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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF8EC3 it is the complementary color #20713C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF8EC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF8EC3 shade: #E48EBE, #F5A0D1, #FFB2E4, #FFC4F7 and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF8EC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF8EC3 shade: #DF8EC3, #CE7CB0, #BD6A9D, #AC588A and #9B4677

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF8EC3 shade: #E090C4, #E090AE, #E09099 and #E09090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF8EC3 shade: #E090C4, #E090DA, #D090E0, #BB90E0 and #A590E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF8EC3 shade matches the following richer shades: #E090C4, #EB84C8 and #F779CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF8EC3 shade: #E090C4, #D49BC0, #C8A7BD, #BDB2B9 and #B1BEB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF8EC3 shade: #D090E0, #E090DA, #E090C5, #E090B0 and #E0909A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF8EC3 shade: #CD4FA2, #D76FB3, #E090C4, #E9B0D5 and #F2D0E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF8EC3 shade: #DF8EC3, #E0BA90 and #90E0DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF8EC3 shade: #DF8EC3, #C5E090 and #90C5E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF8EC3 shade: #DF8EC3, #E0BA90, #90E0AA and #90B5E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF8EC3 shade: #DF8EC3, #E0D290, #90E0AA and #909DE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 13 / 13

HEX #DF8EC3

RGB 223 142 195

HSL 320.74, 0.56%, 0.72%

LAB 68.73, 38.28, -14.64

 

Complementary color

CMYK 72 / 0 / 47 / 56

HEX #20713C

RGB 32 113 60

HSL 140.74, 0.56%, 0.28%

LAB 41.91, -36.93, 22.53

 

CMYK 0 / 38 / 17 / 11

HEX #E48EBE

RGB 228 142 190

HSL 326.51, 0.61%, 0.73%

LAB 69.15, 39.16, -11.17

 

CMYK 0 / 35 / 15 / 4

HEX #F5A0D1

RGB 245 160 209

HSL 325.41, 0.81%, 0.79%

LAB 75.55, 38.41, -11.89

 

CMYK 0 / 30 / 11 / 0

HEX #FFB2E4

RGB 255 178 228

HSL 321.04, 1%, 0.85%

LAB 81.13, 35.37, -13.74

 

CMYK 0 / 23 / 3 / 0

HEX #FFC4F7

RGB 255 196 247

HSL 308.14, 1%, 0.88%

LAB 85.73, 29.15, -16.99

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 36 / 13 / 13

HEX #DF8EC3

RGB 223 142 195

HSL 320.74, 0.56%, 0.72%

LAB 68.73, 38.28, -14.64

 

CMYK 0 / 40 / 15 / 19

HEX #CE7CB0

RGB 206 124 176

HSL 321.95, 0.46%, 0.65%

LAB 62.23, 39.05, -13.94

 

CMYK 0 / 44 / 17 / 26

HEX #BD6A9D

RGB 189 106 157

HSL 323.13, 0.39%, 0.58%

LAB 55.65, 39.83, -13.15

 

CMYK 0 / 49 / 20 / 33

HEX #AC588A

RGB 172 88 138

HSL 324.29, 0.34%, 0.51%

LAB 48.99, 40.62, -12.22

 

CMYK 0 / 55 / 23 / 39

HEX #9B4677

RGB 155 70 119

HSL 325.41, 0.38%, 0.44%

LAB 42.28, 41.35, -11.08

 

CMYK 0 / 36 / 13 / 12

HEX #E090C4

RGB 224 144 196

HSL 321, 0.56%, 0.72%

LAB 69.31, 37.72, -14.32

 

CMYK 0 / 36 / 22 / 12

HEX #E090AE

RGB 224 144 174

HSL 337.5, 0.56%, 0.72%

LAB 68.64, 34.31, -3.03

 

CMYK 0 / 36 / 32 / 12

HEX #E09099

RGB 224 144 153

HSL 353.25, 0.56%, 0.72%

LAB 68.09, 31.42, 7.92

 

CMYK 0 / 36 / 36 / 12

HEX #E09090

RGB 224 144 144

HSL 0, 0.56%, 0.72%

LAB 67.88, 30.3, 12.66

 

CMYK 0 / 36 / 13 / 12

HEX #E090C4

RGB 224 144 196

HSL 321, 0.56%, 0.72%

LAB 69.31, 37.72, -14.32

 

CMYK 0 / 36 / 3 / 12

HEX #E090DA

RGB 224 144 218

HSL 304.5, 0.56%, 0.72%

LAB 70.07, 41.48, -25.35

 

CMYK 7 / 36 / 0 / 12

HEX #D090E0

RGB 208 144 224

HSL 288, 0.56%, 0.72%

LAB 68.56, 37.63, -31.14

 

CMYK 17 / 36 / 0 / 12

HEX #BB90E0

RGB 187 144 224

HSL 272.25, 0.56%, 0.72%

LAB 66.44, 31.22, -34.6

 

CMYK 26 / 36 / 0 / 12

HEX #A590E0

RGB 165 144 224

HSL 255.75, 0.56%, 0.72%

LAB 64.43, 24.71, -37.89

 

CMYK 0 / 36 / 13 / 12

HEX #E090C4

RGB 224 144 196

HSL 321, 0.56%, 0.72%

LAB 69.31, 37.72, -14.32

 

CMYK 0 / 44 / 15 / 8

HEX #EB84C8

RGB 235 132 200

HSL 320.39, 0.72%, 0.72%

LAB 68.27, 48.16, -18

 

CMYK 0 / 51 / 18 / 3

HEX #F779CB

RGB 247 121 203

HSL 320.95, 0.89%, 0.72%

LAB 67.84, 57.71, -20.17

 

