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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF8C23 it is the complementary color #2073DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF8C23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF8C23 shade: #E48C1E, #F59E31, #FFB044, #FFC257 and #FFD46A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF8C23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF8C23 shade: #DF8C23, #CE7A10, #BD6800, #AC5600 and #9B4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF8C23 shade: #E08D24, #E05A24, #E02824 and #E02424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF8C23 shade: #E08D24, #E0C024, #CDE024, #9BE024 and #68E024

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF8C23 shade matches the following richer shades: #E08D24 and #F48F10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF8C23 shade: #E08D24, #CC8B39, #B7884D, #A38661 and #8F8475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF8C23 shade: #E02724, #E05924, #E08B24, #E0BD24 and #D0E024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF8C23 shade: #9B6116, #BF771B, #E08D24, #E5A048 and #EAB36D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF8C23 shade: #DF8C23, #53E024 and #4024E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF8C23 shade: #DF8C23, #24E08B and #8B24E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF8C23 shade: #DF8C23, #53E024, #2479E0 and #B124E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF8C23 shade: #DF8C23, #24E02E, #2479E0 and #E024D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 84 / 13

HEX #DF8C23

RGB 223 140 35

HSL 33.51, 0.75%, 0.51%

LAB 65.41, 24.15, 63.63

 

Complementary color

CMYK 85 / 48 / 0 / 14

HEX #2073DC

RGB 32 115 220

HSL 213.51, 0.75%, 0.49%

LAB 49.17, 14.7, -60.33

 

CMYK 0 / 39 / 87 / 11

HEX #E48C1E

RGB 228 140 30

HSL 33.33, 0.79%, 0.51%

LAB 66.02, 26.13, 65.91

 

CMYK 0 / 36 / 80 / 4

HEX #F59E31

RGB 245 158 49

HSL 33.37, 0.91%, 0.58%

LAB 72.29, 24.25, 65.89

 

CMYK 0 / 31 / 73 / 0

HEX #FFB044

RGB 255 176 68

HSL 34.65, 1%, 0.63%

LAB 77.71, 19.69, 64.12

 

CMYK 0 / 24 / 66 / 0

HEX #FFC257

RGB 255 194 87

HSL 38.21, 1%, 0.67%

LAB 82.13, 11.26, 60.61

 

CMYK 0 / 17 / 58 / 0

HEX #FFD46A

RGB 255 212 106

HSL 42.68, 1%, 0.71%

LAB 86.7, 3.19, 57.13

 

CMYK 0 / 37 / 84 / 13

HEX #DF8C23

RGB 223 140 35

HSL 33.51, 0.75%, 0.51%

LAB 65.41, 24.15, 63.63

 

CMYK 0 / 41 / 92 / 19

HEX #CE7A10

RGB 206 122 16

HSL 33.47, 0.86%, 0.44%

LAB 59.05, 26.18, 62.89

 

CMYK 0 / 45 / 100 / 26

HEX #BD6800

RGB 189 104 0

HSL 33.02, 1%, 0.37%

LAB 52.64, 28.44, 60.52

 

CMYK 0 / 50 / 100 / 33

HEX #AC5600

RGB 172 86 0

HSL 30, 1%, 0.34%

LAB 46.21, 30.92, 55.34

 

CMYK 0 / 56 / 100 / 39

HEX #9B4400

RGB 155 68 0

HSL 26.32, 1%, 0.3%

LAB 39.75, 33.35, 50.16

 

CMYK 0 / 37 / 84 / 12

HEX #E08D24

RGB 224 141 36

HSL 33.51, 0.75%, 0.51%

LAB 65.77, 24.06, 63.66

 

CMYK 0 / 60 / 84 / 12

HEX #E05A24

RGB 224 90 36

HSL 17.23, 0.75%, 0.51%

LAB 55.37, 49.79, 54.76

 

CMYK 0 / 82 / 84 / 12

HEX #E02824

RGB 224 40 36

HSL 1.28, 0.75%, 0.51%

LAB 48.87, 67.54, 49.07

 

CMYK 0 / 84 / 84 / 12

HEX #E02424

RGB 224 36 36

HSL 0, 0.75%, 0.51%

LAB 48.56, 68.45, 48.79

 

CMYK 0 / 37 / 84 / 12

HEX #E08D24

RGB 224 141 36

HSL 33.51, 0.75%, 0.51%

LAB 65.77, 24.06, 63.66

 

CMYK 0 / 14 / 84 / 12

HEX #E0C024

RGB 224 192 36

HSL 49.79, 0.75%, 0.51%

LAB 78.27, -2.96, 74.15

 

CMYK 8 / 0 / 84 / 12

HEX #CDE024

RGB 205 224 36

HSL 66.06, 0.75%, 0.51%

LAB 85.21, -26.91, 79.31

 

CMYK 31 / 0 / 84 / 12

HEX #9BE024

RGB 155 224 36

HSL 82.02, 0.75%, 0.51%

LAB 82.06, -46.44, 75.37

 

CMYK 54 / 0 / 84 / 12

HEX #68E024

RGB 104 224 36

HSL 98.3, 0.75%, 0.51%

LAB 79.83, -62.77, 72.56

 

CMYK 0 / 37 / 84 / 12

HEX #E08D24

RGB 224 141 36

HSL 33.51, 0.75%, 0.51%

LAB 65.77, 24.06, 63.66

 

CMYK 0 / 41 / 93 / 4

HEX #F48F10

RGB 244 143 16

HSL 33.42, 0.91%, 0.51%

LAB 68.69, 30.97, 72.03

 

CMYK 0 / 37 / 84 / 12

HEX #E08D24

RGB 224 141 36

HSL 33.51, 0.75%, 0.51%

LAB 65.77, 24.06, 63.66

 

