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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF8EB9 it is the complementary color #207146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF8EB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF8EB9 shade: #E48EB4, #F5A0C7, #FFB2DA, #FFC4ED and #FFD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF8EB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF8EB9 shade: #DF8EB9, #CE7CA6, #BD6A93, #AC5880 and #9B466D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF8EB9 shade: #E090BA, #E090A5 and #E09090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF8EB9 shade: #E090BA, #E090D0, #DA90E0, #C490E0 and #AF90E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF8EB9 shade matches the following richer shades: #E090BA, #EB84BB and #F779BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF8EB9 shade: #E090BA, #D49BB9, #C8A7B9, #BDB2B8 and #B1BEB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF8EB9 shade: #DA90E0, #E090D0, #E090BA, #E090A5 and #E09090

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF8EB9 shade: #CD4F92, #D76FA6, #E090BA, #E9B0CE and #F2D0E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF8EB9 shade: #DF8EB9, #E0C590 and #90DAE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF8EB9 shade: #DF8EB9, #BAE090 and #90BAE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF8EB9 shade: #DF8EB9, #E0C590, #90E0B5 and #90AAE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF8EB9 shade: #DF8EB9, #E0DD90, #90E0B5 and #9092E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 17 / 13

HEX #DF8EB9

RGB 223 142 185

HSL 328.15, 0.56%, 0.72%

LAB 68.41, 36.68, -9.54

 

Complementary color

CMYK 72 / 0 / 38 / 56

HEX #207146

RGB 32 113 70

HSL 148.15, 0.56%, 0.28%

LAB 42.09, -34.93, 17.03

 

CMYK 0 / 38 / 21 / 11

HEX #E48EB4

RGB 228 142 180

HSL 333.49, 0.61%, 0.73%

LAB 68.85, 37.65, -6.03

 

CMYK 0 / 35 / 19 / 4

HEX #F5A0C7

RGB 245 160 199

HSL 332.47, 0.81%, 0.79%

LAB 75.25, 36.87, -6.86

 

CMYK 0 / 30 / 15 / 0

HEX #FFB2DA

RGB 255 178 218

HSL 328.83, 1%, 0.85%

LAB 80.83, 33.77, -8.8

 

CMYK 0 / 23 / 7 / 0

HEX #FFC4ED

RGB 255 196 237

HSL 318.31, 1%, 0.88%

LAB 85.43, 27.42, -12.12

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 36 / 17 / 13

HEX #DF8EB9

RGB 223 142 185

HSL 328.15, 0.56%, 0.72%

LAB 68.41, 36.68, -9.54

 

CMYK 0 / 40 / 19 / 19

HEX #CE7CA6

RGB 206 124 166

HSL 329.27, 0.46%, 0.65%

LAB 61.9, 37.47, -8.73

 

CMYK 0 / 44 / 22 / 26

HEX #BD6A93

RGB 189 106 147

HSL 330.36, 0.39%, 0.58%

LAB 55.31, 38.29, -7.81

 

CMYK 0 / 49 / 26 / 33

HEX #AC5880

RGB 172 88 128

HSL 331.43, 0.34%, 0.51%

LAB 48.65, 39.12, -6.74

 

CMYK 0 / 55 / 30 / 39

HEX #9B466D

RGB 155 70 109

HSL 332.47, 0.38%, 0.44%

LAB 41.93, 39.91, -5.44

 

CMYK 0 / 36 / 17 / 12

HEX #E090BA

RGB 224 144 186

HSL 328.5, 0.56%, 0.72%

LAB 69, 36.12, -9.22

 

CMYK 0 / 36 / 26 / 12

HEX #E090A5

RGB 224 144 165

HSL 344.25, 0.56%, 0.72%

LAB 68.4, 33.03, 1.64

 

CMYK 0 / 36 / 36 / 12

HEX #E09090

RGB 224 144 144

HSL 0, 0.56%, 0.72%

LAB 67.88, 30.3, 12.66

 

CMYK 0 / 36 / 17 / 12

HEX #E090BA

RGB 224 144 186

HSL 328.5, 0.56%, 0.72%

LAB 69, 36.12, -9.22

 

CMYK 0 / 36 / 7 / 12

HEX #E090D0

RGB 224 144 208

HSL 312, 0.56%, 0.72%

LAB 69.72, 39.73, -20.37

 

CMYK 3 / 36 / 0 / 12

HEX #DA90E0

RGB 218 144 224

HSL 295.5, 0.56%, 0.72%

LAB 69.64, 40.71, -29.4

 

CMYK 13 / 36 / 0 / 12

HEX #C490E0

RGB 196 144 224

HSL 279, 0.56%, 0.72%

LAB 67.33, 33.95, -33.15

 

CMYK 22 / 36 / 0 / 12

HEX #AF90E0

RGB 175 144 224

HSL 263.25, 0.56%, 0.72%

LAB 65.31, 27.64, -36.44

 

CMYK 0 / 36 / 17 / 12

HEX #E090BA

RGB 224 144 186

HSL 328.5, 0.56%, 0.72%

LAB 69, 36.12, -9.22

 

CMYK 0 / 44 / 20 / 8

HEX #EB84BB

RGB 235 132 187

HSL 327.96, 0.72%, 0.72%

LAB 67.84, 46.21, -11.37

 

CMYK 0 / 51 / 24 / 3

HEX #F779BB

RGB 247 121 187

HSL 328.57, 0.89%, 0.72%

LAB 67.3, 55.47, -12.01

 

CMYK 0 / 36 / 17 / 12

HEX #E090BA

RGB 224 144 186

HSL 328.5, 0.56%, 0.72%

LAB 69, 36.12, -9.22

 

