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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF90C0 it is the complementary color #206F3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF90C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF90C0 shade: #E490BB, #F5A2CE, #FFB4E1, #FFC6F4 and #FFD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF90C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF90C0 shade: #DF90C0, #CE7EAD, #BD6C9A, #AC5A87 and #9B4874

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF90C0 shade: #DE90C0, #DE90AA, #DE9095 and #DE9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF90C0 shade: #DE90C0, #DE90D5, #D390DE, #BE90DE and #A890DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF90C0 shade matches the following richer shades: #DE90C0, #EA84C2 and #F579C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF90C0 shade: #DE90C0, #D39BBD, #C7A7BB, #BCB2B8 and #B0BEB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF90C0 shade: #D390DE, #DE90D5, #DE90C0, #DE90AB and #DE9096

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF90C0 shade: #CC509B, #D570AD, #DE90C0, #E8B0D2 and #F1D0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF90C0 shade: #DF90C0, #DEBE90 and #90DEDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF90C0 shade: #DF90C0, #C0DE90 and #90C0DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF90C0 shade: #DF90C0, #DEBE90, #90DEAE and #90B1DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF90C0 shade: #DF90C0, #DED590, #90DEAE and #9099DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 14 / 13

HEX #DF90C0

RGB 223 144 192

HSL 323.54, 0.55%, 0.72%

LAB 69.07, 36.73, -12.47

 

Complementary color

CMYK 71 / 0 / 43 / 56

HEX #206F3F

RGB 32 111 63

HSL 143.54, 0.55%, 0.28%

LAB 41.27, -35.52, 19.99

 

CMYK 0 / 37 / 18 / 11

HEX #E490BB

RGB 228 144 187

HSL 329.29, 0.61%, 0.73%

LAB 69.49, 37.65, -8.99

 

CMYK 0 / 34 / 16 / 4

HEX #F5A2CE

RGB 245 162 206

HSL 328.19, 0.81%, 0.8%

LAB 75.89, 36.89, -9.74

 

CMYK 0 / 29 / 12 / 0

HEX #FFB4E1

RGB 255 180 225

HSL 324, 1%, 0.85%

LAB 81.48, 33.84, -11.6

 

CMYK 0 / 22 / 4 / 0

HEX #FFC6F4

RGB 255 198 244

HSL 311.58, 1%, 0.89%

LAB 86.1, 27.57, -14.85

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 35 / 14 / 13

HEX #DF90C0

RGB 223 144 192

HSL 323.54, 0.55%, 0.72%

LAB 69.07, 36.73, -12.47

 

CMYK 0 / 39 / 16 / 19

HEX #CE7EAD

RGB 206 126 173

HSL 324.75, 0.45%, 0.65%

LAB 62.56, 37.5, -11.74

 

CMYK 0 / 43 / 19 / 26

HEX #BD6C9A

RGB 189 108 154

HSL 325.93, 0.38%, 0.58%

LAB 55.96, 38.3, -10.92

 

CMYK 0 / 48 / 22 / 33

HEX #AC5A87

RGB 172 90 135

HSL 327.07, 0.33%, 0.51%

LAB 49.29, 39.11, -9.97

 

CMYK 0 / 54 / 25 / 39

HEX #9B4874

RGB 155 72 116

HSL 328.19, 0.37%, 0.45%

LAB 42.56, 39.88, -8.81

 

CMYK 0 / 35 / 14 / 13

HEX #DE90C0

RGB 222 144 192

HSL 323.08, 0.54%, 0.72%

LAB 68.95, 36.4, -12.65

 

CMYK 0 / 35 / 23 / 13

HEX #DE90AA

RGB 222 144 170

HSL 340, 0.54%, 0.72%

LAB 68.3, 33.02, -1.33

 

CMYK 0 / 35 / 33 / 13

HEX #DE9095

RGB 222 144 149

HSL 356.15, 0.54%, 0.72%

LAB 67.76, 30.17, 9.66

 