CMYK 0 / 32 / 72 / 20

HEX #CC8B39

RGB 204 139 57

HSL 33.47, 0.59%, 0.51%

LAB 63.01, 17.39, 52

 

CMYK 0 / 26 / 58 / 28

HEX #B7884D

RGB 183 136 77

HSL 33.4, 0.42%, 0.51%

LAB 60.08, 11.26, 38.3

 

CMYK 0 / 18 / 40 / 36

HEX #A38661

RGB 163 134 97

HSL 33.64, 0.26%, 0.51%

LAB 57.75, 5.79, 24.07

 

CMYK 0 / 8 / 18 / 44

HEX #8F8475

RGB 143 132 117

HSL 34.62, 0.1%, 0.51%

LAB 55.71, 1.52, 9.6

 

CMYK 0 / 83 / 84 / 12

HEX #E02724

RGB 224 39 36

HSL 0.96, 0.75%, 0.51%

LAB 48.79, 67.78, 48.99

 

CMYK 0 / 60 / 84 / 12

HEX #E05924

RGB 224 89 36

HSL 16.91, 0.75%, 0.51%

LAB 55.2, 50.24, 54.61

 

CMYK 0 / 38 / 84 / 12

HEX #E08B24

RGB 224 139 36

HSL 32.87, 0.75%, 0.51%

LAB 65.31, 25.13, 63.28

 

CMYK 0 / 16 / 84 / 12

HEX #E0BD24

RGB 224 189 36

HSL 48.83, 0.75%, 0.51%

LAB 77.5, -1.41, 73.51

 

CMYK 7 / 0 / 84 / 12

HEX #D0E024

RGB 208 224 36

HSL 65.11, 0.75%, 0.51%

LAB 85.43, -25.68, 79.58

 

CMYK 0 / 37 / 86 / 39

HEX #9B6116

RGB 155 97 22

HSL 33.83, 0.75%, 0.35%

LAB 46.41, 17.78, 48.43

 

CMYK 0 / 38 / 86 / 25

HEX #BF771B

RGB 191 119 27

HSL 33.66, 0.75%, 0.43%

LAB 56.44, 21.58, 57.07

 

CMYK 0 / 37 / 84 / 12

HEX #E08D24

RGB 224 141 36

HSL 33.51, 0.75%, 0.51%

LAB 65.77, 24.06, 63.66

 

CMYK 0 / 30 / 69 / 10

HEX #E5A048

RGB 229 160 72

HSL 33.63, 0.75%, 0.59%

LAB 71.05, 17.48, 54.57

 

CMYK 0 / 24 / 53 / 8

HEX #EAB36D

RGB 234 179 109

HSL 33.6, 0.75%, 0.67%

LAB 76.58, 12, 43.16

 

CMYK 0 / 37 / 84 / 13

HEX #DF8C23

RGB 223 140 35

HSL 33.51, 0.75%, 0.51%

LAB 65.41, 24.15, 63.63

 

CMYK 63 / 0 / 84 / 12

HEX #53E024

RGB 83 224 36

HSL 105, 0.75%, 0.51%

LAB 79.2, -67.88, 71.76

 

CMYK 71 / 84 / 0 / 12

HEX #4024E0

RGB 64 36 224

HSL 248.94, 0.75%, 0.51%

LAB 33.42, 64.2, -88.35

 

CMYK 0 / 37 / 84 / 13

HEX #DF8C23

RGB 223 140 35

HSL 33.51, 0.75%, 0.51%

LAB 65.41, 24.15, 63.63

 

CMYK 84 / 0 / 38 / 12

HEX #24E08B

RGB 36 224 139

HSL 152.87, 0.75%, 0.51%

LAB 79.36, -63.03, 29.45

 

CMYK 38 / 84 / 0 / 12

HEX #8B24E0

RGB 139 36 224

HSL 272.87, 0.75%, 0.51%

LAB 41.43, 71.69, -74.88

 

CMYK 0 / 37 / 84 / 13

HEX #DF8C23

RGB 223 140 35

HSL 33.51, 0.75%, 0.51%

LAB 65.41, 24.15, 63.63

 

CMYK 63 / 0 / 84 / 12

HEX #53E024

RGB 83 224 36

HSL 105, 0.75%, 0.51%

LAB 79.2, -67.88, 71.76

 

CMYK 84 / 46 / 0 / 12

HEX #2479E0

RGB 36 121 224

HSL 212.87, 0.75%, 0.51%

LAB 51.19, 12.76, -59.33

 

CMYK 21 / 84 / 0 / 12

HEX #B124E0

RGB 177 36 224

HSL 285, 0.75%, 0.51%

LAB 46.96, 77.23, -65.61

 

CMYK 0 / 37 / 84 / 13

HEX #DF8C23

RGB 223 140 35

HSL 33.51, 0.75%, 0.51%

LAB 65.41, 24.15, 63.63

 

CMYK 84 / 0 / 79 / 12

HEX #24E02E

RGB 36 224 46

HSL 123.19, 0.75%, 0.51%

LAB 78.39, -74.67, 68.17

 

CMYK 84 / 46 / 0 / 12

HEX #2479E0

RGB 36 121 224

HSL 212.87, 0.75%, 0.51%

LAB 51.19, 12.76, -59.33

 

CMYK 0 / 84 / 4 / 12

HEX #E024D6

RGB 224 36 214

HSL 303.19, 0.75%, 0.51%

LAB 53.99, 83.67, -48.22

 

Description

Color code: HEX #DF8C23 | qconv.com Color code: HEX #DF8C23 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 140 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 140 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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