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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF8FA0CE it is the complementary color #20705FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF8FA0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF8FA0CE shade: #E48F9BCE, #F5A1AECE, #FFB3C1CE, #FFC5D4CE and #FFD7E7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF8FA0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF8FA0CE shade: #DF8FA0CE, #CE7D8DCE, #BD6B7ACE, #AC5967CE and #9B4754CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF8FA0CE shade: #E090A1 and #E09090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF8FA0CE shade: #E090A1, #E090B6, #E090CC, #DE90E0 and #C890E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF8FA0CE shade matches the following richer shades: #E090A1, #EB849A and #F77993

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF8FA0CE shade: #E090A1, #D49BA7, #C8A7AE, #BDB2B5 and #B1BEBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF8FA0CE shade: #E090CC, #E090B6, #E090A1, #E09490 and #E0A990

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF8FA0CE shade: #CD4F6A, #D76F85, #E090A1, #E9B0BC and #F2D0D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF8FA0CE shade: #DF8FA0, #E0DE90 and #90C1E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF8FA0CE shade: #DF8FA0, #A1E090 and #90A1E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF8FA0CE shade: #DF8FA0, #E0DE90, #90E0CE and #9091E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF8FA0CE shade: #DF8FA0, #C9E090, #90E0CE and #A690E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 23 / 10

HEX #DF8FA0CE

RGBA 223 143 160 0.81

HSLA 347.25, 0.56%, 0.72%, 0.81

LABA 67.93, 32.51, 3.75, 0.81

 

Complementary color

CMYK 58 / 0 / 12 / 45

HEX #20705FCE

RGBA 32 112 95 0.81

HSLA 167.25, 0.56%, 0.28%, 0.81

LABA 42.34, -28.27, 2.52, 0.81

 

CMYK 0 / 30 / 26 / 9

HEX #E48F9BCE

RGBA 228 143 155 0.81

HSLA 351.53, 0.61%, 0.73%, 0.81

LABA 68.39, 33.68, 7.3, 0.81

 

CMYK 0 / 28 / 23 / 3

HEX #F5A1AECE

RGBA 245 161 174 0.81

HSLA 350.71, 0.81%, 0.8%, 0.81

LABA 74.8, 32.83, 6.22, 0.81

 

CMYK 0 / 24 / 20 / 0

HEX #FFB3C1CE

RGBA 255 179 193 0.81

HSLA 348.95, 1%, 0.85%, 0.81

LABA 80.38, 29.54, 4.05, 0.81

 

CMYK 0 / 18 / 14 / 0

HEX #FFC5D4CE

RGBA 255 197 212 0.81

HSLA 344.48, 1%, 0.89%, 0.81

LABA 84.97, 22.87, 0.52, 0.81

 

CMYK 0 / 13 / 8 / 0

HEX #FFD7E7CE

RGBA 255 215 231 0.81

HSLA 336, 1%, 0.92%, 0.81

LABA 89.69, 16.47, -2.64, 0.81

 

CMYK 0 / 29 / 23 / 10

HEX #DF8FA0CE

RGBA 223 143 160 0.81

HSLA 347.25, 0.56%, 0.72%, 0.81

LABA 67.93, 32.51, 3.75, 0.81

 

CMYK 0 / 32 / 26 / 16

HEX #CE7D8DCE

RGBA 206 125 141 0.81

HSLA 348.15, 0.45%, 0.65%, 0.81

LABA 61.41, 33.39, 4.85, 0.81

 

CMYK 0 / 35 / 29 / 21

HEX #BD6B7ACE

RGBA 189 107 122 0.81

HSLA 349.02, 0.38%, 0.58%, 0.81

LABA 54.8, 34.33, 6.09, 0.81

 

CMYK 0 / 39 / 32 / 26

HEX #AC5967CE

RGBA 172 89 103 0.81

HSLA 349.88, 0.33%, 0.51%, 0.81

LABA 48.13, 35.32, 7.55, 0.81

 

