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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF8EB2 it is the complementary color #20714D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF8EB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF8EB2 shade: #E48EAD, #F5A0C0, #FFB2D3, #FFC4E6 and #FFD6F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF8EB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF8EB2 shade: #DF8EB2, #CE7C9F, #BD6A8C, #AC5879 and #9B4666

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF8EB2 shade: #DF8FB3, #DF8F9D and #DF8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF8EB2 shade: #DF8FB3, #DF8FC8, #DF8FDE, #CB8FDF and #B58FDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF8EB2 shade matches the following richer shades: #DF8FB3, #EB84B1 and #F678B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF8EB2 shade: #DF8FB3, #D49BB4, #C8A6B5, #BCB2B7 and #B1BDB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF8EB2 shade: #DF8FDE, #DF8FC8, #DF8FB3, #DF8F9E and #DF968F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF8EB2 shade: #CD4F87, #D66F9D, #DF8FB3, #E8AFC9 and #F1CFDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF8EB2 shade: #DF8EB2, #DFCB8F and #8FD3DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF8EB2 shade: #DF8EB2, #B3DF8F and #8FB3DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF8EB2 shade: #DF8EB2, #DFCB8F, #8FDFBB and #8FA3DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF8EB2 shade: #DF8EB2, #DBDF8F, #8FDFBB and #938FDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 20 / 13

HEX #DF8EB2

RGB 223 142 178

HSL 333.33, 0.56%, 0.72%

LAB 68.2, 35.61, -5.93

 

Complementary color

CMYK 72 / 0 / 32 / 56

HEX #20714D

RGB 32 113 77

HSL 153.33, 0.56%, 0.28%

LAB 42.24, -33.36, 13.12

 

CMYK 0 / 38 / 24 / 11

HEX #E48EAD

RGB 228 142 173

HSL 338.37, 0.61%, 0.73%

LAB 68.65, 36.63, -2.41

 

CMYK 0 / 35 / 22 / 4

HEX #F5A0C0

RGB 245 160 192

HSL 337.41, 0.81%, 0.79%

LAB 75.05, 35.84, -3.31

 

CMYK 0 / 30 / 17 / 0

HEX #FFB2D3

RGB 255 178 211

HSL 334.29, 1%, 0.85%

LAB 80.63, 32.69, -5.31

 

CMYK 0 / 23 / 10 / 0

HEX #FFC4E6

RGB 255 196 230

HSL 325.42, 1%, 0.88%

LAB 85.23, 26.25, -8.7

 

CMYK 0 / 16 / 2 / 0

HEX #FFD6F9

RGB 255 214 249

HSL 308.78, 1%, 0.92%

LAB 89.95, 20.06, -11.73

 

CMYK 0 / 36 / 20 / 13

HEX #DF8EB2

RGB 223 142 178

HSL 333.33, 0.56%, 0.72%

LAB 68.2, 35.61, -5.93

 

CMYK 0 / 40 / 23 / 19

HEX #CE7C9F

RGB 206 124 159

HSL 334.39, 0.46%, 0.65%

LAB 61.69, 36.42, -5.05

 

CMYK 0 / 44 / 26 / 26

HEX #BD6A8C

RGB 189 106 140

HSL 335.42, 0.39%, 0.58%

LAB 55.09, 37.27, -4.04

 

CMYK 0 / 49 / 30 / 33

HEX #AC5879

RGB 172 88 121

HSL 336.43, 0.34%, 0.51%

LAB 48.42, 38.14, -2.87

 

CMYK 0 / 55 / 34 / 39

HEX #9B4666

RGB 155 70 102

HSL 337.41, 0.38%, 0.44%

LAB 41.7, 38.98, -1.44

 

CMYK 0 / 36 / 20 / 13

HEX #DF8FB3

RGB 223 143 179

HSL 333, 0.56%, 0.72%

LAB 68.45, 35.23, -6.13

 