CMYK 0 / 36 / 13 / 12

HEX #E090C4

RGB 224 144 196

HSL 321, 0.56%, 0.72%

LAB 69.31, 37.72, -14.32

 

CMYK 0 / 27 / 9 / 17

HEX #D49BC0

RGB 212 155 192

HSL 321.05, 0.4%, 0.72%

LAB 70.35, 27.05, -10.68

 

CMYK 0 / 17 / 5 / 22

HEX #C8A7BD

RGB 200 167 189

HSL 320, 0.23%, 0.72%

LAB 71.95, 15.78, -6.75

 

CMYK 0 / 6 / 2 / 26

HEX #BDB2B9

RGB 189 178 185

HSL 321.82, 0.08%, 0.72%

LAB 73.65, 5.18, -2.16

 

CMYK 7 / 0 / 4 / 25

HEX #B1BEB6

RGB 177 190 182

HSL 143.08, 0.09%, 0.72%

LAB 75.79, -6, 2.49

 

CMYK 7 / 36 / 0 / 12

HEX #D090E0

RGB 208 144 224

HSL 288, 0.56%, 0.72%

LAB 68.56, 37.63, -31.14

 

CMYK 0 / 36 / 3 / 12

HEX #E090DA

RGB 224 144 218

HSL 304.5, 0.56%, 0.72%

LAB 70.07, 41.48, -25.35

 

CMYK 0 / 36 / 12 / 12

HEX #E090C5

RGB 224 144 197

HSL 320.25, 0.56%, 0.72%

LAB 69.34, 37.88, -14.82

 

CMYK 0 / 36 / 21 / 12

HEX #E090B0

RGB 224 144 176

HSL 336, 0.56%, 0.72%

LAB 68.7, 34.6, -4.07

 

CMYK 0 / 36 / 31 / 12

HEX #E0909A

RGB 224 144 154

HSL 352.5, 0.56%, 0.72%

LAB 68.11, 31.55, 7.4

 

CMYK 0 / 61 / 21 / 20

HEX #CD4FA2

RGB 205 79 162

HSL 320.48, 0.56%, 0.56%

LAB 53.15, 58.61, -19.66

 

CMYK 0 / 48 / 17 / 16

HEX #D76FB3

RGB 215 111 179

HSL 320.77, 0.57%, 0.64%

LAB 60.84, 49.15, -17.64

 

CMYK 0 / 36 / 13 / 12

HEX #E090C4

RGB 224 144 196

HSL 321, 0.56%, 0.72%

LAB 69.31, 37.72, -14.32

 

CMYK 0 / 24 / 9 / 9

HEX #E9B0D5

RGB 233 176 213

HSL 321.05, 0.56%, 0.8%

LAB 77.98, 26.53, -10.57

 

CMYK 0 / 14 / 5 / 5

HEX #F2D0E6

RGB 242 208 230

HSL 321.18, 0.57%, 0.88%

LAB 86.85, 15.53, -6.42

 

CMYK 0 / 36 / 13 / 13

HEX #DF8EC3

RGB 223 142 195

HSL 320.74, 0.56%, 0.72%

LAB 68.73, 38.28, -14.64

 

CMYK 0 / 17 / 36 / 12

HEX #E0BA90

RGB 224 186 144

HSL 31.5, 0.56%, 0.72%

LAB 77.86, 7.83, 26.41

 

CMYK 36 / 0 / 3 / 12

HEX #90E0DA

RGB 144 224 218

HSL 175.5, 0.56%, 0.72%

LAB 84.12, -25.76, -4.83

 

CMYK 0 / 36 / 13 / 13

HEX #DF8EC3

RGB 223 142 195

HSL 320.74, 0.56%, 0.72%

LAB 68.73, 38.28, -14.64

 

CMYK 12 / 0 / 36 / 12

HEX #C5E090

RGB 197 224 144

HSL 80.25, 0.56%, 0.72%

LAB 85.6, -22, 36.28

 

CMYK 36 / 12 / 0 / 12

HEX #90C5E0

RGB 144 197 224

HSL 200.25, 0.56%, 0.72%

LAB 76.83, -10.64, -18.94

 

CMYK 0 / 36 / 13 / 13

HEX #DF8EC3

RGB 223 142 195

HSL 320.74, 0.56%, 0.72%

LAB 68.73, 38.28, -14.64

 

CMYK 0 / 17 / 36 / 12

HEX #E0BA90

RGB 224 186 144

HSL 31.5, 0.56%, 0.72%

LAB 77.86, 7.83, 26.41

 

CMYK 36 / 0 / 24 / 12

HEX #90E0AA

RGB 144 224 170

HSL 139.5, 0.56%, 0.72%

LAB 82.99, -35.79, 18.85

 

CMYK 36 / 19 / 0 / 12

HEX #90B5E0

RGB 144 181 224

HSL 212.25, 0.56%, 0.72%

LAB 72.47, -2.07, -25.58

 

CMYK 0 / 36 / 13 / 13

HEX #DF8EC3

RGB 223 142 195

HSL 320.74, 0.56%, 0.72%

LAB 68.73, 38.28, -14.64

 

CMYK 0 / 6 / 36 / 12

HEX #E0D290

RGB 224 210 144

HSL 49.5, 0.56%, 0.72%

LAB 83.94, -4.69, 34.49

 

CMYK 36 / 0 / 24 / 12

HEX #90E0AA

RGB 144 224 170

HSL 139.5, 0.56%, 0.72%

LAB 82.99, -35.79, 18.85

 

CMYK 36 / 30 / 0 / 12

HEX #909DE0

RGB 144 157 224

HSL 230.25, 0.56%, 0.72%

LAB 66.08, 11.34, -35.44

 

Description

Color code: HEX #DF8EC3 | qconv.com Color code: HEX #DF8EC3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 142 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 142 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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