CMYK 0 / 44 / 37 / 32

HEX #9B4754CE

RGBA 155 71 84 0.81

HSLA 350.71, 0.37%, 0.44%, 0.81

LABA 41.4, 36.34, 9.3, 0.81

 

CMYK 0 / 36 / 28 / 12

HEX #E090A1

RGB 224 144 161

HSL 347.25, 0.56%, 0.72%

LAB 68.29, 32.48, 3.73

 

CMYK 0 / 36 / 36 / 12

HEX #E09090

RGB 224 144 144

HSL 0, 0.56%, 0.72%

LAB 67.88, 30.3, 12.66

 

CMYK 0 / 36 / 28 / 12

HEX #E090A1

RGB 224 144 161

HSL 347.25, 0.56%, 0.72%

LAB 68.29, 32.48, 3.73

 

CMYK 0 / 36 / 19 / 12

HEX #E090B6

RGB 224 144 182

HSL 331.5, 0.56%, 0.72%

LAB 68.88, 35.51, -7.16

 

CMYK 0 / 36 / 9 / 12

HEX #E090CC

RGB 224 144 204

HSL 315, 0.56%, 0.72%

LAB 69.58, 39.05, -18.36

 

CMYK 1 / 36 / 0 / 12

HEX #DE90E0

RGB 222 144 224

HSL 298.5, 0.56%, 0.72%

LAB 70.08, 41.95, -28.68

 

CMYK 11 / 36 / 0 / 12

HEX #C890E0

RGB 200 144 224

HSL 282, 0.56%, 0.72%

LAB 67.73, 35.17, -32.49

 

CMYK 0 / 36 / 28 / 12

HEX #E090A1

RGB 224 144 161

HSL 347.25, 0.56%, 0.72%

LAB 68.29, 32.48, 3.73

 

CMYK 0 / 44 / 34 / 8

HEX #EB849A

RGB 235 132 154

HSL 347.18, 0.72%, 0.72%

LAB 66.9, 41.8, 5.84

 

CMYK 0 / 51 / 40 / 3

HEX #F77993

RGB 247 121 147

HSL 347.62, 0.89%, 0.72%

LAB 66.18, 50.65, 8.98

 

CMYK 0 / 36 / 28 / 12

HEX #E090A1

RGB 224 144 161

HSL 347.25, 0.56%, 0.72%

LAB 68.29, 32.48, 3.73

 

CMYK 0 / 27 / 21 / 17

HEX #D49BA7

RGB 212 155 167

HSL 347.37, 0.4%, 0.72%

LAB 69.63, 23.02, 2.16

 

CMYK 0 / 17 / 13 / 22

HEX #C8A7AE

RGB 200 167 174

HSL 347.27, 0.23%, 0.72%

LAB 71.54, 13.19, 0.91

 

CMYK 0 / 6 / 4 / 26

HEX #BDB2B5

RGB 189 178 181

HSL 343.64, 0.08%, 0.72%

LAB 73.54, 4.45, -0.13

 

CMYK 7 / 0 / 2 / 25

HEX #B1BEBB

RGB 177 190 187

HSL 166.15, 0.09%, 0.72%

LAB 75.92, -5.04, -0.04

 

CMYK 0 / 36 / 9 / 12

HEX #E090CC

RGB 224 144 204

HSL 315, 0.56%, 0.72%

LAB 69.58, 39.05, -18.36

 

CMYK 0 / 36 / 19 / 12

HEX #E090B6

RGB 224 144 182

HSL 331.5, 0.56%, 0.72%

LAB 68.88, 35.51, -7.16

 

CMYK 0 / 36 / 28 / 12

HEX #E090A1

RGB 224 144 161

HSL 347.25, 0.56%, 0.72%

LAB 68.29, 32.48, 3.73

 

CMYK 0 / 34 / 36 / 12

HEX #E09490

RGB 224 148 144

HSL 3, 0.56%, 0.72%

LAB 68.78, 28.16, 13.93

 

CMYK 0 / 25 / 36 / 12

HEX #E0A990

RGB 224 169 144

HSL 18.75, 0.56%, 0.72%

LAB 73.7, 16.89, 20.75

 

