, #EA84D0 and #F579D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF90CB shade: #DE90CA, #D39BC5, #C7A7BF, #BCB2B9 and #B0BEB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF90CB shade: #C890DE, #DD90DE, #DE90CB, #DE90B6 and #DE90A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF90CB shade: #CC50AC, #D570BB, #DE90CA, #E8B0DA and #F1D0E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF90CB shade: #DF90CB, #DEB390 and #90DED3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF90CB shade: #DF90CB, #CBDE90 and #90CBDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF90CB shade: #DF90CB, #DEB390, #90DEA3 and #90BBDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF90CB shade: #DF90CB, #DECB90, #90DEA3 and #90A3DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 9 / 13

HEX #DF90CB

RGB 223 144 203

HSL 315.19, 0.55%, 0.72%

LAB 69.43, 38.55, -18.04

 

Complementary color

CMYK 71 / 0 / 53 / 56

HEX #206F34

RGB 32 111 52

HSL 135.19, 0.55%, 0.28%

LAB 41.09, -37.52, 25.94

 

CMYK 0 / 37 / 13 / 11

HEX #E490C6

RGB 228 144 198

HSL 321.43, 0.61%, 0.73%

LAB 69.84, 39.38, -14.59

 

CMYK 0 / 34 / 11 / 4

HEX #F5A2D9

RGB 245 162 217

HSL 320.24, 0.81%, 0.8%

LAB 76.23, 38.64, -15.24

 

CMYK 0 / 29 / 7 / 0

HEX #FFB4EC

RGB 255 180 236

HSL 315.2, 1%, 0.85%

LAB 81.82, 35.65, -17.01

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 35 / 9 / 13

HEX #DF90CB

RGB 223 144 203

HSL 315.19, 0.55%, 0.72%

LAB 69.43, 38.55, -18.04

 

CMYK 0 / 39 / 11 / 19

HEX #CE7EB8

RGB 206 126 184

HSL 316.5, 0.45%, 0.65%

LAB 62.93, 39.3, -17.42

 

CMYK 0 / 43 / 13 / 26

HEX #BD6CA5

RGB 189 108 165

HSL 317.78, 0.38%, 0.58%

LAB 56.35, 40.08, -16.73

 

CMYK 0 / 48 / 15 / 33

HEX #AC5A92

RGB 172 90 146

HSL 319.02, 0.33%, 0.51%

LAB 49.69, 40.85, -15.92

 

CMYK 0 / 54 / 18 / 39

HEX #9B487F

RGB 155 72 127

HSL 320.24, 0.37%, 0.45%

LAB 42.97, 41.56, -14.94

 

CMYK 0 / 35 / 9 / 13

HEX #DE90CA

RGB 222 144 202

HSL 315.38, 0.54%, 0.72%

LAB 69.28, 38.05, -17.72

 

CMYK 0 / 35 / 18 / 13

HEX #DE90B5

RGB 222 144 181

HSL 331.54, 0.54%, 0.72%

LAB 68.62, 34.66, -7.02

 

CMYK 0 / 35 / 28 / 13

HEX #DE90A0

RGB 222 144 160

HSL 347.69, 0.54%, 0.72%

LAB 68.03, 31.62, 3.89

 

CMYK 0 / 35 / 35 / 13

HEX #DE9090

RGB 222 144 144

HSL 0, 0.54%, 0.72%

LAB 67.64, 29.55, 12.3

 

CMYK 0 / 35 / 9 / 13

HEX #DE90CA

RGB 222 144 202

HSL 315.38, 0.54%, 0.72%

LAB 69.28, 38.05, -17.72

 

CMYK 0 / 35 / 0 / 13

HEX #DD90DE

RGB 221 144 222

HSL 299.23, 0.54%, 0.72%

LAB 69.89, 41.27, -27.87

 

CMYK 10 / 35 / 0 / 13

HEX #C890DE

RGB 200 144 222

HSL 283.08, 0.54%, 0.72%

LAB 67.65, 34.76, -31.51

 

CMYK 19 / 35 / 0 / 13

HEX #B390DE

RGB 179 144 222

HSL 266.92, 0.54%, 0.72%

LAB 65.6, 28.37, -34.86

 

CMYK 29 / 35 / 0 / 13

HEX #9E90DE

RGB 158 144 222

HSL 250.77, 0.54%, 0.72%

LAB 63.75, 22.2, -37.88

 

CMYK 0 / 35 / 9 / 13

HEX #DE90CA

RGB 222 144 202

HSL 315.38, 0.54%, 0.72%

LAB 69.28, 38.05, -17.72

 

CMYK 0 / 44 / 11 / 8

HEX #EA84D0

RGB 234 132 208

HSL 315.29, 0.71%, 0.72%

LAB 68.42, 49.12, -22.23

 

CMYK 0 / 51 / 13 / 4

HEX #F579D6

RGB 245 121 214

HSL 315, 0.86%, 0.72%

LAB 67.98, 58.76, -26.13

 

CMYK 0 / 35 / 9 / 13

HEX #DE90CA

RGB 222 144 202

HSL 315.38, 0.54%, 0.72%

LAB 69.28, 38.05, -17.72

 

CMYK 0 / 27 / 7 / 17

HEX #D39BC5

RGB 211 155 197

HSL 315, 0.39%, 0.72%

LAB 70.4, 27.58, -13.38

 