CMYK 0 / 35 / 35 / 13

HEX #DE9090

RGB 222 144 144

HSL 0, 0.54%, 0.72%

LAB 67.64, 29.55, 12.3

 

CMYK 0 / 35 / 14 / 13

HEX #DE90C0

RGB 222 144 192

HSL 323.08, 0.54%, 0.72%

LAB 68.95, 36.4, -12.65

 

CMYK 0 / 35 / 4 / 13

HEX #DE90D5

RGB 222 144 213

HSL 306.92, 0.54%, 0.72%

LAB 69.67, 39.96, -23.23

 

CMYK 5 / 35 / 0 / 13

HEX #D390DE

RGB 211 144 222

HSL 291.54, 0.54%, 0.72%

LAB 68.8, 38.16, -29.64

 

CMYK 14 / 35 / 0 / 13

HEX #BE90DE

RGB 190 144 222

HSL 275.38, 0.54%, 0.72%

LAB 66.65, 31.7, -33.15

 

CMYK 24 / 35 / 0 / 13

HEX #A890DE

RGB 168 144 222

HSL 258.46, 0.54%, 0.72%

LAB 64.6, 25.1, -36.49

 

CMYK 0 / 35 / 14 / 13

HEX #DE90C0

RGB 222 144 192

HSL 323.08, 0.54%, 0.72%

LAB 68.95, 36.4, -12.65

 

CMYK 0 / 44 / 17 / 8

HEX #EA84C2

RGB 234 132 194

HSL 323.53, 0.71%, 0.72%

LAB 67.94, 46.92, -15.15

 

CMYK 0 / 51 / 20 / 4

HEX #F579C5

RGB 245 121 197

HSL 323.23, 0.86%, 0.72%

LAB 67.37, 56.24, -17.56

 

CMYK 0 / 35 / 14 / 13

HEX #DE90C0

RGB 222 144 192

HSL 323.08, 0.54%, 0.72%

LAB 68.95, 36.4, -12.65

 

CMYK 0 / 27 / 10 / 17

HEX #D39BBD

RGB 211 155 189

HSL 323.57, 0.39%, 0.72%

LAB 70.15, 26.19, -9.31

 

CMYK 0 / 16 / 6 / 22

HEX #C7A7BB

RGB 199 167 187

HSL 322.5, 0.22%, 0.72%

LAB 71.8, 15.07, -5.88

 

CMYK 0 / 5 / 2 / 26

HEX #BCB2B8

RGB 188 178 184

HSL 324, 0.07%, 0.72%

LAB 73.54, 4.64, -1.79

 

CMYK 7 / 0 / 4 / 25

HEX #B0BEB6

RGB 176 190 182

HSL 145.71, 0.1%, 0.72%

LAB 75.72, -6.34, 2.37

 

CMYK 5 / 35 / 0 / 13

HEX #D390DE

RGB 211 144 222

HSL 291.54, 0.54%, 0.72%

LAB 68.8, 38.16, -29.64

 

CMYK 0 / 35 / 4 / 13

HEX #DE90D5

RGB 222 144 213

HSL 306.92, 0.54%, 0.72%

LAB 69.67, 39.96, -23.23

 

CMYK 0 / 35 / 14 / 13

HEX #DE90C0

RGB 222 144 192

HSL 323.08, 0.54%, 0.72%

LAB 68.95, 36.4, -12.65

 

CMYK 0 / 35 / 23 / 13

HEX #DE90AB

RGB 222 144 171

HSL 339.23, 0.54%, 0.72%

LAB 68.33, 33.16, -1.85

 

CMYK 0 / 35 / 32 / 13

HEX #DE9096

RGB 222 144 150

HSL 355.38, 0.54%, 0.72%

LAB 67.78, 30.3, 9.14

 