CMYK 0 / 36 / 30 / 13

HEX #DF8F9D

RGB 223 143 157

HSL 349.5, 0.56%, 0.72%

LAB 67.85, 32.11, 5.32

 

CMYK 0 / 36 / 36 / 13

HEX #DF8F8F

RGB 223 143 143

HSL 0, 0.56%, 0.72%

LAB 67.51, 30.34, 12.69

 

CMYK 0 / 36 / 20 / 13

HEX #DF8FB3

RGB 223 143 179

HSL 333, 0.56%, 0.72%

LAB 68.45, 35.23, -6.13

 

CMYK 0 / 36 / 10 / 13

HEX #DF8FC8

RGB 223 143 200

HSL 317.25, 0.56%, 0.72%

LAB 69.11, 38.58, -16.85

 

CMYK 0 / 36 / 0 / 13

HEX #DF8FDE

RGB 223 143 222

HSL 300.75, 0.56%, 0.72%

LAB 69.9, 42.42, -27.84

 

CMYK 9 / 36 / 0 / 13

HEX #CB8FDF

RGB 203 143 223

HSL 285, 0.56%, 0.72%

LAB 67.78, 36.43, -31.85

 

CMYK 19 / 36 / 0 / 13

HEX #B58FDF

RGB 181 143 223

HSL 268.5, 0.56%, 0.72%

LAB 65.59, 29.75, -35.41

 

CMYK 0 / 36 / 20 / 13

HEX #DF8FB3

RGB 223 143 179

HSL 333, 0.56%, 0.72%

LAB 68.45, 35.23, -6.13

 

CMYK 0 / 44 / 25 / 8

HEX #EB84B1

RGB 235 132 177

HSL 333.79, 0.72%, 0.72%

LAB 67.53, 44.78, -6.21

 

CMYK 0 / 51 / 28 / 4

HEX #F678B0

RGB 246 120 176

HSL 333.33, 0.88%, 0.72%

LAB 66.64, 54.18, -6.8

 

CMYK 0 / 36 / 20 / 13

HEX #DF8FB3

RGB 223 143 179

HSL 333, 0.56%, 0.72%

LAB 68.45, 35.23, -6.13

 

CMYK 0 / 27 / 15 / 17

HEX #D49BB4

RGB 212 155 180

HSL 333.68, 0.4%, 0.72%

LAB 69.99, 25.05, -4.55

 

CMYK 0 / 17 / 10 / 22

HEX #C8A6B5

RGB 200 166 181

HSL 333.53, 0.24%, 0.72%

LAB 71.48, 14.92, -3.04

 

CMYK 0 / 5 / 3 / 26

HEX #BCB2B7

RGB 188 178 183

HSL 330, 0.07%, 0.72%

LAB 73.51, 4.46, -1.28

 

CMYK 6 / 0 / 3 / 26

HEX #B1BDB8

RGB 177 189 184

HSL 155, 0.08%, 0.72%

LAB 75.58, -5.09, 1.09

 

CMYK 0 / 36 / 0 / 13

HEX #DF8FDE

RGB 223 143 222

HSL 300.75, 0.56%, 0.72%

LAB 69.9, 42.42, -27.84

 

CMYK 0 / 36 / 10 / 13

HEX #DF8FC8

RGB 223 143 200

HSL 317.25, 0.56%, 0.72%

LAB 69.11, 38.58, -16.85

 

CMYK 0 / 36 / 20 / 13

HEX #DF8FB3

RGB 223 143 179

HSL 333, 0.56%, 0.72%

LAB 68.45, 35.23, -6.13

 

CMYK 0 / 36 / 29 / 13

HEX #DF8F9E

RGB 223 143 158

HSL 348.75, 0.56%, 0.72%

LAB 67.87, 32.24, 4.8

 

CMYK 0 / 33 / 36 / 13

HEX #DF968F

RGB 223 150 143

HSL 5.25, 0.56%, 0.72%

LAB 69.1, 26.59, 14.92

 