CMYK 0 / 61 / 48 / 20

HEX #CD4F6A

RGB 205 79 106

HSL 347.14, 0.56%, 0.56%

LAB 51.4, 52.09, 11.08

 

CMYK 0 / 48 / 38 / 16

HEX #D76F85

RGB 215 111 133

HSL 347.31, 0.57%, 0.64%

LAB 59.44, 42.97, 6.79

 

CMYK 0 / 36 / 28 / 12

HEX #E090A1

RGB 224 144 161

HSL 347.25, 0.56%, 0.72%

LAB 68.29, 32.48, 3.73

 

CMYK 0 / 24 / 19 / 9

HEX #E9B0BC

RGB 233 176 188

HSL 347.37, 0.56%, 0.8%

LAB 77.28, 22.52, 1.99

 

CMYK 0 / 14 / 11 / 5

HEX #F2D0D7

RGB 242 208 215

HSL 347.65, 0.57%, 0.88%

LAB 86.45, 13, 0.94

 

CMYK 0 / 36 / 28 / 13

HEX #DF8FA0

RGB 223 143 160

HSL 347.25, 0.56%, 0.72%

LAB 67.93, 32.51, 3.75

 

CMYK 0 / 1 / 36 / 12

HEX #E0DE90

RGB 224 222 144

HSL 58.5, 0.56%, 0.72%

LAB 87.05, -10.78, 38.54

 

CMYK 36 / 14 / 0 / 12

HEX #90C1E0

RGB 144 193 224

HSL 203.25, 0.56%, 0.72%

LAB 75.73, -8.53, -20.6

 

CMYK 0 / 36 / 28 / 13

HEX #DF8FA0

RGB 223 143 160

HSL 347.25, 0.56%, 0.72%

LAB 67.93, 32.51, 3.75

 

CMYK 28 / 0 / 36 / 12

HEX #A1E090

RGB 161 224 144

HSL 107.25, 0.56%, 0.72%

LAB 83.39, -34.75, 32.96

 

CMYK 36 / 28 / 0 / 12

HEX #90A1E0

RGB 144 161 224

HSL 227.25, 0.56%, 0.72%

LAB 67.13, 9.07, -33.81

 

CMYK 0 / 36 / 28 / 13

HEX #DF8FA0

RGB 223 143 160

HSL 347.25, 0.56%, 0.72%

LAB 67.93, 32.51, 3.75

 

CMYK 0 / 1 / 36 / 12

HEX #E0DE90

RGB 224 222 144

HSL 58.5, 0.56%, 0.72%

LAB 87.05, -10.78, 38.54

 

CMYK 36 / 0 / 8 / 12

HEX #90E0CE

RGB 144 224 206

HSL 166.5, 0.56%, 0.72%

LAB 83.81, -28.48, 1.05

 

CMYK 36 / 35 / 0 / 12

HEX #9091E0

RGB 144 145 224

HSL 239.25, 0.56%, 0.72%

LAB 62.98, 18.23, -40.27

 

CMYK 0 / 36 / 28 / 13

HEX #DF8FA0

RGB 223 143 160

HSL 347.25, 0.56%, 0.72%

LAB 67.93, 32.51, 3.75

 

CMYK 10 / 0 / 36 / 12

HEX #C9E090

RGB 201 224 144

HSL 77.25, 0.56%, 0.72%

LAB 85.88, -20.52, 36.69

 

CMYK 36 / 0 / 8 / 12

HEX #90E0CE

RGB 144 224 206

HSL 166.5, 0.56%, 0.72%

LAB 83.81, -28.48, 1.05

 

CMYK 26 / 36 / 0 / 12

HEX #A690E0

RGB 166 144 224

HSL 256.5, 0.56%, 0.72%

LAB 64.51, 25, -37.75

 

Description

Color code: HEX #DF8FA0CE | qconv.com Color code: HEX #DF8FA0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 143 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 143 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 23 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 23% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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