CMYK 0 / 16 / 4 / 22

HEX #C7A7BF

RGB 199 167 191

HSL 315, 0.22%, 0.72%

LAB 71.92, 15.79, -7.91

 

CMYK 0 / 5 / 2 / 26

HEX #BCB2B9

RGB 188 178 185

HSL 318, 0.07%, 0.72%

LAB 73.57, 4.83, -2.29

 

CMYK 7 / 0 / 5 / 25

HEX #B0BEB4

RGB 176 190 180

HSL 137.14, 0.1%, 0.72%

LAB 75.67, -6.72, 3.38

 

CMYK 10 / 35 / 0 / 13

HEX #C890DE

RGB 200 144 222

HSL 283.08, 0.54%, 0.72%

LAB 67.65, 34.76, -31.51

 

CMYK 0 / 35 / 0 / 13

HEX #DD90DE

RGB 221 144 222

HSL 299.23, 0.54%, 0.72%

LAB 69.89, 41.27, -27.87

 

CMYK 0 / 35 / 9 / 13

HEX #DE90CB

RGB 222 144 203

HSL 314.62, 0.54%, 0.72%

LAB 69.32, 38.22, -18.22

 

CMYK 0 / 35 / 18 / 13

HEX #DE90B6

RGB 222 144 182

HSL 330.77, 0.54%, 0.72%

LAB 68.65, 34.81, -7.53

 

CMYK 0 / 35 / 27 / 13

HEX #DE90A1

RGB 222 144 161

HSL 346.92, 0.54%, 0.72%

LAB 68.06, 31.75, 3.36

 

CMYK 0 / 61 / 16 / 20

HEX #CC50AC

RGB 204 80 172

HSL 315.48, 0.55%, 0.56%

LAB 53.55, 59.34, -24.9

 

CMYK 0 / 47 / 12 / 16

HEX #D570BB

RGB 213 112 187

HSL 315.45, 0.55%, 0.64%

LAB 61.07, 49.28, -21.89

 

CMYK 0 / 35 / 9 / 13

HEX #DE90CA

RGB 222 144 202

HSL 315.38, 0.54%, 0.72%

LAB 69.28, 38.05, -17.72

 

CMYK 0 / 24 / 6 / 9

HEX #E8B0DA

RGB 232 176 218

HSL 315, 0.55%, 0.8%

LAB 78.03, 27.05, -13.22

 

CMYK 0 / 14 / 3 / 5

HEX #F1D0E9

RGB 241 208 233

HSL 314.55, 0.54%, 0.88%

LAB 86.85, 15.71, -8.03

 

CMYK 0 / 35 / 9 / 13

HEX #DF90CB

RGB 223 144 203

HSL 315.19, 0.55%, 0.72%

LAB 69.43, 38.55, -18.04

 

CMYK 0 / 19 / 35 / 13

HEX #DEB390

RGB 222 179 144

HSL 26.92, 0.54%, 0.72%

LAB 75.94, 10.76, 23.77

 

CMYK 35 / 0 / 5 / 13

HEX #90DED3

RGB 144 222 211

HSL 171.54, 0.54%, 0.72%

LAB 83.38, -26.39, -2.22

 

CMYK 0 / 35 / 9 / 13

HEX #DF90CB

RGB 223 144 203

HSL 315.19, 0.55%, 0.72%

LAB 69.43, 38.55, -18.04

 

CMYK 9 / 0 / 35 / 13

HEX #CBDE90

RGB 203 222 144

HSL 74.62, 0.54%, 0.72%

LAB 85.48, -18.79, 36.2

 

CMYK 35 / 9 / 0 / 13

HEX #90CBDE

RGB 144 203 222

HSL 194.62, 0.54%, 0.72%

LAB 78.41, -14.27, -15.47

 

CMYK 0 / 35 / 9 / 13

HEX #DF90CB

RGB 223 144 203

HSL 315.19, 0.55%, 0.72%

LAB 69.43, 38.55, -18.04

 

CMYK 0 / 19 / 35 / 13

HEX #DEB390

RGB 222 179 144

HSL 26.92, 0.54%, 0.72%

LAB 75.94, 10.76, 23.77

 

CMYK 35 / 0 / 27 / 13

HEX #90DEA3

RGB 144 222 163

HSL 134.62, 0.54%, 0.72%

LAB 82.28, -36.15, 21.52

 

CMYK 35 / 16 / 0 / 13

HEX #90BBDE

RGB 144 187 222

HSL 206.92, 0.54%, 0.72%

LAB 74.03, -5.83, -22.11

 

CMYK 0 / 35 / 9 / 13

HEX #DF90CB

RGB 223 144 203

HSL 315.19, 0.55%, 0.72%

LAB 69.43, 38.55, -18.04

 

CMYK 0 / 9 / 35 / 13

HEX #DECB90

RGB 222 203 144

HSL 45.38, 0.54%, 0.72%

LAB 81.98, -1.87, 31.87

 

CMYK 35 / 0 / 27 / 13

HEX #90DEA3

RGB 144 222 163

HSL 134.62, 0.54%, 0.72%

LAB 82.28, -36.15, 21.52

 

CMYK 35 / 27 / 0 / 13

HEX #90A3DE

RGB 144 163 222

HSL 225.38, 0.54%, 0.72%

LAB 67.57, 7.41, -32.01

 

Description

Color code: HEX #DF90CB | qconv.com Color code: HEX #DF90CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 144 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 144 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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