CMYK 0 / 61 / 34 / 20

HEX #CD4F87

RGB 205 79 135

HSL 333.33, 0.56%, 0.56%

LAB 52.2, 55.13, -5.11

 

CMYK 0 / 48 / 27 / 16

HEX #D66F9D

RGB 214 111 157

HSL 333.2, 0.56%, 0.64%

LAB 59.98, 45.64, -6.32

 

CMYK 0 / 36 / 20 / 13

HEX #DF8FB3

RGB 223 143 179

HSL 333, 0.56%, 0.72%

LAB 68.45, 35.23, -6.13

 

CMYK 0 / 25 / 13 / 9

HEX #E8AFC9

RGB 232 175 201

HSL 332.63, 0.55%, 0.8%

LAB 77.3, 24.73, -5.07

 

CMYK 0 / 14 / 8 / 5

HEX #F1CFDE

RGB 241 207 222

HSL 333.53, 0.55%, 0.88%

LAB 86.31, 14.34, -3

 

CMYK 0 / 36 / 20 / 13

HEX #DF8EB2

RGB 223 142 178

HSL 333.33, 0.56%, 0.72%

LAB 68.2, 35.61, -5.93

 

CMYK 0 / 9 / 36 / 13

HEX #DFCB8F

RGB 223 203 143

HSL 45, 0.56%, 0.72%

LAB 82.05, -1.59, 32.5

 

CMYK 36 / 5 / 0 / 13

HEX #8FD3DF

RGB 143 211 223

HSL 189, 0.56%, 0.72%

LAB 80.6, -18.38, -12.73

 

CMYK 0 / 36 / 20 / 13

HEX #DF8EB2

RGB 223 142 178

HSL 333.33, 0.56%, 0.72%

LAB 68.2, 35.61, -5.93

 

CMYK 20 / 0 / 36 / 13

HEX #B3DF8F

RGB 179 223 143

HSL 93, 0.56%, 0.72%

LAB 84.14, -28.2, 34.66

 

CMYK 36 / 20 / 0 / 13

HEX #8FB3DF

RGB 143 179 223

HSL 213, 0.56%, 0.72%

LAB 71.83, -1.51, -26.01

 

CMYK 0 / 36 / 20 / 13

HEX #DF8EB2

RGB 223 142 178

HSL 333.33, 0.56%, 0.72%

LAB 68.2, 35.61, -5.93

 

CMYK 0 / 9 / 36 / 13

HEX #DFCB8F

RGB 223 203 143

HSL 45, 0.56%, 0.72%

LAB 82.05, -1.59, 32.5

 

CMYK 36 / 0 / 16 / 13

HEX #8FDFBB

RGB 143 223 187

HSL 153, 0.56%, 0.72%

LAB 83.02, -32.31, 9.95

 

CMYK 36 / 27 / 0 / 13

HEX #8FA3DF

RGB 143 163 223

HSL 225, 0.56%, 0.72%

LAB 67.55, 7.4, -32.61

 

CMYK 0 / 36 / 20 / 13

HEX #DF8EB2

RGB 223 142 178

HSL 333.33, 0.56%, 0.72%

LAB 68.2, 35.61, -5.93

 

CMYK 2 / 0 / 36 / 13

HEX #DBDF8F

RGB 219 223 143

HSL 63, 0.56%, 0.72%

LAB 86.91, -13.32, 38.78

 

CMYK 36 / 0 / 16 / 13

HEX #8FDFBB

RGB 143 223 187

HSL 153, 0.56%, 0.72%

LAB 83.02, -32.31, 9.95

 

CMYK 34 / 36 / 0 / 13

HEX #938FDF

RGB 147 143 223

HSL 243, 0.56%, 0.72%

LAB 62.66, 19.94, -40.21

 

Description

Color code: HEX #DF8EB2 | qconv.com Color code: HEX #DF8EB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 142 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 142 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 20 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 20% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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