CMYK 0 / 61 / 24 / 20

HEX #CC509B

RGB 204 80 155

HSL 323.71, 0.55%, 0.56%

LAB 52.89, 56.92, -15.95

 

CMYK 0 / 47 / 19 / 16

HEX #D570AD

RGB 213 112 173

HSL 323.76, 0.55%, 0.64%

LAB 60.56, 47.1, -14.66

 

CMYK 0 / 35 / 14 / 13

HEX #DE90C0

RGB 222 144 192

HSL 323.08, 0.54%, 0.72%

LAB 68.95, 36.4, -12.65

 

CMYK 0 / 24 / 9 / 9

HEX #E8B0D2

RGB 232 176 210

HSL 323.57, 0.55%, 0.8%

LAB 77.79, 25.68, -9.24

 

CMYK 0 / 14 / 5 / 5

HEX #F1D0E4

RGB 241 208 228

HSL 323.64, 0.54%, 0.88%

LAB 86.71, 14.84, -5.58

 

CMYK 0 / 35 / 14 / 13

HEX #DF90C0

RGB 223 144 192

HSL 323.54, 0.55%, 0.72%

LAB 69.07, 36.73, -12.47

 

CMYK 0 / 14 / 35 / 13

HEX #DEBE90

RGB 222 190 144

HSL 35.38, 0.54%, 0.72%

LAB 78.68, 4.93, 27.47

 

CMYK 35 / 0 / 0 / 13

HEX #90DEDD

RGB 144 222 221

HSL 179.23, 0.54%, 0.72%

LAB 83.65, -24.09, -7.12

 

CMYK 0 / 35 / 14 / 13

HEX #DF90C0

RGB 223 144 192

HSL 323.54, 0.55%, 0.72%

LAB 69.07, 36.73, -12.47

 

CMYK 14 / 0 / 35 / 13

HEX #C0DE90

RGB 192 222 144

HSL 83.08, 0.54%, 0.72%

LAB 84.72, -22.88, 35.06

 

CMYK 35 / 14 / 0 / 13

HEX #90C0DE

RGB 144 192 222

HSL 203.08, 0.54%, 0.72%

LAB 75.39, -8.5, -20.04

 

CMYK 0 / 35 / 14 / 13

HEX #DF90C0

RGB 223 144 192

HSL 323.54, 0.55%, 0.72%

LAB 69.07, 36.73, -12.47

 

CMYK 0 / 14 / 35 / 13

HEX #DEBE90

RGB 222 190 144

HSL 35.38, 0.54%, 0.72%

LAB 78.68, 4.93, 27.47

 

CMYK 35 / 0 / 22 / 13

HEX #90DEAE

RGB 144 222 174

HSL 143.08, 0.54%, 0.72%

LAB 82.5, -34.12, 16.07

 

CMYK 35 / 20 / 0 / 13

HEX #90B1DE

RGB 144 177 222

HSL 214.62, 0.54%, 0.72%

LAB 71.32, -0.39, -26.25

 

CMYK 0 / 35 / 14 / 13

HEX #DF90C0

RGB 223 144 192

HSL 323.54, 0.55%, 0.72%

LAB 69.07, 36.73, -12.47

 

CMYK 0 / 4 / 35 / 13

HEX #DED590

RGB 222 213 144

HSL 53.08, 0.54%, 0.72%

LAB 84.55, -7, 35.26

 

CMYK 35 / 0 / 22 / 13

HEX #90DEAE

RGB 144 222 174

HSL 143.08, 0.54%, 0.72%

LAB 82.5, -34.12, 16.07

 

CMYK 35 / 31 / 0 / 13

HEX #9099DE

RGB 144 153 222

HSL 233.08, 0.54%, 0.72%

LAB 64.95, 13.1, -36.08

 

Description

Color code: HEX #DF90C0 | qconv.com Color code: HEX #DF90C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 144 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 144 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 14 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 14% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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