CMYK 0 / 27 / 13 / 17

HEX #D49BB9

RGB 212 155 185

HSL 328.42, 0.4%, 0.72%

LAB 70.14, 25.87, -7.11

 

CMYK 0 / 17 / 8 / 22

HEX #C8A7B9

RGB 200 167 185

HSL 327.27, 0.23%, 0.72%

LAB 71.84, 15.07, -4.72

 

CMYK 0 / 6 / 3 / 26

HEX #BDB2B8

RGB 189 178 184

HSL 327.27, 0.08%, 0.72%

LAB 73.62, 4.99, -1.66

 

CMYK 7 / 0 / 4 / 25

HEX #B1BEB7

RGB 177 190 183

HSL 147.69, 0.09%, 0.72%

LAB 75.82, -5.81, 1.98

 

CMYK 3 / 36 / 0 / 12

HEX #DA90E0

RGB 218 144 224

HSL 295.5, 0.56%, 0.72%

LAB 69.64, 40.71, -29.4

 

CMYK 0 / 36 / 7 / 12

HEX #E090D0

RGB 224 144 208

HSL 312, 0.56%, 0.72%

LAB 69.72, 39.73, -20.37

 

CMYK 0 / 36 / 17 / 12

HEX #E090BA

RGB 224 144 186

HSL 328.5, 0.56%, 0.72%

LAB 69, 36.12, -9.22

 

CMYK 0 / 36 / 26 / 12

HEX #E090A5

RGB 224 144 165

HSL 344.25, 0.56%, 0.72%

LAB 68.4, 33.03, 1.64

 

CMYK 0 / 36 / 36 / 12

HEX #E09090

RGB 224 144 144

HSL 0, 0.56%, 0.72%

LAB 67.88, 30.3, 12.66

 

CMYK 0 / 61 / 29 / 20

HEX #CD4F92

RGB 205 79 146

HSL 328.1, 0.56%, 0.56%

LAB 52.56, 56.47, -11.11

 

CMYK 0 / 48 / 23 / 16

HEX #D76FA6

RGB 215 111 166

HSL 328.27, 0.57%, 0.64%

LAB 60.4, 47.22, -10.86

 

CMYK 0 / 36 / 17 / 12

HEX #E090BA

RGB 224 144 186

HSL 328.5, 0.56%, 0.72%

LAB 69, 36.12, -9.22

 

CMYK 0 / 24 / 12 / 9

HEX #E9B0CE

RGB 233 176 206

HSL 328.42, 0.56%, 0.8%

LAB 77.77, 25.36, -7.08

 

CMYK 0 / 14 / 7 / 5

HEX #F2D0E2

RGB 242 208 226

HSL 328.24, 0.57%, 0.88%

LAB 86.74, 14.84, -4.47

 

CMYK 0 / 36 / 17 / 13

HEX #DF8EB9

RGB 223 142 185

HSL 328.15, 0.56%, 0.72%

LAB 68.41, 36.68, -9.54

 

CMYK 0 / 12 / 36 / 12

HEX #E0C590

RGB 224 197 144

HSL 39.75, 0.56%, 0.72%

LAB 80.62, 2.04, 30.11

 

CMYK 36 / 3 / 0 / 12

HEX #90DAE0

RGB 144 218 224

HSL 184.5, 0.56%, 0.72%

LAB 82.62, -21.39, -10.24

 

CMYK 0 / 36 / 17 / 13

HEX #DF8EB9

RGB 223 142 185

HSL 328.15, 0.56%, 0.72%

LAB 68.41, 36.68, -9.54

 

CMYK 17 / 0 / 36 / 12

HEX #BAE090

RGB 186 224 144

HSL 88.5, 0.56%, 0.72%

LAB 84.88, -26.03, 35.19

 

CMYK 36 / 17 / 0 / 12

HEX #90BAE0

RGB 144 186 224

HSL 208.5, 0.56%, 0.72%

LAB 73.82, -4.78, -23.51

 

CMYK 0 / 36 / 17 / 13

HEX #DF8EB9

RGB 223 142 185

HSL 328.15, 0.56%, 0.72%

LAB 68.41, 36.68, -9.54

 

CMYK 0 / 12 / 36 / 12

HEX #E0C590

RGB 224 197 144

HSL 39.75, 0.56%, 0.72%

LAB 80.62, 2.04, 30.11

 

CMYK 36 / 0 / 19 / 12

HEX #90E0B5

RGB 144 224 181

HSL 147.75, 0.56%, 0.72%

LAB 83.22, -33.69, 13.4

 

CMYK 36 / 24 / 0 / 12

HEX #90AAE0

RGB 144 170 224

HSL 220.5, 0.56%, 0.72%

LAB 69.51, 4, -30.12

 

CMYK 0 / 36 / 17 / 13

HEX #DF8EB9

RGB 223 142 185

HSL 328.15, 0.56%, 0.72%

LAB 68.41, 36.68, -9.54

 

CMYK 0 / 1 / 36 / 12

HEX #E0DD90

RGB 224 221 144

HSL 57.75, 0.56%, 0.72%

LAB 86.79, -10.28, 38.2

 

CMYK 36 / 0 / 19 / 12

HEX #90E0B5

RGB 144 224 181

HSL 147.75, 0.56%, 0.72%

LAB 83.22, -33.69, 13.4

 

CMYK 36 / 35 / 0 / 12

HEX #9092E0

RGB 144 146 224

HSL 238.5, 0.56%, 0.72%

LAB 63.23, 17.66, -39.87

 

Description

Color code: HEX #DF8EB9 | qconv.com Color code: HEX #DF8EB9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 142 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 142 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 17 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 17% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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